Tag: Phish

  • Fun Lives at The Farm: Previewing Bonnaroo 2019

    Salutations friends! As June opens its’ door, festival season is officially underway. People can once again begin to embark out on the perpetual quest to satisfy their ears and eyes by indulging in one of the greatest gifts life has to offer-live music. Across the nation, fans now engage in chasing their favorite destination events, bands, songs, and comrades. Among them, next weekend’s (June 13-16, 2019) Bonnaroo Music & Arts Festival in Manchester, Tennessee.

    Bonnaroo has risen to world fame from its’ beginnings as a mostly jam-centric haven to its’ current state, a wonderful melting pot of genre, visual art, and collectiveness from all over the planet. Yes, Bonnaroo is one of the largest festivals in the country, but it’s so much more. It is an explosion of diversity through art, a sponge for culture, and a tradition of expression like none other.

    bonnaroo 2019

    The lineup this year is as staggering as ever, dripping with intrigue at every avenue. Heading up the cavalry is the likes of Phish, Cardi B., Post Malone, The Childish Gambino, The Avett Brothers, Griz, John Prine, Gucci Mane, Odesza, Solange, The Lumineers, Brandi Carlisle, Joe Russo’s Almost Dead, The Grand Ole Opry, The National, and so many, many more brilliant acts waiting to unload, including tremendous representation from New York sure to stamp the South. Additionally, Bonnaroo boasts so much extra flavor it differentiates itself from any other event on the circuit. Bonnaroo has, and continues to always stand-alone in greatness and mystique. As I prepare to join the horde down on the farm, let’s look ahead to some of what this year’s installment has to offer.

    Bonnaroo stretches four days; each packed to the brim with exciting names, activities, and opportunity. I look forward to rejoining the mass down in Manchester for the first time in many years, and it’s a pleasure to act as the correspondent for NYS Music for the first time! I’ll be rolling along from start to finish as the biggest party of the year pops its’ top, and I’d like to point to a few things which excite me about this event.

    bonnaroo 2019

    The Grand Ole Opry (Thursday evening): This conglomerate of folk and bluegrass takes the headlining slot on Thursday evening. The wagon features Old Crow Medicine Show, Steve Earle & The Dukes, Ricky Skaggs and a collection of other friends that is sure to bring the downhome sounds of the do-si-dos right into the heart of Graceland. The energy at Bonnaroo on Thursday night is something fierce; of course arriving at a festival is always special. Anticipation breathes, evening comes quickly, and for the first time the site really becomes alive. Bonnaroo Thursday is the above but just a little more special simply because of the size and tradition of this place. The sounds of Appalachia is the perfect way to send the first shockwave through the crowds, and I can’t wait to see what this group of bluegrass all stars has to throw down.

    Access to new discovery: I can’t stress to our readers and fellow attendees how special this aspect of the festival is. Naturally a few names will jump off the lineup every year, and every individual has their favorites, but Bonnaroo is at its’ roots a mecca of discovery. Stumbling upon a band I’ve never heard of, from a distant region, or perhaps one whose genre is so outside my wheel well is just serene, and Bonnaroo is the place for that. I encourage those on the grounds to get lost at least once, and bask in the sheer size and undertaking of this gathering. Follow your feet to sound, and discover something new.

    bonnaroo 2019
    Sheryl Crow – photo by Nick Karp, Bonnaroo 2018

    Phish: The boys from Vermont make their third appearance on the hollowed grounds of the What Stage for what promises to be an epic soul shakedown.  Their last appearance at the ‘Roo was in 2012, and the band is in quite a different place today then they were in 2012, when they really had just begun to step back into their stride following their hiatus during the early and mid 2000s. Today, the band has been firing on all cylinders for quite a while, and while Bonnaroo is only at the tip of their summer tour, these shows will be absolutely special. Especially of note is Friday’s performance, which finds the foursome busting loose at 11pm, a start time much later than their usual shows. Always well aware of the stage and moment, expect a high energy, barnburner style punch right out of the gate.

    Photo by Brian Ferguson – Magnaball 2015

    New York in the house: Good news everyone! Fine company represents New York this year down in Manchester. A group that includes headliner Cardi B, the space funk party sounds of Rubblebucket, the indie quartet Parquet Courts, the dynamic electro dance king Space Jesus, the multi-instrumentalist rockers The Lemon Twigs, the young singer-songwriter and producer whiz King Princess, modern pioneers of the “now” sound AJR, and of course Joe Russo’s Almost Dead. I want to touch explicitly on Russo’s band for a second, or, JRAD, as many known them by their acronym. JRAD, a band born at the New York’s own Brooklyn Bowl in 2013 is a group which reprises the music of The Grateful Dead in a way that is so fresh, so their own that a listener can get completely lost within their compositions. Bonnaroo would not be the same without some iteration of The Dead’s catalogue in its’ midst and JRAD is the perfect selection. Late night? In a tent (That Tent)? Yes please. The group pioneered by kit virtuoso Joe Russo is always good for a surprise as well. Listen carefully for off the wall covers and licks to keep the crowd guessing. This collection of homegrown artists is as diverse as the great state and city from which they hail, and it will be a treat to see how they weave into the mix.

    bonnaroo 2019
    Photo by Nick Karp, Bonnaroo 2018

    The site/sights/people: Bonnaroo is absolutely a national treasure of sound, but it’s also delightfully visual. The installations and works of vast creative genius teams stretch far beyond the actual venue (dubbed Center Roo), and engulf in color, light, and wonder that sweeps through the surrounding campgrounds and commonplaces that make up the bulk of the festival’s map. Feast your eyes on tapestry of color created by attendees and visual artists alike. There is not a more diverse group of patrons to be found than at Bonnaroo, and there is something very powerful to be said in that. The beauty in a distinct diversity of ages, races, sexes, nationalities and beyond all transcend themselves on the farm. I have always found it to be a fluid place in so many different ways, I encourage everyone to notice how special this feature is as they traverse through the weekend.  

    Bonnaroo has a lane, a speed, and a taste for everyone. It continues to reinvent itself. It’s a testament to the industry and people for which it serves. Stages arise out of the woods; themed areas such as The Christmas Club Barn wait to be stumbled upon, roving DJ pop up sets in the plazas of the camps are just the beginning. To invoke the great Paul Simon, these are the days of miracle and wonder, of lasers in the jungle my friends, this is the long distance call. A wave of positive kinetic madness is about break under the hot Tennessee sun. Bonnaroo 2019 is finally here!

    bonnaroo 2019

    For more information on the Bonnaroo Music & Arts Festival, including tickets, the complete lineup, map, schedule, and much more, visit www.Bonnaroo.com. Keep your browsers dialed in right here at NYS Music for all of our coverage as I roam around the fields with my trusty photographer Rob Roane. Check our coverage out throughout the festival as we document our happenings via the NYS Music Instagram page, and after the festival wraps we will be dropping our reviews to keep you informed, up to date, and enthralled. Until then my friends, I will see you on the other side.

  • Trey Anastasio to perform two solo acoustic shows at Carnegie Hall

    Trey Anastasio announced today that he will perform two solo acoustic shows at New York City’s legendary Carnegie Hall on Tuesday, October 29 and Wednesday, October 30. Tickets will go on sale on Friday, May 17 at 10am ET.

    The last time Trey performed at Carnegie Hall, he was joined by the New York Philharmonic Orchestra. Watch an orchestral version of Phish’s “You Enjoy Myself.” Read reviews of the 2019 shows here.

  • In Focus: Trey Anastasio Band Impress in Final Brooklyn Bowl Show

    Trey Anastasio Band closed out a long weekend run with the second of two sold out show at Brooklyn Bowl on Monday Night. Playing the beloved Brooklyn venue for only the third time, fans didn’t hesitate on packing this venue/bowling alley to capacity. This is one of the smaller venues TAB will play, but it seemed like Trey’s eight-piece solo outfit felt right at home in this tiny space.

    The show began with “Blaze On” a song TAB debuted three nights earlier at Anastasio’s Me and My Mind documentary premier. The band continued in top form offering up TAB favorites Including “Alive Again,” “Night Speaks to a Woman,” “Curlews Call,” and “Dark and Down” before bringing an amazing first set to an end with “First Tube,” the Phish fan favorite.

    After a short set break Trey and his amazing band returned with “Money Love and Change” where Anastasio shined with amazing guitar work. The rest of the set included speak to me, the first “The Land of Nod” since 2017, and a fun version of “Alaska” that the entire crowd sand every word to. The set came to a close with a smooth pairing of “Shine” into “Rise/Come Together.” The band returned for a two song encore offering up “Drifting” and “Ghost.”

    Trey Anastasio Band Continues with a four night run in the southeast at the end of May as they prepare for a full card of summer dates. See a full gallery from the show Monday below.

  • Good Nature Farm Brewery Sunday Summer Concert Series Scheduled for Second Year

    Following a successful season last year, Good Nature Farm Brewery and Creative Concerts announced the 2nd annual series of Summer concerts in Hamilton, NY.

    The shows are set to take place outdoors in the Beer Garden; there is plenty of space for seating whether that be at one of the picnic tables that are provided or on a personal blanket or lawn chair. There is more seating inside at the Farm Brewery where two glass doors will be opened to view the performances as long as weather permits. In case of inclement weather, the series of concerts will take place indoors.

    In addition to the music, food and drinks will be for sale. Wood fired pizzas, veggie and beef burgers,hot dogs, seasonal sides, and ice cream will be available for purchase alongside Good Natured Brews, wine, cider, and select spirits.

    Non-alcoholic options and ice cream floats will also be available, as the shows are family friendly. Those under 21 will be admitted with a parent or guardian and children 12 and under do not need tickets. These Good Nature Farm Brewery and Creative Concerts event is even friendly for your furry family members- dogs are permitted as long as they are on a leash and well-behaved.

    Doors open at 4 and shows will begin at 5 p.m. with one or two starting acts followed up by the headlining performance. The nights are set to conclude around 9 p.m. and are scheduled as followed:

    June 2– Dark Hollow

    June 9– The Englishtown Project

    June 16– Max Creek

    June 23– Driftwood

    June 30– The Weight Band

    July 7– Ghost of Paul Revere

    July 14– Nate Gross Band

    July 21– The Lizards- Phish Tribute

    July 28– The Quebe Sisters

    August 4– The Restless Age

    August 11– Donna the Buffalo

    August 18– Soule Monde

    August 25– The Felice Brothers

    September 1– Dark Hollow

    September 8– The Blind Owl Band

    Tickets are currently for sale online and will be for sale at the farm brewery starting next week.

    good nature farm
  • Trey Anastasio’s Ghosts of the Forest Bestows Intimate Precision On NYC

    Last night Trey Anastasio brought his newest project, the emotionally charged Ghosts of the Forest, to New York City for the first of a two night run at the United Palace Theatre. A departure from the improvisational jam routine, GOTF provided a set of incredible honesty and vulnerability. Apart from the music, this project stands-out as beautifully intimate and something uniquely special.

    Six shows into their one-off tour, the group of frequent collaborators (members of Phish, TAB and the fresh voice of Celisse Henderson) have played the same setlist every night. Opting for one single set, the sextet unrelentingly weaved through all the highs and lows with precision.

    As the crowd funneled in, the ambient house music set the mood, giving everyone time to settle into the wonderfully-detailed 3,000 capacity room. If you’ve been paying attention, by now you know that the music of GOTF has all been derived from the passing of Trey’s childhood friend Chris Cottrell. The 90-year-old opera house provided a perfect setting for this music. The poignant to-the-point lyrics, gorgeous layers of soothing vocal melodies and soaring guitar solos filled air with sentimental, and sublime energy.    

    The title track “Ghosts of the Forest,” which served as the opening song, is an ethereal walk through an odd-time signature – a reflection of what it’s like trying to understand permanent loss. Going on themes of confusion and searching, there is no nonsense here; “I’m drowning in my own mind, I’m drowning in thoughts, I’m drowning in memories.” These personal revelations continue through “Drift While You’re Sleeping” and “Friend,” a touching gospel ballad expressing the difficulties of making, and losing, friendship.

    When new music is released, fans love and look forward to hearing how studio music will translate into the live setting. As the album had not yet been released before the first 5 dates, nobody knew what to expect. Yesterday however, the studio material was revealed and finally gave a taste to the masses. Still, two-plus hours gave plenty of time for extras. The first non-album song, “Sightless Escape,” was fourth up, but the first to feel like a potential jam-vehicle. Featuring a surf-rock tinged riff and a loose mid-section groove, you know things are picking up when Trey lets loose with the whammy pedal. A short, but soulful vocal solo from Celisse was an amazing touch.

    Trey and his team, including Stop Making Sense production designer, Abigail Holmes, have done an excellent job of blending various elements of this production to evoke and portray the feelings one might experience when losing someone they love. The stage was fascinating, featuring constantly changing graphics displayed on 10′ vertical LED screens situated between three large panels of swirling three-dimensional triangles. At some points, the backdrop really looked like ghosts in a forest.

    The setlist was up-and-down, light and dark, upset yet glad. At times the crowd would sit, during “In Long Lines,” a heartfelt acoustic passage where Trey is clearly singing about real memories he had with his friend. “I lit your cigarette, your hand was touching mine.” As Trey mentioned in a recent Rolling Stone interview, Chris smoked up until the day he passed. In another song, the crowd was bouncing, laughing with the band as they smiled and danced through “The Green Truth,” an uptempo classic rock number featuring vast interplay between guitar and vocals, on the refrain “take it as it comes.”

    In a dare-worded curveball moment, Trey sat down his guitar completely for “Mint Siren Dream” and sang over a soft shuffle from Fishman, on top of descending leads from the milkman on keys, Ray Paczkowski. Another obviously special moment, as last year Ray had a brain tumor scare, right around the same time Chris Cottrell was in his final months. Allowing Ray to shine felt like a reminder that these unpredictable episodes in life can be celebrated as much as they are to be mourned in. 

    Recently Trey commented on Sirius XM that Chris loved it when he ripped on guitar. This was undeniable through the entire set, but spoke most loudly on the racer “Ruby Waves” and “About To Run,” which featured a colorful silhouette on the LED’s during its peaking solo.

    It was not painfully obvious, that a man in mourning wrote this music. Though, songs like the all acoustic “Brief Time” point out the inevitable, most of it is uplifting. These songs are an expression of an infinite and all-encompassing love. They are an honor to friendship and experience. The set ended the same way it began, with the piano melody of “Ghosts Of The Forest” as each member walked off stage one by one. It was a surreal call back to the beginning, perfectly encapsulating the circle of life. In his final words, Trey thanked the crowd on behalf of the entire band. It was so heartfelt and really showed that they were there for him as much as he was there for them “dancing beneath a sea of stars.”

    Stay tuned with NYS as GOTF is back at United Palace tonight for round two. Download audio of tonights set via LivePhish.

    SETLIST: Ghosts of the Forest, Drift While You’re Sleeping, Friend, Sightless Escape, Halfway Home > If Again, In Long Lines, There’s a Path Above, About to Run, The Green Truth, Beneath a Sea of Stars Parts 1 & 2 > Mint Siren Dream, Stumble Into Flight, Ruby Waves,Shadows Thrown By Fire, Wider, A Life Beyond The Dream, In This Bubble > Beneath a Sea of Stars Part 3 (blue).

    ENCORE: Brief Time, Pieces in the Machine

       

  • Flashback: Phish’s Island Tour turns 21

    Following Phish’s cow-funk laden 1997 Fall Tour, Phish embarked on a 4-night ‘Island Tour‘ with two shows each on Long Island and in Providence, Rhode Island. The result was four historic shows that continued the free flowing jams from 1997 and a new era of exploratory Phish. Unexpected jams arose from “Roses are Free,” “Cavern” and “Weekapaug Groove,” and debuts of “Shafty,” “Twist” and “Birds of a Feather” were peppered throughout the run.

    As mentioned by Trey after the debut of “Birds of a Feather,” Phish was about to record Story of the Ghost shortly after the tour, before heading to Europe to test out even more new tunes before heading back for Summer Tour. Watch videos from the two Nassau Coliseum shows and relive the glory of Island Tour as it turns 21.

    https://www.youtube.com/watch?v=gehEr7EOLn0

    Setlists courtesy of Phish.net

    April 2, 1998, Nassau Coliseum, Uniondale, NY

    Soundcheck: Funky Bitch -> Jam, Birds of a Feather

    Set 1TubeMy Mind’s Got a Mind of its OwnThe SlothNICUStash[1] > Horn > Waste > Chalk Dust Torture

    Set 2Punch You in the Eye > Simple > Birds of a Feather[2]Wolfman’s Brother -> Sneakin’ Sally Through the Alley[3] -> Frankie Says[2] > Twist > Sleeping Monkey > Rocky Top

    EncoreGuyute

    [1] Unfinished.
    [2] Debut.
    [3] No vocal jam.

    April 3, 1998, Nassau Coliseum, Uniondale, NY

    Set 1Mike’s Song -> The Old Home Place > Weekapaug GrooveTrain Song > Billy BreathesBeauty of My DreamsDogs Stole Things > RebaMy Soul

    Set 2Roses Are Free > Piper > Loving Cup > Run Like an Antelope[1]

    EncoreCarini > Halley’s Comet > Tweezer Reprise

    [1] “Carini’s gonna getcha” sung several times in intro. “Carini” spoken later in the song.

  • Phish Announces ReCurveball Festival

    In a surprise announcement from Phish, ReCurveball Festival will be held in Watkins Glen, NY this August 9-11, on the same grounds as Phish’s cancelled 2018 Curveball festival.

    “After last summer’s sudden cancellation of Curveball, we immediately made plans to get back to Watkins Glen. We found a guy who said he could take care of the water issue and you know what, we trust him,” said Trey Anastasio. “We owe it to the fans.”

    curveball
    “Water will not be an issue at ReCurveball” – Andy King

    With Woodstock 50 being held at Watkins Glen International the following weekend, Phish and Woodstock Ventures teamed up to ensure that both ReCurveball and Woodstock 50 go off without hitches. Operations director C. Wallob said of the plans, “Holding ReCurveball festival the weekend before ensures that we can not only prepared the grounds for the influx of thousands of fans the following weekend, but any issues that come up can be sorted out in advance. We really want to make ReCurveball a success, and hopefully Woodstock 50 can feed off our success at Watkins Glen. We certainly don’t want another Woodstock 99 to happen. If anyone is going to burn Watkins Glen to the ground, it’ll be Phish.

    “Plus,” Wallob added, “Phish fans will certainly leave it clean for Woodstock 50 attendees.”

    curveball
    photo via Phish.net

    Phish plans to reuse the silver ball for the special late-night set, and unsold merchandise from Curveball will be rebranded with new dates added. More information can be found at ReCurveball.com.

  • Mike Gordon Sells Out Asbury Lanes

    On Saturday, March 16, Mike Gordon played to a capacity crowd at Asbury Lanes, a new Jersey Shore venue brought to you by The Bowery Presents. The Phish bassist’s solo outfit is not to be missed, with Craig Myers, Robert Walter, and John Kimock the band is fun and tight, exploring each song. But it’s the long time collaboration with Scott Murawski that makes these shows ebb and flow through a funky jammy sound that is a lot of fun. Mike Gordon will be out on his solo tour for the rest of the month of March and for any Phish fan it is a must see.

    SET 1: Different World, Victim, Infinite > Jumping > Meat, Black Tambourine, Let’s Go

    SET 2: Up And Down, Sughn Never Sets, Yarmouth Road, Marissa, Cities, Face

    ENCORE: Destiny Unbound, Gimme Some Lovin’

  • Pink Talking Fish Burn Down The House with Junta Circus Spectacular

    Pink Talking Fish literally brought the circus to the Capitol Theatre with Greg Ormont from Pigeons Playing Ping Pong stepping in as The Ringmaster. There was talk of circus performers and antics happening during the show, but what occurred can be described as nothing short of a spectacle!

    Scrambled Greg was the perfect fit for the role of ringmaster. He stepped up whole heartedly and was silly, incredibly enthusiastic and hilarious. It appeared that he was having the best time out of anyone in the theatre. Greg sat in on guitar for a couple of songs, doing vocals on “Icculus” and even manning a trampoline during “You Enjoy Myself.”

    Pink Talking Fish burned down the house with an incredible musical performance featuring amazing takes on Pink Floyd, Talking Heads and songs off Phish’s Junta including “Y.E.M,” “Divided Sky,” “David Bowie,” “Fluffhead” “Fame,” “Foam,” “Dinner and a Movie,” “The Great Gig in the Sky,” “Brain Damage” and so much more. There was even a memorable sit from Ben ‘Junta’ Hunter, the first manager of Phish.

    The Big Apple Circus featured an eclectic group on incredibly talented performers featuring clowns, aerialists, and a woman who could hoop ten-thousand hula hoops. The circus kept the show incredibly visually stimulating while PTF kept the jams going all night long.

    Seems that this display is a notch up for PTF. Undoubtedly, this show took an immense amount of preparation and coordination by everyone involved from lighting designer to clown. They’ve showed that with a lot of dedication, with the power of music, and a little help from your friends incredible spectacles can be created.

    “The circus is the place for me with bears and clowns and noise. I love the shiny music that descends from overhead”.

    Pink Talking Fish: Junta Circus ft Greg Ormont 2/23/19

    Set 1: Fee > Once in a Lifetime, You Enjoy Myself > Learning to Fly > You Enjoy Myself, Free Four, Esther, Life During Wartime, Golgi Apparatus

    Set 2: Foam, Have a Cigar, Dinner and a Movie, Cities > Divided Sky > The Great Gig in the Sky > Divided Sky > David Bowie > Fame > David Bowie, This Must Be The Place > Fluffhead > Contact, Union Federal, Brain Damage > Sanity > Brain Damage > Eclipse > Icculus

    E: Burning Down The House

    Photos by Filip Zalewski of Essence Photography

  • Pink Talking Fish Bring Junta Circus to The Capitol

    Pink Talking Fish has teamed up with the Big Apple Circus to create a new concept called Junta Circus, celebrating Phish’s album Junta, and are bringing the circus to the Capitol Theatre on Saturday, February 23. Greg Ormont from Pigeons Playing Ping Pong has been recruited as ringmaster. The show will feature circus acts both on and off stage. Who better to lead the wacky circus than Scrambled Greg?

    Pink Talking Fish celebrates the music of Pink Floyd, Talking Heads, and Phish all on one stage. They have already played two concept shows at The Capitol Theatre, one for “The Wall” and another for “Stop Making Sense.” The energy, artistry, and improvisation are incredible at these shows, and, undoubtedly, they will pull out all the stops to provide a once-in-a-lifetime spectacle. Like other shows, this will be one long marathon set, so you better get ready.

    The New Year’s Eve performance from Phish, featuring several suspended aerialists flying around the band, seems like it may have inspired this show even though it was announced before Phish’s New Year’s run. Junta features Phish classics like “You Enjoy Myself,” “Dinner and a Movie,” “Divided Sky,” “David Bowie,” “Fluffhead,” “Sanity,” “Contact,” “Icculus” and more.  Some of those feature masterful composition with parts that are difficult to play, so the musicians of “Junta Circus” certainly have their work cut out for them.

    Pink Talking Fish team up with Start Making Sense and the ladies of Turkuaz for one of their concept shows at the Capitol Theatre.

    Pink Talking Fish at The Capitol Theatre

    Port Chester, NY 2/23/2019

    Age: 18+

    Show: 8PM

    Price: $22.50/40

    Ticket link: