NYS Music 202​0

Author: Justin Smith

  • Premiere: Nick Deutsch releases music video for “Talk 2 Me”

    In his latest music video “Talk 2 Me,” Nick Deutsch retorts the poetics of up all night running through rainy New York City backend streets to nowhere and isolated vocals searching for a voice on the back of a bar napkin, into tender melodies. “Talk 2 Me” ruptures the singer-songwriter essences of spacial time and place, to recapture the breath behind the vocals in a wholly original inspiration. The best expressions of the human experience don’t tell us what to feel, they provide a compass through ourselves.

    “Talk 2 Me” texts the pressing distances between 2AM love lost and the possibility of tomorrow that pulls us inwardly without asking where or when we’ve arrived at the place we embody. Thematically Nick Deutsch constructs a soundtrack for a new depth of vulnerability but also finds playfulness in the unmasking of pretenses. A note on the mantle of infinite possibility, if only you “Talk 2 Me.” Maybe a reminder that all the broken pieces can recoup a liberated spirit of being; The perfect song to cinematic imagery for a pause in reclamation of that breath we all need before the feelings fall out. 

    Nick Deutsch is a New York based piano playing, indie pop Singer/Songwriter originally from Wilmette Illinois. Jazz arranging and harmony brought Nick to New York University where he met and became friends with Tina Shafer, CEO of the New York Songwriter’s Circle. He has shared the stage with established singer-songwriters Ian Axle, (Great Big World) Billy Porter (Kinky Boots) Rob Mathes (Sting), as well as recorded with American Idol’s finalist Marissa Pontecorvo.

    While this may be new music from Nick, he is no stranger to the international music scene for his songs off his EP’s Crazy Ride and Heartsaver have led to nominations for Best Pop Male Vocal (2013 IMEA Awards), and The Great American Song (2013 POP Category). Additionally, his music has been featured on Nickelodeon’s “Jagger Eaton’s Mega Life” and TV Land’s “Younger.”

    In the meantime of Nick’s upcoming music releases, visit his website to subscribe to his email newsletters and request a song for his weekly live performances.

  • Jay-Jasmin releases new interstellar single “Bitch I’m From Venus”

    “New” and “single” refuse to encapsulate the anthology of neo-futurisms encased in the declaration from Jay-Jasmine in “Bitch I’m From Venus.” Ten-thousand lens shatters post-modern divides between interstellar imagery laced to ancient industrial breakbeat trance-pop, all to be reconfigured in Jay-Jasmine’s mythical resonance.

    Jay-Jasmine’s non-conforming, non-binary and cosmic celestial opus unifies contrasting mediums into parallel summits tracking a visceral explosion of sensory. “Bitch I’m From Venus,” doesn’t long for a lost downtown meets uptown outburst of vogue vibrancy, it details a blueprint where concrete runways adjoin synthetic neon lights stripping lineal wisdom into self-defined bodies. The canvasses Jay-Jasmine’s melodic articulation jar offers no delusion of the intended revolution it embodies.  

    https://www.instagram.com/p/CAYDXCbp8LZ/

    The track is inspired by ancient Divine Feminine energies of the goddess Venus who has 10,000 names. “Earth is experiencing a return in these energies and I wanted to make music showing that in the form of an alien invasion in NYC”. JAY-JASMIN is very inspired by fantasy and sci-fi and uses a blend of styles to create a work that has not been seen before and illustrates a new dimension. The main message of the song is to overthrow the patriarchy and raise the vibration of the planet through a revolution of love and freedom. 

  • Hearing Aide: Palm Suede’s latest single “Fight or Flight” remains relevant amidst global crisis

    New York-based electro-pop duo, Palm Suede, is delighted to share their new single “​ Fight or Flight​” that premiered May 15. The song continues the two’s exploration of battling anxiety while dealing with everyday situations

    Palm Suede renders the duos new single “Fight or Flight” balanced in vibrational techno-pop frequency lining a rapture of uptempo synth-balladry. The anthem unclenches the tightly knitted anxieties of windswept dispatches to find symphonic solace in the eye of the storm. The duo dares the frame that social distancing entails disconnection. In primal chemistry of intimacy, mindfulness, and allure the cadence breaks from expectation to fight gravity in every breath of Ellen Hodges’ aerial vocal register.

    In the trial between two poles stretched across oceans, the sound transcends the current with an international claim. Crossing over Palm Suede splices lyrical expressions from geometric cadence to take flight in the indulgence of the song’s entrancing backbeat. The duo specially produced Fight or Flight to be able to seductively lure escapism in being centered in one’s own energy. 

    https://www.instagram.com/p/B99lS75Fyon/

  • PEAK releases a unique psych-funk fusion sound with “Hot Clips Volume 1”

    Based out of Brooklyn, indie-funk artist PEAK is eroding the border between techno and funk with their new album Hot Clips Volume 1.  The collection is PEAK’s latest release that explores a wide array of emotion, and doubles as something techno-funk and indie enthusiasts look to for a unique fusion of both worlds.  Imagine as if you’re riding in a ship through a space galaxy, and you entered into a psychedelic time travel where influences of authentic 60’s bands and modern funk-rock combine seamlessly; PEAK would be the pilot of this ship and the realm is Hot Clips Volume 1.

    The album takes off with “What It Is About Her,” a track that’s experimental right off the bat with a techno beat growing into a full acoustic drum sound.  The vocals join the steady instrumental flow, and provide as a comforting blanket through exploring emotion about a girl.  Throughout the track, the band proves their unique dynamic changes with the blend of rock and bright electro-synth solos.  PEAK is able to take you on a comfortable roller coaster, with the peak (no pun intended) being the psychedelic journey track “Baromtric Pressure,” followed by the funky feel-good track “Win Some, Lose Some” that brings you back down to earth.  Once you start the adventure of listening to Hot Clips Volume 1, it’s hard to snap out of the attractive trance brought on by the upbeat dance beats and wild keyboard solos.

    Hot Clips Volume 1 is the launch of a live series from PEAK featuring Jeremy Hilliard on guitar on vocals (Turbine), Kito Bovenschulte on Drums (Particle), Josh T. Carter on Bass (Hayley Jane and the Primates) and Johnny Young on keys and vocals (Mick Taylor, Artimus Pyle). PEAK released their debut studio album Electric Bouquet (produced by Dave Brandwein of Turkuaz) in 2018, and have since since been steadily touring to perform at prominent venues, and releasing music for everyone to enjoy.  

    https://www.instagram.com/p/B_DhBH9p4yz/

    Written over a period of time from Fall 2019 to Winter 2020 during tour, this collection of songs were some of the band’s favorite jams until they were solidified with the help of keyboardist and mixing engineer Johnny Young.  With all of these great influences brought to one table, the band was able to bring these jams to life and capture their emotion while maintaining a fun techo vibe.

    Key Tracks: What It Is About Her, Baromtric Pressure, Wild Ride, Can’t Love Somebody

  • Helena Halberg releases pick-me-up single “Last Love”

    Helena Hallberg drops “Last Love” to pick us up from where we left off in NYC coffee shops crooning breakups in back alley poetics over bouquets of taunting stanzas. Somewhere between sober and sauced, the disobedient tempo paces folk to a spirited jazz gig in a backroom; challenging the distance between breakups and landslides.

    If contemporary feminist acuity impaled the deck to lull and roar all together “I am not here to be your mother, I am not your teacher,”  Hallberg’s “Last Love” is an ode to one’s own time. This time she cuts a mischievous long finger to self-realization in the full glory of independence.

    Social distancing suddenly doesn’t feel so lonely but instead a sigh of relief for a party of one. If you’re looking for a tack you can play over and over to a thousand different mood sets, Hallberg will cover you in a blanket with the thought of wherever you are is exactly where you’re meant to be if you just own it. If only transistor radios weren’t extinct but mercifully Hallberg’s uptempo asserts itself with the same temporal defiance on Spotify as it might on vinyl. 

    In the meantime of Hallberg’s next music release, check out her weekly live streams and stay updated with her latest content via Facebook and Instagram.

  • Hearing Aide: Levi Robin “Where Night Meets Day”

    New York-based folk artist Levi Robin has released his brand new album When Night Meets Day, which takes us on a journey through a powerful collection of songs that Levi spent writing over the course of several years. Much of the album is influenced by Levi’s fascination and dedication to the kabbalistic and Chassidic teachings of Torah, though it may not be conveyed in a way the listener expects or recognizes.

    For one, most everything is written in parable. Also one might expect spirituality to come with some sort of detached enlightenment, heavenly contentment and unbounded idealism, and that would be true if the soul was in a heavenly world right now, but in truth we are souls embodied in a material world, facing challenges and concealments, tests and tribulations. Our lives are of extreme paradox with dynamic highs and lows. And so, Where Night Meets Day is Levi’s invitation to you; to enter a purposeful and intentional embrace of life’s dichotomies, night and day, life and death, pain and pleasure, detachment and embrace, transience and eternity…

    The album opens up with “No Other,” a carefully picked guitar track that smoothly transcends into an upbeat folk song. This song truly launches the album and sets the mood for the record. Throughout the album are songs like “Alabama” and “Hey Love” that have a pleasant atmospheric, airy tone accompanied with soft vocals, which serve as a blanket for all your potential fears and anxiety. Levi has been hard at work on new material with Grammy-nominated bassist, composer, and producer Stu Brooks and Grammy-nominated producer and engineer Joel Hamilton. Be sure to stay tuned this year for more music and content releases from Levi Robin.

    Key Tracks: No Other, Days of our Youth, Alabama


  • Hearing Aide: Gawain and the Green Knight release new single “Doctor”

    Brooklyn-based Folk duo, Gawain & The Green Knight, are delighted to share their new single “Doctor”. The song continues the two’s exploration of universal aches as told by history’s ghosts- a path first started down on their debut EP, ​Ghosties​.

    gawain the green knight

    Written by Alexia Antoniou and arranged by Mike O’Malley, the song considers the strangeness of one’s anxieties manifesting physically in the body and expresses it through a doctor struggling to locate their own particular pain. Featuring the duo’s usual latticework of guitar, bouzouki, and close harmony, the song is worked into a grand panic by a cinematic string section.

    The group has been playing across the city at prominent NYC venues, and even in the midst of global chaos, the two folk architects are bringing their music right to your computer with their live streams every Monday at 3pm on their Facebook page. Stay tuned into their social media for news and music updates.

  • B.A.D.A. releases new single “Exile”

    Brazil/NYC-based electro/indie-pop duo B.A.D.A. explore the inner workings of an artist’s journey in their new video for “Exile,” title track to their upcoming album. “Exile” is a dark pop thriller, held almost entirely on a minimal synth bass line, murmured vocals and melodic sorrow.

    Aiming for conceptual depth while standing out in the overpopulated electronic-indie-pop scene is B.A.D.A.‘s ambitious mission. Brazilian artist/producer Pedro Cesario and Brooklynite multi-instrumentalist/producer Carey Clayton devoted the whole of 2019 to this mission after the vision for Exile came to Cesario during Burning Man in 2018. The story that underlies the single is very personal to Cesario, who states, “I quit music after experiencing a traumatic experience recording a demo when I was ten years old. The lyrics and film represent the creative hiatus in my life and my search for that grit again as an adult.”

    The self-produced, trilingual album was recorded internationally throughout 2019, first in a cabin in Woodstock, NY, then at the Abbey Road Studios in London, and finally in Clayton’s bedroom in Greenpoint, Brooklyn. B.A.D.A. worked with the house engineer of Abbey Road, John Barret (George Ezra, James Bay), several guest musicians, and mastering engineers Luke Moellman (Great Good Fine OK) and Chris Gehringer (Janelle Monae, Harry Styles) along the way to create an auditory and visual experience through their music.

    While the album navigates the same sonic palettes as contemporaries Bon Iver, The Japanese House, and Muna, B.A.D.A.’s sound unashamedly flaunts its romance with the dance floor, and each song seems to be specifically designed to soundtrack a lysergic trip. The uniqueness of the concept lives in the fact that the album’s scores are a blueprint of the journey itself, as the artists use their own identity and experience as a white canvas to perform the transformation. 

    The duo originally started as a remote project between Brazil and New York City, before Cesario decided to join Clayton in the city so that they could materialize the project into the real world. “Exile” materializes an unobvious music journey that reflects the chaotic state of pop in the turn of the decade, where boundaries of language, genre or identity no longer apply.

  • Video Premiere: The Lost Messiahs “Didn’t Have To Be That Way”

    The Lost Messiahs hail from the Irish Midlands and are comprised of five of Ireland’s top musicians. The band was formed by lead guitarist Ollie Plunkett, with a concept of bringing some of Ireland’s leading musicians into one whole act. Having shared stages with the likes of Van Morrison, Damien Rice, The Waterboys, and Bob Geldof, The Lost Messiahs are able to hold their own with the best in the business. Formed in 2014 as an album project, the indie-rock band is now a full touring band, having released their second album in 2019, and they’re set to bring their style of music to the US in April this year.

    the lost messiahs

    Their latest music video for “Didn’t Have To Be That Way” premiered on February 14 and is gaining recognition nationwide quickly.  For this new single, they have collaborated with Steve Fallone of Sterling Sound in New Jersey. The track delivers a rich palette of atmospheric guitars, dark and brooding synths, and is driven by a relentless hypnotic rhythm. Meditations on love, loss and a search for life’s meaning permeate from the latest single. The video starts with a woman casually approaching a man from behind, and holds up a gun to the man’s back, then the screen shuts black.  The film cuts to the man lying on the ground after taking a bullet to the back and not really knowing what hit him.

    The upbeat music and soothing vocals are contrasting with the unforgiving visuals, yet smoothly blended with the pace of the video. In the following scene, the group walks out mafia-style with guns drawn and looking for some sort of fight, along with a group of women walking out looking for the same. Throughout the video there are constant exchanges of fire-fights from both sides, leading to most of each gang being taken out.  At the end, there is a reunification of a man and woman from both sides in an eerie graveyard setting and fades out as they meet. 

    In addition to their consistent music releases, The Lost Messiahs are proud to announce their month-long tour across the Northeast United States.  The tour kickoff is on April 12 at Bowery Electric, then comes back a week later at Mercury Lounge on April 20, and Rockwood Music Hall the following day on April 21.   

  • Premiere: Tiger Darrow releases plot twist single “Brother’s Girl”

    ​Brooklyn-based Pop Creative multi-hyphenate, Tiger Darrow, has released her new single, “Brother’s Girl.” The heavy synth dark pop song portrays a story of forbidden love for the unattainable. 

    The song begins with seductive and fantastical lyrics as the singer describes the feeling of falling in love with someone special, however, they’re unavailable. Darrow enjoys writing her lyrics in a colloquial way full of surprise to her listeners. The poetic storytelling of this stripped song introduces a plot twist to the story when the singer announces the love she has been describing is in fact for her “Brother’s Girl.” Her earthy and smokey vocals over the skittering trap beats create a roguish pop sound filled with infectious melodies.

    Tiger Darrow
    Photo provided by Gramophone Media

    Darrow’s musical upbringing began at the age of two when she began learning how to play the violin. Her love for music led her to attend a Performing Arts High School in Dallas, Texas where she learned guitar and cello. Graduating with a degree in Songwriting from NYU, Darrow continued to pursue her passion and built her reputation as a young, multi-instrumentalist singer-songwriter and producer writing for other artists, as well as, pursuing a solo career. Opening for artists such as Edie Brickell and The New Bohemians, The Eagles, and Erykah Badu, Tiger Darrow also performed as a sideman for Durand Jones and The Indications, Zack Villere, Camille Trust and Wakey!Wakey!

    Darrow’s music has evolved tremendously since releasing her first album at the age of 16. The Dark-Alt Pop Singer is taking a new direction and creating new music with sounds inspired by Billie Eilish, Julia Michaels, FKA Twigs and St.Vincent. In support of the artist’s latest release, Darrow sets out to perform a multitude of shows around the NYC area at prominent music venues.  

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