Author: Pete Mason

  • Flashback: Phish headline for the first time at SPAC

    On July 10, 1994, Phish headlined for the first time at Saratoga Performing Arts Center. Two years prior, the Vermont group had opened for Santana at SPAC, one of the few opening slots Phish would perform in their career.

    via Brendan McKenna, as published in PhanArt: The Art of the Fans of Phish

    The summer of 1994 would feature The Eagles, Peter Gabriel, James Taylor, The Beastie Boys and the debut of Dave Matthews at the classic Upstate amphitheater, in addition to Phish, whose performance was at the tail end of their summer tour.

    Of note from the first set is the “Stash,” which appears on Live Bait 10, and fun with the lyrics of “Julius,” adding “I haven’t decided, no no no’ during the chorus, and “Ya Mar” where the band gave shout-outs to Trey’s dog Marley, including “Who is she?” (also their record label’s name) and “Who’s the Mar Mar?”

    Tickets were only $18.50 for reserved seats

    The middle of the second set held the heat with a strong “Mike’s Groove”, adding in “Low Rider” to the typical three song sequence inside of “Mike’s Song.” At the end of the second set, The Dude of Life came to the stage and sang his composition “Crimes of the Mind” with the band.

    Listen to the show below or tune in via Phishtracks.com.

    Phish.net/Rec.Music.Phish shirt from 1994, via PhanArt

    Setlist via Phish.net

    Phish – SPAC, Saratoga Springs, NY – July 10, 1994

    Soundcheck: Jive Talkin’, The Old Home Place, Nellie Kane, work on Jive Talkin’

    Set 1: Chalkdust Torture, Horn > Peaches en Regalia > Rift, Stash, If I Could, My Friend, My Friend > Julius, Cavern

    Set 2: Sample in a Jar, David Bowie, Glide, Ya Mar, Mike’s Song -> Low Rider -> Mike’s Song > I Am Hydrogen > Weekapaug Groove, Bouncing Around the Room, The Squirming Coil, Crimes of the Mind

    Encore: Golgi Apparatus, Rocky Top

    Notes: My Friend included a Purple Haze tease and Julius contained a Buried Alive tease from Trey. The Dude of Life sang vocals on Crimes of the Mind


  • moe. to get down at Vernon Downs July 31 and August 1

    moe. has announced ‘moe.’s Miracle Mile,’ a live drive-in concert, to be held at Vernon Downs racetrack on July 31. The event marks moe.’s first live performance since March 10 in Telluride, CO.

    While the July 31 show is sold out, tickets are on sale now for the recently announced August 1 show.

    The concert will begin at 7 PM on July 31 with all tickets needing to be purchased in advance. Car rates are between $150 and $260 depending on where you would like to park. Video screens and festival-style sound can be expected to make the first moe. show since March as enjoyable as possible. Find out more details, including what you can and can’t bring to the show here.

    moe miracle mile
    moe.’s Miracle Mile – July 31 & August 1, Vernon, NY

    Limited presale begins on Monday, July 13 at 10 AM, with full on sale on Tuesday, July 14 at 10 AM ET. Enter to win a free vehicle pass here.

    moe. has just released This is Not, We Are, their latest studio album. Listen to all the tracks here.

    The last time moe. played at Vernon Downs, they were the first of three bands for an immense triple bill that included Willie Nelson and Family, and The Dead.

    moe. at Vernon Downs, June 29, 2003

    Setlist: Okayalright, Bullet>Water>Moth>St. Augustine, Timmy Tucker>Moth Reprise

  • Sunday Jazz: listen to a 2009 performance of The Earregulars at Manhattan’s The Ear Inn

    Manhattan’s historic The Ear Inn has played a pivotal role in the music scene and beyond. It’s the oldest bar in New York City that has continuously served alcohol since 1817. Check out this recording of The Earregulars, from November 2009 via JAZZ LIVES.

    The Ear Inn has a very unique history after being open for two centuries. It dates back to a time where there was African aide to George Washington and The Ear served as residence for John Adams and Aaron Burr, among others. The Ear Inn was nicknamed by patrons as an untitled bar (“The Green Door”) for obvious reasons. As a result, the bar is listed on the National Registrar of Historic Buildings.

    the ear inn

    Go ahead and enjoy these video selections of The Earregulars performing at The Ear Inn on November 8, 2009. The videos feature a plethora of musicians: Jon-Erik Kellso (trumpet), Matt Munisteri (guitar), Harry Allen (tenor saxophone), and Neal Miner (string bass). They also include Victor Herbert’s “Indian Summer” and Louis Armstrong’s swinging anthem of reproach, “Someday You’ll be Sorry.”





  • Discover Local Music With EQXposure Featured Artists Of The Week

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. NYS Music will bring you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Warden & Company – I Know You Know

    Warden & Company is a three piece band from Saratoga made up of Seth Warden, Doug Moody, and Brian Melick. They have been playing together since 2011, having started off as the backing band for local Irish music legend Kevin McKrell. The trio have also performed together as Seth and the Moody Melix, playing children’s songs written by Warden who is also a teacher. Warden & Company showcases the trio’s more ‘adult’ sound.

    Jay Birdface – Grow Again

    Jay was born and raised in Vermont and currently lives in Burlington. He says he’s been a fan of EQX since he was a teenager. “Grow Again” is his latest single, find him on Facebook and listen to more of his songs on Soundcloud.This is his latest.

  • Watch Bobby & The Midnites coast to coast video for “(I Want to Live in) America”

    It’s the Fourth of July and if you’re looking for some patriotic music from the 80s, well you are in luck. We’ve got Bobby and the Midnites “(I Want to live in) America” music video from 1984, a video celebrating diversity and the global oneness of all people, united through our daily struggles and love for America.

    But if you’re looking for a sound similar to that of the Grateful Dead, look at virtually any other Dead side-project and it will be closer than Bobby and the Midnites. The poppy/yacht rock sound of “(I Want to Live in) America” seems better suited for pre-Sports Huey Lewis and the News than Bob Weir’s short lived pop effort.

    Filmed in Brooklyn with the Twin Towers of the World Trade Center behind the band, as well as in California with cars bouncing up and down the streets, the coast to coast vision for the video feels like a generic 80s video. Written by Weir, John Perry Barlow, Bobby Cochran and Gerrit Graham, “America” feels like an overarching effort to get radio play in an era where the Dead went seven years between studio releases.

    Joining Weir on this album were fusion drummer Billy Cobham, who recorded with Miles Davis and Mahavishnu Orchestra, bassist for Little Feat Kenny Gradney, and future Rockabilly Hall of Famer Bobby Cochran. You’d think that all this talent would translate to something big, but instead we get an oozing song and accompanying video full of early 80s cheese.

    Still, the lyrics are uplifting and positive, referencing dreams, surviving, and refugees living on a level playing field in America. Watch the video and live version below and share your thoughts on Bobby and the Midnites in the comments.

    All this hometown history is slippin’ away
    Shattered by a miracle age
    I’m gonna roar through the night on a fantasy flight
    As soon as I come of age
    When the dream ignites, there’s a flame so bright
    Burnin’ in a young man’s heart
    Get your hands on the wheel of some Detroit steel
    You can hear the music start

    I’m telling you I want to live in America
    I want to live in America

    Have you ever been down south of Chinatown
    Seen the face of a refugee
    The kids are alive, they’ve learned to survive
    They’re just like you and me
    All their friends back home wonder what it’s like alone
    Living in the land of the free
    It’s another way of life, rev it up and take a ride
    Realize your dreams

    I’m telling you I want to live in America
    I want to live in America

    Where the electric guitars ring out loud
    It’s the heartbeat of the steet
    Where the engines scream and the music’s mean
    I just gotta feel the heat

    I’m telling you I want to live in America
    I want to live in America

    Where the electric guitars ring out loud
    It’s the heartbeat of the steet
    Where the engines scream and the music’s mean
    I just gotta feel the heat

    I’m telling you I want to live in America
    I want to live in America
    I’m telling you I want to live in America
    I want to live in America

  • Truckin’ off to Buffalo: The Grateful Dead open for Bob Dylan and Tom Petty at Rich Stadium on July 4, 1986

    It’s not too often you see the Grateful Dead opening for another band, especially not in the 1980s. But on July 4, 1986, the Grateful Dead linked up with Bob Dylan and Tom Petty and the Heartbreakers for one of only four shows together that summer, performing at Rich Stadium in Orchard Park, NY, home of the Buffalo Bills.

    The Pittsburgh Post-Gazette characterized the show on the 4th of July perfect for “The Dead’s vagabond odes and Dylan’s outspoken songs of freedom.” Sweltering heat during the day led to a first set that was cut short, but rain during “Cold Rain and Snow” to start the second set provided respite for the crowd. Perhaps out of exhaustion, fans were reported to have left after the Dead encored with “U.S Blues.”

    While the Dead opened, a trio of songs were featured in a satellite broadcast live to Farm Aid 3. Prior to “The Wheel,” Bob Weir said to the crowd “America is an example of an agrarian nation, let’s keep it turning.”

    Six days and two shows later, Jerry Garcia slipped into a diabetic coma and was unconscious for a week, but would recover and be back on stage later that year. This show at Rich Stadium would be one of the last times the Dead would perform in New York for nearly a year, before returning to Rochester on July 2, 1987.

    Setlist, Grateful Dead, July 4, 1986, Rich Stadium, Orchard Park, NY

    Set 1: Jack Straw, Dupree’s Diamond Blues, CC Rider, Tennessee Jed, My Brother Esau, Touch Of Gray

    Set 2: Cold Rain & Snow-> Fire On The Mountain-> Samson & Delilah*-> The Wheel*-> I Need A Miracle*-> Uncle John’s Band-> Drums-> Gimme Some Lovin’-> Goin’ Down The Road Feelin’ Bad-> Turn On Your Love Light

    Encore: U.S. Blues

    *broadcast as part of Farm Aid 3

    Dylan and fellow Traveling Wilbury Petty joined up for a tour featuring the Heartbreakers backing Dylan. Dylan played a few solo acoustic songs, while the Heartbreakers played their hits that are still classics today, and all joined together for “Rainy Day Woman # 12 & 35.”

    Bob Dylan with Tom Petty and the Heartbreakers, July 4, 1986, Rich Stadium, Orchard Park, NY

    Set: So Long, Good Luck And Goodbye, Positively 4th Street, Clean Cut Kid, Emotionally Yours, Trust Yourself, We Had It All, Masters Of War, Straight Into Darkness (Petty & The Heartbreakers), Think About Me (Petty & The Heartbreakers), The Waiting (Petty & The Heartbreakers), Breakdown (Petty & The Heartbreakers), To Ramona (Solo acoustic), One Too Many Mornings, (Solo acoustic), A Hard Rain’s A-Gonna Fall (Solo acoustic), I Forgot More Than You’ll Ever Know, Band Of The Hand, When The Night Comes Falling From The Sky, Lonesome Town, Ballad Of A Thin Man, Bye Bye Johnny (Petty & The Heartbreakers), Make It Better (Forget About Me) (Petty & The Heartbreakers), Spike (Petty & The Heartbreakers), Refugee (Petty & The Heartbreakers), Rainy Day Women # 12 & 35, Seeing The Real You At Last, Across The Borderline

  • This Darkness has got to give: Music Venues in July across New York State

    It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.

    While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.

    Photo by Buscar Photo

    From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.

    Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.

    Manhattan and Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Saranac Lake – photos by Pete Mason

    Long Island – photos by Andrew Camera

    Rochester – photos by Brian Ferguson

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Utica – photos courtesy of The Stanley Theatre

    Port Chester – photos by Chad Anderson

    Ithaca – photo by Casey Martin

    Lake Placid – photos by Pete Mason

    Long Island – photos by Rob Tellerman

    Tarrytown and Peekskill – photos by Steve Malinski

    Buffalo – photos by Zachary Todtenhagen

  • Curbside Concerts come to CNY thanks to the Hamilton Theater and Arts at the Palace

    Curbside Concerts, who bring the live music experience to you, will have a pair of shows in the Hamilton, NY area thanks to the Arts at the Palace and the Hamilton Movie Theater. Bringing back live music with proper precautions for COVID-19 in place, Curbside Concerts was recently launched in an Uber Eats style, with users able to use their phones to find local artists who will perform a live set at your address.

    The partnership between Hamilton Movie Theater and Arts at the Palace is a strong effort to resume live music in a controlled setting. Artists will perform for four 30 minutes time slots each evening.

    As they move about town we encourage the folks that booked them to sit on their porch or yard in a socially-distanced manor. “Free delivery” and a fun night interacting and listening to these local and regional musicians is our mission. After the first one last week, the artist Seth Becker of The Old Main said, “I’d like to keep doing this!” Sounds good to us. We encourage all communities to do this safely!

    Sean Nevison, General Manager, Hamilton Movie Theater

    On July 1 you’ll find Chris Eves and Johnny Jones, followed by Jes Sheldon and Mike Davis on July 8. In the event of rain, shows will be held on the following Thursday. For more information visit the Arts at The Palace website.

  • Watch Carl Reiner sing opera on “Caesar’s Hour” and “Conan”

    The comedy world lost a giant today, as Carl Reiner passed away at age 98. Known for creating The Dick Van Dyke Show and directing comedies including Oh God! and The Jerk, few know that Reiner also dabbled in singing, notably opera music, part of two television performances that bookend his career.

    Born in The Bronx to Jewish immigrant parents in 1920, Carl Reiner would go on to serve in the Army Air Force in World War II, before performing in Broadway musicals Inside U.S.A. and Alive and Kicking, among others, as well as the lead role in Call Me Mister. In 1950, he joined the cast of Sid Caesar’s Your Show of Shows, appearing on air in skits while also working alongside writers Mel Brooks and Neil Simon in the early years of their careers.

    At 33 years of age, Reiner joined Caesar’s Hour in October 1955, Reiner would perform a selection from Pagliacci, with Sid Caesar in the role of Gallipacci (Canio in the original opera). Gallipacci and wife Rosa (Nedda), played by Nanette Fabray, are traveling in an art troupe, when Rosa falls in love with Emilio (Silvio), played by Reiner. The two make plans to elope, but a jealous Gallipacci discovers their plan. Watch below and listen for a young Don Pardo introducing the sketch.

    Now compare a young Reiner, whose career was just getting started, to a 91 year old Reiner on Conan promoting his book “I Remember Me.” The two discussed how he was never able to perform opera for a career choice, and Conan offered him a chance to perform on the show that night. Reiner took the chance and sang from Pagliacci.

    Rest in peace Carl Reiner, thanks for the laughs and for shining a light on your potential operatic career.

  • GarciaLive Volume 14 features Jerry Garcia & John Kahn at The Ritz in 1986

    The latest release from the GarciaLive series brings bassist John Kahn together with Jerry Garcia on the duo’s winter tour stop at The Ritz in New York City on January 27, 1986. The collection includes a liner note essay by bluegrass virtuoso Billy Strings.

    This performance at The Ritz was during the midpoint of their East Coast run, with Garcia and Kahn delighting the audience with a mix of Grateful Dead favorites, folk standards, and other staples from Garcia’s songbook. A laid-back yet passionate performance, Garcia’s mastery as a storyteller is on full display. As Billy Strings describes in the liner notes, Garcia “sings through the verses and picks through the melodies as if he is the man in the story. Delicate and deliberate.”

    Art by Suburban Avenger

    A sultry version of “Friend of the Devil” showcases Garcia’s soulful singing and his deep musical connection with Kahn. A pair of nods to Dylan are included in the show — “When I Paint My Masterpiece” and “Simple Twist of Fate.” Additional highlights include an upbeat “Bird Song” which Garcia & Kahn stretch out for the longest jam of the evening and a joyous “Ripple,” heard below.

    Pre-order Vol.14 of GarciaLive here, and while supplies last, every CD pre-order via Garcia Family Provisions will receive a bonus CD featuring the duo’s show the next night, January 28, 1986 at The Ritz.

    Set One: Deep Elem Blues, Little Sadie, Friend of the Devil, Oh Babe, It Ain’t No Lie, When I Paint My Masterpiece, Run for the Roses

    Set Two: Dire Wolf, Simple Twist of Fate, Spike Driver Blues, Bird Song, Ripple

    Encore: Goodnight Irene