{"id":317,"date":"2019-06-02T18:00:47","date_gmt":"2019-06-02T18:00:47","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2019\/2019\/06\/02\/hearing-aide-freekbass-all-the-way-this-all-the-way-that\/"},"modified":"2019-06-02T18:00:47","modified_gmt":"2019-06-02T18:00:47","slug":"hearing-aide-freekbass-all-the-way-this-all-the-way-that","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2019\/2019\/06\/02\/hearing-aide-freekbass-all-the-way-this-all-the-way-that\/","title":{"rendered":"Hearing Aide: Freekbass ‘All The Way This. All The Way That.’"},"content":{"rendered":"\n

Hail the almighty bass – a beautiful cornerstone of countless bands through history. Its versatility is a product of its transformation over time, to become a tool that is both seismic and transient. With such a dichotomy, the possibilities are endless, and that attracts some of the most sagacious of musical minds. Chris \u201cFreekbass\u201d Sherman<\/a> is one such person; his bombastic aesthetic and revolutionary playing style is evened out by his time learning from one of the most accurate and revolutionary funk bassists of all time (Boosty Collins<\/a>). <\/p>\n\n\n\n

In this focused yet unrestrained way, Freekbass <\/a>explores the extremes of his instrument while never venturing too far into the obscene, instead riding the line of being an accessible yet progressive artist. Freekbass himself is one of the true cornerstones of a band, with a physical image formed around his vision and shaped by the eccentric. In this new album, All The Way This. All The Way That.<\/a>,<\/em> Freekbass puts on a clinic for bass enthusiasts, as he invites along a cast of immensely talented musicians to create a work that takes the listener on a travel through funk music’s past, present, and future. <\/p>\n\n\n\n

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