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  • ‘Long May They Run’ Podcast Chronicles the Phish Story

    Relix Editor-in-Chief Dean Budnick writes and hosts a new podcast, ‘Long May They Run’ from producer/director C13 Originals chronicling the impact of iconic touring bands on music culture, the industry, fans and more.

    The first season covers the career of Phish, its fans and the impact the band has had on music and arts over the past 30 years. The show is currently in its first season and is available on all podcasting platforms.

    Long May They Run

    Episodes are released each Wednesday. The first two installments take a look at the many Phish festivals and their impact on other festivals. Trey Anastasio and Page McConnell are interviewed, along with first Phish manager John Paluska and “first fan” Amy Skelton. Future episodes feature a discussion of the taping scene surrounding the band and an interview with NYS Music Editor-in-Chief and PhanArt owner Pete Mason, who discusses the community and the art scene that has developed around the band.

    Phans can tune in to “Long May They Run” on Apple Podcasts other podcasting platforms.

  • Sweet Megg & the Wayfarers to bring a modern twist on 1920s to Brooklyn’s Jalopy Theatre

    Sweet Megg & the Wayfarers have recently announced details about their album release party, set for October 19 at Jalopy Theatre in Brooklyn. With a jazzy style, Sweet Megg & the Wayfarers take audiences back to the 1920s, with a six-member band consisting of a wide range of instruments, including three types of saxophones, upright bass, guitar, drums, and lead vocals by Megg Farrell.

    Farrell describes the new album as a return to “earlier repertoire of the 1920’s and 30’s, but we’ve also been mixing that with some modern elements.” The lead guitarist adds sweet tones of a telecaster and pedals to the album, creating a sound similar to Les Paul. This new album also features some heart-felt original songs, written and performed by Megg. All members of the band have special arrangements in the album—creating a one-of-a-kind, old-fashioned jazz style with a touch of modern bluegrass and western swing. Listen to the band’s first album below.

    Guests of the October 19 show will get a sneak peak of the album debuting in December, which features an array of songs from nearly a century ago. Songs by Jellyroll Morton (“Why”), Billie Holiday (“I Cried For You”), Fats Waller (“Sweet & Slow) and Bessie Smith (“Devils Gonna Get You”) are performed by Megg and the Wayfarers, with their own personalized takes on the ageless tracks. Originals by Farrell are also found on the album (“Under the Moonlight” & “When the Moon Covers Up the Sun”), which drew their inspiration from the moon. The band’s trombone player, Sam Chess, was utilized heavily in these songs to create a youthful and swing-type style.

    Throw on your dancing shoes and join the band at the album release party on October 19th at Jalopy Theatre. Doors open at 8 PM and tickets are only $10! Click here for more info.

  • In Focus: Melvin Seals and JGB recruit John Kadlecik and George Porter for a night at Brooklyn Bowl

    Brooklyn Bowl was treated to a double bill on Friday, October 11 as George Porter Jr. and his trio opened for Melvin Seals and JGB featuring John Kadlecik. Along with Michael Lemmler on keyboards and Terrence Houston on drums, the ageless and eponymous GPJ’s bass and vocals led the way for a 75-minute opening set of NOLA funk.

    The Meter’s “Cissy Strut,” something of a New Orleans anthem, was an authentic offering with signature bass lines and what sounded like a beautiful jazz bar piano interlude thanks to Lemmler’s keyboards. Terrence Houston is an eye catching drummer, delicate when necessary but constantly energetic, somewhere at the nexus of jazz and funk. And for a band that improvises to the point of not even writing setlists, “They Love Each Other,” led by Porter’s bass solos and deep gravelly voice, was the perfect choice to get the crowd ready for Melvin, a perfect funk salad of Jerry tunes whetting our collective palate for the main course.

    John Kadlecik  Brooklyn Bowl
    Photo by Zach Belfer

    Taking the stage promptly at 9:30pm, Melvin Seals and JGB feat. John Kadlecik opened with a gorgeous “How Sweet It Is.” John-Paul McLean is a worthy bassist with the chops to take impressive solos and the rhythm section of he and Pete Lavezzoli that impressed all night. Vocalists Mary eL and Lady Chi lit up the stage and their playful back and forth with Melvin is fun to watch. But there’s a reason the big man on the keys and organ gets his name on the marquee, lighting up the Brooklyn Bowl with joy every time he took a solo on the Hammond B3. Largely due to the 18 years he spent playing with the Jerry Garcia Band, his playing just feels so familiar and authentic, bringing joy in spades, spread in a wide arc from the huge smile he always wears.

    A tasty “After Midnight” > “Eleanor Rigby” > “After Midnight” sandwich, made famous by the JGB release of the Kean College show from 2/28/80, highlighted why John Kadlecik’s name now shares said marquee with Melvin. To think that earlier in the night someone was overheard saying Kadlecik’s voice is okay but he can’t play guitar… “Wonderful World” ensued and the love fest was on, at least until “Get Out Of My Life Woman” conflicted the love story woven through the early part of the setlist. Melvin really shone on that one, not to be outdone by a gorgeous bass solo from McLean. “I’ll Take A Melody” again gave the spotlight back to Kadlecik before a rollicking “Cumberland Blues.” 

    John Kadlecik  Brooklyn Bowl
    Photo by Zach Belfer

    Melvin took lead vocals for the only time of the night on Bob Dylan’s “Knockin’ on Heaven’s Door” followed by “Lonesome and a Long Way From Home,” the second Eric Clapton song of the evening (if you count “After Midnight,” a song popularized by Clapton but written by JJ Cale). “Lucky Old Sun” provided a nice bathroom break, an idea apparently shared by most of the sold-out but comfortably crowded venue, and gave others a chance to relocate, particularly stage right to enjoy the show from right under Melvin’s Hammond and soak in his joy from up close. “Sisters and Brothers” dutifully brought the dance party back before the set closing sequence of “Help on the Way” > “Slipknot!” > “Terrapin Jam” > “Midnight Moonlight” which inspired some hair raising goosebumps and left the crowd feeling jubilant. 

    All these cats can really play. What a pleasure it was to join them and dance it up (16,854 steps) as they took JGB’s catalog out for a two-hour stroll through the Brooklyn Bowl.

    Setlist: How Sweet It Is, After Midnight, Wonderful World, Get Out Of My Life Woman, I’ll Take A Melody, Cumberland Blues, Knocking On Heaven’s Door, Lonesome And A Long Way From Home, That Lucky Old Sun, Sisters & Brothers, Help On The Way > Slipknot! >Terrapin Jam > Midnight Moonlight

  • Kero Kero Bonito Draw Battle Lines at Brooklyn Steel

    Sarah Perry of Kero Kero Bonito at Brooklyn Steel – Photo: Joseph Buscarello

    Fresh off their new EP, Civilisation I, London-based band Kero Kero Bonito brought their edgy electro-pop to Brooklyn Steel this past Thursday night. Negative Gemini opened the show, delivering a dance friendly set to a highly energetic crowd, eager to get the night started.

    Negative Gemini at Brooklyn Steel – Photo: Joseph Buscarello

    Originally a trio, Kero Kero Bonito have expanded their live band to include two more members; adding a whole new layer of noise and groove to their live sound. Sarah Perry fronts the band and continuously engages the crowd while adding quirky theatrical elements, like waving an oversized white flag during the opening song “Battle Lines.”

    Sarah Perry of Kero Kero Bonito at Brooklyn Steel – Photo: Joseph Buscarello

    New band members James Rowland and Jennifer Walton were on percussion and keyboard duties, and throughout the show they kept switching instruments for various solos and jams. They each brought their own style to the instruments and the band remained just as sharp regardless of who was playing what.

    Jennifer Walton of Kero Kero Bonito at Brooklyn Steel – Photo: Joseph Buscarello

    Kero Kero Bonito have a dedicated and highly engaged fanbase. The audience sung along to every track and did not let up the energy one bit. The lengthy 21 song main set never felt dull, even when Sarah announced a “break” to perform one of the groups slower songs. Break time quickly ended and the high energy performance continued. During the encore, there was an unlikely cover of U2’s “Vertigo,” which sent the crowd into a frenzy.

    Kero Kero Bonito at Brooklyn Steel – Photo: Joseph Buscarello

    A unique mix of punk and electro-pop with a traditional J-pop influence really set Kero Kero Bonito apart from other indie pop blends. They present a vibrant performance and their discography continues to evolve. The band continues on their North American tour through November.

  • Montbleau and Jane say Yes Darling and release “Call Your Mother” video

    Yes Darling, a collaboration between songwriters Ryan Montbleau and Hayley Jane, has been seen on festival stages across the Northeast for the past few years, and this week have released a video for “Call Your Mother.” The “lovable duo with one really great singer” uses tongue-in-cheek humor, vaudeville inspired stage banter and characters who lovingly fight throughout their songs and performances. When experienced live, the two effortlessly document a modernized, yet nostalgic, outlook on a (mostly) loving relationship.

    “To me, Yes Darling is Ryan and myself being honest, brutally honest,” shares Hayley Jane. “We’ve taken these parts of ourselves and amplified them into characters. It’s us, but we’ve removed a few filters and added adorable outfits. We tackle the highs, lows, and mundane of relationships. I think there’s a lot folks want to say to their partners, but they either don’t know how or are afraid. So we put it all on blast so we can look at it and laugh. I think laughing through darkness and difficulty is how a lot of us move on from it.”

    Yes Darling is a duo that I let Hayley Jane be in even though I carry all the weight and am clearly the main talent,” chimes in Ryan Montbleau, sarcastically. “No, honestly, Yes Darling is a duo and we play a couple and we fight in our songs. I think at our deepest, we explore male/female archetypes and dig at some truths about couple-hood in a way I’ve never seen any musical project do before.”

    The song “Call Your Mother” echoes a sentiment that will ring true with many listeners: “Call your mother, she’s getting worried she has not heard from you. Tell her you love her, just don’t tell her everything you do.” It proceeds to chronicle the antics of love, lust, promiscuity, and recreational alcohol and drug use, among other modern trials and tribulations we all face, packaged in such a way that almost anyone can sit back and laugh.

    Watch a full set of Yes Darling from Green River Fest in Greenfield, MA.
  • Guest Contributor Exclusive: Mike Powell and Chris Merkley Explore Abandon Brewing Co. in Penn Yan

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley are embarking on a four-show mini-tour of microbreweries across the state searching for the connection between songwriting and brewing. This stop brings us to Abandon Brewing Co. in Penn Yan.

    This is the second of a four-part NYS Music series contributed by Powell. The first installment of Powell’s tour diary can be found here.


    “I am my own captain

    On this ship I sail to sea”

    I don’t have a manager. I don’t have a booking agent. I don’t have a publicist. I’m completely independent in every way but I’m certainly not alone. There are thousands of artist just like me that are making lives in music while handling their own booking, designing their own show posters, running their websites, printing their own shirts and funding their own records. There’s a real freedom that lives inside this type of self-reliant approach to making art. It’s certainly a major challenge and it definitely forces you to become a Swiss army knife in many ways. But I love everything about it…well, everything except the booking component.

    I hate booking myself. It’s the absolute worst.  It’s an incredibly time-consuming process that just really frustrates the hell out of me. But worst of all is I just can not stand “selling” myself to venues. It goes against everything that my parents taught me about being humble.  Telling someone that you’re good is just about the most uncomfortable thing I’ve ever experienced in my life. 

    I have a public confession to make. When I first started booking tours for myself back in 2008 I created a separate Gmail account to send my press kit from because the whole self-promotion thing weirds me out so much. I even used a fake name, Theo. It seemed to work out okay and made me feel a little less guilty about self-promotion until I would be loading in for a show and the talent buyer would ask if Theo was going to be around. 

    “Theo”

    Through my years of traveling and having countless green room conversations with fellow artists, I was happy to find out that I’m certainly not the first or the last to try the old fake name trick. In fact, I’ve laughed with dozens of songwriters about the fake name that they used and some even continue to use. 

    Theo was getting gigs for me but it just didn’t feel right so I made a conscious decision to stop forcing it and just try to focus on playing rooms that feel right and fit my music. It was this simple decision that freed me up to focus more on what I needed to, writing better songs and honing my performance. Soon I realized that the opportunities started to reveal themselves. I started to find fun in the word of mouth search for venues around my region that are true gems. I realized quickly that you can Google search all you want but you won’t organically find the right rooms that way. 

    I began asking questions. I started to talk to music lovers about their favorite places to see live music. I would ask touring songwriters that I opened for where their favorite places to play were. This approach has worked out for me and taken the pressure off of the awkward cold email approach. 

    Three years ago I started to notice a tall shadowy figure in a trench coat, cowboy boots and a ponytail was attending many of my shows. I like to personally thank everyone that comes out to see me play with a handshake. So after about the third time I saw this man at one of my shows I decided I needed to go introduce myself to him. His name is Patrick O’Malley and from that day forth we have maintained a wonderful relationship. He’s just a great dude that loves music, has experience booking acts at various venues around the state and has a great understanding of how to create a cool experience for the artist and the audience. 

    Three months ago I got a text from Patrick and he said, “You’ve gotta see this room.” He attached a picture of a big stage in an old barn surrounded by rustic beams and elegant string lighting. He knew it, it was my kind of place. I immediately fired back and said, “WHERE IS THIS?” and he replied “Abandon Brewing in Penn Yan.” 

    Yesterday was in my opinion, the perfect New York day. The leaves were turning, the sun was shining and the air was clean.  I hopped in my truck and headed west from my home in Cazenovia bound for stop number two on the Original Gravity MicroTour at Abandon Brewing. I love driving and there are few drives more magical than the one that threads through the Finger Lakes on a classic fall day. 

    I arrived at about four o’clock while the sun was high but dropping fast and my first glimpse from the parking lot revealed an incredible old barn that sat overlooking beautiful Keuka Lake. What an expansive and magical view. I passed through the giant doors and found a perfect sized bar and a solo performer on that familiar stage I recognized from Patrick’s photo. Patrick’s picture just did not do the place justice.  

    Chris arrived and we shared a tasty session Saison created by the talented and prolific brewmaster Jeff. Our eyes drifted all around this geothermal powered farmstead brewery and we talked about how amazing the acoustics were in this old barn. We met one of the owners, AJ, who happens to also be in a Rochester-based bluegrass band, thus reinforcing that connection we’ve set out to explore on this tour between beer and music. So needless to say we felt right at home. 

    The sun went down and they fired up the heaters inside the old barn and we played our sets for a playful and respectful crowd.  The beer options were plentiful and flat out fantastic and again, the sound was top notch. I can see this venue really becoming a place that traveling acts of various genres will seek out for years to come because of the vibe, location, sound, the aesthetic and overall experience at Abandon.

    Thank you to Patrick for sending that text message and everyone who came out to see Chris and me. Such a killer night. Its nights like last night that make me say to myself, “Man, I am so lucky to be doing this”. 

    Sincerely,

    Theo


    The video below gives a view of the second stop of the Original Gravity Tour at Abandon Brewing Company in Penn Yan with interview footage of tourmate Chris Merkley.

    Powell and Merkley continue their Original Gravity tour on Saturday, Oct. 12 at 3:00 p.m. at Heritage Hill Brewhouse in Pompey and Local 315 Brewing Company in Warners on Sunday, Oct. 13, also at 3:00 p.m.

  • Metallica Masters’ Festival Scene, Headlining Two Nights at Sonic Temple

    Danny Wimmer Presents announced that Metallica will be performing two headlining sets, with different set lists at next years’ Sonic Temple Festival in Columbus, Ohio. Sonic Temple will kick off May 15-17, 2020, with a full lineup to be released on December 2 at noon EST.

    metallica sonic temple

    Sonic Temple, previously known as Rock on the Range, will be entering its second year under this name. The festival which takes place at MAPFRE Stadium is considered one of the best and largest rock/metal festivals in the United States.

    “Metallica isn’t just another headliner. When Metallica takes the stage, it’s an event. It’s an experience. That’s the same standard we’ve set for every DWP festival – from the first band to the last band, and everything that happens in between. I can’t wait to bring the biggest band in the world to the biggest rock festivals in America.”

    Danny Wimmer
    Founder – Danny Wimmer Presents

    Danny Wimmer Presents is the largest independent festival producer in the U.S. “Metallica paved this road that we travel. How many artists on the bill at these five festivals first picked up an instrument, or first started a band, because of Metallica?”

    Tickets for all events went on sale October 10 at 12 PM PT/3 PM ET for Fan Club members and for past purchasers of Danny Wimmer Presents events. The general public sale begins Monday, October 14 at 9:00 AM PT / Noon ET. Find more info and buy tickets HERE.

  • Head North Announces Headlining Buffalo and NYC Shows, New Album in the Works

    Buffalo’s Head North has booked two shows in December. It’s been two years since the alternative band’s last live performances. They’ll be playing Brooklyn at The Knitting Factory on Dec. 19, then a show in their hometown at Mohawk Place on Dec. 21. Joining them for both dates is Tennessee-based singer/songwriter Bogues. Ticket information is available here.

    Over the summer, Head North released the single “Rhodora,” the first taste of their upcoming sophomore album. This and other new material has been recorded at the band’s own space, Bigfoot! Studios, at the helm of frontman/producer Brent Martone. It’s a follow-up to 2017’s The Last Living Man Alive Ever in The History of The World. For more about that album, see the NYS Music interview.

  • Guest Contributor Exclusive: Mike Powell and Chris Merkley Kick-Off Original Gravity Tour at Copper City Brewing in Rome

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley are embarking on a four-show Original Gravity mini-tour of microbreweries across the state searching for the connection between songwriting and brewing.

    This is the first of a four-part NYS Music series contributed by Powell. Additional photos contributed by NYS Music staff.


    There are few relationships more felicitous than the one that exists between beer and music. My love for songs and storytelling began in the late ’80s when I was just a kid laying on a shag carpet underneath our Formica kitchen table. My father would regularly invite his work buddies over to our house after the whistle blew at the paper mill and they would sit around banging away on old guitars, breathing into harmonicas and drinking cases of Genny Light. I would hide quietly, listen closely and watch as their oil-stained work boots tapped along to the beat of songs like “I’m So Lonesome I Could Cry”, “Desperados Waiting For A Train” and “On The Road Again”.  

    At the conclusion of just about every song, one of the men at the table would take the floor and share an often hilarious story with the others. These stories and these songs from hardworking men in greasy blue uniforms in many ways became the backbone of what I’ve spent the past ten years of my life doing. Above the sound of the human voice, the wailing tone of a harp and the thump of a dreadnought I so vividly remember the signature snap of that blue aluminum can popping open – beer was just part of the ceremony.  

    The genesis of the Original Gravity MicroTour was a simple phone conversation I had in August with my friend and fellow songwriter Chris Merkley. He and I became fast friends last year while doing a run that included stops at some of the best little theaters in Central New York like Nelson Odeon, Borodino Hall, Earlville Opera House and the Auburn Public Theater. His ability as a performer is undeniable but what I find most admirable is his strong sense of community and ability to inject creativity into all that he does. Take a trip out to Cortland for one of his Seedstock Music Festivals and you’ll see exactly what I am talking about. 

    This particular conversation centered around playing shows together again but we didn’t want it to be standard boilerplate. We both needed to do it differently and find a way to shine a light on other like-minded folks doing amazing things in their own arenas. Our talk quickly spun out of control, per usual, and our minds started collectively racing towards the topic of a small craft brewery tour. 

    We talked about how craft breweries have created a whole new stage for original musicians like us and how grateful we are that they exist. We started asking each other deep psychological questions like, “Do people that prefer a craft beer experience have something in their make-up that makes them more apt to digest original music?” “Are there similarities between songwriters and brewers?” “Why make your own beer when there’s plenty of great beer being made all around the world?” “Why write songs when there are millions of amazing songs already written?” The aim of the Original Gravity MicroTour is to take a four-night deep-dive exploration into the analogous union between original songwriters and craft brewers.  

    After I hung up with Chris I immediately put in an excited call to my dear friend Mike Kohli who happens to be one of the biggest music supporters I know, a lover of craft beer and the editor of this here media outlet. I told Mike our plans and I asked if he would perhaps allow me to be a guest content provider during the MicroTour and he graciously agreed. He told me that he has had a very similar idea kicking around in his brain for quite some time and has been waiting for the right moment to tell the story.  And since I had him on the phone already I decided to push the envelope and take it one step further. I said, “How about we kick the thing off on your home turf, Copper City Brewing Company?” And he said, “HELL YEAH…I mean, let me check with the owners Dan and Lori.” 

    For over 80 years, the city of Rome has lacked the presence of a local microbrewery. Prohibition effectively shut down the last of them in the 1930s and the void remained until the visionary couples Dan and Lori Colasanti Frieden and Eric and Erica Sheible Daniels spoke up in 2015 and announced their ambitious plans to bring brewing back to Rome. After looking all over town for the right property they landed on a renovation project at 1111 Oneida Street on Rome’s east side.

    When you push through the doors of CCBC you’ll most certainly be greeted with a big smile from behind the bar as your eyes scan around the modern industrial motif. The fresh grainy smell will hit your senses, your mouth will water and your palette will prepare. As a musician, the first thing I noticed walking in was an elegant nook off to the left with comfortable seating, board games and a guitar on a stand that is welcome to be played by any and all patrons. The room itself is an interesting juxtaposition because although it has several rigid metal touches it somehow gives off a thoughtful warmth. I’ve played shows at Copper City three or four times now and I’ve come to realize that the warmth comes from the people inside it. 

    Chris and I had an awesome time on night number one.  Perhaps my favorite part of the night was our attempt at doing on-demand poetry. During Chris’ set, he asked the crowd to throw out a couple of words and I would be tasked with writing a poem related to them in real-time and present it by the time I took the stage. Well, the audience gave me “Camel Unicorn” and I thought I wrote a pretty good poem under pressure. But after my reading, I asked for the audience to now give me a couple of words for Chris to work with and I selected “Asbestos Shed”. I thought he was going to struggle. But in true Merkley fashion, he won the night and got the biggest eruption from the crowd with his incredible tale of smashing his face after falling not so gracefully from a shed as a kid.  

    Big thanks to Copper City for the incredible hospitality, wonderful beer and all that came out to hear us. This train rolls on to Abandon Brewing tonight in Penn Yan where I plan to dethrone Merkley as the top on-demand poet on this tour. 

    Below is a video documenting the first night of the tour. Featured are Copper City Brewing Company co-owner Dan Frieden and the brewery’s talent buyer and NYS Music Editor-in-Chief Mike Kohli.


    Powell and Merkley continue their tour on Friday, Oct. 11 at Abandon Brewing Company overlooking Keuka Lake in Penn Yan. Tickets for the 8:00 p.m. show are available at the door. Additional dates on the tour include Heritage Hill Brewhouse in Pompey on Saturday, Oct. 12 and Local 315 Brewing Company in Warners on Sunday, Oct. 13.

  • Trey Anastasio Band Announces New Tour Dates for 2020

    Phish frontman Trey Anastasio has announced a new set of performances for the Trey Anastasio band for the 2020 calendar year. Following the traditional slate of Phish shows to begin the year, the veteran guitarist will be back on the road for a nine-city run.

    The tour will start off with a two-date stint in Port Chester before heading out west for four consecutive dates, finishing off in the South with shows in Texas and Louisiana.

    After the official announcement, pre-sale tickets were made available and the rest go on sale for the general public on Oct.11.

    Tickets can be purchased via Anastasio’s website.

    The Trey Anastasio Band’s full list of tour dates can be found below:

    Jan. 10 – The Capitol Theatre – Port Chester, NY
    Jan. 11 – The Capitol Theatre – Port Chester, NY
    Jan. 16 – The Observatory North Park – San Diego, CA
    Jan. 17 – The Wiltern – Los Angeles, CA
    Jan. 18 – The Wiltern – Los Angeles, CA
    Jan. 21 – The Van Buren – Phoenix, AZ
    Jan. 24 – ACL Live at Moody Theatre – Austin, TX
    Jan. 25 – House of Blues – Houston, TX
    Jan. 26 – Bomb Factory – Dallas, TX
    Jan. 28 – The Tobin Center – San Antonio, TX
    Jan. 31 – The Civic Theatre – New Orleans, LA
    Feb. 1 – The Civic Theatre – New Orleans, LA