On Saturday, September 28, 2019, Jimmy Herring played Brooklyn Bowl NYC with his new band The 5 of 7. The band consists of bassist Kevin Scott, drummer Darren Stanley, guitarist and singer Rick Lollar, and Matt Slocum on keyboards.
Herring is best known for being the lead guitarist for the band Widespread Panic. He is also the founding member of Aquarium Rescue Unit and Jazz is Dead. Jimmy is a guitar legend and has played with other legendary bands like The Allman Brothers, Phil Lesh and Friends, and The Dead.
The two hour set started with a Miles Davis cover of “Black Satin” and continued with songs from Jimmy Herring during his solo career like “The Big Galoot,” “Matt’s Funk” and “1911.” The show was also streamed live on The Relix Channel, seen below. The show was amazing and an absolute must for fans of jazz infused rock and roll with heavy guitar solos.
Setlist: Black Satin, The Big Galoot, Matt’s Funk, Sketch Ballad, Soulful Hang, Miss Maybelle, One Strut, 1911, Check the Hand, Former Lives, Buddy, Kaleidoscope Carousel, Two Good People (Zone 28 Grams, Baby Gas & King Cydal cover), Scapegoat Blues
On September 19th, more than 60 musicians gathered to honor a man who had worked for over 40 years in the music world, the late great Joseph Louis Manganello, aka Joe Mango.
As his obituary stated, “Mango was a renowned sound engineer who worked with many local and national bands throughout the years. He also worked with the bands that played at BRYAC Restaurant and Raw Bar in Bridgeport and also worked at Guitar Center in Orange. He was an accomplished voice and theatre actor. Joseph was the co-founder and co-producer of the Soupstock Music and Arts Festival benefitting the Mary A Schmecker Turtle Shell Fund that took place in Shelton every year. He loved to attend music festivals and was an avid Hot Wheels collector, but his most prized collection was friendships. Everywhere Joseph traveled, he acquired a new friend who instantly became a member of his extended family.”
Joe Manganello, aka Joe Mango
It was this prized group of friends who gathered from across the country to honor the late sound engineer, thanks to promoter Josh Kroop who helped arrange the socially distant event.
“I know how profoundly this would have impacted Joe Mango and how much he impacted the lives of everyone involved! You guys are the best of the best! I hope we all carry the feeling we shared this past Saturday around for the rest of our lives. I know I will!” said Kroop.
“Joe Mango was a fixture in the music scene. He made the music sound great and used music to bring us together for noble causes,” said Tim Palmieri guitarist of Kung Fu and The Breakfast.
“Mango & I had an understanding! He was one of the only “grumpy sound guys” in the country that I know fully had everyone’s best interest at hand! If he asked me to turn my amp down, which he always did, I had absolutely no problems with that! I trusted him completely because his motivation wasn’t to control the sound, it was simply to make sure everyone in the room had the best possible experience! He truly cared because that’s the kind of guy he was & that’s exactly why we all loved him so much!” stated Danny Meyer (guitarist Star Kitchen, Eric Krasno Band, Alan Evans Trio, On The Spot Trio) of the late sound engineer.
The night, which was streamed across the internet thanks to media mastermind MKDevo, helped raise over $7,000 which will be used to help Joesph’s family pay for end of life expenses as well as portions to be donated to The Mary A Schmecker Turtle Shell Fund, an organization charity which seeks to build community through art, music, theater, skilled craft, and other creative pursuits in order to create a rich cultural heritage for tomorrow.
Highlights of the night included “Midnight in Harlem,” sung by Elise Testone with the BRYAC All-Stars backing her, “Sweet Like Honey” by Alpaca Gnomes with Fuzz (Deep Bananna Blackout) sitting in, Rich Zurkowski covering Black Sabbath’s “Fairies Wear Boots” with Darien Cunning, Michelangelo Carubba (Turkuaz), Johnny Durkin (DBB) and Kris Yunker (On Spot Trio, Jen Durkin and The Business, Alan Evans Tribute), Goose’s rendition of Radiohead’s “Weird Fishes/ /Arpeggi” and, of course, the Mango All-Stars’ cover of Phish’s “Mango Song.”
“Thank you so much to everyone who joined in honoring our colleague, our friend, our biggest fan, Joe Mango. We cannot thank you enough for the generous donations being made to assist his family during these difficult times and to the The Mary A. Schmecker Turtle Shell Fund, the non-profit that Joe co-founded and was passionately committed to for building community through the arts.
Thank you to everyone who made last night possible – every moment was special and reminded me that Joe will never be forgotten; he will always live on – through music, and through all of us. Be good to one another. Appreciate the things you have. Fight for the things you believe in. And always follow your heart, the one thing Mango always did,” stated Nicole Heriot Mikula who is the co-founder of Celebrate Shelton and the festival director for CT Folk.
If you missed the event and would like to watch the stream and you’d like to make a donation, you can still watch the stream here. You can make donations to Joe’s family via Venmo @welovemango and PayPal.
On a chilly September night, the first where autumn made its presence known, Jericho Drive-In in Glenmont, NY hosted a socially distant crowd of a few hundred for a double feature – Pink Talking Fish and Richard Linklater’s Dazed and Confused.
With cars lined up 10 rows deep, Pink Talking Fish gave the Capital District‘s jam scene something they had long been waiting for – a chance to get down and dance with close friends in a safe environment. Fans were smart and followed the rules we’ve all been aware of for six months – wearing masks when leaving your car area, and small clusters of live music fans staying within their bubbles. After 6 months of little to no live music, it’s fair to say that fans weren’t screwing this up (heads up here Gov. Cuomo).
The performance from Pink Talking Fish was as invigorating as it was cathartic. Their blend of Phish, Talking Heads and Pink Floyd was overdue for many in the crowd, with a show opening “Simple” with a “Third Stone from the Sun” tease on the 50th anniversary of Jimi Hendrix’s death.
One of many highlights of the evening, “Theme From The Bottom” > “Us And Them” > “Any Colour You Like” > “Theme From The Bottom,” featured a subtle tease of “Waste” and jumped feet first into show-stopper “Crosseyed and Painless.” To close out the night and give a nod to the second feature, Led Zeppelin’s “Dazed and Confused” was deftly intertwined within Phish’s “David Bowie,” bringing back the feel of exploratory “Bowie”‘s from the mid-90s.
Next up for Pink Talking Fish, they’ll play two shows in Burlington, VT at The Backyard at Nectar’s on Friday, October 16! More info and tickets here.
Jericho Drive-In, Glenmont, NY, Friday, September 18, 2020
Setlist: Simple* > Happiest Days Of Our Lives > Another Brick In The Wall Part 2 > This Must Be The Place (Naive Melody), Rift, Have A Cigar > And She Was, Reba, Wish You Were Here > Moon Rocks, Theme From The Bottom > Us And Them** > Any Colour You Like > Theme From The Bottom > Crosseyed And Painless > David Bowie% > Dazed And Confused > David Bowie%%
*w/ Third Stone From The Sun tease **w/ Waste tease % w/ Purple Haze tease %% w/ Dazed And Confused teases Pink Talking Fish Drive-In
Martin Sexton brought his “Outdoor Shows” Tour to the Fingerlakes Drive-In movie theater in Auburn, NY Saturday evening. With all the restrictions in place due to COVID-19, concert goers were limited to their vehicles and were required to practice social distancing.
It was a brisk night for a concert with temperatures around 40 degrees F. Martin Sexton takes the miniature stage that was set up and greets the crowd telling them “This is the first time I’ve had to wear a jacket while performing.”
The moment he began playing the notes on his guitar brought an overwhelming since of joy as this was the first time most, if not all of the people in attendance have heard live music in at least 6 months. The crowd was cheering him on from their vehicles, shouting “I love you Marty!” and many other words of encouragement. Sexton continued “I was wondering if I was going to still be able to perform these shows because it has been so long, but turns out it’s just like riding a bike.”
Video from Sexton’s performance at Ridgefield Playhouse, Ridgefield, CT
Sexton standing on the stage by himself with no crowd directly around him and a large projection of him performing on the movie screen brought a bittersweet feeling – concerts have changed so much from what we remember them being, but at least they are starting to slowly happen.
Overall the safety precautions were followed very well, the staff all did a great job keeping everyone informed of the regulations in place, and every single person there was following them. This is a great sign, and hopefully one that can continue to allow more concerts to be happening in innovative ways.
Goose wrapped up a run of Drive-Ins around the Northeast with two nights at South Farms in Morris, CT. Over September 16 and 17, fans spaced out on individual grids to properly socially distance during the show. The remote location in Western Connecticut is conducive to limiting a large amount of fans from descending on the show, as we slowly recover from the industry wide live music shutdown.
With this past June’s Bingo Tour the last fresh Goose for hungry fans, they played two shows in Cape Cod at Yarmouth Drive-In prior to South Farms, and next plays Drive-In shows at Essex Junction, VT on October 2 and Swanzey, NH on October 3.
Having added percussionist Jeffrey Arevalo to the lineup in recent months, the five-piece group kicked off a funky night one with “Me and My Uncle,” a John Phillips tune popularized by the Grateful Dead.
Night two featured a handful of notable covers, include Rick Mitarotonda singing Jim James level vocals on My Morning Jacket’s “State of the Art (A.E.I.O.U.) to close the first set. The second set kicked off with 25+ minutes of original “Indian River” -> “Crosseyed and Painless” by Talking Heads.
Setlist South Farms, CT, September 16, 2020
Set 1: Me and My Uncle (1), Flodown, Western Sun > Tumble, Jive II -> Jive Lee, Electric Avenue (2), Echo of a Rose (3)
Set 2: Travelers > White Lights > Bob Don > Madhuvan
Encore: Disco Inferno (4)
(1) John Phillips (2) Eddy Grant (3) W/ Vocal Ending (4) The Trammps
Setlist South Farms, CT, September 17, 2020
Set 1: Switchin’ (1) > Doc Brown, Wild Night (2), Elizabeth, Rosewood Heart, This Old Sea, State of the Art (3)
Set 2: Indian River -> Crosseyed and Painless (4), Lead The Way, So Ready, Arrow
Encore: Arcadia
(1) Wes Montgomery (2) Van Morrison (3) Jim James, FTP (4) Talking Heads Goose South Farms CT
Live music is back in Connecticut thanks to South Farms – the venue has figured out the formula for a socially distanced Drive-In shows. Billy Strings made a stop on his abbreviated tour, and Warren Haynes planned five shows, kicking off this past weekend on September 12.
The Sunday show found Warren Haynes and Gov’t Mule’s Danny Louis performing two stripped down sets of classic rock covers and Mule tunes, amid a gorgeous backdrop in the Western Connecticut.
Haynes will return to South Farms for three more shows on October 1, 8 and 15. Tickets are still available and can be purchased here.
Setlist: Warren Haynes with Danny Louis, South Farms, Morris, CT, September 13, 2020
Set 1: Don’t Know Where We’re Going (But We’ll Get There), Glory Road, Blue Maiden’s Tale, Love’s Open Door, Working Class Hero, Traveling Tune, Forsaken Savior, It Hurts Me Too
Set 2: Southern Accents, Melissa, Child of the Earth, Two of a Kind, Workin’ on a Full House, Beautifully Broken, Captured, Turn On Your Love Light, Smokestack Lightning
Over the summer, NYS Music began to take a look at the state of New York music venues. In June, July, and August we saw venues closed for the foreseeable future, support for Black Lives Matter, and some venues beginning to offer performances with social distancing in place.
September kicked off with Red Alert RESTART, and venues across the country (and world) going red to encourage action to save independent music venues. With hope for passage of relief bills in Congress limited, and only ‘incidental music’ currently allowed, venues remain mostly closed for live music, in quiet anticipation of the day crowds can return.
Tarrytown Music Hall – photo by Steve Malinski
Working with a dozen photographers to document more than 40 venues in 12 cities across New York State, NYS Music presents the fourth edition of our monthly series that looks at the current state of our beloved venues.
Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start the fall off in the Hudson Valley with Mickey Deneher’s look at the historic venues that pepper the towns along the Hudson River. Visit NIVA to find out how you can help venues across New York, and the country. We need to #saveourstages and preserve live music for when this is over.
What is there to say, but it is great to hear live music once again. Having spent the last six months at home counting down the days to when we can all be together, on September 8, for just a few hours in the small town of Morris, CT, it felt like the curse of darkness had been lifted, thanks to Manic Presents and Marcus King Band. The team at South Farms have figured out a way to bring music and entertainment back to the people, and boy do we all need it.
The new venue at South Farms for this power house team is unassuming and not a first choice for a one-night event. The venue has everything a fan would want and more: picturesque views of killer sunsets, incredible sound that echoes in the rolling farm hills and of course, great sight lines that make fans feel as though they’re in an amphitheater atmosphere all the while being socially distant Talk about a win-win!
The evening began with Early James, an Alabama singer/songwriter whose sound is a blend of country, southern blues, and jazz, and has a lyrical style that is a mix between Bob Dylan and Tom Waits. This one-two punch tonight allowed fans to be reintroduced to the concert format with James’ incredible talent. A highlight of his opening set was “Easter Eggs” with honky guitar licks and southern slide guitar.
As the sun set a loud roar and the sound of woo-hoos echoed the night sky, Marcus King, with drummer Jack Ryan and bassist Stephen Campbell took the stage. Marcus joked saying how it was great to actually see people, instead of cars for the first time once again. The trio jumped right into playing a version of “I Just Want To Make Love To You/Hoochie Coochie Man”
The highlight for this photographer came as the trio began “One Day She’s Here,” a song that is hauntingly beautiful and can resonate with the times. “She” could be considered to so many people in the music industry this year.
Pretty little girl in a Coupe de Ville Saw her disappear up across the hill One day here, now the next, she’s gone Didn’t even get to hear me sing my song She disappears just like the dawn One day she’s here, the next, she’s gone
Other highlights of the night included a rocking version of “Virginia”, a southern rock song that just is so gritty and raw that those who were in attendance who had their eyes closed would have sworn Warren Haynes came to the farm early. And of course a stellar encore of “The Well” and Black Sabbath’s “War Pigs.”
One thing is for sure, that night at South Farms with Marcus King reminded us that “she” will come back one day and boy has she. Music is alive and well, as long as there are those who listen and follow the rules. Those who work in this industry will not go down without a fight. If you’re missing seeing acts at your local venue, do yourself a favor check out South Farms, because “Music is better on grass.”
On August 29, 2019, MC5 founding guitarist Wayne Kramer brought his supergroup MC50 to Le Poisson Rouge in New York City to celebrate 50 years of punk rock greatness. The group consisted of guitarist Kim Thayil (Soundgarden), drummer Brendan Canty (Fugazi), bassist Billy Gould (Faith No More) and singer Marcus Durant (Zen Gorilla).
MC5 is considered one of the most important American hard rock groups of their era. The band performed as part of the protests of the Vietnam War at the 1968 Democratic National Convention in Chicago that were broken up by a police riot. According to Kramer in an interview featured in the documentary “Get up, Stand Up,” the band played for over eight hours straight when the other bands scheduled to perform didn’t show because of the chaos.
“Kick Out the Jams” was released as a single in March 1969 by Elektra Records. It has been covered by numerous bands including Bad Brains and Rage Against the Machine. The band’s debut album of the same name was released a month earlier and was recorded at Detroit’s Grande Ballroom over two nights, Devil’s Night and Halloween, 1968.
The band played the entire “Kick Out the Jams” debut album. They also played songs from MC5’s other two albums including “Tonight,” “Everything” and “Let Me Try.” They sounded great as they ripped through their 80 minute set at the very intimate but temporarily closed Greenwich Village venue LPR. The show was one of the only three shows the band played in the United States in 2019 before going to the United Kingdom to open for Alice Cooper for another seven shows.
In June and July, we looked at the state of music venues across New York State. Now in August, with hope for passage of relief bills in Congress to help small independent music venues across the country, venues remain closed for live music, in quiet anticipation of the day crowds can return.
Working with a dozen photographers to document more than 50 venues in 12 cities across New York State, NYS Music presents the third edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.
Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in Manhattan and Brooklyn with Joseph Buscarello, covering a wide swath of the Big Apple. Here’s to getting back to live music sooner, rather than later, and safely.
