Funk season arrives in Hudson this weekend in the form of a holiday funk tacular at Club Helsinki, and on Saturday, December 21 and Sunday, December 22, New York’s Holidelic – part dance party, part funk concert, part comedy show – and show off influences including P-Funk, Sly Stone, and other diverse funk and soul bands. This is a show for all races, creeds and lifestyle, and even for all ages with a little parental guidance.
Holidelic features original holiday songs as well as loose, funk-infused adaptations of Tchaikovsky, “Frosty the Snowman,” “Little Drummer Boy” and the like. With Holidelic, Everett “Papadelic” Bradley puts a fresh spin on holiday cheer, through lively holiday party tunes, outrageous costumes, and a theatrical stage show worthy of George Clinton’s P-Funk. There’ll be no “Silent Night” when he reinvigorates the season, prompting concertgoers to shake their holiday booties to Sly Stone-style funk ‘n’ roll. Ho-ho-ho.
This Saturday night, at the Capitol Theatre, bluegrass diehards and fans of live music, in general, will come together to celebrate a true musical luminary, the one and only Del McCoury. The Port Chester rock palace will host the Del McCoury Band for an eightieth birthday celebration that will feature special guests like David Grisman, The Infamous Stringdusters, Andy Falco, Leftover Salmon’s Vince Herman, and more.
A groundbreaking and genre-defining flatpicking guitar master with one of the most recognizable voices in the history of bluegrass, McCoury has done it all—left an impression on them all. From his many years fronting the Del McCoury Band, to his time sharing the stage with other bluegrass giants like Bill Monroe, John Hartford, and more, the Grammy-winning singer and songwriter has had quite the looming career. In our excitement for the show Saturday night, we’re revisiting some of our favorite live moments from the man’s career.
Del McCoury + Bill Monroe: Two Days At Newport
Bill and Monroe and Del McCoury are like the Socrates and Plato of American bluegrass history— teacher and pupil contemporaries and often compared masters of the craft. In the formative days of his career, McCoury came up as a member of Monroe’s band along with other giants like Bill Keith, Kenny Baker, and more. Two years before Newport Folk Festival exploded in infamy after Bob Dylan’s electric set, the group recorded this still-lauded live album.
Del McCoury + David Grisman: FreshGrass Festival 2017
It wouldn’t be a proper tribute to Del if legendary mandolinist David Grisman weren’t on the scene. For the past several years, Grisman and McCoury have toured regularly as Del and Dawg, presenting an intimate style, anecdote-rich, two-man show that is just so special. Watch the two put the charm on FreshGrass Festival back in 2017.
Del McCoury + Preservation Hall Jazz Band: The David Letterman Show
Back in 2011, The Del McCoury Band and Preservation Hall Jazz Band linked up to record an entire album together and perform a great cross country tour in support of the album. Legends of different styles of American roots music came together in a beautiful, and musically hot, way. Watch the two amazing bands light up Letterman in this awesome video here.
Del McCoury + Friends: Winterhawk AllStar Jam 1996
While Colorado has always had Telluride, New York has had Winterhawk, a historic weekend event started in 1984 that continues to run every year and that has seen performances from just about every bluegrass player ever. McCoury has graced Winterhawk, which is now known as Grey Fox, with his presence many times. Check out this clip from 1996 which has McCoury picking alongside titans like John Hartford and Vassar Clements, but also some younger talent like Jerry Douglas and members of the Del McCoury Band.
Del + Trey Anastasio Band: DelFest 2017
We don’t have to say much about this one—the smiles between Del and Phish frontman Trey Anastasio say it all. This fan-shot clip shows the pair at McCoury’s self-hosted event DelFest in 2017, and it’s actually not the first time by any stretch that these guitar gods have performed together.
Del McCoury Band: NPR Tiny Desk Performance
The appeal of NPR’s TinyDesk video series comes in showcasing historically influential and generally mega-popular artists in their intimate, academic-like setting, and it’s no wonder that the Del McCoury Band got their time to shine there last year. The band’s three-song set opens up with a great take on “That Ol’ Train.”
Del McCoury Band + Chris Thile: Live From Here
Another great honor awarded to McCoury and his band over the past year was to be featured as guest performers on Chris Thile’s “Live From Here” events. Now, if you know bluegrass, you definitely know Del. But if you know bluegrass you probably also know Chris Thile, arguably one of the most masterful mandolin players in the world currently. Listen to these guys rip up “Baltimore Johnny” at the one and only Ryman Auditorium from last April.
Del McCoury Band + Billy Strings: GreyFox Bluegrass Festival 2019
In 2019, Del McCoury sounds as fresh as ever, not only continuing to tour and write new music but making sure to pass the torch on to the next generation of greats. That’s right, it was only a matter of time before Del and the young gun Billy Strings found themselves on stage next to one another, which is a number of times by now. Del and Billy crooning together in this clip from Grey Fox this past summer is a thing of honorable beauty.
Yonder Mountain String Band announced a lineup change this week. Mandolinist Jacob Jolliff will be leaving the band at the end of this year. His final show will be Yonder Mountain’s New Year’s Eve show at the Wheeler Opera House in Aspen, CO. Nick Piccininni
In a statement, the band wrote, “As of January 1, 2020, we will be saying farewell to our brother and fellow musician, Jacob Jolliff. This comes to you as a deeply considered decision. We are grateful for the music, the memories and friendship we forged with Jake and are in full support of his future endeavors with The Jacob Jolliff Band. We hope to join forces with them down the road.“
Joining the fold is multi-instrumentalist Nick Piccininni, who will be joining the band as its new mandolinist. Piccininni, a Central New York native, has been a part of several projects, one of them is Floodwood, which includes mandolinist Jason Barady, who also performed with Piccininni in Woodenspoon, moe. drummer Vinnie Amico and guitarist Chris Eves. Al Schnier of moe. is a former member of Floodwood. Piccininni also performs as a duo with Barady and in a recent project, Follow the Muse.
Piccininni sat in with Yonder Mountain at a few shows this past year, paving the way for his joining the veteran string band. When reached for comment, he told NYS Music that the foundation of this new opportunity has its roots in the Summer Camp Festival, an annual event jointly hosted by moe. and Umphrey’s McGee in Chillicothe, IL each May.
We used to run into the fiddle player, Allie Kral, at Summer Camp in Illinois when we would go out there with Floodwood. She made the suggestion to try me for the few shows I filled in this summer. I guess it went well enough that they felt comfortable with asking me along with this change! I felt really comfortable with everyone in the band and crew. My first show is in Park City, UT on Jan. 6. I’ve never been to Utah so that’s cool.
Piccininni has every intention of making this a permanent gig while still hoping to maintain time for his other projects.
“I will say that on both sides, I think the idea is to get into this winter tour to make sure the fit is right. But they have expressed that their first choice would be to just move forward with me as their new mandolinist. Piccininni continues, “Barring any personality conflicts, which I don’t think any of us really see being an issue if this becomes my main gig it will be tough to maintain everything I already had going. But I do intend to do my best to keep up with it all. Yonder doesn’t play a super intense schedule, so that does leave room for other projects, which is awesome.”
Piccininni’s next performance is with the Amico-Barady Quintet, moe. drummer Vinnie Amico’s annual jazz show at Tiny’s Grill in Utica on Dec. 29.
The Great American Irish Festival has announced that it will be relocating and has changed the dates for next year’s festival. The festival has traditionally been held on the last weekend in July at the Herkimer County Fairgrounds in Frankfort. After 16 years in Frankfort, the festival will make its new home at the new Irish Cultural Center in the Brewery District of Utica on the weekend of Sept. 18-20.
The festival’s original intent was to raise funds to establish a state of the art cultural center highlighting the rich Irish heritage in the Mohawk Valley. With the opening of the multi-use facility on Columbia Street in July of this year, that goal has been met and the decision was made to move the event from Frankfort to Utica as its permanent home.
The new 23,500 square foot venue boasts an event center, an authentic 19th-century Irish pub, Five Points Public House and a museum dedicated to Irish culture.
The move to the Brewery District means there will no longer be camping available to attendees nor will the popular Highland Games be held.
“We recognize the fact that a change of venue may present some short-term challenges and adjustments for our guests and volunteer staff,” organizers stated, “but we encourage your support and good-natured Irish spirit as we make this monumental transition.”
The festival has developed relationships with many of its new Varick Street neighbors, including the F.X. Matt Brewing Company, the Celtic Harp, Nail Creek Pub and Brewery and the Sanctuary, which will allow for more performance spaces.
This year’s festival was headlined by Enter the Haggis, We Banjo 3, The High Kings and the Young Dubliners. Further information on the 2020 festival will be released in the coming months.
We Banjo 3 spoke with NYS Music’s Kathy Stockbridge at the 2018 edition of the festival. View that interview below.
Along the banks of the Hudson River, new music is flourishing. New York towns like Beacon, Kingston and Woodstock are emerging as musical meccas. Last weekend, Nyack joined this burgeoning trend when it served as the location for Manic Kat Records’ 5th anniversary festival. This two-day event, held at Olive’s, served as an opportunity for Manic Kat to showcase their stable of artists. With a mantra of “Real Punk. Real Attitude,” the music ran the gamut from Metal to Ska, Pop Punk to Rock and Roll.
Cult Classic
The spectrum of talent possessed by the label was on full display over the two days. Local favorites Cult Classic and Philly’s A Likely Story joined Bay Area pop punkers Neverlyn and Central California’s For the Record as part of a 15-act smorgasbord of music. Keeping things running smoothly, Suicide Girl, Paijee Suicide, presided as host of the festival lending her charm to the merriment.
Neverlyn
Rockland County-based, location hasn’t limited Manic Kat’s reach when searching for talent to fit their brand. Having acts now hitting Billboard Magazine’s Hard Rock Album Sales and Heatseekers Album charts, be looking for bigger and better things to come from this Pomona, NY label as their roster grows. The tide on the Hudson may ebb and flow, but one constant is that Manic Kat Records is Real Punk, Real Attitude and Real Music.
Charley Orlando may be best known to the jamband world as the former frontman for psychedelic ’90s road dogs Dexter Grove, who toured incessantly for the better part of ten years. The Syracuse area knows Orlando as not just a musician but also one of the area’s biggest music ambassadors. This Sunday, Dec. 22 the Syracuse community will come together at the Westcott Theater with a full day of music to celebrate his contributions while also raising money for a recent emergency spinal fusion surgery Orlando had performed.
Photo: Ian LaRochelle
Tickets for the all-ages benefit are $20 and can be purchased online, at Sound Garden in Armory Square, Syracuse, or Funk ‘n Waffles on Clinton Street. Doors open at noon. Artists scheduled to perform include Sophistafunk, Root Shock, Pearly Baker’s Best, The Old Main, Chris Merkley, Chris Eves, Bea, and Joe Driscoll. See the schedule below.
Orlando’s recent projects include the Grateful Dead tribute band, Pearly Baker’s Best, who has a Monday residency at Funk ‘n Waffles. He also has done work as a solo artist and with his bands Ruha and the Charley Orlando Band. His work managing the Little Rock Music Group has helped bring many national, international and regional acts to Syracuse-area venues such as Funk ‘n Waffles, Ray Brothers BBQ, along with the Seedstock Festival in Cortland and the Middle Ages Brewing Company Brewfest in Syracuse. Little Rock Music Group also represents David Gans along with such up-and-comers as Root Shock, Big Sexy & the Scrambled Eggs, All Poets & Heroes, and Steven Cali.
All proceeds from the event will go towards Orlando’s medical bills. Those who cannot attend the show can contribute funds through Facebook here.
Adam and David Moss are identical twins. But don’t talk to them about that, they’ve heard all the twin jokes and comments and they’re sick of it. Though since they commented in jest about the Rochester weather, a subject us locals have heard every angle on, they’ll have to forgive us for dabbling in some twin talk here.
The brothers Moss make up the folk duo under the clever moniker The Brother Brothers. They were in town last week at the Arbor Loft as the latest artist brought in by Honest Folk. The two played a two-set, two-hour show that turned out to be both a night of folk songs and a bit of comedy too.
The show was filled with characters, like the “Ocean’s Daughter,” the “Notary Public,” “The Gambler,” “Mary Ann,” and “Frankie,” as well as places like their hometown “Cairo, IL,” “Colorado,” and Peter Rowan’s “Angel Island.” Person, place or thing, it all came to life through Adam and David’s impossibly perfect harmonies. It was almost as if they were harmonizing as one person, no studio trickery required. Add in some exquisite playing on guitar, fiddle and cello and The Brother Brothers present a uniquely tight nugget of acoustic music mastery. The setlist drew from their debut EP (2017’s Tugboats) and LP (2018’s Some People I Know), and also included a few brand new tunes that should see a release some time next year.
The inter-song banter was almost as entertaining as their playing and song craft. Playing off each other, and at times the crowd, some seemed more rehearsed while most were clearly off the cuff. Subjects ran the gamut from global warming, flat eartherism, the dearth of good Hanukah music, and running sound at concerts.
For the encore, the pair came back for their brotherly take on Dolly Parton’s “I Will Always Love You” that was the perfect capstone to a lovely evening.
Upon hearing the announcement of the next Honest Folk show, the brothers seemed outright jealous of Rochester’s opportunity to see JUNO award winner William Prince, a folk singer from Winnipeg. He’ll be taking the stage January 13 at Good Luck. Tickets are on sale now. Also just announced is the great Joe Pug who will be at Good Luck on February 17.
Home For the Holidays featured a stacked lineup of top-of-the-line musicians in the Dead community including Melvin Seals, Oteil Burbridge, Tom Hamilton, Duane Trucks, Jacklyn LaBranch, and Lady Chi.
They played Jerry Garcia Band staples like “Tore Up Over You,” “My Sisters and Brothers,” and “Reuben and Cherise.” The first set started with “How Sweet It Is” and also featured “Shakedown Street,” “Eyes Of the World,” and an electric “Dancing In the Streets.”
Hamilton and Oteil had great chemistry on stage, working off each other’s grooves. Tom was listing vigilantly to where Oteil was going but always checked in to see where Melvin was at. And when it was time to peak, Melvin was really letting it ring!
The second set opened up with “Stop That Train” followed by “Money Honey” and a crowd favorite, “Tore Up Over You.” “My Sisters and Brothers” was touching and full of soul, it is a song about peace and brotherhood after all. The set ended with “Reuben and Cherise” and they encored by getting the whole theatre to sing along to “Shining Star.”
The Bell House in Brooklyn will host Freaks Ball XX on Saturday, February 15. New York City’s Freaks, hosts and internet jam band group, have brought together another all star lineup of supergroups and rising stars in the New York City jam scene.
Artists include The Showdown Kids (Scott Metzger, Katie Jacoby, Simon Kafka), Garcia Peoples, The National Reserve, Karina Rykman/Adam November Duo, and headlining is the live debut of Hawaiii, a new group consisting of Joe Russo, John Shaw and Erik Deutsch. Throughout the night, a light show will be provided by Macrodose.
Proceeds from the event will go towards the Freaks Action Network, which harnesses the “strengths and love of music to make a positive difference in people’s lives.” Tickets for Freaks Ball XX are now on sale.
Per a report in the Wall Street Journal this past week, the U.S. Department of Justice is preparing to take legal action against Live Nation Entertainment. The allegations include the concert promoter seeking to strong-arm concert venues into using its dominant Ticketmaster subsidiary.
The department believes the concert promoter is in violation of the merger settlement Live Nation and Ticketmaster reached with the government in 2010. It was originally the DoJ antitrust unit that allowed the companies to merge, on the condition they abide by a range of conditions to keep ticket prices in check, including agreeing to be barred from retaliating against venue owners who use a competing ticket service.
The government plans to file a decree enforcement action, per a source. As ticket prices rise and the settlement is set to expire next year, the DoJ now plans to extend the restrictions by several years and prohibit coercive conduct by Live Nation, the report added.
When the two companies merged in 2010, Live Nation became an entertainment giant that does everything from managing musicians, operating venues, promoting concerts and selling tickets.
In a filing to the U.S. government, Live Nation said it had worked on 35,000 events with more than 4,500 artists in 2018. It also said that Live Nation owns, operates, has exclusive booking rights for or an equity interest in 237 venues, including the House of Blues.
