It’s been about four months since local singer/songwriter and classically-trained pianist Katie Louise released her debut EP. Unleash, a seven-track collection of originals, was a labor of love — and an expression of pent-up baggage — that resulted in an album that somehow makes a piano fit in seamlessly with modern-day pop music. Since the release, a lot has happened for Louise, including gigs, wedding planning and buying a new house.
Kaitlin Lembo: It’s been four months since you released Unleash and we’ve seen you in several shows since then. How has life been since the release?
Katie Louise: To be honest, this year has been crazy. Right after I released the EP, I was hit with a lot of new milestones: wedding planning, my fiancé and I buying our new home, starting all the renovations. I definitely haven’t had time to market Unleash the way I wanted to, but I’m hoping after the wedding in September to make music videos for some of the songs.
Kaitlin Lembo: What made you decide to release merch with the EP?
Katie Louise: I’ve always had merch, but I believe in ‘new EP, new merch.’ It’s a complement to the EP and it’s also a fun creative outlet. This merch has done better than ever; stock is moving quickly and we’ve gotten so much love! It’s been a slam dunk.
Kaitlin Lembo: How was the response to your EP?
Katie Louise: People seem to really enjoy it. Again, I haven’t had time to market much, so I know it could be much better. We had originally sat aside a bit of money for marketing and we just haven’t had time to touch it yet; we are hoping to dip into it after the wedding and do some serious marketing. But those who have heard it seem to give overall very positive feedback. It’s an amazing feeling to have people love what you write!
Kaitlin Lembo: Do you think you’ll be releasing another EP in the near future?
Katie Louise: Ideally, I’d like to release something new every two years. It seems like a nice time period for something to do well, while not becoming boring or overplayed. I have been working on some new stuff but it’s taken a backseat to the things happening in my personal life. But I would love to release something else at some point.
Kaitlin Lembo: You played with Skeeter Creek and now you’ve performed with SIRSY just this past Sunday. What has it been like to perform with two staple upstate acts?
Katie Louise: It’s absolutely exciting. When I first started, I was booking a few gigs here and there. My fiancé helps me book gigs now and since he’s taken over, he’s everywhere and booking me with some really incredible people. I loved performing at Wicked because it’s a whole different world musically from Trick Shot, even though it’s in the same place. I used to perform here when I started gigging, and to come back full circle and perform with SIRSY and see where I’ve come from is so motivating and inspiring.
This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
Blacktop Mojo will be bringing their Can’t Sleep 2019 Tour to The Chance in Poughkeepsie, NY on Wednesday, August 7. Athens, Gerogia’s hard-rock grunge band, Lullwater, will be providing support.
Blacktop Mojo is touring in support of their upcoming record, Under the Sun, which comes out this September. The album follows, Burn the Ships which featured the singles “Where the Wind Blows” and their cover of Aerosmith’s “Dream On.” Under the Sun is available now for preorder at all download platforms. Anyone preordering Under the Sun will receive the first single “Can’t Sleep” as an instant gratuity track.
Lullwater is touring with their critically acclaimed new album Voodoo, which is available now.
As previously announced, Blacktop Mojo will be doing extensive touring throughout 2019 and 2020 in support of the record. Tickets for the first leg of touring are currently on sale and can be .
Perhaps musical talent can be inherited. At least, that seems to be the case with David and Sophie Buskin, who will be performing as part of Caffè Lena’s Pride Series on Thursday, August 1, as Buskin & Buskin. David, known for his background in folk-rock, is part of the duo Buskin & Batteau, and the band Modern Man, which he refers to as a “geezer trio.” He is a talented songwriter and has written for artists such as Judy Collins, Arlo Guthrie and Roberta Flack.
Sophie is a bit more rock and roll. Her stylings influenced by alt-rock, albeit she has been a part of the NYC folk scene for many years now. While attending college at Berklee, she was part of their Gospel Choir. Her first album, Sweet Creature, was released last year. She has been slowly evolving as a musician in her journey of self-discovery, and has performed with Jewel, Alana Davis, Mason Jennings and Judy Collins.
This multi-generational act brings a certain playfulness to the stage that comes along with knowing one another for such a long period of time. David’s pride in his daughter and her maturation into the musical performer she is today is apparent in their interactions, and is a pleasure to witness.
The opener that evening will be local Schenectady County Community College barbershop quartet, Out of Time. Tickets can be purchased here.
On a beautiful sunny day in the rolling hills of Central New York, Toronto based Phish tribute band, The Lizards, played a fun filled set at Good Nature Farm Brewery in Hamilton, on Sunday, July 21. Many families came early to tour the brewery, sample delicious craft beer and snack on the farm’s menu. The Lizards delved deep into their playbook and gave an exciting, fun performance on many of Phish’s greatest hits and deep cuts.
Photo: Allen Landesman
The opening band, Peak, led off the show with a super funky set. Despite not having their bass player, due to a family emergency, they jammed on with funky grooves. Peak riffed off each other and were the perfect opening act to set a great evening up. Johny Young (keys) said, ‘It’s great to get up to the country out of Brooklyn. And we got to test out a few songs from our new album droppin in Spring of 2020!’
Photo: Allen Landesman
With the heat reaching nearly 93F, it was a scorcher. The Lizards played a hot set and the many in attendance left the shade of picnic tables and umbrellas to dance at this wonderful amphitheater. Rich Grossman (guitar) said, ‘We’ve never played here before so we didn’t know what we were getting into. We love this stage, this atmosphere and the venue has treated us so well.’ The crowd seemed very pleased as well, at this family friendly space while dancing and singing along with the beautiful sunset views over Good Nature Farm Brewery.
Every music loving Suffolk resident knows that the Great South Bay Music Festival is our time to shine each summer. We don’t get to host the Governors Ball, the closest Warped Tour ever got was Jones Beach and calling Nassau Coliseum convenient to get to, when you live in Wading River, is pretty much bologna. But if one thing is clear, it’s that our fine state of New York is a divinely fertile nesting ground for music and arts of all sorts. When you live in eastern Suffolk, traveling “up the island” is always a necessary headache in order to reach said fertile nesting ground.
2019 Music Festival Pamphlet
But then there was Jim Faith – who created the heart of the Great South Bay Music Festival nestled down on the bay in Patchogue, NY. And don’t be fooled superstitious concert goers, for this festival now in its 13th year, was absolutely the most dynamic yet – (however please note, there will be “No Frisbee throwing in front of the Main Stage area” says the festival’s website).
Each night hosted a specific genre that allowed the festival to uphold its tradition of eclectic sound. From our hometown heroes Taking Back Sunday, to rock/reggae sweethearts Slightly Stoopid, festival heavy hitters Lotus and certified musical legends America – it is safe to say this diverse festival had something for pretty much everyone.
For those looking to dive into our local music scene, this place was abuzz from the moment the music kicked off. On multiple smaller stages scattered throughout the grounds, all four days had some super compelling lesser known artists that deserve their slot on your Spotify playlist.
Festival goers enjoy the performances at Great South Bay 2019
As opening day got underway, Thursday saw a lazy stream of fest-goers making their way into the venue due to earlier wet conditions. Ultimately though to the joy of the attendees, the sky cleared up for the night other than a few stubborn clouds.
Whatever We Are made their Great South Bay debut performing many great originals and having tremendous chemistry the main stage, performing through strong winds and grey skies. Ex-My Chemical Romance backup guitarist, Frank Iero, performed a great setlist with his band, Future Violents. They set the energy level high and helped the crowd ignore the weather and wind that took out one of the ‘Great South Bay banners’ on the Coors Light Stage. Long time fans were ecstatic to see Glassjaw, local post-hardcore band from Hempstead. Their loyal following did them proud, showing allegiance to songs well over a decade old. Not performing often these days, The Great South Bay Music Festival couldn’t have been happier to host this performance for a crowd that welcomed them back to the stage. Lead singer Daryl Palumbo and crew rocked onlookers for an hour with a hard and heavy performance.
Gabrielle Ross – Whatever We Are
Frank Iero and the Future Violents
Daryl Palumbo of Glassjaw
When Long Island favorites Taking Back Sunday came out, they were greeted by a cheer that only your home state could conjure. Over the course of their hour and fifteen-minute slot singer, Adam Lazzara (ham that he is) swung his mic and inserted the band’s personal anecdotes between songs. Essentially their entire performance was a hybrid of mosh-pit and sing-along. It was clear that their fans hadn’t forgotten, even the most obscure lyrics from their beloved album, Tell All Your Friends, which celebrates its 20th anniversary this year. There’s something really special about local acts playing to the fans who lifted them up to the level of success they enjoy today, and Taking Back Sunday’s performance was no exception.
Taking Back Sunday performs a thunderous setlist and keeps the rain away!
FRIDAY:
As Friday commenced the crowd embraced the beginning of the weekend’s forecasted heat wave, which brought temperatures up into the 90’s. But to the surprise of many, at the gate of the festival each person was offered complementary water courtesy of Long Island Cares. This seemingly small gesture really highlighted the overall neighborhood feel the gathering aims for.
Although the weather was hot, with free water in hand, the crowd entered psyched and ready to celebrate a summer night with insane music. The mood of the crowd went perfectly with the day’s theme which is traditionally reggae/hip-hop fusion. Over at the main stage, local reggae darlings Oogee Wawa were busy captivating an audience that proved they were ready to party. With a tour schedule that boasts playing 200 gigs a year since 2013, these fellas know how to hype a crowd. Their infectious energy was the absolute perfect kickoff to the night.
Oogee Wawa delivers a joyful and amazing performance sharing love for their fans
Meanwhile over at the Clamshell Bandshell, standout independent act and hip-hop artist Dudley Music took the stage. Right away the lyricism was impressive – his thoughts were clear, meaningful and well delivered. Accompanied by a full band including guitar, drums and bass – Dudley’s musicianship blew onlookers away as he switched between multiple instruments, including keyboard and saxophone. His musical arrangements were creative, cohesive and well thought out. The deeper into his set, the larger the crowd got, until there were a couple hundred people grooving and hollering for more. Ending his set, he weaved “This is How We Do It” by Montell Jordan into his own original track and captured the audience by engaging them in a sing-along that left more than a few wanting more. Dudley, without question, won over some new fans and exposed the crowd to a style they may not have experienced before.
Dudley Music plays for their fans at Clamshell band
Once it was time for Sublime with Rome, the steadily increasing crowd began to squeeze up towards the stage. That night old school Sublime fans were out! As the words “she was living in a single room with three other individuals…” played (a classic Sublime soundbite taken from the film Beyond the Valley of the Dolls), the crowd suddenly erupted with cheers. This tune, considered a cornerstone Sublime song by fans, was played along with an impressive set of tracks from back when the band still had original lead singer Bradley Nowell. For the most part they played throwback Sublime songs, only peppering in their newer additions here and there. The crowd showed Eric Wilson, the only original Sublime member left, showed massive amount of love as he was exiting the stage.
By the time Slightly Stoopid’s set was up, a overwhelming crowd had amassed. Their passionate fans went out of their minds as the members wandered to their places, thick clouds of synthetic smoke drifted in the background. Opening with the dynamic instrumental, “Dabbington,” their horn section of trombone and saxophone immediately made waves. Per usual, throughout the performance lead vocals were shared by frontmen Miles Doughty and Kyle McDonald, who also crisscrossed back and forth between bass and guitar. While playing some of their super early surf-punk songs in order to let fans “get the wiggles out,” a proud mosh-pit formed in the center of the crowd to the mild chagrin of security. The band fed so well off of everyone’s energy during the entirety of the performance, Slightly Stoopid made it very clear that they appreciated the love New York had to show these Cali natives.
Sublime with Rome
Slightly Stoopid
SATURDAY:
As the years float by, Great South Bay Music Festival has grown and morphed into the success it is today. One of the evolutions being the additional stages that are scattered throughout the grounds. Having these outlets are fantastic as it allows the festival to veer off theme each night, giving even more artists the opportunity to showcase their talents.
This year’s newest addition was the Busker Stage, bringing the festival grand total of four. As fest-goers leisurely strolled the area leafing through the vendor’s offerings, Andrew Fortier and Tricycle began to croon. They had a pragmatic, salt of the earth feel accompanied by a rich three part harmony that was nothing short of angelic. They were the nights best kept secret.
Andrew Fortier and Tricycle
As the sun began to set, Spafford kicked off the jam band lineup over on the main stage. This group of musically talented men captivated the eager crowd and compelled their spirits to let loose, dance and enjoy. Even through the stifling heat – hands waved, feet were moving and by-george you better believe the hula hoops came out. The band’s sound had a lighthearted airiness about it that easily carried you right through their lengthy improvisations. It felt appropriate that a gorgeous breeze off the bay began sweeping over the crowd as their set concluded.
Next up was Dweezil Zappa, opening his set with a heavy and energetic tune. If the jam band night is nothing else, it is certainly relentlessly energetic. Zappa relinquished vocal responsibilities to multiple other band members as he jammed on lead guitar for the majority of the performance. Vocalist Cian Coey stood out as a powerhouse, ending their first number with a resounding high note, like it was straight off a Guns ‘N Roses track. The crowd went wild with appreciation. When Dweezil himself lent his vocal contributions, it was more like a spoken word piece being woven into music. His unique stylized delivery made the lyrics stand out, really giving the entire performance a commanding presence.
Darkness fell over the grounds as headliner, Lotus, made their way into the spotlight. As they began to play, glow sticks were abound with neon colors flying through the sky. The group’s offering were a bit hard to categorize. At first their dance friendly, funky 70’s vibe, created something that sounded like it should have been on the Superbad soundtrack. Blend that up with some kaleidoscopic synthesizer and then sprinkle in a diverse array of sound effects; that probably still wouldn’t fully describe the sound. At times it was difficult to even discern what instrument was creating each sound. It was truly a carnival for the ears – a colorful whirlwind of notes. Throughout this set of progressive jams the band had their dark and brooding moments; but each song ultimately concluded with a positive outburst of that dance friendly, funky sound.
Dweezil Zappa
Spafford
Lotus
SUNDAY:
As the music festival’s last day commenced it seemed somewhat appropriate that it also turned out to be the hottest day yet. As the flock of music fans sizzled on the grass everyone there brought their best spirits to finish out the weekend on a high note.
The Clamshell Bandshell got down to business right away with The End of America, a band from Philadelphia, PA, that brought some tight three-part-harmonies to the joys of a growing crowd. The outfit easily coaxed every passersby into listening, as it just felt natural to wander towards their sound. The vocalists (playing an acoustic and electric guitar and banjo respectively) gave a soulful, meaningful delivery of lyrics. They came across as a band that really had something to say, important messengers during times of trouble.
Over on the main stage Edgar Winter emerged as the sun still blazed in the sky. He began by playing “Free Ride,” which got people immediately invested in the classic tune. He also engaged the crowd by narrating small stories between each song that gave the entire performance a personal touch. One particular song, “Tobacco Road,” ended up turning into a 15-minute long anthem. Several minutes in he broke off into a call and response with his guitarist – Edgar creating the vocals followed by guitar mimicking his notes. This then flowed into an epic interlude of crazy improvised scatting which morphed into several instrumental covers of famous rock melodies such as Led Zeppelin’s “Kashmir.” Towards the end of the set Edgar took a moment to make a heartfelt shoutout to his brother Johnny Winter who passed away back in 2014. The crowd paid homage to his brother’s memory with a barrage of claps and screams.
The music group WAR notably featured sweet soulful harmonica licks from the very first song. Some rich vocal harmonies over a funky beat accompanied by of course (as this became the brass hero of the festival) the saxophone. WAR played the opening notes of popular track “Spill The Wine” to the crowd’s delight. Everyone really came together enjoying the music that was so happy and energetic, it was like a Sunday night family party. Then drummer, Salvador Rodriguez, sang a version of their ballad “So.” Belting notes with the vocal clarity found in pop stars, Rodriguez left the crowd seriously spellbound. Finishing off with the classic “Why Cant We Be Friends,” Lonnie Jordan and his crew delivered a super high energy finale – everyone in attendance could tell the band was having the time of their lives.
Lonnie Jordan, 71, has been last standing original member of WAR for over 20 year.
The very last of the entire four day bonanza was America. They have officially been performing together for 50 years and they certainly took the stage with the poise and showmanship of those who have been in the game. Throughout their performance there were multiple guitar rips that made them worthy of the label “classic rock.” Mid-set they put their own spin on Beatles song (which is always a crowd pleaser) Eleanor Rigby. As their set was winding down, America continued playing as a lightning storm rolled in over the bay. They continued on for as long as they possibly could, but were ultimately forced to cut their last songs short for everyone’s safety. They never got to play Horse With No Name, their extremely popular and arguably most well known song.
Edgar Winter
Lonnie Jordan
America
All in all the feel of this year’s gathering captured exactly what Jim Faith had initially set out to do, bring our local neighborhoods together in peace and music. It felt much like a big block party or backyard barbecue. It was commonplace as a passerby to see people running into friends and exchanging excited hugs. There were giggling kids running around and groups of people hanging back in lawn chairs enjoying cold beers and each other’s company. The festival can be pretty much exactly what you decide to make of it. So whether it’s a relaxed chill session or an energetic experience at the front of the stage, The Great South Bay Music Festival has got you completely covered!
In a last-ditch effort to save the 50th-anniversary celebration of Woodstock, organizers are moving the concert to Merriweather Post Pavilion in Columbia, MD.
Bloomberg reported Thursday that the outdoor amphitheater will host “Woodstock 50 Washington” on the originally planned dates of Aug. 16-18. The venue is said to hold 32,000 people, a number far lower than the 150,000 promoters originally planned to host at the Watkins Glen site.
After having their permit pulled by Watkins Glen officials in early June, Woodstock organizers sought to move the concert some 150 miles northeast of the Glen to the Central New York town of Vernon.
After being rejected by Vernon four separate times, Michael Lang, and Greg Peck have landed in Columbia, MD, according to Bloomberg. Howard County executive, Calvin Ball is welcoming the festival with open arms:
“When we heard that there was an opportunity to save this festival and bring a piece of American history to our community this summer, we jumped at the chance. Merriweather Post Pavilion in Columbia is a jewel of Howard County and one of the top music venues in the nation. It felt like such a natural fit to host a historic festival on our storied stage.”
The new venue brings with it a new mission. It is now being pitched as a benefit for climate change and the voter registration organization HeadCount. Portions of the proposed $129-$595 one-day passes would go towards these non-profits.
The wrench in the works is whether the acts originally slated to appear will be on board with the venue change. Variety reports that artists, who have already been paid in full, are simply waiting for the event to be canceled altogether.
The clock is ticking to get this thing off the ground. With three weeks until the event is scheduled to take place, ticket sales still need to be announced. Stay tuned.
With the motto 3 days, 2 stages, 1 love, no worries, Mazzstock Music Festival is something special. With a long history ranging back for over a decade, people are taking notice of the intimate and affordable festival located within the picturesque, bucolic Hudson Valley Region at Mazzstock Fieldin Marlboro, NY. Conveniently 1.5 hours from New York City, 2 hours from Hartford, 3 hours from Philadelphia and 4 hours from Boston, Mazzstock is celebrating its 12th year (5th year as a 3 day fest) and drawing crowds with another very strong lineup.
Co-Founder “Big Lee” Mazzola, co-producer Vinny Pomarico and their team, have always been known for providing a superior music experience, but this year’s Mazzstock offers an impressive assortment of quickly ascending artists. Festival favorite and Mazzstock veteran, Zach Deputy, returns as a headliner, while Flux Capacitor, Dark Side of the Hudson, Gratefully Yours, Escaper, Cousin Earth and Cosmal are just a few offerings on the festival’s varied lineup – which also features a number of stylized and talented DJs for late-night silent disco.
The most incredible thing about Mazzstock is that the 3-day pass is very reasonably priced – hands down the most affordable festival you’ll find all summer – ensuring one gets a lot of bang for the buck. Three-day passes for Mazzstock Music Festival are available here. The festival is two weeks away, from August 9 to 11, so one should start making their plans now – this is a festival that should not be missed.
Check out our list of five acts you’ll definitely want to catch this year below!
Zach Deputy
This jovial master looper returns as the headliner with his patented potent musings
Hayley Jane and the Primates
The beautiful and talented Hayley Jane and her band return to share infectious tunes in one of their last shows ever
Cousin Earth
This Brooklyn-based outfit, heavily influenced by the ukulele, offers an energetic and unique bevy of jams.
Cosmal
This eclectic duo consistently delivers translucent melodies and contagious grooves.
DJ Joey Hernandez
The innovative and energetic DJ will be dropping those deep funky house music beats for your dancing feet.
Fresh off the heels of another successful Camp Bisco comes the debut release from SPAGA, a new and exciting Philadelphia-based jazz trio that blends intricate soundscapes and piano-driven melodies with a sturdy rhythm section that’s more than open to improvisation. This new project is the brain child of Disco Biscuits keyboardist Aron Magner, whose delicate piano play fuels the self-titled release. Jason Fraticelli (upright bass) and Matt Scarano (drums) round out this latest addition to the burgeoning Philadelphia music scene, who recently performed at Xerox Rochester International Jazz Fest.
Those expecting to hear songs similar in intensity and fashion to what the Disco Biscuits live catalog provides should look elsewhere, although there is a track (“Resurrection”) that fans will certainly recognize here. Instead, SPAGA offers a more relaxed and intimate musical environment that’s both technically proficient yet still malleable enough to explore new boundaries. The interplay between these three masters of their respective crafts on this record helps create moods that can range from brooding to blissful, sometimes within the same track. With seemingly only minimal post-production effects mixed in, this “mostly acoustic” album instead pays more attention to the organic nature and simplicity of a three-piece band that’s still able to produce a powerful and engaging sound.
A mix of styles begins the album as tenacious drum work and a foreboding bass line are joined by some ethereal piano-driven melodies, a practice common throughout. By the end, the opening track “Creed” develops a light and pleasant tone before slinking away with the return of the darker opening theme. “Marionette in the Snow,” which follows, may be the most enjoyable listen on SPAGA as it takes the listener on a true journey lasting near nine minutes. A joyous main theme gives way to some crispy drum and bass work, giving Fraticelli and Scarano a chance to take the reigns for a little and show off their chops. “Four Angels” produces an ambient and almost spooky soundscape at its outset before a comfortable groove is established, accentuated by more Magner-crafted melodies on the grand piano. And fans will surely recognize “Resurrection,” an instrumental take on the Disco Biscuits song that flows back and forth between two main thematic tempos, serving as almost a nod to the original and recently re-worked styles in which the song is played live.
The album may only have six tracks, but each is a unique and easy listen that touches on distinctive elements of jazz, rock and improv that certainly lends itself to a world of possibilities in a live setting. For now, the album, which will be released on Magner’s own label AM Records on July 26, will have to suffice. But the band does have tour dates planned for later this summer as seen below, including a date at New York City’s (Le) Poisson Rouge, serving as the next stage of this musical exploration that’s off to a very promising start. For more information and to purchase tickets for upcoming shows, visit the SPAGA official website.
Tour Dates
August 6 – Fort Collins, CO – Washington’s
August 7 – Denver, CO – Ophelia’s Electric Soapbox
August 8 – Steamboat Springs, CO – Old Town Pub
August 10 – Telluride, CO – Telluride Jazz Festival
August 10 – Telluride, CO – Sheridan Opera House
August 11 – Crested Butte, CO – Center for the Arts
September 6 – Ardmore, PA – The Ardmore Music Hall
September 7 – New York, NY – (Le) Poisson Rouge
September 21 – Slippery Rock, PA – Resonance Festival
Brooklyn’s indie rock duo, The Reflections, have released a video for “Union Sq.” today, Thursday, July 25. It is set in and around Manhattan’s Union Square Park, which serves as both inspiration and namesake of the song. The video stars dancer/actress Sabrina Karlin and band member Dan McGuigan. Dan’s twin brother and band mate, Tim, served as lead-director and editor, with co-direction and filming by cinematographer Dariell Pujols.
“This song has always been extremely visual for us, and we feel this music video completes the song’s full artistic expression. The choreography highlights the push-pull tension of a particular relationship, which builds until it reaches a ‘breaking point’ â the separation and climax of the song which occurs at Union Square. A relationship where there is a deep affection, but that you know is not meant to be; and sometimes the hardest thing to do is walk away.” – Tim McGuigan
This song is one of a pair on their recent EP, Two Songs. Follow The Reflections on Facebook,Twitter, and Instagram for updates.
For Phish fans looking to fill their plate with even more tasty jams this summer, this Friday, July 26 in New York City, CEG and PhanArt have teamed up for a Booze Cruise featuring Uncle Ebenezer, as well as Phish fan-artists and vendors Dave Russo, SetListTees and Outcasty Designs.
Tickets are $30 in advance and $35 DOS, age 21 and up, and can be purchased here. Boarding begins 6:30PM om Friday, with The Lucille departing at 7PM sharp. The cruise leaves from Skyport Marina, located at East 23rd Street & FDR Drive (East side of Manhattan). There are cash bars on board the boat, as well as food available for purchase.
Art by Dave Russo
PhanArt brings together artists from around the country for art shows during Phish tour, and this boat cruise is no exception. Featuring artist from the greater NYC metro region, fans will be able to pick up summer tour posters and shirts, clothing for kids, hats, koozies, stickers and a bunch of other surprises.
Design by Setlist Tees
Outcasty Designs features clothing for kids and flat brim hats, among other items; Setlist Tees features a wide array of shirt designs that commemorate some of the biggest Phish shows, including a number of Baker’s Dozen designs; and Dave Russo who will bring his cartoonish style with pieces of art including “Slave,” “Pageside,” “Crowd Control” and “Puppeteer.” Check out a few designs here and find more info on these artists and Uncle Ebenezer on PhanArt.net and get your tickets for this unique NYC cruise.
