Author: Timothy J. Bopp

  • P(x3) Stargazer: EDM For The Apocalypse

    Let’s face it, the year 2020 has been a spectacular gigantic bust. Pandemic, protests, self-imposed isolation and political strife have become the new normal and we are all a bit tired of the daily drama we are forced to endure. For many of us music has become an essential anchor, providing us stability, especially during troubled times. If you are looking for a musical safe harbor to temporarily escape the madness, look to the very talented Connecticut EDM duo P(x3) and their self-released third album, Stargazer.

    P(x3)

    Stargazer is a live performance by the self-described “Apocalyptic Organ Duo” that was recorded at Middletown Connecticut’s own La Boca. The show took place in late February of this year right before the Corona Virus pandemic hit the U.S. hard and changed everyone’s lives, especially those who perform live music.

    P(x3) was formed in 2019 by percussionist Rob Madore and keyboard/saxophonist Isaac Young, who both do double-duty in the band No Mind. Both musicians have continued to create a name for themselves in regional and national music scenes, famous for their improvisational performances. The production value of the nine tracks on the LP is exceptional. It is a testament to the technical skill of Cody Urban, who recorded and mastered the record for the band.

    P(x3)

    Stargazer starts off with the note and mind bending “Spachemmen,” which was additionally released as a single for the band. Synth melody intertwines with prominent percussion that has a culminating effect, transporting the listener on a cosmic celestial journey. It is hard to believe that Young and Madore are the only members in P(x3) when you hear layers of different sounds.

    There is a lot going on musically on this track and you can hear new elements emerge every time you listen. The third track on Stargazer entitled “Alchemy” was also released as a single and is a pleasant highlight of the record. Young’s early 80’s synth beat complemented by Madore’s classic synth drum machine kicks off the tune. About one minute in, the boys go modern EDM by interspersing contemporary synth and percussion making for a truly interesting experience. 

    Seventies funk meets 21st Century jam band techno with “Rocked,” the final single released on P(x3)’s Stargazer. Young’s use of Moog and Hammond organ shines on this track. The soulful groove of these instruments are augmented by Madore’s danceable beats and the use of modern synth effects provided by Young.

    Social distancing that is required because of COVID-19 has limited our ability to see live music in clubs and theaters.  Stargazer by P(x3) is a great reminder of what we all have been missing since this tragedy has hit. It is a captured moment in time that reminds us of life before the Coronavirus. Things have changed a lot since then and P(x3) has adjusted to our new world, using technology to keep their performances coming. They have live streams on Facebook and are scheduled to do another on December 11 at 8 p.m., with the help of their partners Jamcast.

    Music will always find a way to stay in our lives no matter what obstacles befall us. It is an essential part of the human condition. Hopefully, with the end of the pandemic clearly in sight, we will be back jamming out together this coming summer. Just like we did back in the good old days of 2019.

    Key Tracks: Spachemmen, Alchemy, Rocked

     

     

  • Carnival Crash: A Legacy of NYC Post-Punk found within ‘It Is A Happy Man’

    New York City was much different in the early 1980s then it is today, and without Carnival Crash. The city had a dangerous seediness that was fueled by a Reagan era recession and a deadly arms race that was being perpetrated between the Super Powers of East and West. Everyday could be your last, and the young people of that time questioned everything and trusted no one. They banded together with a “can’t take it with you” attitude that challanged all of the prevailing norms of Reagan’s 80’s America. This cacophony of chaos was the genesis of the post-punk movement, which created some of the most iconic music in history in dank & dirty NYC punk clubs like CBGB and the famed 82 Club.

    Carnival Crash-photo - high res crop 2.jpg

    Bands like the Talking Heads and Television transcended from the punk scene to legendary heights, but for every success there were a multitude of brilliant but brief post punk outfits that never made it out of the NYC scene. This unfortunately was the case for Carnival Crash, a three piece dynamo that lasted just about two years, but luckily for the listener, this obscure trio left us a glorious time capsule. Their legacy of recordings, compiled on It Is A Happy Man (Obelisk Records), stands the test of time. This seven track gem of an EP is the reissue of two different recording sessions that Carnival Crash engaged in back in 1981 and 1982, before they ultimately disbanded later that year.

    The now defunk trio was comprised of Norman Westberg (guitar), Ivan Nahem (vocals/drums), and John Griffin (bass/vocals). Although the lifespan of Carnival Crash was short, the members left their mark with tracks like “Tell Tale Heart.” Nahem’s vocals and Griffin’s bass paint the picture of a smoke filled club with sticky floors and plenty of patrons adorned in black leather “slamming” to the hypnotic beat. The band showcases Westburg’s club seasoned guitar stylings, as well the band’s affinity for the classic monster genre with just a dash of twisted humor with numbers like “Frakenstein” and “Edge Of Night.” Both songs could easily be used today on any maccabe low budget horror flick soundtrack.

    Carnival Crash brings out their inner Bauhaus with Griffin’s haunting vocals and Nahem’s spot-on percussion work for the album’s fifth and sixth tracks “Nostalgia” and “Method 1.” The recording fidelity on these tracks could be described as poor compared to today’s digitally sanitized world, but these numbers were recorded on a TEAC 4-track recorder way back in 1981. The roughness and grittiness of these recording works in complete synergy to the Carnival Crash’s artistic aesthetic. There are no fancy modern Pro Tools production gimmicks like auto tune on this EP. The band just provides a boat load of reverb with healthy dose of post punk angst and pure artistic expression.

    Although their tenure as a band was brief, the members of Carnival Crash continued to create powerful and provocative art throughout the years and are still at it even today. Norman Westberg went on to join Michael Gira as the guitarist for NYC experimental rock band Swans, which would eventually disband in 1997. Westburg still creates music performing and recording as a solo act. Ivan and his brother Andrew formed Ritual Tension with Michael Shockley and Marc Sloan which has recently re-formed after their dissolution in the early 1990’s. They are currently touring and have recorded a new album It’s Just The Apocalypse, It’s Not The End, will be released this Fall on Arguably Records. John Griffin is still producing work as a painter and musician . His latest musical project is called  the griffin morrissey catastrophe.

    It Is A Happy Man by Carnival Crash will be released by Obelisk Records later this month. The record will be pressed on a limited run of 150 copies on chartreuse vinyl as well as being available in a digital format.

    Key Tracks: Tell Tale Heart, Fool, Frankenstein