Tag: Spoon

  • Beck and Cage the Elephant Stampede Saratoga

    Beck and Cage The Elephant arrived in Saratoga on Monday night, as it was the next stop in their Night Running Tour, which will conclude at the end of August. The night was kicked off with a bang, as the New York City based Sunflower Beans brought an energetic indie-rock sound, bringing the early-arriving crowd to their feet. Their set was followed up by Spoon, who kept the same pace and energy as the Sunflower Beans, despite being two decades older.

    Cage The Elephant took the stage shortly after the Spoon’s set. The lights all fell, and the Bowling Green native band was silhouetted by the surrounding pyrotechnics. Eventually Matt Shultz, the band’s lead singer, emerged wearing an outfit you’d only imagine from a Cage The Elephant frontman— a grey trench coat, a masquerade mask, a straw sunhat and an assortment of accessories on various satchels donned by the singer. This was the outermost of many (and I mean many) layers that Shultz was wearing. Throughout the set he unpeeled each layer, revealing strange outfit after strange outfit, until he was left in a nude leotard and red short-shorts. These layers of clothing didn’t impede Shultz’s mobility in the slightest however, as there wasn’t a single minute in the 19-song-set that he wasn’t running, dancing, jumping, or leaning hard into each and every lyric.

    Beck and Cage the Elephant
    Photo by Jim Gilbert

    Cage just released their fifth studio album, Social Cues, this past April, so naturally, they played many tracks from the new record, including; “Broken Boy,” “Social Cues,” “Ready To Let Go” and various others. As the set went on the energy of the band never slowed, keeping the thousands in attendance dancing right along. Playing hits such as “Ain’t No Rest For The Wicked,” “Come A Little Closer” and “Cigarette Daydream,” before finally finishing their set with “Teeth.” However, just because the band was done didn’t mean Matt Shultz was. Midway through the last song the singer left the stage and began to make his way through the crowd, and didn’t stop when the song concluded and his bandmates left the stage. Shultz continued on, making his way through the amphitheatre, eventually reaching the lawn, where he crowd-surfed all the way up to the concourse and eventually made his way to the balcony, embracing and entertaining fans the whole way. It was almost 20 minutes after the set that Matt Shultz made his backstage, however, we hadn’t seen the last of him yet…

    After Cage The Elephant’s long and exhilarating set it was hard to believe we still hadn’t seen the main act. But, sure enough, there was another entire set to be seen, and it did not disappoint. Beck opened his portion of the night with an acoustic slide guitar solo, such as one you may hear in an Old Western, that solo transitioned into arguably his most recognized song, “Loser.” Beck’s set was filled with his signature indie-rock-rap music, impressive solos from him and his band, bright lasers and lights, and fans who had not stopped dancing since the night began. The night did slow down for a few minutes, when Beck gave a touching speech, talking about his mother who was in the crowd, the importance of savouring what you have and not taking anything for granted – this did not disappoint the fans though, as they continued to cheer and show their support. Beck then covered the Korgis “Everybody’s Gotta Learn Sometime,” then played his own “E-Pro,” before exiting the stage in preparation for the encore that was surely to follow.

    Beck began his encore with the sound of the iconic guitar intro of “Where It’s At,” leaving no one unsure of what song was being played. Once that was over Beck gave an unexpected but riveting harmonica solo, beginning his 1994 song “One Foot in the Grave.” Following this, Beck invited the Spoon singer, Britt Daniel, to come back on stage and asked him what he song he wanted to play, Britt replied, “Pump It Up” by Elvis Costello, and so that became the third song of the encore.

    Next, Beck invited yet another singer back on stage, this time Cage The Elephant frontman Matt Shultz (who came out wearing yet another exotic outfit, this time complete with a yellow rain jacket and hat). Beck and Shultz sang their recent single together, “Night Running” (of which the tour was named after), followed by a reprise of “Where It’s At,” during which confetti rained from the amphitheatre before the night finally came to an end. 

  • Chateau Shows in Albany meld Professional Practices with DIY Methodology

    Among the network of musicians in Albany, there are select venues that are known to be “off the beaten path” but still provide the listener with the intimate experience many are searching for from live music. Since the unfortunate closure of Valentine’s in 2014, the need for these spaces has increased, leading to house venues popping up across the area to cater to fans. With no particular venue picking up where Valentine’s left off, the mission of getting a PA and inviting your friends over for a show got the ball started for house venues such as the Chateau. One of these artists, Girl Blue, was recently profiled by NYS Music, and we present the premiere of Girl Blue’s Chateau Shows performance.

    The Chateau was born in 2014 with the first show in 2015, and since then, roughly 15 shows a year, or 1-2 a month are held at the house. Dan Maddalone says of Chateau, “It’s not a money maker, just something for fun and a sign of the healthy and continually growing music scene, both above and underground, in Albany.”

    Albany native turned international performer Meg Duffy (Hand Habits) and beloved DIY stalwart Lomelda have both performed at Chateau, making it a utility space for musicians on their way up. More established acts like Spoon, White Denim, and White Reaper have also performed in the space due to Maddalones previous involvement with the radio station WEQX.

    Thanks to venues like The Chateau, bands can build an audience in Albany and branch out to other towns without traditional airplay and booking. “House shows are an incubator for a small part of the scene, for a talented group of people who do a lot of great art and create amazing things.” As the industry has broken down, artists have found a new way to prosper and The Chateau is but one small part of an international movement. But make no mistake, Maddalone says, “This has always been happening in Albany and abroad, and will continue to happen forever. We are but one tiny part of a long running DIY methodology.”

    Chateau Shows

    Chateau is one of many house venues in Albany. Normally, house venues last between six months to two years, depending on who manages them. Traditionally, it is college students who take on the practice and either move on or pass the house onto another group when their tenure is up. Chateau has such a long legacy due to it being owned and operated by the same persons year after year.

    These venues are all several steps above house parties due to the focus being put on the music. The setting typically involves a house kit, PA system, with some lights and decoration in the ‘venue’ part of the house, which is often an attic or basement. In non-venue parts of the house lie comfortable living quarters for bands to rest before moving on to other shows. Between bands, guests are typically welcome to wander about the house sipping whatever they brought with them, and chatting with friends.

    The atmosphere of the Chateau and other house venues offer a different musical experience than what you typically find at a club or bar. Performances at clubs can foster a passive and inattentive crowd, but at house venues, the focus is intently upon the performer with a small audience of 30-80 people gathered to see something new, special, and intimate.

    All around Albany, a music scene continues to thrive in venues of all sizes and styles. The Capital Region has produced nationally touring bands already because of venues like The Chateau, Valentine’s, and The Hollow. Supporting artists from the ground up ensures a healthy breeding ground for future musicians down the road. House venues like The Chateau may be the place to catch your new favorite band.

    Girl Blue video was produced at The Chateau by Chris and Brian Leary of Chrome Glass Productions along with Dan Maddalone. Girl Blue audio was engineered, mixed, and mastered by Troy Pohl with engineering assistance from Judybelle Camangyan.

  • Hearing Aide: AJ Lambert ‘Careful You’

    AJ Lambert, daughter of Nancy Sinatra and granddaughter of Frank Sinatra, joined the family tradition with the release of Careful You on January 21. Lambert’s innate talent, clearly in her ancestral DNA, has produced a skillfully crafted record, featuring interpretations of songs from artists like Spoon, TV on the Radio, and of course her late, great grandfather.

    This album follows Lambert’s extensive experience in the entertainment industry, having augmented a career which spans film music supervision, live performance (Here We Go Magic, The Homosexuals) and radio (“Siriusly Sinatra” on Sirius XM). Produced by Daniel Schlett of The War on Drugs and Boshra AlSaadi, the album includes drummer Parker Kindred (Joan As Policewoman) and bassist Josh Werner (Bill Laswell) as session musicians. The album is both an homage to artists such as Billie Holiday and other legends, and a bold reconstruction of the same musical history, featuring lavish ambient soundscapes in “Ebb Tide,” Lambert’s polished vibrato on “Sleep Warm” and a touch of glam with “You and Your Sister.”

    Each track on the album is meticulously sculpted. Every instrument shines through the mix and Lambert’s vocals flow over it all. Songs like Frank Sinatra’s “Sleep Warm” are regarded with holy sanctity as she works to maintain, but slightly revise the original feeling; while songs like “(Glad I’m) Not a Kennedy” are a particular point of fun. The Shona Laing cover supersedes the original with even more flair and modern dance vibes.

    The album isn’t perfect — the production is so clean and defined that you’ll find yourself yearning to hear some rambunctiousness. However, Careful You is an insight into how an artist like Lambert can carry on a familial legacy while providing some updated energy at the same time.

    Key Tracks: Careful You, I Summon You, (Glad I’m) Not A Kennedy

    Read More: Lambert’s “Cleo” Music Video on NYS Music. Find Aj Lambert on Facebook and InstagramGet the album.