Just in time for Halloween, Phish’s Dinner And A Movie series returns, and with a vengeance. Instead of a full vintage Phish show, phans will get three sets, choice selections from their infamous Halloween performances of 1996, 2014 and 2018 on October 31, the anniversary of each of the sets.
The first installment from 2014 will feature the Chilling, Thrilling Sounds of the Haunted House set from the MGM Grand Garden Arena. The band utilized a Disney sound effects album to create 10 songs, among them “Martian Monster” and “Your Pet Cat,” debuted that night and found their way into the Phish rotation quickly.
Poster by Miguel Carvallo
The second set on Halloween features the second set of Halloween 1996 at The Omni in Atlanta, when Phish covered the entire Talking Heads epic, Remain in Light.
The third and final set of this Halloween Dinner and a Movie takes us back to 2018 in Las Vegas, when Phish performed under the alter ego Kasvot Växt, performing the debut of í rokk.
With a three-part ‘movie,’ you’ll need dinner. Phish has teamed up with Burlington chef and Phish fan Justin Wright has set up a corresponding three-course fall meal: Delicata Squash Tempura, Primal Soup, and some spooky Ghost Brownies. Justin recently returned to Burlington this summer to open casual French eatery C’est Ca. Recipes can be found here.
The beneficiary for the weekend is the Fair Elections Center, and donations can be made through phish.com/waterwheel. Fair Elections Center is a national, nonpartisan voting rights and election reform organization which works to remove barriers to registration and voting for traditionally underrepresented constituencies.
The Center works to improve election administration through legislative, legal and administrative reform, to protect access to the ballot through litigation, and to provide election law expertise, voter information and technical assistance to voter mobilization organizations. Learn more about them at https://www.fairelectionscenter.org.
In June, NYS Music began to take a look at the state of New York’s independent music venues. In July, August and September, we saw venues closed for the foreseeable future, support for Black Lives Matter, some venues beginning to offer performances with social distancing in place, and many others stuck in limbo.
Like September, October kicked off with Red Alert RESTART, and venues across the country (and world) going red to encourage action to save independent music venues. With renewed hope of the Heroes Act passing through the House of Representatives, there is the possibility of relief before the election on November 3. With only ‘incidental music’ currently allowed, venues across New York remain mostly closed for live music, in growing anticipation of the day crowds can return.
photo by Mickey Deneher
Working with a dozen photographers to document more than 50 venues in 14 cities across New York State, NYS Music presents the fifth edition of our monthly series that looks at the current state of our beloved venues.
Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start October off on Long Island, with Rob Tellerman’s look at the music venues small and large that dot the isle that is long. Visit NIVA to find out how you can help venues across New York, and the country. We need to #saveourstages and preserve live music for when this is over.
Pianist Holly Bowling has announced the second leg of her unique and groundbreaking virtual concert wilderness tour, featuring extraordinary solo sessions filmed live at some of America’s most spectacular natural locations.
The second leg of the livestream Wilderness Sessions begins Thursday, October 22 with a performance from Casco Bay, Maine, followed every Thursday by new performances filmed at Taos, New Mexico (Oct. 29), Breckenridge, Colorado (Nov. 5), Hardscrabble Mountain, Colorado (Nov. 12) and Moab, Utah (Nov. 19).
The virtual tour comes in advance of Bowling’s new album Seeking All That’s Still Unsung, a solo piano album featuring reimagined renditions of the music of the Grateful Dead, due out Friday, November 20.
All performances will be broadcast for free via Bowling’s official Facebook page; viewers are invited to contribute to the San Francisco-based pianist’s Virtual Tip Jar.
There’s plenty of time to do something different,” says Bowling. “And I desperately wanted to get outside – that’s where I’ve been feeling most okay during all this. So we’re taking this crazy road trip in a self-contained little camper van and driving my gear out to these wild places and setting up and playing in settings I never in a million years thought I’d get to play music in.
Holly Bowling, on the Wilderness Sessions
Bowling recently announced a beautiful new album featuring solo piano renditions of the music of the Grateful Dead. Seeking All That’s Still Unsung arrives everywhere on Friday, November 20. The evocative collection features nine instrumental piano interpretations of songs spanning the Grateful Dead’s extensive catalog — both classics and deep tracks.
Holly Bowling’s Wilderness Tour began on Thursday, September 3 with a performance from California’s Lake Tahoe followed by a performance from Yosemite National Park, Idaho’s epic Bruneau Canyon, Montana/Wyoming’s scenic Beartooth Highway and South Dakota’s Badlands National Park.
Bieber brought out Chance the Rapper as a surprise special guest for the night’s first song “Holy.” With a church-in-the-woods stage design, the more mature Bieber gives a nod to his relationship with wife Hailey Baldwin, and making references to their shared Christian beliefs. The lyrics stand out as a departure from Bieber’s past songs.
That the way you hold me, hold me, hold me, hold me, hold me. Feels so holy, holy, holy, holy, holy. On God, runnin’ to the altar like a track star. Can’t wait another second.
https://www.youtube.com/watch?v=TlQY-MBWHik
For the second performance of the night, Bieber was joined by benny blanco on piano for “Lonely,” a song referencing his early rise to fame in the past decade. This performance began from Bieber’s SNL dressing room, singing in the mirror, then walking towards the stage through the halls of Studio 8-H. This intro is similar to the music video for “Lonely” that was released this past week, starring Jacob Tremblay as a young Bieber.
Maybe when I’m older it’ll all calm down, but it’s killing me now. What if you had it all but nobody to call, maybe then you’d know me. Cause I’ve had everything, but no one’s listening, and that’s just oh so lonely. Everybody knows my past now, like my house was always made of glass. Maybe that’s the price you pay for the money and fame at an early age.
https://www.youtube.com/watch?v=rml0FwAL8H0
Bieber does not hold back on “Lonely,” with a single spotlight on him for the song on a barren stage, save for Blanco. The two songs present Bieber in a different spotlight than the tabloid view of recent years. Justin Bieber appears focused and stepping into a new phase of his career with “Holy” and “Lonely.”
Watch last week’s musical performance from Jack White, where he paid tribute to Eddie Van Halen, and Megan Thee Stallion from the season premiere.
The second week of Trey Anastasio’s The Beacon Jams served to be even more jam packed with surprises than the first week, including a string quartet joining in, and one of the most beautiful versions of “Divided Sky” you’ll ever hear.
Trey Anastasio at the Beacon Theatre, Week 2. Photo by Jake Silco
Once again, the live streamed performance from New York City’s Beacon Theatre we available free via Twitch, with donations encouraged to The Divided Sky Fund, which focuses on delivering quality care and compassionate treatment for those battling addiction, through Phish’s WaterWheel Foundation. On this night, the goal of $100,000 was surpassed roughly 100 minutes into the performance (9:41PM ET), with Anastasio sharing his experience on the road to sobriety, and the plans to open an addiction treatment center in Vermont.
Photo by Jake Silco
The night began as it did last week with familiar faces from Trey Anastasio Band – Tony Markellis on bass, Russ Lawton on drums, Ray Paczkowski on keys and Cyro Baptista on percussion. Cyro dove into his cache of percussion to create bird call noises preceding the show opening “Gotta Jibboo.”
Official poster for The Beacon Jams by Jim Pollock
After “Undermind,” which Trey said held the secret of the universe, was the world premiere (and a college try) of “Evolve,” one of Trey’s quarantunes, which quickly showed huge potential for both Trey Anastasio Band and Phish versions in the future. Trey was then joined only by Jeff Tanski for “Divided Sky,” which stands as one of the all-time great versions. The pair together performed the entire composition flawlessly, with Tanski getting a round of applause from the band after, and likely from many at home.
The first ever live performance of “Sigma Oasis” sincethe release of Sigma Oasis followed, a rousing number despite containing the now errant ‘take off your mask’ lyric. “Back on the Train” was nicely accented by Cyro’s train crossing sounds and shakers, and led into an enthusiastic “Ocelot.”
Photo by Jake Silco
Prompted by a fan comment in the stream, Trey took a few moments to opine on what we are experiencing during this time, remarking that this was “Just another chapter, a big wave crashing in the ocean … and we’re gonna surf with it a little bit.” While he was talking, a string quartet took the stage, later dubbed “The Rescue Squad Strings,” Trey clearly having memories of being stuck 40 feet above the stage this past New Years Eve. String members tonight included Anja Wood on cello, Maxim Moston and Katie Kresek on violin, and Rachel Golub on viola.
Photo by Jake Silco
Over the second hour of this week’s Beacon Jams, the quartet added depth and beauty to “Strange Design,” “Water in the Sky,” the quarantine track “Greater Good,” “Greyhound Rising,” and the first ever “Wolfman’s Brother” with string accompaniment plus Lawton and Baptista adding in subtle percussion, and Trey introducing the four classical musicians over the ending of “Wolfman’s.”
“No Man in No Man’s Land” was arranged well for this TAB configuration, and had Trey remarking afterwards that Tony was an absolute beast on the Phish jam-vehicle, but jam of the night honors go to excellent “Plasma.” To close the set, Cyro added in some creepy ‘Poltergiest’ sounds at Trey’s request, which fit perfectly as they segued into “Ghost.”
https://www.instagram.com/p/CGbBXvljwFb/
Next week Anastasio returns to The Beacon Theatre with more surprises surely in store.
[1] Debut. [2] Only Trey with Jeff Tanski on piano. [3] Only Trey acoustic with The Rescue Squad Strings. [4] Debut; only Trey on vocals (no guitar) with The Rescue Squad Strings. [5] With The Rescue Squad Strings. [6] Trey acoustic with The Rescue Squad Strings. [7] TAB debut. [8] With Trey quoting a line from Poltergeist in the intro.
In celebration of the 30th anniversary of their classic albumScumdogs of the Universe, GWAR have announced “Scumdogs Live” live streaming concert event,
This one of a kind experience is set for Friday, October 30 with the pre-show starting at 6 PM ET. The live stream performance kicks off at 8 PM ET, with ticket and VIP Packages available at GWAR.net. The show will be available on demand through November 15th.
“Scumdogs Live” will be a full-fledged GWAR performance and a spectacle the likes of which you have never seen. Your Lords and Masters will celebrate this momentous occasion by ripping through the entire Scumdogs of the Universe album from front to back. Will there be special guests? You’re goddamn right there will be special guests. Find out who they’ll be on October 30!
We always wanted to do a concert without an audience in the room. The audience is always the worst part. Well, that and the fact that we’re constantly being attacked by a bunch of assholes while we try to get through a set. Man, I hope none of those old school dicks show up to rain on our glorious parade.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from El Modernist, E.R.I.E.and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
El Modernist delivers a new take on the world of indie rock. With pulsating hooks and lush melodic waves of psychedelia, the band combines upbeat, catchy garage-rock with a modern alternative hip-hop sound.
“Evolution” is an anthem for queer artists who have been contributing and pushing the boundaries of art since the beginning of time, while more often than not having to hide their true selves while doing so. Artists like Freddie Mercury and Elton John were often thought of as eccentric rather than LGTBQ+ (occasionally thought of as womanizers), but laid the groundwork for today’s LGBTQ+ artists and pioneers. “Evolution” is a fight song. A fight for equality. A fight against hatred. The future is gay as hell.
When asked by WEQX’s Pearson on what they are currently working on and how they are coping during this time, they shared:
What we’re working on/how we’re coping… Well, now that the bustle of the record release and the release party is over, we suspect performance opportunities will unfortunately be few and far between as the weather gets colder. We have a nice collection of songs just waiting to be properly demoed for what will eventually be LP2. So, the plan will be to hunker down and focus on that, which will be the first time the four of us write together. We’re definitely looking forward to letting some pent up creativity bounce off the walls, albeit mostly from separate houses/studios. The pandemic has certainly taken a toll on us all, personally speaking. The opportunities we get to play together in a room have been incredibly therapeutic, and we’re certainly grateful we can still do that responsibly. But ahead of the pandemic, we were all gearing up to play out a lot – it’s something all four of us really needed in our lives for a variety of reasons – so the fact that it all came screeching to a halt is tough to cope with, especially with no real end in sight. Like everyone else, I think we’re just pivoting the best we can and diving into the next record maybe a little sooner than we otherwise would have. I write a lot of songs, so I’m always ready and willing to jump behind the board and make some magic happen.
All BandCamp proceeds for the track will be donated to The Trevor Project.
Hailing from New York’s vibrant Capital Region, rock outfit E.R.I.E. debuted on Mint 400 Records with Don’t Wanna Live, Don’t Wanna Die in September. Combining addictive progressions with alternative undertones, the record boasts an anthemic pop-rock aesthetic, with the integrity of an early 2000’s basement or VFW hall.
E.R.I.E. has brought me back to my roots, in a way. Growing up, I played in scrappy punk bands and as I got through college and beyond, my interests and writing style began broadening. I started taking myself more seriously, arguably to a fault. While creating this record, my main goal was to have a positive and fun studio experience. I paid a lot more attention to content rather than mechanics. Ultimately, creating Don’t Wanna Live, Don’t Wanna Die was a natural process, without most of the stresses recording can bring.
TJ Foster, E.R.I.E.
Upon listening, it’s not hard to hear that sense of lightness and clarity songwriter TJ Foster was striving for. The record exudes a sense of urgency that has drawn comparisons to the likes of Frank Turner and The Gaslight Anthem, while also embodying an intimacy one would expect from Death Cab For Cutie or Frightened Rabbit.
Nada Surf‘s Matthew Caws has released a new political song, “When History Comes,” via Barsuk Records. Recorded and produced by Caws himself at his home studio, the song was created for the Rough Trade Publishing compilation Talk – Action = Zero, Vol. 2, which enlisted artists to write songs relevant to the current state of the world, with profits from the single benefitting the ACLU.
Formed in New York City in 1992 by Matthew Caws and Daniel Lorca, the Nada Surf gutiarist and bassist met at the Lycée Français de New York, with both having spent some of their childhoods in France and Belgium. A chance run in with Ric Ocasek would lead to The Cars frontman producing the band’s first album, High/Low. The band would be best known for their hugely successful 1996 single, “Popular,” although the groups catalog goes far deeper, now well into their third decade together.
Regarding the song, Matthew Caws wrote the following statement about the lyrics and timing of the release:
I was asked to contribute a song to a compilation organized by Rough Trade Publishing called Talk – Action = Zero Vol. 2, benefitting Spread The Vote, an organization helping people register and get their votes in. The prompt given was to write a song “relevant to the state of the world right now.” I chose to write about the election because I think it’s such a crucial moment in our lives.
I want to make a quick disclaimer (and pre-emptive apology) that I know that all of what i’m about to say will seem obvious to a lot of people, but I think it needs to be repeated. We’re always in danger of becoming numb. There’s such a circus of chaos coming from the top right now that it’s easy to get distracted from how far (and how quickly) the country is sliding in a dangerous direction..
The title of the song comes from a line in the chorus, “When history comes and sticks out its thumb / asking you for a ride / I hope that you see how fast it can be / it goes by in the blink of an eye.” In this analogy, by voting, you’re giving history a ride, helping it get where it wants to go.
Despite its difficult history and present, the United States is a precious and miraculous entity, an ambitious experiment in equality that has been functioning for 244 years, and we need to cherish and preserve it, and keep our essential norms from eroding. We need to understand how fragile our democracy is, faced with someone who is ready to call an election illegitimate before it takes place and won’t commit to a peaceful transfer of power.
In writing a song about an election your main choices are to try to energize and rally the potential voters on your side or try to speak to and influence the minds of people who are on the other side or undecided. I tried as much as I could to do both. I’ve been told that there is no point trying to change the mind of a Trump voter, that all our energy should go towards energizing the democratic base. That is probably true, but I can’t help believing that there’s a crack in that wall.
Over the past few years, I’ve found myself debating a few Trump supporters on social media, and invariably the conversations start a little hot. I’ve found that by keeping a measured tone and by looking for and respecting the cause of someone’s opinion, if not the opinion itself, it was always possible to bring down the temperature a little. One misconception that kept coming up was that all Democrats wanted Trump to fail. In the song I say “I didn’t want him to fail / I wanted him to do great / he didn’t / but I wanted him to.”
One of the great privileges of being a touring musician is getting to see people night after night being somewhere they chose to be,happy, open, ready to experience something. While it’s certain that among all the faces I’ve looked at from the stage there have been people with opposing political views, and probably some with wildly different views about equalities of all kinds, I always felt a human connection. I think almost all people have more in common than not.
I think it’s important to refrain when possible from calling out or dismissing any whole group. Even though at this point, I don’t understand how one could support this very problematic administration, I wanted to say “I don’t hate republicans” because… I don’t. Despite my commitment to humanism and constructive positivity feeling totally innate, I’m conscious of the fact that if I’d been born into a different environment and community and hadn’t been exposed to certain ideas, I might be a Trump supporter too.
My wife often points out that the world would be a much better place if every government decision taken took into account how it would affect the poorest and most vulnerable parts of the population. I agree. This calls for a lot of empathy, a quality in us that needs to be cultivated, checked in on and renewed. We drift in our comfort, we drift in our bubbles. It is always a good time to look around, try to see, try to understand, and re-evaluate our priorities. The common good should always be the ultimate goal. That is the basis for a great country, and despite our growing pains, that has always been the basis for ours.
The release of Disney/Pixar’s Soulhas been announced as a Christmas Day release on Disney+. The move comes as movie theaters continue to remain closed in the midst of the COVID-19 pandemic, thus preventing Soul from opening on November 20, as originally planned.
Not only will the release of Soul only be delayed a month – where other features, such as Black Widow and WonderWoman: 1984 have been pushed into 2021 – but the movie will stream for free for all Disney+ subscribers, similar to the way Hamiltonwas released in July.
Written and directed by Pete Docter, who co-wrote notable movies like Up, Inside Out and Monsters, Inc., Soul centers around Joe Gardner (voiced by Jamie Foxx), who gets a chance to perform at a famous jazz club, but instead falls into a sinkhole, where his soul leaves his body. He must then has to find his way back to his body, with the help of 22, a soul voiced by Tina Fey.
We are thrilled to share Pixar’s spectacular and moving Soul with audiences direct to Disney+ in December. A new original Pixar film is always a special occasion, and this truly heartwarming and humorous story about human connection and finding one’s place in the world will be a treat for families to enjoy together this holiday season.
Bob Chapek, CEO, The Walt Disney Company
Although the score for the film was composed by Oscar winners Trent Reznor and Atticus Ross, both trailers feature neo-soul musician Cody Chesnutt with the song, “Parting Ways,” and pop rock band AJR with the song, “Overture.”
When Soul is released, it will be accompanied by Burrow, from the Pixar SparkShorts program. The official description of Burrow says:
In Disney and Pixar’s new short film Burrow, a young rabbit embarks on a journey to dig the burrow of her dreams, despite not having a clue what she’s doing. Rather than reveal to her neighbors her imperfections, she digs herself deeper and deeper into trouble. After hitting (bed)rock bottom, she learns there is no shame in asking for help. Directed by Madeline Sharafian and produced by Mike Capbarat as part of Pixar’s SparkShorts program, Burrow opens in theaters on Nov. 20, 2020, in front of Disney and Pixar’s Soul.
Jack White filled in as musical guest for the second episode of the 46th season of SNL, hosted by Bill Burr. Called in last minute to replace country singer Morgan Wallan, White and his power trio including Dominic Davis (bass), and Daru Jones (drums) first performed a medley of “Ball and Biscuit,” “Don’t Hurt Yourself” and “Jesus Is Coming Soon,” and “Lazaretto” off White’s second solo album later in the show.
This was the fourth time Jack White performed on Saturday Night Live, going back to 2002. The first performance began with the infectious riff of “Don’t Hurt Yourself” from White’s collaboration with Beyoncé, before transitioning into “Ball and Biscuit” from The White Stripes’ fourth album, Elephant, which also featured a nod to Blind Willie Johnson’s “Jesus Is Coming Soon.”
As noted by Benjy Eisen on Twitter, “Jesus is Coming Soon” has a COVID-19 tie-in, as the original song was written about the 1918 H1N1 influenza that killed over 50 million people worldwide, and includes the lines “It was an epidemic/It floated through the air.”
“Lazaretto,” the title track of White’s GRAMMY-winning sophomore solo album followed as the second performance of the evening. Bassist Davis wore a shirt that read PRINE, a nod to the late singer/songwriter John Prine, on what would have been his 80th birthday.
White gave a subtle nod to the late Eddie Van Halen during “Lazaretto,” using a model of guitar similar to Eddie Van Halen’s, but also playing a finger tapping solo mid-song, a signature move of Van Halen’s.
The White Stripes Greatest Hits arrives on December 4 on Third Man Records/Columbia Records.
