The staff of NYS Music is always on the lookout for music by New York State-based bands. We are excited to introduce our new Spotify playlist which feature music from some of the state’s biggest artists, as well as many up-and-coming local acts that you should be listening to.
We are constantly adding to the Spotify playlist and are welcoming submissions via our Submission Form. We are only considering submissions made by, or for, NYS-based artists and musicians.
Rumors have now turned into answers with the official announcement for the 50th Anniversary of Woodstock. Questions have been answered as to when the show will take place and where, as we now patiently wait for next month’s official lineup announcement when tickets for the event will also go on sale.
Woodstock 50 will take place on August 16-19, at the Watkins Glen International Speedway in Watkins Glen. The event will run the same weekend as the Bethel Woods Music and Culture Festival’s own Woodstock anniversary special. Original Woodstock co-founder Michael Lang stated that he is still working with organizers on capacity for the event which he expects in the six figure range.
Lang also stated that the three-day event will see “newer bands,” to honor the legacy of the festival by staging “celebrations of artists” who appeared at the original Woodstock event. In a recent interview with Rolling Stone, Lang stated: “Having contemporary artists interpret that music would be a really interesting and exciting idea. We’re also looking for unique collaborations, maybe some reunions and a lot of new and up-and-coming talent.”
For the past several weeks, music enthusiast have been checking the internet everyday waiting for an official announcement ever since original Woodstock co-founder, Michael Lang, told the Poughkeepsie Journal that plans for the anniversary show was in the works but not a done deal.
Lang’s event will also feature programs, speakers and partnerships like Headcount. He said: “We want this to be more than just coming to a concert, and hopefully a lot of the bands will become part of this effort to get people to stand up and make themselves heard, to get and out vote. And if they don’t have a candidate that represents their feelings, to find one — or to run themselves.”
With Live Nation backing the Bethel Woods event the same weekend, and with Lang’s statement about “newer bands,” both lineups should look completely different. There is a 90-mile radius clause for artists when performing shows within a certain time frame. It’s highly unlikely that Live Nation will allow artists appearing at the Bethel event to appear at the Watkins Glen event. Having the same artists at the same shows on the same weekend could also hurt ticket sales for both events.
SWMRS, California based punk-rock band has announced a nationwide headlining tour with support from The Regrettes and Beach Goons, including two stops in New York State.
SWMRS draw on influences ranging from The Ramones to The Beach Boys and have created their own brand of punk/surf-rock. The North American leg of the The “Berkley’s On Fire Tour” commences March 28 in San Diego, and will comprise of stops in Dallas, Las Vegas, Washington, Boston, Chicago, and many more. The two New York stops include April 11 at Brooklyn Steel in Brooklyn and April 13 at The Westcott Theater in Syracuse. Previous to the North American tour, SWMRS will be touring in Europe and the United Kingdom.
Tickets go on sale this Friday, Jan. 11. SWMRS’ new album, Berkley’s On Fire is available for pre-order now. Fans that purchase a pre-order will get access to a ticketing pre-sale starting Tuesday, Jan. 8. Full album and tour info can be found here.
This year’s festival features a wide array of styles, ranging from the traditional Bonnaroo fare to pop and hip hop artists.
The 18th annual event kicks off June 13 with the Grand Ole Opry, which features Saba, Space Jesus, All Them Witches, The Nude Party, and Rolling Blackouts Coastal Fever. The festival ends June 16 with Carlile, Cardi B, the Lumineers and Phish performing two sets.
Tickets will be released at noon Central Time on Thursday, Jan. 10 through the Bonnaroo website. In addition to four-day general admission, VIP and Platinum level tickets, Bonnaroo now offers a layaway plan for those wishing to purchase general admission tickets, with plans starting at $47.
The Governors Ball Music Festival will hold its 9th event over May 31-June 2, taking place at Randall’s Island Park in New York City. The impressive line up includes Tyler, the Creator, Florence + the Machine, Kacey Musgraves, Charlie XCX, Lil Wayne, The Strokes, Lily Allen, The 1975 and many more.
Starting today you can visit the Governors Ball Music Festival webpage to get special “Announce Day” priced tickets for the event that ends at 11:59 p.m. as well as the full line up for the event. Regular pricing begins at midnight on Jan. 8.
The Governors Ball is a New York grown and cultivated festival that has proven to be one of the country’s most successful festivals in its previous eight years of existence. The festival prides itself on community engagement, working with and donating to numerous non-profits and community groups each year.
We’re all lucky it’s been a pretty mild winter so far this season. Even so, Cousin Earth invited some friends to the Knitting Factory on January 5 for their annual Wintercourse celebration and they brought the heat.
Brooklyn-based outfit Bushicks started the night off strong with their original spread of rock and roll, staying true to the classic genre. Chunky guitar riffs, no-nonsense lyrics, and a hard-hitting rhythm section of John Adamski on drums and Jessica Bogwicz on bass really drive this three-piece. Front-man Jonny Patrizio shredded his way through the ten-song set featuring mostly originals, a song debut, and some special guests. Saxophone player Dan Visintainer lent his horn skills all throughout mid-set on “BioFunk,” “No Goal,” and an ode to the Bushicks music influence in “Rock Rollin’.”
Former Bushicks vocalist David Schnurman aka “David The Goliath” then took the spotlight behind the mic in his first hometown performance back with them for “No Buts About It.” In a triple threat to close out the set, the trio blasted through their very first single “Truffle Shuffle” before debuting a flawless take on the Rush classic “YYZ.” Finally, Joey Calfa of Cousin Earth appeared on stage while SUNY Oneonta professor Mark Pawkett was brought up for a blazing rendition of Frank Zappa’s “Black Napkin.” As the leader of the SUCO (State University College at Oneonta) Frank Zappa ensemble, Pawkett served as a mentor to Patrizio, Calfa and Nate Searing of Cousin Earth, all of whom were enrolled in the Zappa cover band Mothers of Intention. It was an emotional throwback, solidifying Pawkett’s success as a teacher.
Set break music was provided live in the form of a Teddy Midnight DJ set provided by Teddy Midnight bassist Sean Silva, also a student of Mr. Pawkett. In previous years of Wintercourse there has been a comedian MC’ing between bands, but this year, Corey Feldman took the reigns and introduced each band by displaying hilarious photos of their members in front of the stage.
Next up was the incredibly high-energy Funky Dawgz Brass Band of Connecticut. As the rhythm section of tuba and drums laid down the first groove of the set in “I Like It,” the rest of the six-piece horns came out dancing which quickly spread throughout the willing audience. From the bands anthem “Dem Dawgz” to the party track “Beyond the Void,” the Funky Dawgz showcased their infectious mix of NOLA funk, R&B, and twists on classic pop hits. As the crowd inched closer to the stage, an all-out dance party broke out for Michael Jackson’s “Don’t Stop Til You Get Enough” before trumpet player Aaron Eaddy took a turn with vocals on the hip-hop track “Live Ya Life.”
Each member of the band was given time to shine as they traded solos throughout the hour long set, mixed vocal melodies with horn parts, and hyped up the crowd. Taking advantage of the welcoming listeners, saxophonist Tommy Weeks hopped off stage and weaved his way through the crowd during a peaking solo. The Funky Dawgz didn’t let up once, keeping the crowd moving and energy way up as they closed the set with “Love Don’t Cost A Thing.”
After a short break, the night’s hosts “Cousin Earth” quickly set up and opened their Wintercourse set with the Queen staple “Bohemian Rhapsody,” highlighting newest member Melissa Goscinski’s beautiful falsetto, much to the delight of everyone in the room. With their unique ukulele arrangements and stage antics, Cousin Earth provided a set full of surprises. “When The Dinosaurs Come Back From Outer Space” saw the appearance of a dancing dinosaur in the crowd before they launched everyone back into the stratosphere with the dance track “Super Fun Laser Beams.” The funky “Alive,” from the recently released album Human Music, paved the way for former vocalist Tara Lawton to come out and rejoin the group on Aretha Franklin’s “Rock Steady.”
The whole Cousin Earth family was in high spirits, joyously singing and dancing together before breaking out into an rocking “Outrage” by Soulive which saw Calfa trade his ukulele for an electric guitar. Continuing in their space-themed tradition, a new song was offered in “Please Don’t Kill Us,” a humorous plead to extraterrestrials to spare planet Earth. “Soft Shell Crab Nebula” took things up one last notch before The Beatles’ “Helter Skelter” ended the nearly 80-minute set and brought us all home.
Shortly after midnight, and with the crowd still eager for more, Bella’s Bartok gladly provided. Bassist Dan Niederhouser noted the Massachusetts band’s love of playing in New York City and it was obvious the feeling was mutual with the Brooklyn crowd. Kicking off with “The Strigoi Waltz,” the six-piece band of gypsy-rockers captivated the audience with their speakeasy attire and lively stage presence. It was a fitting set for the late night crowd as fans sang along and swung to “Frankenstein’s Monster” and “The Fiddler and The Devil” as if they were suddenly transported to a dance saloon, if there ever were such a thing.
Toward the middle of the set in “Satan’s Song” the band had already weaved their way through a genre bending selection of original material, commanding the music like a witchdoctor. Singer Asher Putnam hypnotized the venue during the circusy “Masquerade” and joyously lead the Beetlejuice-infused dance party on stage through “Creepster,” “Bones,” and “Zora.” With such unique theatrics and an array of influence, it’s difficult to describe Bella’s Bartok other than completely original. They have managed to take Eastern European folk sensibilities and mix them with Americana, pop, and punk traits, all while keeping the vibe fun and joyful.
The crowd was left fulfilled and spent as the 8th year of Wintercourse proved Cousin Earth knows how to throw a post-New Year’s party. Going on almost a decade for this event, one thing is certain: everyone loves having Wintercourse.
Princess Nokia released Metallic Butterfly on 14 Dec. 2018. The album travels through most of the musical spectrum from radio pop to modern trap with glimpses of Afro-Cuban and soul, tied together by obscure, but smooth sing along – friendly choruses.
It’s difficult to say whether the public should treat MetallicButterfly as a new body of work. Nokia created the album before 2014 and had distribution under Nokia’s original moniker, Wavy Spice — however, the work went largely unnoticed at the time and was pulled from shelves and the internet until now. The 2018 edition launched with redux packaging, promotion, and new tracks.
This project stays unique but maintains accessibility. “Earth is My Playground” and “Versace Hottie” are true to their bouncy titles, both carrying the feel of an electronic rave. The melody of “Hands Up” tributes Lana Del Ray’s sultry croon, and the boom-bap percussion on “Seraphims” is a cousin to J. Dilla’s frantic work with A Tribe Called Quest. Most songs find the perfect balance between vintage and modern with 808 sub hits weaved in and out.
The album slows down on “Young Girls,” a chillstep track where Nokia addresses modern issues relevant to #MeToo and #TimesUp movements, discussing her feelings about the entrusted responsibility of women to be the “patrons of the earth.” “They need their own respect,” she says.
The slow, but progressive side continues with “Biohazard Butterfly” which introduces further melodies and encourages her listener to not settle for a toxic relationship. “She don’t wear no chain, play no game, refuse to be a slave to a romance rage.”
Although albums are typically praised when they fit a continuous theme, it is the “all over the place” manic feel of this body of work that gives it such strength. Although it may have been recorded earlier in her career, this could certainly be Princess Nokia’s strongest album to date.
Metallic Butterfly is available on all major streaming platforms.
On December 30 at the brand new Sony Hall in Times Square, Ghost Light continued their New Years run with a sold out show, capping off an amazing 2018 for this brand new super group.
Consisting of Tom Hamilton, Holly Bowling, Raina Mullen, Steve Lyons, and Scotty Zwang, these amazing musicians have a clear ambition to take their original songs as far as possible in the realm of improvisation, with each musician bringing their own style to the table. With a brand new album out and a full year of shows and festivals under their belt, Ghost Light is in for a bigger 2019.
For the past four years Phish has ended the year with a run of shows at the historic Madison Square Garden, and from these shows an impressive lineup of late night collaborations has kept the masses entertained into the early hours of the next day. On December 29, saxophonic pioneer Skerik was joined by the talented Billy Martin of Medeski Martin Wood, Ghost Note’s MonoNeon and Wilcoâs Nels Cline at the brand new Times Square music venue Sony Hall.
A two hour-plus set of improv showcased these talented musicians and their unique styles. Nels Clineâs Guitar worked beautifully with the sounds of Skerikâs Electronic Sax, and bassist MonoNeon settled in nicely with the style of the great Billy Martin.
Vocalist Maynard James Keenan confirmed that Tool has tracked all the instruments and vocals, and their next album they promised for 2019 is in the mixing process. This is the long-awaited follow-up to 2006’s 10,000 Days.
Tool has announced tour dates. They are on the lineup for Welcome to Rockville, Epicenter Festival, and Chicago Open Air in May, then they head off to tour in Europe in June. Visit Tool for more info.
