NYS Music 202​0

Author: Jacob L. Pitts

  • Mickey Leigh’s Mutated Music presents “Two Kinds of Law”

    It’s a tale as old as time: the rich, famous, and privileged get a slap on the wrist for offenses that would ruin anyone else’s life. Previously observed by Truman Capote and Martin Luther King Jr. in the mid 1960s, the assertion that there are “two kinds of laws” still holds true today. NYC rocker Mickey Leigh employs the phrase again in Mutated Music’s new single, just as current affairs reiterate the divide. Nationwide protests have highlighted the police’s double standard in dealing with Black and white Americans, and President Trump has commuted his friend and former campaign advisor Roger Stone’s prison sentence.

    Mickey Leigh

    About “Two Kinds of Law,” Mickey Leigh told SPIN,

    “Music is magical in so many ways. Rock and roll is one form of it that, magically, can be purely fun, but, at the same time can be a way to spread a message. And, aside from having a lot of fun with it, me and my fellow Mutated musicians think both are equally important – as long as it’s an important message […] The importance of “equality” and “justice for all” has come to the forefront of our lives like never before. and, it’s a message that needs to be repeated…repeatedly. There aren’t many ways to repeat a message repeatedly without boring people to tears, aside from immersing it in a catchy chorus and irresistible rhythm.”

    Mickey Leigh

    This immersion is definitely successful. While its lyrics and melody are simple, “Two Kinds of Law” still packs a punch as a socially conscious earworm. The video opens with Leigh playing guitar on his couch, but quickly shifts to footage of a police shooting. The spreading of such videos can potentially be reckless and traumatic, but here it’s blurry, brief, and non-graphic. Next, Leigh sings “Hush now children, don’t you cry; daddy won’t be home and I’m telling you why” as a Black mother mouths the line to her children. The video concludes with a cameo from a certain disgraced athlete from the 90s, perhaps the quintessential example of the two kinds of law.

    Mickey Leigh is partially known as the brother of Joey Ramone, but he’s had his own prolific career as well. He’s been a longtime fixture to the NYC music scene, and was previously in the bands Birdland and The Rattlers. He also published a book in 2009 called I Slept with Joey Ramone: A Family Memoir.

  • Levitt AMP Utica to present TV special “AMP the House!”

    The Levitt AMP Utica Music Series is producing a two-hour TV special called “AMP the House!,” showcasing Utica’s diverse local music scene as well as some national acts. Focused on community and family, the show seeks to encourage viewers’ mental health and support musicians. Genres highlighted in the special include pop, soul, blues, Latin, instrumental, and country. The performers, 12 acts in total, consist of all different backgrounds, genders, languages, and ages.

    Not only will “AMP the House!” feature Utica’s unique range of talent shown above, but explore what else Levitt AMP Utica does behind the scenes. The special will include “Beyond the Music” segments about the AMP Utica internship program and more.

    Coordinator Michelle Truett says, “We chose to produce a television show because it will allow us to share great bands, singers and musicians with viewers throughout the Central New York region and hopefully entice them to come to downtown Utica next summer to see the concerts in person. Also, a TV show gives us a great opportunity to share what else we do at the park with our series – our internship program, fostering of youth performers, placemaking activities, art, inclusion and community-building. The show is going to be jam-packed with inspiration and talent.”

    In addition to local Utica acts, two national bands are participating. B2wins and Bassel & the Supernaturals were originally supposed to perform in person, but will instead appear in the special and rebook for 2021. B2wins, short for Brazilian twins, are Iowan brothers who bend genres with the help of a violin and ukulele. Recently, they’ve been keeping busy with community outreach for the COVID-19 crisis. As for Bassel & the Supernaturals, they’re a Chicagoan neo-soul and funk band that raises awareness for Syrian refugees both on and off the stage,

    Utica Monday Nite board president Alyssa Spina adds, “Utica Monday Nite is proud to be a part of a project that exemplifies the power art as a tool to bring community together, especially and most importantly during a time when connection is most needed.” Founded in 1997, Utica Monday Nite is a local arts initiative that has accepted the Levitt AMP [Your City] Music Awards grant for the last five years. Going to cities with underutilized public spaces, the Levitt AMP Utica Music Series previously took place at Kopernik Park in Oneida Square. Although they postponed live concerts, this TV special is still possible due to a bridge grant from the Levitt Foundation.

    The special will air Monday, July 20 on CBS-Utica 2 and again Thursday, July 23 on WFXV 33, from 7:00 to 9:00 p.m. both nights. Both channels are available throughout the greater Utica area. The show won’t be put online after, so these are the only opportunities to watch it.

  • 6ix9ine and Nicki Minaj’s “TROLLZ” plummets down the Billboard Hot 100

    After debuting atop the Billboard Hot 100 chart last week with new song “TROLLZ,” New York rappers 6ix9ine and Nicki Minaj have broken the all-time record for biggest fall from number one. Dropping to #34, the duo doubles the previous record-holder, The Weeknd’s “Heartless,” which fell to #17.

    “TROLLZ”  marked 6ix9ine’s first number-one single, and Minaj’s second. Earlier this year, she hopped onto a remix of Doja Cat’s viral hit “Say So” for her first. The success of “TROLLZ” has been historic in many ways: after spending the late 2010s mired in controversy and overshadowed by new talent, Nicki became the first female rapper to debut at #1 since Lauryn Hill’s 1998 “Doo Wop (That Thing),” and 6ix9ine beat the odds despite being blacklisted from radio as well as playlists curated by Spotify and Apple Music.

    The accompanying music video, filmed at 6ix9ine’s home while under house arrest for racketeering, drug trafficking, and firearms offenses, has almost 160 million YouTube views and counting, and the single has sold 116,000 downloads, the highest figure since Taylor Swift’s “ME!” Both rappers took to Twitter to gloat about the successful debut:

    Without industry support, “TROLLZ”’s number-one debut was almost entirely a fan-driven operation. This is admittedly impressive, but on second thought it bodes bleak for the future of chart-toppers. While never an indication of a song’s quality or cultural impact, going number-one once meant having the most popular song in the nation for a week or more.

    Now, a devoted fanbase could theoretically get their idol’s song to the top of the chart without anyone else beyond their ranks actually listening to it, only to nosedive into oblivion the next week without having made its mark on popular culture and the general public. While claiming the coveted crest of the Hot 100 has historically been a prestigious accomplishment, this arguably causes the feat to lose its luster.

    Discounts, merchandise bundles, and multiple versions are increasingly popular methods of boosting sales, and fan practices such as employing bots and VPNs to manipulate a song’s performance have potentially made the Hot 100 less representative of the masses’ tastes than ever before. While the latter has only been rumored in this instance, 6ix9ine and Minaj employed all of the former tactics: “TROLLZ” was discounted to 69 cents, sold alongside CDs, vinyls, and hoodies, and released with explicit, alternate, and clean versions.

    Although 2020 is only halfway through, the year has already seen five Hot 100 number-one debuts, some of which proved to be similarly frontloaded: Travis Scott and Kid Cudi’s “The Scotts” fell to #12 the following week, and Ariana Grande and Justin Bieber’s “Stuck With U” plunged to #13. Since Billboard is constantly amending its rules amid the ever-evolving musical landscape, none of these artists or fanbases are technically ‘cheating’ by pulling out all the stops to ensure a number-one.

    They still obtained the necessary sales, streams, and radio play (provided they aren’t blacklisted) required to top the chart. Unlike payola, the practice of record companies paying radio stations to play a song without disclosing the agreement, it’s perfectly legal for artists to go to 6ix9ine and Minaj’s lengths to top the Hot 100. But will those songs be remembered a year from now? Next week, even?

  • Young Culture goes full pop on “I’ll Be There”

    Albany’s Young Culture is known for their pop-punk sound but they fully embrace the pop side on their new single, “I’ll Be There.” While drums and guitar are still present on the track, this song is primed for Top 40 with a boy bander-esque dance routine in the accompanying music video.

    Despite the music video’s washed-out aesthetic, “I’ll Be There” sounds vibrant and ready-made for summer. Referencing another summer anthem, Bob Marley’s “Three Little Birds,” the pre-chorus goes: “Just like the song says, every little thing is gonna be alright.” Whether in relation to the pandemic, current civil unrest, or life in general, the song’s message is reassuring for many reasons. “We’re happy to put out good vibes and hope you enjoy watching it as much as we did making it,” said lead singer, Alex Magnan. Enjoy listening below.

    Listen to Young Culture Here.

    In addition to the new music video, Young Culture launched “I’ll Be There”-themed merchandise. Over $1,600 of the total proceeds are going to the Albany and Louisville Community Bail Funds. The shirts depicted the Bob Marley quote and an image from the music video. They are now completely sold out. “We’ve been sitting on this simple song for a while and didn’t know that putting it out right now would give it a whole new meaning for us,” Magnan told Broadway World.

    Founded by school friends Magnan and Gabe Pietrafesa, with Troy Burchett joining later on, Young Culture released their label debut EP in 2019, entitled, (This Is) Heaven. The pop-punk EP reached #22 on the New Artist chart and and #53 on the Indie chart, and maintains a sizeable Spotify presence. One of the songs, “Drift,” was co-produced by Sam Guaiana, as well as Derek DiScanio of fellow pop-punk Albany band, State Champs.

  • Enjoy Summer Quarantunes with Freedom Park’s livestream series

    Scotia Freedom Park’s Quarantunes Series kicked off on Friday, June 20 with a performance from American Idol finalist Madison VanDenburg. The summer concert series, normally held in person, is now streaming online for free from the Freedom Park Quarantune Studio. Through the end of August, new concerts will go up on YouTube and Facebook at 7:00 p.m. each Wednesday and Saturday. Concerts will also be aired live on Spectrum channel 1302 and Fios channel 37.

    quarantunes

    The Quarantune Series is dedicated to the Class of 2020. The series’ headliner, Madison VanDenburg, is a recent Shaker High School graduate who progressed to the top 3 of American Idol’s season 17 last year. Some of her notable performances on the show include covers of Dan + Shay’s “Speechless,” Adele’s “All I Ask,” and Lady Gaga’s “Shallow” from A Star Is Born. VanDenburg’s new song “Reason” was released to Spotify and Apple Music on June 19, a day before her Quarantune concert.

    Other Quarantune Series performers include Celtic quartet Screaming Orphans, local rock duo Sirsy, bluegrass band Skeeter Creek, the Capital District Youth Pipe Band, and more. This season’s lineup is especially diverse, encompassing artists of all ages and genres.

    This season’s sponsors include Berkshire Farm Center, GoToScotia.com, Scotia-Glenville Dental Center, Marshall & Sterling Insurance, and the park’s neighboring Jumpin’ Jack’s Drive-In. Each individual concert is also sponsored by a different local business, such as Stewart’s Shops and Scotia Cinema. While the concerts are completely free, Freedom Park is still accepting donations online via Venmo and Paypal.

    Quarantune Series T-shirts are also available on their website in unisex sizes from S to XL, featuring the season’s lineup with the slogan “The Season That Almost Wasn’t.”

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • Celebrate Juneteenth virtually with SummerStage Anywhere’s Digital Day of Dance

    Capital One City Parks Foundation Summerstage is virtually celebrating the 155th anniversary of Juneteenth, a day commemorating the end of slavery in the United States. The New York City concert series, now known as Summerstage Anywhere, is having a digital day of dance on Friday, June 19, with hourly tribute performances starting at 12:00 p.m. EST leading up to a panel discussion at 7:00 p.m. Originally planned to be held in-person, the Juneteenth event will be free and fully virtual on Summerstage’s Instagram and YouTube channels.

    https://www.instagram.com/p/CBiim-5npb4/

    Performers include RudduR Dance, who will perform an excerpt of their three-part contemporary ballet “Witness” at 6:00 p.m. “Witness” intertwines art and activism to depict the past, present, and future of race in America. During his candidacy, current French president Emmanuel Macron visited a rehearsal. RudduR Dance was founded in 2015 by Guggenheim fellow Christopher Rudd.

    At 7:00 p.m., Hope Boykin of the Alvin Ailey American Dance Theater will host a panel discussion called “Reflecting the Times.” Boykin, an alumna of Howard University, is a three-time recipient of the American Dance Festival’s Young Tuition Scholarship. Following the panel, there will be a tribute performance of “Hanging Tree” featuring Jamel Gaines Creative Outlet (JGCO) Dance Theatre, vocalist Marcelle Davies-Lashley, and poet Carl Hancock Rux. For almost 25 years, JGCO has performed across the United States as well as internationally.

    Juneteenth

    Observed annually on June 19, Juneteeth celebrates the end of slavery in Texas in 1865. Following the U.S. Civil War, Abraham Lincoln’s 1863 Emancipation Proclamation still had yet to be enforced in Texas until Union general George Granger issued an order in Galveston freeing the last remaining slaves in the Confederacy.

    “As a Black woman in America, I am a direct beneficiary of the struggles and battles for justice and I stand on the shoulders of those who fought and continue to fight for my freedom,” said Danni Gee, Dance Curator and Music Programming Associate for SummerStage. “I am honored to be able to celebrate this important anniversary of Juneteenth in our country’s history on SummerStage Anywhere. I am proud to present this program even more so in light of current events and it is crucial to me that the communities we serve know that we stand with them.”

  • Nicolas McCoppin “Remember the Night” pays homage to LGBTQ and Black communities

    Up-and-coming LGBTQ artist Nicolas McCoppin has released the new song “Remember That Night” that recalls his first queer relationship just in time for Pride Month. Co-written with Krysta Youngs and produced by Nick Trapani, the song is about McCoppin’s memories driving down the beach, staring at the stars, and walking down Arthur Avenue in the Bronx with his love interest.

    Nicolas McCoppin

    Continuing the streak of 80s-inspired dance-pop explored in McCoppin’s previous singles, the song is reminiscent of other pop artists with strong LGBTQ fanbases such as Charli XCX, Hayley Kiyoko, and Troye Sivan. “Remember That Night” shares their catchy melodies, danceable beats, and romantic lyrics, making it a natural pride anthem.

    Pride isn’t the only social movement associated with the song, though. In light of the Black Lives Matter movement and protests against police brutality, McCoppin is donating proceeds from “Remember That Night” to the Black Trans Femmes in the Arts Association, a collective made up of Black trans artists, activists, and educators helping protesters with resources, medical care, and bail. On Twitter he shared that he tried to postpone the song’s release, but since it wasn’t possible he decided to donate the proceeds instead.

    “This song’s concept is a puzzle piece of a bigger idea from my debut EP,” McCoppin said. “I’m so excited to finally have this song out in the world.” “Remember That Night” is the third single off the debut EP from Nicolas McCoppin, due out later this summer.

  • A Drive-In double feature with Jocelyn and Chris Ardnt

    Thanks to COVID-19 restrictions, drive-in movie theaters across the nation are making an unexpected comeback. The currently closed Troy Savings Bank Music Hall (celebrating their 145th anniversary this year) is taking advantage of the resurgence at the Jericho Drive-In in Glenmont, NY, where local sibling duo Jocelyn and Chris Ardnt will headline a concert with their band. Tickets for their July 9 show can be found on the Troy Music Hall website for $50 per car, a price that includes a screening of the 2019 film Yesterday immediately after the concert.

    Both siblings of the duo have been compared to rock legends: Jocelyn’s voice with Grace Slick and Janis Joplin, and Chris’s guitar work with Jimi Hendrix and David Gilmour. They’ve traversed both coasts while attending Harvard University, performing with artists such as G. Love, Danny Louis of Gov’t Mule, and Cory Wong of Vulfpeck and appearing on NBC’s Today Show.

    Even though this will be the first in-person concert in months for many, pandemic guidelines are still in place and drive-in patrons are expected to behave accordingly. Patrons must stay inside of their vehicles, and are required to wear masks if they need to step outside for any reason. While Jericho’s restrooms are still open, they’re encouraged for emergency use only. Since the Troy Music Hall Box Office is closed, questions about tickets and the show should be redirected to their phone number, 518-273-0038.

    Drive-in Jocelyn and Chris Ardnt

  • Celebrating 30 Years of Mariah Carey

    As of Friday, June 12, the self-titled debut album from Mariah Carey is 30 years old. With four consecutive #1 singles on the Billboard Hot 100 including “Vision of Love” and “Someday,” it instantly shot the Long Island-born diva into superstardom and an elite class of vocal legends including Whitney Houston. While Mariah’s legacy has been watered down to that of a washed-up Christmas singer in recent years, this unfair revisionist history ignores the impact she’s had on virtually every pop and R&B act after her.

    mariah carey

    When Mariah Carey released “Vision of Love” in 1990, the French-German duo Milli Vanilli had just been busted for lip-syncing and artists like Madonna made up for subpar vocal talent with shock value and spectacle. On the contrary, Carey demonstrated she was capable of belting, runs, melisma, and whistle tones in less than four minutes, swinging the pop pendulum the other way and reintroducing the concept of pop stars as vocalists with few gimmicks besides their own voices. More of these rose to fame throughout the 90s, from Brandy to Usher to Destiny’s Child, and the explosion of reality talent shows in the 2000s only intensified the phenomenon. Mariah’s power ballads like “Vision of Love” and “Hero” have been American Idol since its inception, a show she eventually judged.

    Throughout the 90s and 2000s, Carey achieved 18 #1 hit singles on the Billboard Hot 100. She wrote and produced 17 of them, the sole exception being a cover of the Jackson 5’s “I’ll Be There” for her MTV Unplugged EP. She also shared the record for the chart’s longest-running #1 with Boyz II Men for their 1995 single “One Sweet Day,” which spent 16 weeks at the top and had yet to be surpassed until Lil Nas X’s 2019 hit “Old Town Road” beat it with 19 weeks atop. Late last year, “All I Want For Christmas Is You” finally hit #1 on its 25th anniversary, giving Carey her 19th #1 overall and the first in 12 years.

    Despite her immense success, Mariah’s career hasn’t been without its setbacks. She made bizarre guest appearances on MTV’s TRL and Cribs in the early 2000s that she later attributed to bipolar disorder, and she was the subject of public ridicule when critics panned her 2001 film and album Glitter. However, she returned to form with her 2005 comeback single “We Belong Together” and its accompanying album The Emancipation of Mimi, winning three Grammy Awards. And although her 2016 New Year’s Eve fiasco temporarily made her the butt of the joke again, she set it right with a pitch-perfect performance the following year.

    mariah carey
    Mariah Carey with her three wins for The Emancipation of Mimi at the 2006 Grammy Awards.

    Carey is also no stranger to engaging in public feuds with other singers. Interestingly, a short glance at the long list of artists Carey has feuded with shows that they’ve all been influenced by her in one way or another: Christina Aguilera, Jennifer Lopez, Demi Lovato, Ariana Grande, and Nicki Minaj, to name just a few. They might not like her, but they still respect her achievements and emulate her in their music, style, and personas. With the Ol’ Dirty Bastard remix of “Fantasy” in 1995, Mariah became one of the first mainstream pop singers to feature a rapper on a song’s verses while singing the hook—now a common crossover recipe for top 40 artists.

    Even Canadian electropop artist Grimes defended her love of Mariah Carey to Pitchfork, saying, “I know very few adult males who consider themselves serious ‘music guys’ who don’t laugh when I say I like Mariah Carey. Why? Because she’s beautiful and people like her. Therefore she must be selling sex, right? So obviously her music is terrible, right? Ugh. The first time I heard Mariah Carey, it shattered the fabric of my existence.”

    Celebrate the album’s 30th anniversary below:

  • James Casey launches Aux Chord, an online music venue

    Despite the pandemic, the show must go on for live musicians. James Casey, longtime touring member of the Trey Anastasio Band, is launching Aux Chord, an online music venue offering ticketed livestream events to soften the blow of canceled gigs for artists and fans alike.

    Aux Chord
    James Casey is performing at Aux Chord’s inaugural event on Thursday, June 11.

    Back in February, Casey foresaw the pandemic’s potential to erase an entire year’s worth of concert dates for himself and other artists. He began brainstorming with his partner Ayla Cobb while quarantined in New York City, and with the help of web developer Stephen Small, they created Aux Chord: A Live Streaming Venue.

    “The goal of Aux Chord is to supply a place for the music community to continue to grow and thrive, and supply a place for music fans to be able to see great live music with great picture and sound,” Casey explains. “I doubt we’re the first to do this, and we definitely won’t be the last, but hopefully this can be a positive thing for the artists at large.”

    Aux Chord’s first event, a live showcase starring Casey, is Thursday, June 11 at 9 p.m. ET. Upcoming performers on the service include Jennifer Hartswick and Nick Cassarino, Natalie Cressman and Ian Faquini, Louis Cato and Erin Boyd. Tickets are available now at auxchord.live.

    The site’s performances are behind a paywall, and musicians set their own prices and receive the majority of ticket revenues. The fees are nominal and transparent, allowing fans to support artists without fear of gouging or high overhead.

    “Hopefully this can be a resource for musicians, especially independent artists, in a time where we honestly aren’t able to perform and do what we’ve been working towards our whole lives. But what we can do is these live streams and create art for people to consume, especially considering that everyone is going through a whole lot right now,” Casey said. “This isn’t like going live on Facebook or Instagram and busking. The platform is about elevating that experience and really performing for the people. We’re putting on a show.”