Author: Pete Mason

  • Watch Branford Marsalis join the Grateful Dead for “Eyes of the World”

    It was March 29, 1990 when saxophonist Branford Marsalis joined the Grateful Dead at Nassau Coliseum for much of the show. Notably, the version of “Eyes of the World” stands out, as it was released on Without a Net in September 1990, and later rereleased on Spring 1990 (The Other One) box set in 2014.

    Branford Marsalis had not planned to sit in with the Grateful Dead for more than “Bird Song” that night, as he recalled in talking to Rolling Stone in 2014.

    “I came up for “Bird Song,” and after the set was over, I said, ‘Thanks for letting me play, guys.’ And they’re like, ‘No, no, stay! Play the second half of the show. We’ll do “Dark Star”.’ That had no significance to me. I’m like, ‘ “Dark Star”? Okay. What is it?’ ‘Oh, you’re gonna love it. It’s free, it’s out.’ ‘Great, I can play out.’ They start playing that lick, and the audience goes bananas. Later, I started getting these phone calls on my private number: ‘Man, you were great last night. Thanks for getting them to play “Dark Star”. They haven’t played it in six months.’ I’m like, ‘Who are these people?’… There was almost nothing [the Grateful Dead] couldn’t play—and make it sound authentic. When they played a song by The Band or Bob Dylan, they played it with the same spirit as The Band or Dylan. They didn’t feel the need to write their own arrangement of it. They were all listeners. There is a point where musicians who establish themselves stop listening to music and start listening to their own rhetoric. The Dead didn’t do that. It was obvious in the way they approached a song.” – Branford Marsalis, to Rolling Stone magazine

    Discover Grateful Dead shows from over the years across New York State with our interactive map below

    Anyone who experienced the Spring 1990 shows, or has listened to Without a Net can attest to the benefit Marsalis brings to this version of “Eyes of the World.” The extra element of saxophone layered within the Dead classic gives it a proper place on a pedastal as one of the best versions of the song.

    branford marsalis grateful dead

    Fred Thomas of AllMusic said of the evening,

    “After they whip through a bright first set featuring mostly live staples like ‘Bertha’ and ‘Ramble on Rose’, Marsalis joins in at the start of the second set for stellar, extended takes on the more exploratory side of the Dead catalog. His airy improvisations on classics like ‘Eyes of the World’ and ‘Dark Star’ sound brilliantly natural here, and what’s most palpable is the sense of exhilaration and mutual respect between these two forces of sonic trailblazing.”

    Fred Thomas, AllMusic.com
  • moe. announces new album ‘This Is Not, We Are,’ share “Along for the Ride”

    Need some fresh moe.? Well you’re in luck. For This is Not, We Are, moe.’s first studio album in six years, the band will release individual tracks over the next few weeks, leading up to a June 26 release date. Released so far are “Crushing,” “LL3,” “Jazz Cigarette,” “Who You Calling Scared?,” “Dangerous Game,” “Skitchin Buffalo” and the latest track, “Along for the Ride,” have been released and can be found below.

    moe not normal this is not we are
    photo by Frankie Cavone

    This is Not, We Are, which is available for preorder as a digital (only) album, will be released on June 26.

    “We kind of went back to our roots a bit,” Derhak says. “We just wanted to do something that made us feel inspired like we had felt when the band first started. But it also has everything that we’ve picked up along the way, all the good baggage – and maybe some of the bad – that we’ve dragged along for the past 30 years.”

    Rob Derhak

    Additionally, moe. has shared video via Relix of the live debut of “LL3” from February 2, 2018 at the Capitol Theatre in Port Chester. Read our review of the band’s return from hiatus following Rob Derhak’s successful battle with cancer.

    Just released on June 9 is the video for “Jazz Cigarette,” a xylophone-heavy jazz odyssey that was filmed from studio sessions.

    Released on June 11, “Who You Calling Scared” is a Derhak-penned tune, with Garvey singing lead. Derhak explained to Relix:

    “The song is also a tribute to some of the funk and fusion guys that I discovered when I was younger, like Rocco Prestia from Tower of Power. When I sat down and tried to sing and play the basslines, I realized, ‘This is never going to happen. I can’t sing and play those bass lines at the same time.’ So I recruited Chuck to sing the song for me. He was a little reluctant at first but then he jumped on board.”

    The latest track, “Dangerous Game,” written by Al Schnier, gives us two takes – one from the studio spliced with a live version from the song’s debut at the State Theatre in Portland, ME on February 16, 2019. Schnier explains about the song:

    “This song came from me watching and reading a little bit too much news these days. I don’t want to say that this song is political in nature; it’s more about the personalities of the people in power and maybe the cult of personality and those things we all contend with. I don’t want it to come across as some leftist, liberal rant against the current people in power. It’s more a song about my personal concerns about anyone who would be in a position of power.”

    The latest track, “Skitchin’ Buffalo,” looks back at moe.’s early days in the Queen City. The performance from Observatory North Park in San Diego on March 7, 2020 can be seen below, along with insight on “Skitchin’ Buffalo” from Derhak as shared to Relix:

    The song looks back on the group’s early days. Rob Derhak was prompted to write it following a conversation with Mike Norris, the singer for Monkey Wrench, one of the band’s early contemporaries. Derhak recalls, “The first time I had ever heard of ‘skitching’ was when I was hanging out with him and it was icy and snowy in Buffalo on some winter night. We were on our way home and he grabbed onto the bumper of the back of a car that had stopped at a stop sign and then just got in a squatting position and the car took off. He hung on and it’s basically like water skiing off the back, except you’re holding onto the bumper. He called it ‘skitching’ and we called it ‘bumper sliding’ where I grew up, and he thought it was funny. He held on and kept getting dragged. His belt buckle was completely scratched up and it looked like he was completely shiny and we were laughing about that incident. And then later, I was like, ‘This is what the song can be, about the memories of Buffalo.’ Basically, I took a bunch of memories of fun stuff we did when we were in college and playing in the band and I put it into one incident. One thing after another.”

    The last track to be shared prior to release, “Along for the Ride,” gives fans a mix of studio and live takes, the latter pulling from their February 28, 2020 performance at Revolution Hall in Portland, OR.

    Vinnie Amico spoke to Relix about the Derhak-penned song:

    “Part of it changed before we got into the studio. The whole slow part that gets kind of spacey, coming out of Chuck’s solo, changed over time. That wasn’t there and we morphed it into that, which ended up making the song a little more interesting because all of a sudden we go into this different part, different tempo, different soundscape. Production-wise, it’s one of the coolest parts of the whole album.”

    moe. 2021 Summer Tour

    June 24 – Birmingham, AL – Avondale Brewing

    June 26 – Pelham, TN – The Caverns

    June 27 – Black Mountain, NC – Pisgah Brewing

    June 29 – Wilmington, NC – Greenfield Lake Amphitheatre

    June 30 – Raleigh, NC – Lincoln Theatre

    July 1 — Rocky Mount, VA – Harvester Performance Center

    July 1-4 – Scranton, PA – Peach Music Festival

    July 9 – Portland, ME – State Theatre

    July 9-11 – Marshfield, MA – Levitate Music & Arts Festival

  • This darkness has got to give: Music venues during COVID-19 across New York State

    As we enter June, the fourth month where live music performances are postponed until it is deemed safe to have mass gatherings due to COVID-19, we take a look at the music venues across the state that are closed for now, but in the coming months will hopefully reopen.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, we present this monthly series that will look at the current conditions of these beloved venues. As they reopen, we will provide photo documentation recording the changes over time in all corners of the state.

    Great thanks to all photographers and venues who take part in this series.

    Buffalo – photos by Zachary Todtenhagen

    Capital District – photos by Zach Culver

    Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Long Island – photos by Andrew Camera

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Syracuse – photos by Josh Davis

    Utica – photos courtesy of The Stanley Theatre

    Ithaca – photos by Casey Martin

    Long Island – photos by Rob Tellerman

    Brooklyn and Manhattan – photos by Steve Malinski

    Port Chester – photo by Chad Anderson

  • Listen to Jerry Garcia Band perform “My Sisters and Brothers”

    With divisions across the country on display through peaceful protest and violence, songs of unity and calm are not the first thought, but can provide an escape, even if briefly, giving pause amid the chaos in cities throughout the state and America. One of those songs is “My Sisters and Brothers”

    jerry garcia wolf My Sisters and Brothers

    Originally written by Charles Johnson of The Sensational Nightingales, Jerry Garcia Band would perform “My Sisters and Brothers” numerous times from the 1970s through the 1990s, and is featured on Jerry Garcia Band. The version below is the encore of the October 28, 1987 (late) show from the Lunt-Fontanne Theatre in Manhattan.

  • moe. seeks fan submissions to Celebrate 30th Anniversary

    In a hilarious new video, moe.’s Rob Derhak waxes philosophical while drinking chocolate syrup from the bottle. “2020 didn’t really turn out the way we all expected did it?,” Derhak asks. “But it still is moe.’s 30th anniversary.”

    While moe. can’t celebrate on the road with live shows (just yet), the band is asking on fans to shoot videos and share photos of their favorite memoe.ries using the hashtag #thisisnotweare.

    Submissions are open through Monday, June 8, with 10 winners selected to enjoy a virtual happy hour with the band.

  • Mick Fury brings together independent musicians for “Front Porch of America”

    Guitarist Mick Fury thought we could all use a little pick me up, so he reached out to independent musicians across the country and assembled them into a small orchestra. The resulting song, “Front Porch of America,” encoruages empathy as we push through COVID-19, and features a number of Upstate New York musicians.

    I was thinking if there was ever a time folks could use a pick me up, this situation we’re all going through is one of those. Music has a way to cut through the noise and I thought a song like “Front Porch of America” could offer some hope and empathy to those that are struggling. I reached out to all my independent musician friends from around the country and asked if they’d be willing to film themselves from their house or front porch singing/playing the part of this song that spoke to them the loudest.

    “Front Porch of America” is written by Mick Fury & Sean Patrick McGraw. Musicians from New York and surrounding areas include Tommy Connors (Syracuse, NY), Chad Hollister (Worchester, VT), Billy Harrison (Syracuse, NY), Joey Lewis (Buffalo, NY) and Rich Ortiz (Albany, NY).

  • Lark Hall ‘Window Sessions’ on Juneteenth features Victory Soul Orchestra and Jordan Taylor Hill (Stream)

    Window Sessions, the first official performance series presented and hosted by Lark Hall, will continue on Friday, June 19 with a performance by Victory Soul Orchestra, in commemoration of Juneteenth.

    The ongoing series will also serve as a fundraiser with funds collected to be donated to local organizations such as Voix Noire, Urban Grief, African American Cultural Center, All of Us, and Citizen Action of New York, all of whom continue the upward mobility of communities of color in the Capital Region. 

    lark hall window sessions

    “As every venue and theater has had to identify ways to recalibrate, as a new venue, we decided that this would be a great way to introduce our space to musicians and artists,” said Justin Miller, co-owner. 

    “Through Window Sessions, we’re able to support not just a great cause in that of Feed Albany, but to add some much needed vibrancy back to Lark Street,” noted Jennifer Miller, co-owner. 

    The innovative performance series will simulcast performances to YouTube and Lark Hall’s social media channels, in addition to amplified through the venue’s historical windows. In compliance with state guidance regarding entertainment, only the musicians and essential personnel will be allowed. On-street listeners at the corner of Hudson Avenue and Lark Street may listen, so long as they are social distancing and not impeding upon sidewalk right-of-way. 

    lark hall window sessions

    The fourth installment of Window Sessions features Victory Soul Orchestra and Jordan Taylor Hill & Friends, in a performance centered around uplifting black voices and bringing awareness to social justice causes.

    The performance takes place on the historic date that commemorates the emancipation of slavery. Victory Soul Orchestra as well as Hill & Friends perform in efforts to heighten awareness of social injustice and to recognize the groups in our community that highlight the voices and needs of black people.

    https://www.youtube.com/watch?v=PNc8qJ-HnPY

    Viewers and listeners can visit Lark Hall on Facebook, Instagram, and YouTube for the Window Sessions feed starting at 5PM on Friday, June 19. Additional performances will be announced on social media. Stay tuned to NYS Music for weekly updates.

    Located in the heart of Albany’s Lark Street neighborhood, Lark Hall is a multi-use performing arts and community-oriented venue. Owned and operated by Justin and Jennifer Miller, Lark Hall provides an unparalleled live music and performance experience for both fans and artists alike.

    The venue, previously a dance studio for the last 80 years, recently underwent renovations and was slated to open its doors in Summer 2020 before mass gathering events including live music were cancelled. Lark Hall will fill a void when it does officially open, providing Lark Street, Albany’s ‘Village in the City,’ with a large music venue able to hold 400 plus attendees.

  • Larry Campbell celebrates COVID-19 recovery at home with Teresa Williams

    With his recovery from COVID-19 complete, guitarist Larry Campbell was joined by his wife and creative partner, Teresa Williams, as the pair took to Facebook to perform the upbeat and refreshing “Let Us Get Together Right Down Here.”

    Campbell experienced symptoms 43 days prior, but recently tested negative for coronavirus, and is now reunited with Willams at their Upstate home. The two were separated for nearly a month while Campbell was quarantined alone Upstate and Williams remained in New York City.

    Campbell says of the experience “This thing is vicious, it doesn’t follow any rules. Be vigilant if you get this and try not to get it,” with Williams adding, “Wear your mask!”

    The duo looks forward to playing music again together soon, and hinted at a livestream concert in the near future.

  • This week’s Dinner and a Movie to feature 2018 Phish show at MSG

    For the tenth installment of Phish’s Dinner and a Movie, Phish will stream full show video from their December 29, 2018 performance at MSG, and the second in the series from ‘The World’s Most Famous Arena.’

    The show was the second night of Phish’s annual New Years Eve run, held at Madison Square Garden every year since 2010 (except 2014) and the 63rd time the Vermont group has played MSG.

    dinner 2018 phish MSG

    Mike Gordon shares a Vegetable Shoyu Ramen recipe with fans, and the Afya Foundation will serve as the non-profit beneficiary for Tuesday’s stream. From their website, Afya Foundation states as their primary mission to improve global health by rescuing surplus medical supplies and delivering them to underserved health systems around the world. During the COVID-19 crisis, Afya has turned their focus and is delivering PPE to New York healthcare workers, with a special focus on healthcare systems supporting vulnerable populations.

    To stream Dinner and a Movie, tune into Live Phish or the band’s Facebook page on Tuesday, May 26 at 830 pm ET for the free stream of the December 29, 2018 show at MSG. Read the NYS Music recap from the first night of the 2018 run here.

    Setlist courtesy of Phish.net

    Set 1: Buried Alive, Blaze On, Turtle in the Clouds, The Sloth, 46 Days > Cities, Corinna, Ya Mar, Wolfman’s Brother

    Set 2: Carini -> Tweezer > Death Don’t Hurt Very Long -> Tweezer > No Quarter > Also Sprach Zarathustra > First Tube

    Encore: Shine a Light, Tweezer Reprise

    Notes: Wolfman’s Brother contained Party Time quotes. Trey teased Can’t Always Listen in the first Tweezer. Tweezer Reprise contained a Death Don’t Hurt Very Long quote.

  • Revisit the Grateful Dead at the Carrier Dome – October 20, 1984

    The third and final time the Grateful Dead performed at the Carrier Dome was on October 20, 1984 and featured one of the most blistering “Jack Straw” versions ever.

    Grateful Dead Carrier Dome

    The October 20 show was smack dab in the middle of their 1984 fall tour, and the final show on the East Coast before heading to San Francisco for the remainder of the year.

    A first set opening with “Bertha” -> “Greatest Story Ever Told” found a great groove in “Ramble on Rose,” which was followed by the first of a few requests from Bob Weir for the audience to ‘take a step back,’ heard quite often during this era of the Dead. The “Bird Song” clocks in at just over 11 minutes, and is followed by the aforementioned powerful “Jack Straw.”

    The energetic show features resounding versions of “Shakedown Street” to open Set 2, which led to non-stop dancin’ in the rafters. During “Turn on Your Lovelight,” fencing on stage right fell, leading to fans spilling down onto the Carrier Dome field.

    Grateful Dead Carrier Dome

    Leaving the show on the mantra of “Revolution” (‘You know its gonna be, alright’) set the crowd out on a high note, for it would be the last Dead on the East Coast until March, 1985 in Hampton, VA. Of course, leaving the Carrier Dome (up until recent renovation began) meant the wind would push on the backs of fans as they egressed, which can be either cathartic or unsettling, depending on your mindset at the time.

    Check out photos of the Grateful Dead at the Carrier Dome pre and post-show from James R Anderson here and check out an extended breakdown of the show from Visions of Dylan.

    Set 1: Bertha-> Greatest Story Ever Told, West L.A. Fadeaway, CC Rider, Ramble On Rose, My Brother Esau, Bird Song, Jack Straw

    Set 2: Shakedown Street-> Samson & Delilah, He’s Gone-> Smokestack Lightning-> Drums-> The Wheel-> The Other One-> Black Peter-> Turn On Your Love Light

    Encore: Revolution