Tag: Capitol Theatre

  • JJ Grey & Mofro bring Florida Roots to the Rocky Mountains and head to the Northeast

    Frequently I am asked what genre of music JJ Grey & Mofro falls under. I always find myself fumbling for words but end up with something like “bluesy, jazzy, Florida Swamp funk.” I am usually met with a perplexed look, and I always add, “You have to go. You have to see for yourself and then you’ll understand.”

    JJ Grey & Mofro

    I have watched this band grow, develop, and change over the course of almost 20 years. As a Jacksonville native myself, it was never difficult to find what was then Mofro floating around town from one venue or another. They were a bit gritty and unrefined in the early days but still put on a fun show. I moved to Colorado in 2004 and would see them any time they came near or when I returned to Florida. Their shows remind me of my roots and what I refer to as “the real South” — the South that most people do not know or understand. Their music would make me homesick and long for the days of Old Florida.

    Now that I am back in Florida, I still find myself traveling for their shows and encouraging any true music lover to do the same. Although Florida has changed, the group still reminds me of the Florida I grew up with – the food, the swamps, real people, and the deep soul. The current configuration of JJ Grey & Mofro is my personal favorite. Each musician is topnotch alone but when combined, the depth of their music knows no bounds. The fluid combination of these seven men is nothing short of incredible.

    JJ Grey & Mofro
    JJ Grey & Mofro getting “Janky” at the Upstate Concert Hall 10/19/17. Photo by Eli Stein

    I was fortunate enough to catch the final two shows of a rather long tour that ended in Boulder (Boulder Theater) and Fort Collins (Washington), respectively. Knowing JJ was sick as he entered these shows and had been forced to cancel the Frisco show the previous night, I wasn’t exactly sure what to expect. Musically, Colorado is a finicky area that has high expectations when bands roll into town, but I was cautiously optimistic as I watched them take the stage. They opened with “99 Shades” to “Sweetest Thing” and into “Somebody Else.” I scanned the crowd and saw a few mouths dropped as JJ belted out notes as only he can do. As the show progressed, the crowd was enamored with what they were watching as they sang and danced along. Always a personal highlight for me is the drum solo (Craig Barnette) for “Ho Cake”; it does not matter how many times I hear that song, it is always a little different and always fantastic. (If you don’t know what a Ho Cake is, check it out and make it! You can thank me later.) The show wound down with a little help from a few of The Commonheart members. Nate Insko (trumpet), Abby Gross (saxophone), and Lucas Bowman (keyboard) joined for an “Ol’ Glory” encore that did not disappoint.

    Prior to the Fort Collins show, I was speaking with guitarist Mike Minda from The Commonheart, and he said to me, “We love touring with them. We learn so much musically, personally. We admire them.” There was a bit of a student-master appreciation that I could hear while listening to him speak. As the show began, the Mofro band came out swinging to “Junior” with Dennis Marion (trumpet), Todd Smallie (bass), Marcus Parsley (trumpet), Craig Barnette (drums), Eric Brigmond (keyboard), Pete Winders (guitar), and JJ (vocals and whatever other instrument he can get his hands on). I could see the steam from the tea to help JJ’s throat, but if you couldn’t see that or didn’t know he wasn’t feeling well, you certainly would not have picked it up in his voice or enthusiasm. Fort Collins fans were treated to a smoking “Gal Young’en,” “Orange Blossoms,” and “Lazy Fo Acre” to name a few. As “Ol Glory” began for the second encore, Eric brought an unwavering depth to a song filled with soul that resonates with any music lover. One by one, the members of The Commonheart joined JJ & Mofro on stage for a third and final encore with “On Fire.” Seventeen musicians joining forces and not skipping a beat is no small feat. I know of very few artists who would even attempt to tackle such a challenge.

    Although I may always struggle to pinpoint a genre to appropriately describe what I would consider a music lover’s dream band, I can tell you: “If you haven’t been, go.” This is some of the best music out there right now. As they say, “Buy the ticket, take the ride.” You won’t be disappointed. As I overheard leaving Fort Collins, “It’s like being taken to church … you walk out better than you came in.”

    The Northeast is in for a special treat when they roll thru Port Chester, New York on March 1st with Big Head Todd and the Monsters.

    For your own taste of this Florida Funk visit their website and check out all upcoming dates around the Northeast.

    February 8, Boulder, CO

    Setlist: 99 Shades, Sweetest Thing, Somebody Else, Every Minute, Jookhouse, Fire Flies, Junior, Gal Young’en, Seminole Wind, Lochloosa, Orange Blossoms, Slow Hot Sweaty, Ho Cake, Shining Down

    Encore: Brighter Days, Ol’ Glory

    February 9, Fort Collins, CO

    Setlist: Junior, Everything is a song, Sweetest Thing, Circles, Every Minute, Florabama, This River, Gal Young’en, Seminole Wind, Lochloosa, Orange Blossoms, Lazy Fo Acre, Ho Cake, I Believe

    Encore: Shining Down, Ol’ Glory, On Fire

  • Pink Talking Fish Burn Down The House with Junta Circus Spectacular

    Pink Talking Fish literally brought the circus to the Capitol Theatre with Greg Ormont from Pigeons Playing Ping Pong stepping in as The Ringmaster. There was talk of circus performers and antics happening during the show, but what occurred can be described as nothing short of a spectacle!

    Scrambled Greg was the perfect fit for the role of ringmaster. He stepped up whole heartedly and was silly, incredibly enthusiastic and hilarious. It appeared that he was having the best time out of anyone in the theatre. Greg sat in on guitar for a couple of songs, doing vocals on “Icculus” and even manning a trampoline during “You Enjoy Myself.”

    Pink Talking Fish burned down the house with an incredible musical performance featuring amazing takes on Pink Floyd, Talking Heads and songs off Phish’s Junta including “Y.E.M,” “Divided Sky,” “David Bowie,” “Fluffhead” “Fame,” “Foam,” “Dinner and a Movie,” “The Great Gig in the Sky,” “Brain Damage” and so much more. There was even a memorable sit from Ben ‘Junta’ Hunter, the first manager of Phish.

    The Big Apple Circus featured an eclectic group on incredibly talented performers featuring clowns, aerialists, and a woman who could hoop ten-thousand hula hoops. The circus kept the show incredibly visually stimulating while PTF kept the jams going all night long.

    Seems that this display is a notch up for PTF. Undoubtedly, this show took an immense amount of preparation and coordination by everyone involved from lighting designer to clown. They’ve showed that with a lot of dedication, with the power of music, and a little help from your friends incredible spectacles can be created.

    “The circus is the place for me with bears and clowns and noise. I love the shiny music that descends from overhead”.

    Pink Talking Fish: Junta Circus ft Greg Ormont 2/23/19

    Set 1: Fee > Once in a Lifetime, You Enjoy Myself > Learning to Fly > You Enjoy Myself, Free Four, Esther, Life During Wartime, Golgi Apparatus

    Set 2: Foam, Have a Cigar, Dinner and a Movie, Cities > Divided Sky > The Great Gig in the Sky > Divided Sky > David Bowie > Fame > David Bowie, This Must Be The Place > Fluffhead > Contact, Union Federal, Brain Damage > Sanity > Brain Damage > Eclipse > Icculus

    E: Burning Down The House

    Photos by Filip Zalewski of Essence Photography

  • Pink Talking Fish Bring Junta Circus to The Capitol

    Pink Talking Fish has teamed up with the Big Apple Circus to create a new concept called Junta Circus, celebrating Phish’s album Junta, and are bringing the circus to the Capitol Theatre on Saturday, February 23. Greg Ormont from Pigeons Playing Ping Pong has been recruited as ringmaster. The show will feature circus acts both on and off stage. Who better to lead the wacky circus than Scrambled Greg?

    Pink Talking Fish celebrates the music of Pink Floyd, Talking Heads, and Phish all on one stage. They have already played two concept shows at The Capitol Theatre, one for “The Wall” and another for “Stop Making Sense.” The energy, artistry, and improvisation are incredible at these shows, and, undoubtedly, they will pull out all the stops to provide a once-in-a-lifetime spectacle. Like other shows, this will be one long marathon set, so you better get ready.

    The New Year’s Eve performance from Phish, featuring several suspended aerialists flying around the band, seems like it may have inspired this show even though it was announced before Phish’s New Year’s run. Junta features Phish classics like “You Enjoy Myself,” “Dinner and a Movie,” “Divided Sky,” “David Bowie,” “Fluffhead,” “Sanity,” “Contact,” “Icculus” and more.  Some of those feature masterful composition with parts that are difficult to play, so the musicians of “Junta Circus” certainly have their work cut out for them.

    Pink Talking Fish team up with Start Making Sense and the ladies of Turkuaz for one of their concept shows at the Capitol Theatre.

    Pink Talking Fish at The Capitol Theatre

    Port Chester, NY 2/23/2019

    Age: 18+

    Show: 8PM

    Price: $22.50/40

    Ticket link:

  • St. Paul and The Broken Bones Roll Through Port Chester

    On Sunday, February 17, St. Paul & The Broken Bones made their Port Chester debut at the historic Capitol Theatre. Led by the incredible vocalist Paul Janeway the Alabama rock and soul band weaved in out of their original catalog, blessing the audience with amazing versions of “Flow With It” and “Apollo.” The 8-piece soul outfit was in top form preparing for an upcoming performance on Late Night With Seth Meyers. There is something about sweet soul music, having a tight band and a lead singer that makes all the hairs on your body stand with every high note hit. It’s awesome to see good music thrive, and I can’t wait to see what comes next for St. Paul & The Broken Bones.

    St. Paul and The Broken Bones

    Setlist: LivWithOutU, Flow With It (You Got Me Feeling Like), All I Ever Wonder, Like a Mighty River, Grass Is Greener, Band Instrumental (with So Fresh, So Clean by Outkast), Mr. Invisible, Convex, NASA, GotItBad Band Instrumental, Apollo, Bruised Fruit

    Encore: Sanctify, Call Me,Broken Bones & Pocket Change

  • No Sheet Music Here: The Disco Biscuits Play Three Huge Nights At The Capitol Theatre 2019

    “Just so you know, we don’t read sheet music. For all those accusing us online of reading sheet music, how dare you!” So said bassist Marc Brownstein in good humor as he addressed The Capitol Theatre crowd on the second night of The Disco Biscuits’ magnificent three-night run at the Port Chester rock palace this weekend. The sentiment would immediately ring with an air of respect, as the jamtronica four piece went on to deliver a tremendous second show, the midpoint in a very all-around strong weekend of shows. Bustouts, new improvisational territory, and new instruments served as the fueling components of a successful, satisfying Disco Biscuits 2019 Port Chester run.

    Friday night, it was clear the band were not here to joke around at the mighty Capitol Theatre. Well, there was a lot of joking around across all three days, but musically speaking, no joking around at all. A four song first set, which included “Vassillios,” “Orch Theme,” “Lunar Pursuit” and “Sweating Bullets” rewarded the diehards making it out for night one with lots of grooving stringed together a la some vintage patient jamming. The Disco Biscuits were really among the first in that “patient” style jamming—that would go on to influence the likes of Lotus, The New Deal, and so forth—which sees the band lock into steady, comfortable grooves and slowly alter things via the careful, improvisational contributions of all members involved.

    Night one’s set two gave a better inclination as to some of the incredible playing that was waiting throughout the rest of the weekend. An inspired kickoff on the old school tune “Bernstein and Chasnoff” sandwiched a very cool inverted version of “Aquatic Ape,” and an unfinished “Spectacle” bled beautifully into a textbook “Basis For a Day” to close it all out.

    Friday night the momentum of everything from the musicians to the crowd increased a good tenfold. The show opening “Little Lai” was a welcome party starter and quickly worked its way into a cool, murky stretch of improv before picking up speed and landing at one of the first true musical gems of the Cap weekend—a performance of the Sam Altman-penned song, “Onamae Wa.” This was a bustout for The Biscuits, having not played the tune since October of 2015, a gap of over one hundred shows.

    But the biggest talk going around Friday night, and really this entire weekend, was of course guitarist Jon Gutwillig bringing out and performing on a new guitar, a shiny Languedoc. There have been rumors about where this mystery instrument had come from, but the confirmed word seems to be that it was a handoff from a close friend of Barber’s. Barber would switch between this and his other guitars through the rest of Friday and Saturday, to sublime results.

    “King of the World” on night two’s second set brought one of the best bliss-type jams of Friday, a several minute stretch of slowly rising power rock propelled by bright chords and synchronicity between all four members. By the time the song reached “We Like To Party,” the band had procured a truly inspiring level of intensity, one that was reciprocated beautifully from their prototypical freewheeling audience. When it comes to matching the spirit of their favorite band, Biscuits fans are hard pressed to be rivaled for their enthusiasm.

    All that recoiled energy had to release somewhere and The Biscuits channeled it outward through a fine funk improv session on “Caterpillar.” Consequently, the segue into “Bombs” went off without a hitch and by the end of the song, that ebb and flow of energy was ready to shoot a hole through the ceiling of The Capitol Theatre.

    Word around The Cap was that Saturday would be the most musically satisfying of all three shows, and when fans know it, they know it. The band busted the concluding Cap show wide open with a mega Grateful Dead tribute: “Help On The Way,” “Slipknot” and “Franklin’s Tower” all delivered in full. “Help” and “Slip” were last performed by The Biscuits in the middle of 2015 and now assured this weekend of multiple rare bustouts. But it was the transition from “Franklin’s” into the Biscuits original “Spraypaint,” dynamic, directional and full of the momentum procured over the last two days, that set night three off to a running start.

    “Shem-Rah-Boo” gave Saturday’s first set both a dose of dance funk and a headfirst spiral into that classic Bisco brand of dark trance. But then, just as soon, “Cyclone” shifted light to dark and featured beautiful moments of interplay between Gutwillig and keyboardist Aron Magner. A volcanic, dopamine-inducing return into “Spraypaint” solidified this set as one of the most bombastic of the entire run.

    Two more jam-packed sandwiches structured the final set of the weekend, starting off with a “Voices Insane” packing a huge “Shelby Rose” within. Shelby, which was inverted, rocked in confident style between brighter chord jamming and that darker trace, making this a unique version for sure.

    Another super cool moment, in a weekend of cool moments, came in the second sandwich, with the band teasing their return out of “Miracles” into an ending on “Little Shimmy In A Conga Line.” Across a span of several minutes, the band peaked a few times, playing with the notion as to whether they would close with Shimmy or just take Miracles all the way for a set finish. It might have thrown a number of people off, and it just helped to again reinforce how architectural this band can be with their musical decisions, in which the combination of technical ability and creative risk-taking can produce wonderous results. Reading sheet music? No way.

    After a legendary 2018-19 NYE run, a highly praised two-night stand in Washington DC, and then this terrific Capitol Theatre run, it might be fair to say that The Disco Biscuits have earned a moment of time off. Their next performance dates are scheduled for April 26 and 27 at The Fillmore in New Orleans, smack dab in the middle of the musical madness that will be Jazzfest 2019.

    Setlists

    January 31, 2019

    Set 1: Vassillios, Orch Theme, Lunar Pursuit, Sweating Bullets

    Set 2: Bernstein And Chasnoff > Aquatic Ape1 > Bernstein And Chasnoff, Spy, Spectacle2, Basis For A Day

    Encore: World Is Spinning

    1 inverted version
    2 unfinished

    February 1, 2019

    Set 1: Little Lai1, Onamae Wa2, Little Betty Boop3, Spaga4 > Abraxas5 > Spaga

    Set 2: King Of The World1,3, We Like To Party1, Shadow6, Caterpillar, Bombs, Caterpillar

    Encore: Home Again

    1 unfinished
    2 last played 10/30/15 (118 shows)
    3 with ‘Changes’ jam (new work in progress)
    4 with ‘The Stranger’ (Billy Joel) tease in intro
    5 inverted version
    6 last played 7/16/15 (124 shows)

    February 2, 2019

    Set 1: Help On The Way1, Slipknot!1, Franklin’s Tower2,3, Spraypaint, Sound One, Shem-Rah Boo2,4, Cyclone, Spraypaint

    Set 2: Voices Insane, Shelby Rose5, Voices Insane, Little Shimmy In A Conga Line, Humuhumunukunukuapua’a2, Miracles2, Little Shimmy In A Conga Line

    Encore: Helicopters

    1 last played 7/17/15 (124 shows)
    2 unfinished
    3 last played 4/17/15 (131 shows)
    4 with ‘Billie Jean’ (Michael Jackson) teases and ‘Changes’ jam
    5 inverted version