NYS Music 20​19

Tag: brooklyn

  • Sixth Annual Five Boro Craft Beer Fest Brings Music, Brews & Community Together in Brooklyn

    At The Well in Brooklyn, hosts Mike & Lauren invited 55 craft brewers, several local food vendors and two regional bands to come together for the 6th Annual Five Boro Craft Beer Fest. Attendees enjoyed 100+ beer and cider choices, gourmet eats and one hell of a rock ‘n’ roll show in an open, sunny setting splashed with bright and colorful street art, providing a pleasurable experience for both the palate and the eye.

    The day began with a lot of hustle and bustle; craft beer vendors buzzing around, ice trucks loading in, and the bands plugging in for soundcheck. Individual tasting glasses featuring the rockin’ Five Boro Craft Beer Fest logo were lined up at the registration table, the guest line formed and at 4 P.M. the party began. The event was an all-inclusive one, wristbands provided attendees with all you can eat, drink and dance for the duration of the afternoon into the evening.

    First up, the brews. It felt like a perfect summer night, pairing well with the plentiful selection of perfectly chilled craft beer and ciders from local, regional and out of state brewers. No matter your preference, there was something to appeal your fancy, including exclusive varieties that had never been poured before. Sours, stouts, lagers, IPAs and everything in between from breweries such as King’s County Brewer’s Collective, Barrier Brewing Co., Icarus Brewing, Noble Ale Works, Garvies Point Brewery, River Roost Brewery, Collective Arts Brewing, Hermit Thrush Brewery, District 96, Gun Hill Brewing Co., Torch & Crown Brewing Co. and many more.

    Five Boro Craft Beer Fest

    Beers were flowing, toes were tapping and it was time for some snacks. Staying true to the well balanced theme of the day, the food vendors provided festival goers choices of all things sweet, salty, savory, spicy and tangy to compliment the plethora of liquid libations. Traze, a Queens-based food shop that offers up gourmet “grandma-style” pizza were slinging slices as fast as the brews were pouring. Little Chef, Little Kitchen, a personal chef service served up “adobo chicken and waffle bites,” the sweet and savory combo hit with the crowd. More top-notch tastiness was brought to the party by The Huntress Whiskey n’ Wings, with delicious chicken wings, Sigmund’s Pretzels, with the ever-favorite salty pretzels and Kalahari Biltong, providing samples of “air dried, thinly sliced beef” a provision that beer drinkers, hikers, campers, festival goers alike would find handy. None went hungry at the 6th Annual Five Boro Craft Beer Fest, that is for sure.

    Five Boro Craft Beer Fest
    Little Chef Little Kitchen serving up “adobo chicken & waffle bites”
    Traze slinging little slices of pizza heaven.
    The Huntress dishing out a variety of addicting chicken wings and flavors.
    Five Boro Craft Beer Fest
    Kalahari Biltong sharing their “air dried thin beef.”

    Next, the tunes. First to take the stage was Black Brant, a rock trio hailing from New Jersey. Comprised of Pat Seiler (guitar), Mike McCabe (bass), and Shawn Latham (drums), the threesome got the crowd moving with a wide array of cover songs ranging from alternative, reggae, blues and classic rock. Sing-a-longs and “rock-on!’s” were heard coming from the dancing crowd.

    After a short changeover, Brooklyn-based band Of Clocks And Clouds hopped on stage. The stage and crowd warmed by Black Brant, they started right into a strong set of rock ‘n’ roll. Of Clocks And Clouds is comprised of Brooklyn-bred brothers Joe Salgo (guitar, vocals), Tom Salgo (lead guitar, vocals), Nick Salgo (drums), Russian-born Yuri Soussov (bass), and Connecticut native Zander Ryzinski (keys/synth), forming a powerful force that is both predictable and imperceptible; much like clocks and clouds. The first set featured several original songs and closing out with a saucy rendition of Cream’s “Sunshine Of Your Love.” OCAC opened the second set with “Worst Look,” into an impressive, hard hitting cover of Metallica’s “For Whom The Bell Tolls,” led by drummer Nick Salgo on vocals. The sun was starting to set, the crowd was having a blast and the band jammed out six more big, emotive, rock tunes closing with another bang “Who I Am,” led by drummer Nick Salgo. The song is new to their repertoire, but quickly became a staple fan-favorite.

    Black Brant, rockers from New Egypt, New Jersey
    Five Boro Craft Beer Fest
    Brooklyn band Of Clocks And Clouds close out the night.

    The 6th Annual Five Boro Craft Beer Fest was an incredible success, a great time was had by all. Sunshine, delicious food, tasty brews, great music, friends and family all made for an event that will be attended year after year. For more information on this event, the breweries, provisions, and musicians, visit the Five Boro Craft Beer Fest website.

    In Focus: The Brews

    In Focus: The Bands

    In Focus: The Fun

  • Griz Ride Waves Tour rolls into Brooklyn’s King’s Theatre

    Griz’ Ride Waves: Season One tour rolled into Brooklyn’s Kings Theater last week. Griz is an electronic music producer and saxophonist from Southfield, MI who combines the saxophone with his self described “future funk,” electro-soul, hip-hop and funk beats.

    Griz

    Ride Waves is Griz’ fifth album, and came after a prolonged hiatus from social media and music. Griz used this time to hone his craft and travel the country while recording new music. He was able to recruit talent such as Snoop Dogg, Matisyahu, Bootsy Collins and Dram, as well as address social issues like gun control. He also recorded his first rap verse.

    King’s Theater warmly welcomed Griz and his openers, Dwilly and Yung Bae. LA-based DJ and producer Dwilly took the stage first and delivered urban pop beats and remixes that got the crowd moving. Yung Bae, the Portland-based producer who has amassed millions of streams on Spotify, followed with his disco-centric funky beats.

    Fans enjoy the Yung Bae set.

    The crowd was on their feet as Griz took the stage. His setup included a raised area for his DJ equipment and saxophone, and an area to perform near the front of the stage, with a huge LED display illuminating with positive messages. Griz was accompanied on stage by guitarist Muzzy Bearr, vocalist Chrishira, and horn/trumpet players.

    “Can’t Get Enough” featured Griz’ first rap verse, and showed his depth and talent. He sounded great and the crowd was loving it. The lyrics pulsated in bold letters behind him, and the light show was incredibly well timed.

    Guitarist Muzzy Bearr, Griz, and vocalist Chrishira

    The saxophone and guitar combination in “Caught Up” has a classic disco funk meets reggae feel. It’s hard to not start dancing, and that is exactly what the crowd did.

    “It Gets Better” emanated with positivity, and combined elements of hip-hop, jazz and funk into one danceable tune. The LED screen displayed the lyrics and was a positive reinforcement of the chill vibe. The crowd enjoyed the song, and was singing along in unison by the end.

    Griz seamlessly intertwines his funk and hip hop beats with positivity and the saxophone, creating pure musical bliss in Brooklyn. This show was an enjoyable party, from start to end, that is not to be missed.

    griz ride waves

  • In Focus: Trey Anastasio Band Impress in Final Brooklyn Bowl Show

    Trey Anastasio Band closed out a long weekend run with the second of two sold out show at Brooklyn Bowl on Monday Night. Playing the beloved Brooklyn venue for only the third time, fans didn’t hesitate on packing this venue/bowling alley to capacity. This is one of the smaller venues TAB will play, but it seemed like Trey’s eight-piece solo outfit felt right at home in this tiny space.

    The show began with “Blaze On” a song TAB debuted three nights earlier at Anastasio’s Me and My Mind documentary premier. The band continued in top form offering up TAB favorites Including “Alive Again,” “Night Speaks to a Woman,” “Curlews Call,” and “Dark and Down” before bringing an amazing first set to an end with “First Tube,” the Phish fan favorite.

    After a short set break Trey and his amazing band returned with “Money Love and Change” where Anastasio shined with amazing guitar work. The rest of the set included speak to me, the first “The Land of Nod” since 2017, and a fun version of “Alaska” that the entire crowd sand every word to. The set came to a close with a smooth pairing of “Shine” into “Rise/Come Together.” The band returned for a two song encore offering up “Drifting” and “Ghost.”

    Trey Anastasio Band Continues with a four night run in the southeast at the end of May as they prepare for a full card of summer dates. See a full gallery from the show Monday below.

  • Lotus Brings The Electro Dance Party to the Brooklyn Bowl

    Lotus unleashed high energy into the Brooklyn Bowl on Friday night, with two sets of their eclectic, instrumental, dance multi-genre sound. The band members include Mike Rempel (guitar), Jesse Miller (bass/sampler), Mike Greenfield (drums), Luke Miller (guitar/keyboards) and Chuck Morris (percussion). Originally from Goshen College in Indiana, the band is now based out of Philadelphia and Denver.

    Jaw Gems opened for Lotus, and successfully warmed up the crowd. They are an electronic band from Maine that is creating beat music in a more organic live setting. Friday’s lineup included bass, drums and synthesizer, and delivered dark grooves that flowed into one another.

    Lotus took the stage in front of the packed crowd, and picked up where they left off on Thursday night, which included a rare Talking Heads Deconstructed set with Gabe Otto at the Brooklyn Bowl. The flawless transitions combined with powerful electro-pop beats of “Intro into a Cell” > “E” > “Trip” > “Stranger Danger” had the floor dancing and excited almost instantly. Other notable songs include the hip-hop based “Golden Ghost” > “Intro” and the electronic groove “Anti-Gravity” > “B” > “Comptroller”. Throughout the set, Rempel delivered intense guitar riffs, and had excellent synergy with both Jesse and Luke Miller.

    Lotus emerged after the break with “Nematode,” a fan favorite from their Gemination album. The dark “Bellwether,” another classic Lotus tune from their Hammerstrike album, and the newer hip hop tune “Gunk,” from their recent Frames Per Second album, both showcased Greenfield’s drumming versatility and skills. The jam of the night was undoubtedly “Arupa” > “½” > “Bubonic” > “B” > “Flower Sermon” and included elements of Lotus old and new. “Arupa”’s organic feel was great contrast to the edgy “Flower Sermon.” The band closed out the night with the cohesive, funky dance tune “Sift.”

    Lotus brought their signature jamming to the sold out Brooklyn Bowl on Friday night, and sent their fans home exhilarated after a night of intense dancing.

    Jaw Gems Setlist: Parch, Graymalkin, Ohio, Sap Flow, Young Pulp, Sweet Egg, Liquid Purchase, (INTERLUDE//MPC SWITCH), Rvil, Sleep arena, Peace Pipe, Narrows, Party Slave

    Lotus Setlist:

    Set 1: Intro into a cell > E > Trip > Stranger Danger, Golden Ghost > Intro, Turquoise, Anti-Gravity > B > Comptroller, 72 Hours

    Set 2: Nematode, Invincibility, Bellwether, Gunk, Arupa > ½ > Bubonic > B >
    Flower Sermon

    Encore: Sift

  • Adrianne Lenker Moves Hearts at Music Hall of Williamsburg

    Adrianne Lenker took to music from childhood, learning the craft of songwriting from her musician father and other teachers. Her path eventually led her to pull on the hearts of the audience at the Music Hall of Williamsburg on Febraury 14.” Mostly drawing from 2018’s abysskiss, Lenker brought her personal, imaginative and often complex world to life during her sold out performance.

    Adrianne Lenker

    Taking a break from leading Big Thief, Lenker opted for a smaller stage. Starting off with “Not,” a relatively new track debuted in France, she then followed with the rarely played “Spud Infinity.” The lyrical wit and sing-a-long pace of the song belied Adrianne’s heartfelt recurring theme of acceptance; to not be so harsh to exorcise the frightening unknown within us, and learn to embrace it as part of who we are.

    Lenker’s childhood is filled with material that she draws on for her songs. In multiple conversations with Pitchfork, she explains being raised in a religious cult in Indianapolis until she was four. She moved about 14 times before she was eight, bearing witness to her family’s fallout from religion and constant identity shifts. These years inspired a disposition to begin writing songs from different perspectives; a spectator looking from the outside, in.

     

     

    Lenker’s songs are examinations of identity, steeped in metaphors and themes of love, family, trauma, femininity and sex. Her words are descriptive and visceral, so delicately accented by her clear, expressive voice that they pierce straight through your core. Thematically, Lenker’s lyrics are reminiscent of artists like Laura Marling, showing a strength in moving through the pain.

    Playing “Pretty Things,” a song which Lenker describes as a mantra in a Stereogum interview, she struck a tone that was equally arresting and soothing. Singing about penetrating the facade of her lover’s toxic behavior and coaxing him into embracing the power of his feminine qualities, she repeated: Don’t take me for a fool, there’s a woman inside of me, there’s one inside of you, too.

    As the line lulled the men in the audience into embracing their Valentine’s dates a bit tighter, it was followed by a graphic representation of the power in feminine energy to wash away the sins of damaging masculinity: There is a meeting in my thighs where, in thunder and lightning, men are baptized in their anger and fighting their deceit and lies.

    Amongst the more raw, vulnerable songs, “Hours Were the Birds”, from the 2014 album of the same name, represented the romance of traveling with no destination. The song included hints of a poetic Springsteen-esque sehnsucht, a feeling of yearning for an idealised experience somewhere in the distance, reflecting on what you’ve gained and the traces of yourself you’ve left behind.

    Lenker’s sage storytelling was matched by her guitar skills. Her training at Berklee College of Music began when she filled a scholarship sponsored by Susan Tedeschi, and was accepted as one of only two women in the guitar program. Changing to an open tuning, she sang “Kerina,” filling the spaces between words with melodic guitar phrases which harmonized with her voice.

    Experimental indie folk artist Luke Temple opened the show, and joined Lenker on stage for a number of songs. The two explored various moods as Temple provided atmospheric accompaniment and effects from the mystical, peaceful declarations of love in “womb” to the darker and grungy “symbol.”

    Adrianne Lenker is a special kind of artist  who can make you feel just as exposed as she feels on stage, and yet help you find immense strength in that vulnerability. At only 27 years old, hers is a talent that’ll be heard for years to come.

    Visit Adrianne.

  • Photo Gallery: Umphrey’s McGee at Brooklyn Steel

    Umphrey’s McGee played the second night of a three night run at Brooklyn Steel Friday February, 15. The Jam Veterans moved in an out of their eclectic catalog with crowd favorite “Red Tape” and “Wife Soup.”  A highlight from the show was an amazing cover of the Little Feat classic, “Fat Man in The Bathtub” with a guest hot section of  Mike Maher (Snarky Puppy), Chris Ott & Dan White (Huntertones). Fans are looking forward to see what Umphrey’s brings for their final night of this Brooklyn Steel Run.

    umphrey's mcgee summer tour 2021

  • JÄH DIVISION releases “Isolation Dub”

    Brooklyn collective Jäh Division has released “Isolation Dub,” a reggae-experimental interpretation of rock band Joy Division’s track from their album Closer. Bred in the shadows of the Brooklyn Bridge, 21st Century  DIY musicians merge, including members of the pop group Animal Collective, experimental Brooklyn rockers Oneida and Awesome Color (Brooklyn).

    This psychedelic twist comes from Dub Will Tear Us Apart… Again, a deluxe edition remake of their 2004 debut. The bonus release includes the reggae-dub version of “Isolation Dub” from Joy Division classics. Dub Will Tear Us Apart… Again  proves the sparse musicianship Jäh Divisionparty of the once on-call-Brooklyn party-band has not only resurfaced, but also evolved to greater heights. Their sound stretches from the north-city to Manchester (UK) with Barry London’s Space Echo tape loop.

    The reissue is a deluxe version of the original release, the band’s sole output. Initially a 4-track EP, the record has been expanded to include a fifth Joy Division track (“Isolation”), two unreleased originals from a scrapped album and a bonus 7″ with previously unreleased covers of Desmond Dekker and Jackie Mittoo tracks from the original sessions.

    The reissue was recorded on a reel-to-reel tape in a single-day session at the Free 103point9 residential melting pot: a performance space, loft and micro FM radio station with windows overlooking the Williamsburg Bridge. What started as ‘a good smoke and a joke,’ said their original 12 Inch Recording label, quickly opened a wormhole of unreleased music, psychedelic lost-voyages and vintage instruments: including a Radio Shack purchased Moog, trash electronic drums and, of course, lots of delay and reverb.

    Jäh Division will be celebrating the release with a performance at the Secret Project Robot in Brooklyn, NY, on January 26.

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