Author: Jamie Huenefeld

  • Widespread Panic Marks Leap Day With Timely Beacon Run

    In the spirit of the Allman Brothers, fellow Georgia peaches Widespread Panic graced the Upper West Side with a multi-night run of shows at The Beacon Theatre as a prelude to spring. Southern accents and charm were prevalent throughout the crowd, as many fans made the trek for the noteworthy occasion. Included in the shows was a Leap Day show on February 29, which brought together a “time” theme in the second set of the show. 

    The music was complimented by a stunning light rig, with vertical rows of lights in the center and left, and a circle of lights on the right. A beacon of rainbow light was often radiating just above Duane Trucks and Domingo Ortiz on their raised drum stands behind the rest of the band. The stage floor contained powerful rotating lights that often embellished the iconic Egyptian-themed ceiling. 

    widespread panic beacon

    Bust-outs were found throughout the run, including “Vicious” by Lou Reed, which hadn’t been played in over 1000 shows, dating back to the band’s Halloween run at Madison Square Garden in 2003, and the rare “E on a G,” which had only been played eleven times prior. 

    On Friday, the band did not let up in set one, and came out firing as they had the night before. The show started out strong with early Panic classics “Wondering,” “C. Brown” and “Can’t Get High.” Jimmy Herring got loose on “All Time Low,” which followed for the first big jam of the night. Fans were treated to the rare “Dark Day Program,“ last played on in July 2011. To close out this high energy first set, Dave Schools asked the crowd if they wanted to dance and the band unleashed a monster cover of Robert Johnson’s “Stop Breakin’ Down Blues.”

    widespread panic beacon

    A heavy “Sleeping Man” opened the second set, followed by a pair of covers from The Band, “Ophelia” and “The Shape I’m In.” And while it felt like they were about to dive into Pink Floyd’s “Breathe” just out of “Driving Song,” the band treated the crowd to the twelfth ever version of the instrumental “E on a G.” Herring kept his foot on the gas during the set closer of “Chilly Water,” while the crowd sprayed their water and added a visceral soaking sensation. The night wrapped up with a delicious double encore of “Blue Indian” and “Climb to Safety.”

    But how would the band commemorate the quadrennial Leap Day that followed? There are few songs with ‘Leap’ in the title, so a reflection on time was in order, and found throughout much of the second set, in both obvious and subtle ways. Set 1 started with classic Panic numbers “Space Wrangler” and “Walkin’ (For Your Love),” and the newly minted jam-vehicle “Up All Night” which never fails to deliver. A rare “Tortured Artist” followed, along with the fresh “Sundown Betty.” The first set closed with a trio of high energy numbers in “Machine,” “Barstools and Dreamers” and the apropos for Saturday NRBQ cover “Flat Foot Flewzy.”

    widespread panic beacon

    The second set played off of a ‘time’ theme with references throughout, starting with “Blackout Blues” (in the middle of the night), a tease of the theme to Norman Lear’s All in the Family “Those were the days” (which is set in nearby Queens), “Airplane” (must have been a year ago), “Holden Oversoul” (one last time), “Henry Parsons Died” (6 o’clock on Saturday). A trio of ‘time’ songs followed – “Time Zones,” Los Lobos’ “Somewhere in Time” and The Dillards “There is a Time” – but the time references didn’t end there. J.J. Cale’s “Ride me High” (this mornin’) and the first half of the encore “This Part of Town” (the other day) tossed in some subtle but notable references to time on this extra day of 2020. 

    Also notable, there were numerous references to Southern USA, including “Up All Night” (Savannah), “Henry Parsons Died” (Georgia), “Blackout Blues” (Mississippi) and the show closing “Red Hot Mama” (Louisiana). For the second half of the encore, the timeless Neil Young classic “Mr. Soul” wrapped the night up with high energy, and the audience holding out for a rare second encore that did not come to pass. As fans made their way into the brisk night, Dr. John’s “Right Place, Wrong Time” serenaded an audience who caught a show of rarities on a rare day in a classic venue.

    widespread panic beacon

    With five sold out shows at The Beacon this year, and three sold out shows last year at The Capitol Theatre in Port Chester, one can only hope that Widespread Panic will follow in the tradition of another southern rock band, The Allman Brothers Band, and have an annual residency at The Beacon Theatre for years to come. 

    Setlists – Widespread Panic, The Beacon Theatre, NY, NY

    Thursday, February 27

    Set 1: Porch Song, Rebirtha > Greta > Jam > Stop/Go > Little Lilly, Proving Ground > Bust it Big > Proving Ground > Action Man

    Set 2: Steven’s Cat > Jam > Walk On > Blight > Help Me Somebody > Jam > Fishwater > Drums > Fishwater >Pilgrims, Pusherman > Conrad

    Encore: You Wreck Me > Tall Boy

    Friday, February 28

    Set 1: Wondering, C.Brown, Can’t Get High, All Time Low> Jam> Junior, 1 x 1, Dark Day Program, You Got Yours, Stop Breakin’ Down Blues

    Set 2: Sleeping Man, Ophelia > The Shape I’m In, Surprise Valley > Bear’s Gone Fishin’ > Surprise Valley > Driving Song > E on a G > Driving Song, Don’t Wanna Lose You, Chilly Water

    Encore: Blue Indian, Climb to Safety

    Saturday, February 29

    Set 1: Space Wrangler, Walkin’, Up All Night, Tortured Artist > Sundown Betty, I’m Not Alone, Machine > Barstools and Dreamers > Flat Foot Flewzy

    Set 2: Blackout Blues -> Jam in C* -> Airplane -> Holden Oversoul -> Henry Parsons Died > Time Zones, Somewhere in Time, There is a Time, Ride Me High -> Drums-> Ride me High, Red Hot Mama

    Encore: This Part of Town > Mr. Soul

    *All in the Family theme tease

    Sunday, March 1

    Set 1: From The Cradle > One-Arm Steve > Let’s Get The Show On The Road > Ribs And Whiskey, Bowlegged Woman, Honky Red, Trouble, Hope In A Hopeless World > Postcard

    Set 2: Let’s Get Down To Business, Little Kin, Disco, Diner > No Sugar Tonight > New Mother Nature, Papa’s Home > Drum Solo > Cease Fire > Protein Drink > Sewing Machine
    Encore: Vicious, Ain’t Life Grand

    Monday, March 2

    Set 1: I Wanna Be Sedated, Travelin’ Light, Old Neighborhood, Imitation Leather Shoes, The Last Straw > Pleas, Rock, Jack > Love Tractor

    Set 2: The Waker, Pigeons, Hatfield > Impossible^ > Saint Ex^^ > Tie Your Shoes > Jam, Nobody’s Loss, North

    Encore: City of Dreams, Life During Wartime

    ^The Other One tease
    ^^Won’t Get Fooled Again tease

  • Andy Frasco and the UN Royally Rumbles With Big Something at the Brooklyn Bowl

    Andy Frasco and the UN brought their Royal Rumble tour circus to the Brooklyn Bowl on Saturday night, in the form of a high energy, wrestling themed showdown with co-headliner Big Something. Comedian Kyle Ayers doubled as the opening act and MC for the antics. The sold out crowd enjoyed the ruckus that ensued, as well as the jams.

    Kyle Ayers kicked off the festivities with an unusual opening set of comedy directed at jam band fans. Shortly thereafter, Big Something descended upon the stage, delivering jam rock with a Southern and alt-rock flavor, along with extremely high energy. Members of Andy Frasco and the UN joined this party dressed in wrestling masks for a notable cover of  Pink Floyd’s “The Wall.” At one point, Frasco dove onto Ayers, forcing him to wear a neck brace for the rest of the show. Big Something also performed the nineties throwback “Gangster’s Paradise” by Coolio. 

    After setbreak, Andy Frasco and the UN descended upon the stage once again, this time with even crazier stage antics. Known for stage diving, Frasco went for a ride early on in the set, and sported a bottle of Jameson throughout the night. Frasco was not without support from talented guests, as guitarists Dave Brandwein of Turkuaz and Brandon Niederauer took the stage for an electric cover of “Burning Down the House” by the Talking Heads. They also played their newly released track “Keep On Keepin’ On,” which was well received by the crowd.

    The night was not complete without a stage diving race to drive the lane and dunk a basketball into the hoop setup within the crowd. Ayers refereed this challenge, while standing on top of Frasco’s piano. Frasco pulled off the victory while wearing his Wilt Chamberlain Lakers jersey.

    The show was highly entertaining, and included some tasty blues, funk and rock-n-roll jams. This circus is back on the road this week in NY State, performing at the Buffalo Iron Works in Buffalo, NY on Tuesday, Feb 18th. Visit their tour page for more details.

  • Spafford Slays The Brooklyn Bowl With Stellar Lights and Covers

    Arizona’s improvisational jam rock quartet Spafford kicked off a three night run on Friday night at the Brooklyn Bowl. They delivered high energy tunes to the sold out crowd immediately upon taking the stage- and never looked back. The band also brought a high tech light rig that elevated visuals throughout the show. They were supported by, and are currently on tour with, Connecticut’s Eggy.

    Known for blending rock, funk, jazz, reggae, ska and electro-pop, Spafford’s members include Brian Moss (guitar), Jordan Fairless (bass), Andrew Johnson (keyboards), and Nick Tkachyk (drums).

    Eggy’s line up consists of Michael Goodman (bass), Jake Brownstein (guitar), Dani Battat (keyboards) and Alex Bailey (drums).

    Brian Moss

    Eggy kicked off the festivities to sizable crowd, as their Connecticut fan base was out in full force. They installed an “Eggy” sign on Battat’s keyboard stand, and dove into their flawless set of jam rock that often reminded this reviewer of Moe. Towards the end, they paid homage to Blind Melon by covering “No Rain,” which was a hit with the crowd. Andrew Johnson from Spafford the keyboard space with Battat for this cover, and the synergy was quite notable. Eggy’s impressive execution felt more like a main course, despite being tonight’s appetizer.

    Johnson sits in with Eggy for Blind Melon’s “No Rain”

    Spafford quickly made haste by taking the stage and unleashing a monster “Shakedown Street” cover by the band who started the jam rock genre, The Grateful Dead. Their exquisite light rig heightened the already powerful house lights at the Brooklyn Bowl, much to the delight of NYC Metro region crowd. They were so massive, in fact, that they took up a sizable chunk of the stage’s real estate.

    The second set included more of Spafford’s signature improvisational rock, funk and electro fusion. Moss’s guitar work was on another level tonight, and was often seen exchanging smiles and jubilant glances with Fairless, Johnson, and Tkachyk. They also dispatched another notable cover of “Peaches”, by 90’s alt-rock band, The Presidents of the United States. The show wrapped up with the high energy “The Reprise” as an encore, sending the crowd home thirsty for more.

    Spafford wrapped up their soon to be legendary three night run Sunday night at the Brooklyn Bowl with a special Acoustic only performance. Visit their tour page for details on future performance dates.


    Set One: Shakedown Street, Mind’s Unchained, Hollywood > The Remedy, Plans

    Set Two: America, Doghouse > Part II > Musette, My Road (My Road), Peaches, Galisteo Way 

    Encore: The Reprise

    Setlist courtesy of Spaffnerds.com


  • The Lawn Boys Celebrate Phish With Sweet Jams at Sera Phi

    The Lawn Boys celebrated Phish at Sera Phi in Greenpoint on Saturday night, and said goodbye to local artist Alex Anastas with a dream set list of Phish songs crafted by Anastas himself. The band consists of Darren Rodney (guitar), Andrew Mega (drums), Bruce Raskin (bass), and David Kaufman (keyboards), and primarily plays Phish covers.

    Sera Phi is also known as the Sera Phi Social Club, which lived up to its name as the crowd was exceptionally friendly. The row of couches in the back created a great ambiance and the vibrating floor echoed the crowd’s enjoyment through movement. The walls were filled with projections of partially inverted images of Phish throughout the evening, courtesy of videographer Aylon Ben-Ami.

    Alex Anastas

    The show began on a high note, with the band announcing the departure of Anastas to Australia, and stating that the proceeds from the event would benefit those impacted by the Australian bush fires. The first set contained many heavy hitters. “Bathtub Gin” included notable jam solos by Rodney, who was firing on all cylinders. Also, “Maze” > “David Bowie” felt like the real thing, as this band effectively channeled Phish. Anastas took the stage and sang during “Dirt” and “Waste.”

    After a delicious DJ set that included re-mixes of Pink Floyd, Joe Russo’s Almost Dead and the Talking Heads, the boys returned for another monster set. “Down With Disease” was the prevalent theme, as the band jammed into and out of this song several times. During “Glide,” the lyrics were changed to “We’re glad glad glad that Al’s alive.” The encore was equally exciting and well executed, with versions of “Harry Hood” and “Chalkdust Torture” that made the crowd long for the real thing.

    Overall, the Lawn Boys’ skills were quite impressive, and paired well with the social crowd at Sera Phi. They are a talented cover band who portrays Phish with vigor and delighted the crowd throughout the night.

    Setlist:

    Set One: Curtain With > AC / DC Bag, Bathtub Gin -> Ghost* > (funk jam) > Tweezer > Maze , Dirt, Waste^, Bouncing Around the Room,  David Bowie > Highway to Hell 

    Set Two: Down With Disease > Crosseyed and Painless > Down With Disease, Glide, Heavy Things, YEM, Tube > Tweezer Reprise

    Encore: Chalkdust Torture, Harry Hood

    Notes: *DWD teases; ^Darren acoustic, Al on vocals

  • NYC Winter Jazz Marathon Takes Over Brooklyn and the Bowl

    The NYC Winter Jazz Fest rolled on with the Jazz Fest Marathon, which included 6 venues in Brooklyn with a myriad of jazz verticals. One ticket was accepted at any location, allowing fans to customize their music experience. This review will focus on coverage from the legendary Brooklyn Bowl, located on the waterfront in Williamsburg.

    Kendra Morris

    Singer-songwriter Kendra Morris and her four-piece band kicked off the festivities with their “soul meets indie” jazz sound. Most of their material was originals written by Morris, and soul-fully executed by her adept band. Her beautiful voice electrified the crowd when she belted out the classic Pink Floyd tune “Shine On You Crazy Diamond.”

    Felix Pastorius and Hipster Assassins

    Felix Pastorius, son of jazz legend Jaco Pastorius, and Hipster Assassins, his experimental bass-driven jazz band, was up next. Their eclectic mix of a guitar, bass, drums and saxophone raised the bar of modern jazz. Their free flowing sound yielded a creative and fresh take on the classic jazz tune, “Butter Biscuit.”

    Kung Fu

    Following Pastorius was Kung Fu, the Connecticut-based jazz group led by guitarist Tim Palmieri, who delivered non-stop funk for the people. Their intense set included a nice groove and contagious stage energy between the band members. Palmieri’s performance was nothing short of legendary, diving on his knees and playing off the energy of the crowd. The band hit a high note during the cover of the jazz classic “Birdland.”

    DJ Logic

    The evening wrapped up with a late night performance by DJ Logic and friends, supported by Billy Martin and Shanir Blumenkranz. This set was filled with beats and scratching, care of DJ Logic. The organic percussion of Martin and the various string instruments played by Blumenkranz created a perfect harmony with the digital elements.

    Tim Palmieri of Kung Fu

    Overall, the NYC Winter Jazz Fest Marathon was a delightful way to enjoy a number of bands under one or more roofs, depending on the tastes of the listener. Head on over to their website for more information about future Jazz Fests.

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