NYS Music 20​19

Tag: Kings Theatre

  • In Focus: Andrew Bird’s ‘Finest Work Yet’ at Kings Theatre

    Andrew Bird has spent much of the year supporting his newest album, My Finest Work Yet, and Tuesday night at Kings Theatre was no different. The band played the entire new album nearly straight through in the first leg of the show. At one point, Andrew even confessed to the audience how much he loved playing this particular set of songs together live.

    Andrew Bird at Kings Theatre – Photo: Joseph Buscarello

    Opening the night was Chicano Batman, behind their excellent EP Black Lipstick, from earlier this summer. Their blend of of psychedelic, Latin funk was a wonderful complement to Andrew Bird. The lively grooves and melodies bounced around the cavernous Kings Theatre with ease.

    Eduardo Arenas of Chicano Batman – Photo: Joseph Buscarello

    Kings Theatre is a unique piece of Brooklyn history. First opening in 1929 the theater hosted movies, shows and vaudeville. After sitting closed for decades and a five year renovation, the theater reopened in 2015 as a modern concert venue. Once past security, the space transports you back in time with gorgeous velvet decor and intricate carvings throughout.

    The band sounded particularly sharp inside Kings Theatre. Andrew’s whistling echoed around the room, mixing seamlessly in and out of the lush strings and vocals from the rest of the band. A tall, projected backdrop framed the band and made them seem as large as the theater itself.

    Andrew Bird, Kings Theatre – Photo: Joseph Buscarello

    After running through My Finest Work Yet, Andrew treated the crowd to a few classics, including “Pulaski at Night.”

  • John Leguizamo’s one-man play ‘Latin History for Morons’ returns to NYC

    Following its Tony-nominated hit Broadway run seen by tens of thousands, Tony Award winner John Leguizamo’s one-man play Latin History for Morons will return to New York for one night only at Kings Theatre in Brooklyn, NY on Saturday, November 9.

    Latin History for Morons is inspired by the near total absence of Latinos from Leguizamo’s son’s American History books. Leguizamo embarks on an outrageously funny, frenzied search to find a Latin hero for his son’s school history project. From a mad recap of the Aztec empire to stories of unknown Latin patriots of the Revolutionary War and beyond, Leguizamo breaks down the 3,000 years between the Mayans and Pitbull into 110 irreverent and uncensored minutes above and beyond his unique style.

    Ben Brantley of The New York Times called the show a “surprisingly poignant one-man play that slyly poses sharp and timely questions of what culturally defines American identity and who, in the nationalistic age of Trump, has ‘the right’ to be here.”

    Latin History For Morons

    Latin History for Morons concluded its successful run on Broadway on February 25, 2018. The original 16-week engagement was extended an additional three weeks on opening night, November 15, 2017. The production was the first play of the 2017-2018 season to recoup its entire capitalization.

    This marks theatre’s most prolific modern Latino playwright, John Leguizamo’s sixth one-man venture onto the stage, following success on Broadway with Ghetto Klown (Outer Critics Circle Award, Drama Desk Award), Freak (Drama Desk Award), Sexaholix…A Love Story (Tony nomination) and Off-Broadway with Mambo Mouth (Obie Award) and Spic-O-Rama (Drama Desk Award). 

    Directed by Tony Taccone (Wishful Drinking, Bridge & Tunnel), the Tony-nominated production of  Latin History for Morons is written and performed by Leguizamo, featuring scenic design by Rachel Hauck, lighting design by Alexander V. Nichols, and original music and sound design by Bray Poor. Latin History for Morons is produced by THE WOW Agency, Berkeley Repertory Theatre and The Public Theater.  

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