Author: Sean Nevison

  • My Morning Jacket finds beautiful closure to “The Waterfall Sessions” with surprise new album

    My Morning Jacket announced on Tuesday July 7 that their new record THE WATERFALL II would be released the following Friday with a special live stream the night before. This record had been teased over the last five years since THE WATERFALL was released in 2015, as they recorded enough material for a follow up. The first record was a break up record and THE WATERFALL II continues that theme, enrolling a dreamy southern rock as if the Beach Boys and Allman Brothers birthed a new cosmic force that is the ever evolving style of MMJ from album to album.

    the waterfalls II

    This new record was recorded seven years ago in Stinson Beach, CA and though three of the tracks had been heard as part of a Holiday release (“Welcome Home”), a soundtrack (“The First Time”), and a single (“Magic Bullet”), they fit so well into this psychedelic pop record that after 20 years as a band, it continues to showcase and highlight all the members.  The back line of Tom Blankenship and Patrick Hallahan are tight and true, letting Jim James explore with his incredible vocal range, while Carl Broemel’s guitar work weaves pattens through the record like birds in flight across a melting Pacific sunset.  Bo Koster really shines on these tracks as well with his fantastic work on keys and backing vocals adding a radiant shine over the entire piece of art.  Brittany Howard of The Alabama Shakes also lays down back up vocals. 

    https://www.youtube.com/watch?v=28twddwXhJc

    THE WATERFALL II opens with “Spinning My Wheels,” which the band performed on Jimmy Fallon July 15. “Hypnotized from doing the same old thing, It don’t matter where you settle down, It sure don’t matter where they put you in the ground, they only point of things is to break the spell and to love another day and live to tell,” sings James.  What a fitting way to start this very hypnotizing track.  As mentioned, the theme of breaking up lingers, but in this writer’s opinion, the message is one of peace and tranquility in discovering that change is what you needed most. Track two, “Still Thinkin’,” starts out almost as a bouncy pop song and then delves into a wondrous cave a la Pink Floyd or “Dondante” from MMJ’s album Z 15 years prior. “Climbing The Ladder” has some amazing tempo changes that keep the listener on their toes and remains very upbeat.  One could potentially see this as a fun opening song when live music comes back or first encore song.

    my morning jacket

    The second act of the record begins with “Feel You” and this is where the album starts to move into that dreamy phase, with a sentiment sung wonderfully and guitar interludes that drift like wind across the waves.  It soars and moves as the band feels so tight but so loose at the same time.  This is sure to be a fan favorite.  “Beautiful Love (Wasn’t Enough)” hits with biting lyrics and guitar solos, and that dreaminess turns into a locomotor chugging through.  One could almost see this track on the Dylan album Blood On The Tracks.  That driving force comes through again on “Magic Bullet,” reminiscent of MMJ’s work on Evil Urges’ “Highly Suspicious” or Circuital’s “Holding Onto Black Metal.”  If we still had Prince, this might be the music he would be making.

    The third act as part of one gorgeous record begins with “Run It.” The song itself is a meditation, a call for self discovery and a call for healing, the perfect song for a global pandemic, a Sunday morning, a drive through the country, and anyone searching for a bit of peace in their life. “If you ain’t to kind, you ain’t my type, I’m gonna run you out the door, Don’t need that, Don’t need ya anymore…” Koster’s keys over the beat, Jame’s warm voice, Broemel’s sly guitar might make this the song of the summer.  As the song drifts away, don’t take your eyes off the road because you will get hit by what will most likely become a barnburner at live shows.

    The first two minutes of “Wasted” set up a groove that Koster and Blankenship start turning up the dial on until it becomes a full on rocker.  Just when you have spent every emotion you have on this record, and being floored by the penultimate track, “Welcome Home,” centers you again.  The song is like the last kiss of sun across the ocean as night sets in.  The placement of each song on this record will keep it flying off shelves at vinyl stores as it is truly a full album. “Send bad habits on their way, let a new year start today, open arms are saying to you, welcome home, and as the snow glazed all the trees, I let my thoughts flow of the breeze, and the air rushed in my lungs saying to me , welcome home,” sings James with another sentiment of being born again. Everyone is hoping for a new beginning in a new year where all people are welcomed home.  The final track, “The First Time,” reminds this writer of THE WATERFALL song “Only Memories Remain” which has found new life as a live track and has become part of some amazing sets these gentlemen put on.

    THE WATERFALL II is a breath of fresh air, a surprise in these times of seemingly endless bad news.  It serves as a bright spot for fans of the band and also came with an announcement that there is another album entirely done, awaiting a release date, hopefully be followed by a run of shows.  New listeners of the band will find a group that has been at it for 20 years, from driving in vans, to playing Madison Square Garden on New Years Eve in their first 9 years, and sometimes having to take a breath for themselves.  Though their styles keep evolving, the message has always been clear with My Morning Jacket from Louisville, KY – love always wins and in this case can set your mind free.

    Key tracks: Feel You, Run It, Wasted

  • Hearing Aide: Ryan Sutherland rocks and rolls on experimental blues album “Sutherland”

    Ryan Sutherland names his new album simply, Sutherland. It’s a perfect title, as that is just what you get: a man, a guitar and a simple drum kit.  Sutherland uses tempo changes to unbalance the listener, while throwing in bluesy and forlorn lyrics that tie the songs right back together. This can be seen on the first track “Gideon’s Bible.” It’s a great opening track and sets the mood for what this self titles record is. Bluesy garage rock and a simple take that brings you and the artist together.

    ryan sutherland

    The second track, “Sludge,” has that same heavy blues like a young Elvis Presley took over lead vocals for the White Stripes, singing “Can’t Put My Finger On The Pain/It’s there to remind me of the rain/No lullaby, no fleeting glimpse/No blood on your fingertips…”

    “(Dead) Don’t Die” also contains many tempo changes and seems like a stream of consciousness song.  Almost like how Bob Dylan recorded Another Side of Bob Dylan. It works as a slick, quick witted track with the changes and catchy repetitive lines as well.

    A lovely instrumental, “It Ain’t Too Far,” has an introduction that fades into beautiful slide work, reminiscent of the Allman Brothers; one could even imagine Greg and Duane sitting out back writing the beginning parts of a hit. It provides a nice interlude, placed perfectly on the record.

    “Keep Burning Down,” comes in hot with great harmonica work, growing slowly distant as the song takes on a driving blues. It’s almost like listening to early Black Keys records and the train rumbling through a gritty city. Another Dylan-esque interlude as the tempos rise, fade and then rise again and Sutherland weaves emotional lyrics in.

    “Black Cats On The Moon” has a little bit more of a folksy feel as it slowly rocks, almost a lullaby to bring the record to a close.  In all this seems like a very intimate, yet also experimental album.  If you close your eyes and listen it could take you from a smoky bar in West Texas, to an Upstate New York BBQ on the lake, to a back room underground poker game.  Sutherland sets a mood, he sticks to it and tears down the standard timing of a blues song, while inserting a presence that you can feel in the room with you as you listen. This reviewer can’t wait to see what he puts out next.

    Key Tracks: Keep Burning Down, It Ain’t Too Far, Sludge

  • The Felice Brothers Sell Out The Colony In Woodstock On New Year’s Run

    It was a warm winter Friday night and the street lights and holiday decorations glowed through the mountain mist in sleepy Woodstock. But just down the street, the foundation of The Colony was shaking as a capacity crowd danced the night away to home town heroes The Felice Brothers in the middle of their New Year’s Eve run of shows.

    After playing Rockville, Hudson, then Boston, the band was tight and the audience that packed in the venue-surrounding balcony was excited for a band that grew up, wrote an awful lot about, and clearly loved their local fans and the area. The lights that hung across the stage and throughout the venue gave a warm ambiance and this warmth could be felt in the crowd as nearly everyone sang along, danced, or did both to the new and older material

    Ian (guitar/vocals) and James Felice (keys/accordian/vocals) along with band mates Jesske Hume (bass/vocals) and Will Lawrence (drums/vocals) led off with a mix of tunes from their most recent album and then went all the way back through their catalog that spans 15 years. Both Ian and James are seasoned song writers and, as musicians, can make material about a bleak winter or drowning one’s sorrow in whiskey into foot-stomping barnburners. Yet, the next moment might find Ian gently strumming his guitar while he and James croon about family woes in a song that sounds like it came from a campfire during the Civil War.

    Ian Felice introduced the song “Wonderful Life” from their 2008 self-titled album noting, “I wrote this next song in a cemetery just down the road.” Though some might categorize The Felice Brothers as folk/Americana, there are moments of pure rock, ’90s grunge, swelling punk, and tenderness and sweetness that transcend through the spirit of the audience as well as the haunted Catskill Mountains.

    “Me and you we did the same damn thing,
    We fell in love knowing the pain it would bring,
    Now all I do is sing…. sad songs with red eyes,
    Throw your arms around me,
    Let’s keep this quiet,
    Hear our hearts in the distance like cannon fire,
    See our breath in the window, in the turning light,
    Oh it’s a wonderful life.” -Ian Felice “Wonderful Life”

    After a beautiful, solo opening set from Allison Olender of the amazing group Upstate Loves You, The Felice Brothers did not disappoint. They were called back twice for encores. The Colony is a great venue, with a full bar and small plates from the kitchen that come out quickly. The sound engineer had a perfect mix for the room as well. Ian and James just keep getting better and their shows capture a raw energy. The next night they closed out the New Year’s run in Brooklyn and, at the end of the month, head to Europe for a tour before a couple of festivals in April.

    Setlist: Lincoln, Katie Dear, Awesome Bomb, Let Me Come Home, Cheeky Momma, Homeless Red Neck, Whiskey In My Whiskey, The Kid, Wonderful Life, Cherry Liquorish, Hometown Hero, Savin’ Up For President, Life In The Dark, Take This Bread, Love Me Tenderly, Frankie’s Gun, Penn Station

    Encore: Salvation Army, Companion, Sell The House