A first of its kind show, Jam Just Happened will bring together the intimacy of a podcast and the uniqueness of a live music experience. The first live performance is set for Friday, December 6, at Nublu NYC. The show will feature guitarist Scott Metzger, drummer Adam Chase, keyboard player Aron Magner, and bass player Jay White.
The musicians will bring each of their individual styles together to create something entirely unique for a small audience. A podcast companion will be released after the show. This event is presented by Osiris Media and nugs.net, and will be emceed by Tom Marshall.
The fans voted, and Joe Russo’s Almost Dead delivered a dream setlist at the Brooklyn Bowl on Monday, November 25. “Make Democracy Rad Again” was a benefit for HeadCount included selfie moments as well as plenty of goodies for those who signed up to vote or showed support for democracy. The biggest treat was the incredible setlist played to a packed house.
If you aren’t familiar with the group, Joe Russo’s Almost Dead offer a fresh take on the music of the Grateful Dead. The band consists of Joe Russo (Drums), Dave Dreiwitz (bass), Marco Benevento (keyboards), Scott Metzger (guitar/vocals), and Tom Hamilton (guitar/vocals). They are known to sell out venues within minutes and offer experimental takes on classic tunes.
HeadCount is dedicated to registering new voters through music. Joe Russo and Marco Benevento were part of the first HeadCount benefit back in 2004, making Joe Russo’s Almost Dead an easy candidate for the first of many benefit shows between HeadCount and the Brooklyn Bowl. Brooklyn Bowl owner Pete Shapiro was recently named Chair of the Board of Directors at the non-profit. The band has also outgrown this venue, which made this pairing more enticing. According to HeadCount’s twitter, the benefit successfully generated $150,000.
In order to uphold one of HeadCount’s missions, democratic participation, the set list was voted on by those attending the show. The results included heavy hitters, starting with a full suite of “Terrapin Station,” “Eyes of the World,” “The Eleven,” and “Franklin’s Tower.” Notable favorites like “Fire on the Mountain,” and “Help on the Way” didn’t get enough votes to make the cut, however, two stellar non-Dead tunes made the cut, including “In Memory of Elizabeth Reed” by the Allman Brothers and “Atlantic City” by Bruce Springsteen.
After this incredible show of dynamic improvisation and fan favorites, it’s easy to see why this band quietly sells out venues. They are back on the road in 2020, kicking the year off at The Capitol Theatre in Port Chester, NY. Head on over to the band’s tour page for more details before the tickets are gone.
Setlist: Joe Russo’s Almost Dead Headcount Benefit at Brooklyn Bowl, Monday, November 25, 2019
Set One: Althea > The Eleven > Viola Lee Blues > Franklin’s Tower, Atlantic City > Reuben & Cerise > Eyes Of The World > In Memory Of Elizabeth Reed
Set Two: St. Stephen > Scarlet Begonias > Dark Star > Terrapin Station Suite > Shakedown Street > Throwing Stones > Another Brick In The Wall Part 2 jam > Throwing Stones
In a collaboration that could’ve only been dreamed up in New Orleans, Emerald Quintet, featuring saxophonist Skerik (Garage a Trois), drummer Stanton Moore (Galactic), keyboardist Robert Walter (Greyboy Allstars/Mike Gordon), bassist Andy Hess (Government Mule, Black Crowes), and guitarist Scott Metzger (Joe Russo’s Almost Dead) took the stage last night as the Brooklyn Bowl channeled its inner Jazz Fest. The group garnered its name as a tribute to the 55th Emerald Anniversary of Jazz Fest earlier this year, where they were formed to commemorate the 20th anniversary of Skerik and Moore’s first time playing the renowned festival together, and on the heels of Skerik’s 1998 debut solo album All Kooked Out. The supergroup treated Brooklyn to a rare and energetic performance on a very limited tour that included a stop in Anchorage, AK in September, and a pair of shows in Ardmore, PA and Denver, CO sandwiching last night’s Brooklyn offering.
And they came out swinging! Appropriately opening with “Mardi Gras in New Orleans,” the quintet got right to the funk, passing solos like a baton. Each musician announced his presence in a collective far greater than the sum of its parts.
“Sprung Monkey” followed, a familiar song that already had the crowd deep into a groove that would never let up. Walter’s solos tickled the crowd while his fingers tickled the black and whites, held down all the while by the best rhythm section in recent memory with Hess’s bass lines and Moore’s funky driving beats. Then Metzger’s turn with the baton, straight ahead guitar solos, no pedals, no effects, purity at the nexus of rock and funk, a touch of his signature blues, taboot.
How do you follow that? By passing the baton to Skerik of course, a powerhouse saxophonist with not only the chops to pick up where Metzger left off, but probably a large part of the reason why each member of this band pushes each other’s boundaries in all the right ways.
While most of the two-plus hour set was just straight ahead ass-shaking funk, there were moments of delicacy and patience mingled throughout. These intensely brief intervals of darkness, always pulled back by a signature Stanton beat, only served to make the light that much brighter – a true testament to the familiarity and trust shared amongst these musicians. The band was intently listening and reacting to one another, improvising while simultaneously appearing extremely well practiced. Even Peter Shapiro, owner of the Brooklyn Bowl, was on hand, an eager fan like the rest of us, but with an aura of proud papa as he, too, wore a grin from ear to ear.
“Humdinger” was an early highlight from Metzger’s Wolf! Catalog. James Casey, saxophonist (Trey Anastasio Band) joined the stage for a duelling sax number with Skerik that visibly melted the crowd, wrapped up with a spontaneous long note competition that had Skerik checking his watch while he showed off his impressive lung capacity. “Don’t Chin the Dog” highlighted both Robert Walter’s songbook and Metzger’s unbelievable talent. A cover of The Band’s “Ophelia” gave the crowd it’s only chance for a singalong before the set closing “Funky Mule.” “Who Took the Happiness,” also played by Galactic in the New Orleans tradition, was the first of a two-song encore kept the crowd grooving past the two-hour mark.
For those smart enough to be there, this was a truly special night in Brooklyn. Top shelf musicians pushing and validating each other, listening and reacting, smiling and having fun, appreciating the rarity of the occasion and the delight of the crowd in equal measure, for what may very well be one of the year’s best sets.
Setlist (via Robert Walter): Mardi Gras in New Orleans, Sprung Monkey, Aquafresh, Humdinger, Chalk Giant, Calm Down Cologne, Ironic Twist, Don’t Chin the Dog, Ophelia, Funky Mule, Who Took the Happiness, Kickin Up Dust.
Greensky Bluegrass brought their signature bluegrass with a jam twist to a sold out crowd at the elegant Pier 17 Rooftop in lower Manhattan. Residing in Michigan, the band members include Michael Bont (banjo), Dave Bruzza (guitar), Paul Hoffman (mandolin), Michael Devol (bass) and Anders Beck (dobro). The country boys felt right at home against the iconic NYC backdrop of the Empire State Building and Brooklyn Bridge.
Greensky Bluegrass on stage at Pier 17
“Past My Prime” from Shouted, Written Down & Quoted kicked off the first set. More originals followed with “No Idea,” “Living Over,” also from Shouted, and All for Money’s “Like Reflections” and “What You Need.” The band channeled the great Paul Simon and delivered a tasty bluegrass cover of “Gumboots” from the Graceland album. Next up was a more traditional cover of “White House Blues” by Charlie Poole. The set wrapped up with a well executed segue of Tuesday Letter’s “Broken Highways” into “It’s Not Mine Anymore.”
Anders Beck on the Dobro
Set two opened with more delicious originals like “For Sure,” “Uh Huh,” and “All for Money” from the album of the same name. Live at Bell’ s “Old Barns” preceded a nice sequence of old and new songs with “Broke Mountain Breakdown Reprise” segued into Jimi Hendrix’s “The Wind Cries Mary” before revisiting “Broke Mountain Breakdown Reprise.” Another All for Money tune, “Ashes,” was played followed by “Hit Parade of Live.” Guitarist Scott Metzger joined the band on stage, adding mind numbing depth to “I’d Probably Kill You” and “Don’t Lie.”
The crowd loves Scott Metzger on stage with Greensky Bluegrass
The band closed out the night with an encore of “Just to Lie” into Billy Joel’s “Big Shot” and had their fans yelling for more. They are one skilled team of traditional bluegrass musicians who aren’t afraid of new territory or a big city. Greensky Bluegrass will be back in New York State at the Borderland Festival in East Aurora, NY on September 22. Head over to their website for tickets and information.
Setlist
Set One: Past My Prime, No Idea, Living Over, Like Reflections, What You Need, Gumboots (Paul Simon cover), White House Blues (Charlie Poole cover), Broken Highways > It’s Not Mine Anymore
Set Two: For Sure, Uh Huh, All for Money, Old Barns, Broke Mountain Breakdown > The Wind Cries Mary (Jimi Hendrix cover) > Broke Mountain Breakdown Reprise, Ashes, Hit Parade of Love, I’d Probably Kill You*, Don’t Lie*
