30 years ago, moe. was born in Buffalo, and over the ensuing years the local home town fanbase has only grown. So it was no surprise when nights two and three of the three-day Town Ballroom run sold out weeks in advance. Check out some photos from the second day of the run, Friday November 15th.
The calendar may have turned to November but the Halloween spirit was strong in Buffalo with Turkuaz dressing up in celebration of our neighbors’ to the north national pastime, ice hockey! Sammi Garett and Shira Elias even dropped their gloves and staged a hockey fight that had to be broken up by referee Chris Brouwers to the delight of the packed crowd at the Town Ballroom.
Setlist: Nightswimming, Doktor Jazz, Make You Famous, Heat Drop, If I Ever Fall Asleep, E.Y.E., Mister Man, Digitonium, Big Business > Murder Face, Take ‘Em Down, Every1’s A Winner > Superstatic, Better Get Ready > Lookin’ Tough, Feelin’ Good, Gogo Mr. Dodo, The Shape I’m In Encore: Monkey Fingers
Post-rockers Explosions In The Sky embarked on a nationwide tour which brought them to Asbury Hall in Buffalo for only the second time in their career. After 20 years of making music, the band’s only other appearance in Buffalo was at the Tralf in 2008.
Setlist: A Song for Our Fathers, The Birth and Death of the Day, The Only Moment We Were Alone, Greet Death, Yasmin the Light, Have You Passed Through This Night?, Disintegration Anxiety, Your Hand in Mine, Magic Hours, Catastrophe and the Cure, Colors in Space.
Borderland Music + Arts Festival 2019 showcased some of the best roots and rock music of today on the beautiful grounds of Knox Farm State Park. In addition to the music spread out over three stages, there were art vendors, installations, ample food and beverage options, even alpacas and axe throwing. Headlining Saturday night was Warren Haynes’ Gov’t Mule. Sunday saw Greensky Bluegrass close out the festival.
STS9 kicked off their Apo11o Tour with a stop at Buffalo RiverWorks on Thursday, September 19. Starting off the evening was a brief dj set from Mark Farina which set the mood for sonic exploration to come. STS9 came out with with an intensity that was well received by the crowd who were eager to dance the night away. Over the course of two jam filled sets the energy never let up as high fives, hugs and dance moves filled the floor.
Meet Witty Tarbox. The funky surf-rock jam band hailing from Buffalo, NY that just packed the Town Ballroom to celebrate the release of their debut album, Origins of Schmitty. Comprised of Cody Tarbox (bass), Bryan Williams (guitar/vocals), Alex Khoury (guitar/vocals), Seth Bykowski (saxophone) and Colin Gray (drums), this band has quickly made a name for themselves in the WNY music scene. This year they made their debut at Night Lights Music Festival, and have opened for notable bands such as Consider the Source and Litz.
Origins of Schmitty release party at the Town Ballroom – 9/6/2019 – Photo: Zachary Todtenhagen
How this band came to be is a perfect representation of Witty Tarbox – spontaneous and weird. One night, Bryan and Alex were at Nietzsche’s bar in Buffalo and after a drink or two, Bryan asked Alex if he wanted to start a band, and Alex said “Yeah!” After that Bryan got up for a few minutes and came back to say “Awesome, just booked us a show here, it’s in three weeks, we need a band.” They called up their friends from college, Cody and Colin and they opened up for a sold-out Delicate Steve show with a setlist composed of about 90% covers, including the Arthur theme song, and the first original song they played together, “Trevor.”
As Witty Tarbox started to gain momentum, they met Seth, who was playing with another local Buffalo band at the time. They asked Seth to sit-in with them and after that Seth found himself sitting-in on almost every show for about a year, until he was asked to officially join the band.
From there, the band has become a staple in the WNY music scene. Their shows are always high-energy, fun and most importantly, weird. One thing you will hear walking through the crowd at any Witty Tarbox show is “Wow these guys are really good, but they’re weird!” As a band, they pride themselves in that. For their album release party they asked everyone to wear costumes and go all out weird, and all out weird it was. Their performances bring a fun new take to the jam band scene. See for yourself in this video of ‘Prepare To Launch’ from this past weekend at Riverboat Bar in Alexandria Bay, NY.
Witty Tarbox released their debut album, Origins of Schmitty, just over a week ago. Schmitty is a character that has been in the Witty-verse for some time now, as the band uses characters to tell stories with their music. The album tells a story of heartbreak, debauchery, and healing; the story of Schmitty. It starts off with a deep acoustic song, “Group Therapy,” which was never actually recorded in the studio. When they went to record it, the band felt that they couldn’t capture the same feeling they had when they recorded the video of Alex and his guitar one late-night in Cody’s living room. So, the audio on the album is actually ripped from that original iPhone video.
“Prepare to Launch is probably one of my favorites [to perform] because the monologue that Alex does and watching like the front row of people, who probably have mostly never seen us before, and just watching their faces and tapping their buddies like ‘What the … what is going on?’ ”
Cody Tarbox
If you have seen Witty Tarbox live before, you might recognize a few of the songs, such as “Fa Napoli” and “Goodbye, Jackie.” Both songs, which were debuted under different names, evolved as the band experimented with new jams and finding new elements to try in the songs. Cody makes his debut on vocals in “A Universal Feeling or Two,” which has also been in rotation for about a year and a half under a different name, without lyrics. When the lyrics were introduced, Colin hated them, but once he heard Cody record it (in one take no less), it quickly became one of his favorite songs off the album. Well, either that or “Norman,” which is a favorite among the Witty team. The album ends with “Kokiri,” named after Colin’s favorite place in his favorite video game, and features Mike Gantzer of Aqueous. You can give the whole album a listen below.
He’s a cool guy, cool attitude … and I think [Aqueous] likes to support Buffalo and the music scene here, and just in general, everyone is kind of really supportive of each other. I like how everyone works together in Buffalo, because it’s so small and there is this sense of comradery here that’s really nice and it helps everybody grow.
Alex Khoury, on working with Mike Gantzer and the Buffalo music scene.
Witty Tarbox had an extremely successful summer, and they owe a lot of it to their team. They are incredibly grateful to their management, Tim Merrill and Jes Tarbox, for keeping them on their toes and keeping them focused. Another big part of the Witty team is Brandon Kempisty, who collaborates on a lot of their costumes and props for shows that help keep it weird. Together they’ve created this wonderful Witty-verse that fans have fallen in love with.
We wouldn’t be where we are now without everyone else. It takes a village as they say.
Cody Tarbox
Witty Tarbox – Origins of Schmitty release party – 9/6/2019 – Photo: Zachary Todtenhagen
Check out their upcoming shows below, and visit their website or Facebook page for more information and even more exciting announcements for this fall/winter.
Upcoming Shows
October 6 – Folkface’s Fest – Darien Center, NY
October 26 – Brick Bar – Oswego, NY
November 2 – King’s Rook club – Erie, PA
November 15 – Unofficial moe. After Party – Nietzsche’s – Buffalo, NY
Every third Thursday of the month, starting September 19, Buffalo is going to be getting funky at MFDF Funk Nights at Nietzche’s, presented by NYS Music.
Guitarist Matt Fantini of Space Junk and keyboardist Donny Frauenhofer of Intrepid Travelers, DF3, & THE TRUTH will be your hosts, bringing in a rotating cast of local, regional, and national artists each month for a night of improvised heavy funk. This month will feature John Fohl from Intrepid Travelers/Big Martha on drums, James Benders from grüvology/DF3 on bass, and Ellen Pieroni from Folkfaces/THE TRUTH on saxophone.
Admission is $5 at the door, and the events are 21and over unless accompanied by a guardian. Upcoming dates for MFDF Funk Night are Sept. 19, Oct. 17, Nov. 21 and Dec. 19.
The Old Great Lakes is a captivating collection, brimming with the beautiful verse and evocative arrangements Tough Old Bird has become known for. However, this work transcends everything they’ve done, pioneering beyond the confines of traditional folk. Tough Old Bird is the moniker taken on by brothers Matthew and Nathan Corrigan.
Inspiration for The Old Great Lakes came from a lot of sources: the environment, literature and a lifetime of music appreciation.As the name implies, The Old Great Lakes was shaped by an innate love for geography and environment. Matthew and Nathan have toured quite a bit over the last few years, but their music has always been deeply affected by their Western New York roots.
“We grew up in a little one-stoplight town called Fillmore, NY, and that environment definitely found its way into a lot of our music,” said Nathan. “But I think where we grew up probably had less of an influence on this album than on our previous ones. Our music has always felt pretty rural, but this, to me, is more of a city album. I imagine it taking place in more of a rust belt setting – places like Buffalo and Rochester.”
Listening to the album it’s easy to pick out references to a post-industrial backdrop. The percussion in some songs drone on like the trip-hammers of the old mills. And when they sing about a woman in the snow in the alley, one can feel the unyielding cold of New York winters seeping into your bones.
Don’t be mistaken, thinking this is a period piece. The songs have a timeless quality about them, and could just as easily be set a hundred years ago as they could today. This comes in part from being steeped in diverse influences from bands ranging in genre – from rock to country, and from the beginning of recordings to the present.
Our parents had a huge record collection and started us out on bands like The Beatles, The Moody Blues, Squeeze, or John Prine… I remember our dad calling me downstairs once and we sat and listened to The Wall by Pink Floyd straight through.
Matthew Corrigan
“Growing up I felt like a sponge for new music,” he continued. “My teachers showed me Pearl Jam and The National. My friends got me into Iron & Wine and The Avett Brothers. I think I listened to R.E.M. for two years straight in high school.”
These influences shine through on this album. Whereas their previous work has more of a traditional feel; this time they incorporated more diverse sounds and techniques. The songs carry on the traditions of Americana, but there’s more willingness to take chances on this album – a quickening sense of adventure and risk-taking. It veers away from the expected.
“We wanted to create something new,” explained Matthew. “Nathan and I both had a vision for what we wanted for this album that dates back several years. We both knew we had to create a certain environment that these songs inhabited, and that environment was different than what we had created before.”
Nathan added, “We were a lot more open to electric instruments on this album – electric guitars, keyboards, effects – and more ability to use those things than we had the last time around. I think we’ve had a tendency in the past to think of ourselves as a folk band, and with this album I think it was more important to be open to anything, and not worry about what genre it was or whether it sounded like some abstract idea of how we were supposed to sound.”
A cohesive concept achieved through the use of repeated motifs and musical phrases make this more than just a collection of tracks. There are melodies that repeat throughout the album, tying the songs together. And the lyrics contain a narrative arc, a sonic novella complete with setting and a cast of characters.
The Great Lakes themselves are the most pervasive symbol on the album, they appear in every song in some form. They aren’t the direct subject of any given song, but are placed in the background as an unchanging setting for all of these human stories to take place. They have battered shorelines, sunken ships, lighthouses, and hold watchmen and lost sailors, but they steadily churn and rest at the edge of every city and landscape and story. I feel that they passively narrate the emotional arc of the record.
Matthew Corrigan
The musical composition adds to the emotional tug of the album. From the triumphant horns to the maudlin violin, the soundscape mirrors feeling behind the story of each song. They called some friends, old and new, into the studio to execute their vision for the album. Jay Corwin was on upright and electric bass. Charlie Caughlin, of The Brothers Blue, played fiddle on two songs. Sean Ebert from The Fredtown Stompers played trumpet on a couple. And Marty Benzinger played drums. Matthew credits these musicians with bringing the songs to a whole new level.
Matthew and Nathan went with a new producer this time. They met musician/recording engineer Brent Martone through the Buffalo music scene. Last winter, they got together to turn the vision for The Old Great Lakes into a reality.
“He did a great job of getting us to push ourselves, but without ever steering the record in a particular direction,” said Nathan. “He also has a lot more know-how when it comes to effects and electronic stuff, so we would try to describe how we wanted something to sound and he would be like: great, here’s five ways we can do that!”
Matthew added, “I think he understood the songs from the start which created a very freeing environment to work in, no idea wasn’t worth chasing. Brent also challenged us musically and conceptually in ways that we had never been before. Every song on the record benefited from honest critique and deconstruction.”
The resulting album marks a milestone in their progression as musicians. It builds upon everything they’ve done so far.
“Every album we’ve worked on has expanded our knowledge in some way,” said Matthew. “Gambling Days taught us how to work in a studio, Beasts taught us how to flesh out arrangements and put together a batch of songs that was thematically cohesive. All that experience was carried over onto The Old Great Lakes. That being said, there were also several times on this new album that we purposefully rejected things that we had done before.”
“In terms of lyrics, every song is a push to write a better song than the one before,” he continued. “Every song is a lesson in how to use language.”
Listen to The Old Great Lakes, which is out now. You can purchase it on CD or digital download on their website. Follow them on Facebook and Instagram. Tour dates to be announced soon.
Papadosio‘s Content Coma spring tour was comprised of several stops in New York, including a show in Buffalo on April 19 to a packed house at the Town Ballroom. Opening up the evening was Colorado’s Cycles. Then, after a quick changeover, the Asheville, NC-based rockers took to the stage for the one set main event. Playing tracks from throughout their catalog including a few cuts from last fall’s Content Coma release, Papadosio enthralled the crowd with their unique blend of analog-rooted electronica.
Bad Luck’s new EP, Drug Phase, is the perfect vessel for launching a comeback. Bad Luck. continues to tick all the right boxes: fast tempos, aggressive guitar work, pop-influenced melodies and clever lyrics. The solo-project-turned-band cranked out a couple promising releases in 2014 and 2015, then went quiet until last year, when they announced signing with Take This To Heart Records. Fortune seems to be favoring Bad Luck. as they enter this new phase of their career.
Bad Luck. leads with “Impressive Depressive,” in which they channel some serious My Chemical Romance vibes with their dark lyrics and edgy riffs. The mood lightens up in the next track, “Mean Dudes.” The uptempo bubblegum-pop serves as a perfect contrast to lyrics, oozing with sarcasm and disdain. The title track “Drug Phrase” has more bite to it. The gritty, grungy song is a brutally honest reflection on a dark time: Used to say I’m okay/ I could try a bit/ Just for the hell of it.
The EP switches gears again with “Sheep Song.” Even though the lyrics are about herd mentality and blindly following along, it’s a challenge not to sing along to the “ba ba ba ba” chorus. This is followed by “Wish We Still Talked.” Abrasive vocals belt out raw emotional lyrics riddled with regret. The layered vocals are reminiscent of Taking Back Sunday. Drug Phase ends with a track called “P.S. Wiffle Ball.” The jangly tune on acoustic guitar is accompanied by whistling and a sing-song melody. The simplicity of this track evokes nostalgia for youthful ignorance and bliss.
The collection creates a story arc that follows the rise, fall and rebirth of the jaded-yet-relatable protagonist. But unlike most concept-based albums, each of the songs can stand on their own and still make sense. There’s no filler or transitional tracks. The music is compactly arranged – tight, well-paced and cohesive.
All music and lyrics were written by vocalist/guitarist Dominick Fox. His brother Joseph Fox plays bass. The band is rounded out with Charlie Caruso on lead guitar and Michael Sichel on drums. Drug Phase was engineered, produced and mixed by Jim Wirt at Crushtone Studios, and mastered by John Naclerio at Nada Studios.
Drug Phase is out now on Take This To Heart Records. Purchase merch and music directly or buy/stream on your favorite major music platforms. Bad Luck. celebrates the release with a four-date Northeast tour that started in Boston last night, and hits Albany today, Brooklyn on March 30 and Philly on March 31. They’re also slated to play BLED FEST in May. Follow them on Facebook,Instagram, and Twitter for updates.
Key Tracks: Impressive Depressive, Sheep Song, Wish We Still Talked
