Tag: Lucky Chops

  • Hearing Aide: Lucky Chops Self-Titled Album

    NYC’s brass-funk quintet Lucky Chops are releasing their brand new, self-titled album Lucky Chops to the public tomorrow. Fans who donated to support the album’s production were treated to the full album a day early.

    Lucky Chops isn’t their first recording, however, the 11-track album marks their first full-length studio effort that brings a collection of original songs to their growing fan base, marked by careful attention to detail in the compositions and production. Their first release, NYC, came out around the same time that their New York City subway performances gained viral attention on social media and is comprised mostly of covers, and subsequent single and EP releases that established a foundation of original material leading to this latest project.

    Lucky Chops performing at Brooklyn Bowl (April 2019)

    There is no single defining sound that the band has laid down on this latest release. By the fourth song, Lucky Chops has defined a well-crafted blend of original sounds for this multi-genre, multi-decade influenced banger of an album.

    The medium paced disco groove of “Halfway to the Hudson” leads things off with interludes laced with brassy, Daft Punk-inspired licks. From this catchy attention grabber, the album quickly flaunts a diversity in sound, traveling through a lighthearted “Dancing Babies” to the heavy, steady beat of “Traveler” where their own original dance style shines through.

    The album’s prominent track and first single, “Full Heart Fancy,” is the best demonstration of Lucky Chops’ writing and performing skills, with each of the five members featured throughout the song.

    The album, as a brass band recording, is naturally instrumental and sans vocals. However, a unique part of their compositions is that several of the melodies beg the attentive ear to search for its own lyrics to sing in tune or harmony with those melodies. “Flyway,” as an example, is a relaxed tune where the tenor sax line resonates with the familiar feel of Paul McCartney’s singing on “Yesterday.” Naturally, or even instinctively, unspoken words form at the tip of the tongue while listening to the album.

    In a broader sense, Lucky Chops brings that aspect out in many of the tracks by how well the subtlety (and sometimes the obvious) blend into their arrangements prominent elements of some of the pop music styles of 1950’s surf rock (“Dance Nights”), and 1990’s/2010’s alt/pop (“Familiar Places,” “Mo’ Mo,” “Memories”).

    Lucky Chops represents a step forward for the band in the effort and craft in composing/producing/recording, and for the perseverance they have shown fans through an unavoidable delay in the release. The band’s new music continues in the band’s tradition of having a wide appeal, enjoyed at home or at one of their high energy club/concert hall shows.

    Before heading out on an extensive European tour in a few weeks, Lucky Chops will be doing a special live stream performance on their social media channels today from the Times Square subway station (by the A-C-E lines/Port Authority) at 12:30 EST. The band will also host an additional special album sneak peek live stream/Q&A on their YouTube channel beforehand at noon. The album can be purchased and streamed here.

    https://www.youtube.com/watch?v=_D5RFEiPbOk

    Key Tracks: Full Heart Fancy, Memories, Familiar Places

    Track Listing

    Halfway To The Hudson
    The Dancing Babies
    Traveler
    Dance Night
    Full Heart Fancy
    Flyway
    Pizza Day
    Familiar Places
    Memories
    It’s Not Goodbye
    Mo’ Momo

    Lucky Chops will return to touring around the US this spring with several East Coast stops (listed below), including two nights at Brooklyn Bowl. Full tour dates, along with ticket information, can be found here.

    March 27/28 – NYC – Brooklyn Bowl
    April 1 – Pawling, NY – Daryl’s House Club
    April 2 – Hamden, CT – Space Ballroom
    April 3 – Somerville, MA – ONCE Ballroom
    April 4 – Syracuse, NY – Syracuse University
    April 10 – Philadelphia, PA – The Foundry at The Fillmore
    April 11 – Washington, DC – Union Stage

  • Relix Live Music Conference Brings Industry Experts Together in Brooklyn

    Brooklyn Bowl was host to the 3rd annual Relix Live Music Conference this past week, featuring speakers from every corner of the live music industry. Attendees gathered, eager to absorb as much knowledge as possible from the scheduled panels, ready to gain inspiration in one of the most iconic venues in the live music scene. Peter Shapiro, Seth Hurwitz, David Fricke and Warren Haynes were a few of the legends that sat on stage to share their insight.  

    Throughout the two-day conference, there was one common denominator – community.  It is clear that the live music industry has created a family comprised of staff, fans and artists themselves. The live music scene provides a sense of “home.”  

    Day 2- A Conversation With Warren Haynes & Rolling Stone’s David Fricke
    Day 2- In Conversation: Peter Shapiro & Seth Hurwitz

    The Relix Live Music Conference showcased entrepreneurs, activists, journalists and everything in between. One of the conference’s highlights included a panel on social media featuring Roger McNamee, a Silicon Valley venture capitalist and author of the book Zucked. In the panel moderated by Dean Budnick of Relix, McNamee discussed the ubiquity of social media in our lives today and what companies like Facebook and Google do to retain as much data about us as they can. One particular poignant comment by McNamee was that despite his resistance to Facebook, the bands he’s involved in need the platform to stay viable.

    Not only did Brooklyn Bowl and Peter Shapiro host a great networking and professional event, they also hosted some incredible bands to close out the event.  

    Midnight North and Lucky Chops took the stage, one that had just been warmed up by a who’s-who of the music industry, to provide a night of music that certainly did justice. Midnight North is a San Francisco based Rock/Americana band with a tight, timeless sound. Guitar, vocals and charisma from Grahame Lesh led the band through a thoughtful set of true rock ‘n’ roll.  

    Lucky Chops, a New York City-based brass band with a self-dubbed genre, “Happy Horns,” closed out the night with a huge breath of wind instrument spectacle. Comprised of Josh Holcomb (trombone), Daro Behroozi (tenor sax), Joshua Gawel (trumpet), Charles Sams IV (drums) and the incredible Raphael Buyo, aka Patchy Brian Sousaphone. The band closed out the third show of its Brooklyn Bowl album release residency in support of their soon-to-be-released crowd-funded album with a hefty mix of new songs and their longtime repertoire. Keeping with the beat of the previous two shows, Lucky Chops welcomed several friends to the stage including former bandmates, high school band classmates, and a special guest from Snarky Puppy.

    In Focus with Midnight North

    In Focus with Lucky Chops