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  • In Focus: Harvestfest, Tribute to Mother Earth Puts the Focus on the Ladies

    Four years ago Matt Strong had an idea — an idea that came to him as he admired a painting a friend of his had done. The idea was to put together a fall festival celebrating Mother Earth and female musicians. As the owner-operator of Rooted Entertainment Solutions, he was finally able to bring that to fruition at Woods Valley Ski Area in Westernville, site of the past two Woods Fest Music Festivals, this past Saturday at Harvestfest: Tribute to Mother Earth.

    Woods Valley owner-operator Tim Woods and Strong put their heads together to create a regional fall festival drawing from bands with strong female musicians. The result was a full day of music, collaboration, vendors, good vibes and hats, lots of hats, that lasted into the wee hours of the morning. The event culminated with a female-heavy superjam that saw the ladies collaborating on stellar versions of Labelle’s “Lady Marmalade” and Stevie Wonder’s “Superstition.”

    Headliner Hayley Jane sat in with a number of the acts throughout the day and performed two sets with Rob Compa of Dopapod as well.

    The lineup included Ithaca ska band ¡Viva Mayhem!, Connecticut neo-soul act Erica T. Bryan and the New Mosaic, Utica folk artist Lady Daisy River, Syracuse reggae-roots rockers Root Shock and Syracuse indie-punk-ska outfit Late Earth.

    The running theme throughout the day was community. Attendees of all ages, including families, attended the event, greeting familiar faces and befriending unfamiliar faces. Attendees and musicians alike were seen mingling, talking music and art and just enjoying the beautiful weather.

    Despite the fact that each band came from different backgrounds and different areas, there was a true sense of community felt among the musicians at Woods Valley. Many of them were meeting each other for the first time and became fast friends, with some even making plans to perform together in the future. This may have been an unintended goal in putting together such a festival but one that will surely benefit the Northeast music community for some time to come. The intended goal was surely achieved. This was a day to celebrate the power of women in music. There were several powerful performances throughout the day and one powerful organization that is quickly making its name in the live music scene.

    The non-profit organization Groovesafe was on site during the festival. Groovesafe is a 501(c)(3) organization that brings awareness of the need for consent, to stand against sexual assault and unwanted touching at shows and festivals and to create safe and respectful dance spaces. It is a movement founded by Ashley Driscoll, following an incident at a Phish show in Las Vegas in the fall of 2016. To learn more about the Groovesafe movement and how you can donate or contribute to the cause, visit their website here.

    Plans are already underway for Harvestfest 2.

  • ‘One Night Only Again’ Delivers Unique Jams for a Good Cause at The Cap

    One Night Only Again brought awareness to an unfortunate disease called EB, thanks to a few incredible musicians who came together for a special night of jamming at the Capitol Theatre in Port Chester, NY last weekend. The night started with a few EB patients on stage rallying for debra of America, the only U.S. non-profit that provides all-inclusive support to the EB community, and ended with two sets of soul satisfying blues standards, jazz, funk and southern rock.

    The EB patients take the stage

    The show began with several patients on stage discussing the difficulties associated with EB, also known as Epidermolysis Bullosa, which causes extremely fragile skin. These brave individuals rallied for Debra, as their bandages can cost up to $85K per month and Debra helps defray this cost and much more. Please visit http://www.debra.org/ for more information.

    Warren Haynes

    After the heartfelt moment with the patients, an all-star cast of musicians emerged on stage to rock out in honor of them, including Warren Haynes (Gov’t Mule) on guitar, Joe Russo (Joe Russo’s Almost Dead) on drums, John Medeski (Medeski, Martin and Wood) on keys, George Porter Jr (Meters) on bass, and Karl Denson (Karl Denson’s Tiny Universe) on saxophone, flute and percussion. 

    These musicians are feeling it!

    Jazzy undertones were present throughout the night as this group had great stage karma, wove through musical genres, and delivered a delicious setlist. Notable jazz-infused rock covers included The Rolling Stone’s “Honky Tonk Woman” and The Allman Brother’s “Whipping Post.” Unfortunately, these songs could only be heard for one night only.

    George Porter Jr.

    Set One: Warren Hayne’s 3 “String George,” Warren Hayne’s “Sick Of My Shadow,” The Meter’s “Just Kissed My Baby,” Allen Toussaint’s “From A Whisper To A Stream,” The Rolling Stones’ “Honky Tonk Women,” “Good Morning, School Girl” (blues standard), and “32-20 Blues” (blues standard)

    Set Two: The Staple Singers’ “Hammer & Nails” > Smokestack Lightning (blues classic), James Brown’s “The Payback,” Jesse Stone’s “Don’t Let Go,” Warren Hayne’s “River’s Gonna Rise,” The Rolling Stone’s “Let’s Spend The Night Together,” Gov’t Mule’s “Sco-Mule,” The Meters’ “It Ain’t No Use,” The Allman Brothers’ “Whipping Post”

    Encore: Cream’s “Politician”

     

  • JRAD confirm 3-night run at The Capitol Theatre in February

    Joe Russo’s Almost Dead (JRAD) this week confirm they will return to The Capitol Theatre in 2020 with a three night run from February 21-23.

    jrad confirm

    Presale tickets are available via Facebook on Wednesday, October 23 from 12PM to 10PM. The presale password will be available that day via JRAD’s Facebook page.

    Presale continues via The Capitol Theatre on Thursday, October 24 from 12PM until 10PM, and general on sale begins Friday, October 25 at Noon.

  • Premiere: The Phryg is Open with video and single”Bad Habit”

    The Phryg, a four piece progressive funk band from Brooklyn, best known for tremendously original music featuring deep pockets of funk have found their talents bringing them across the country. Today, The Phryg release the video and single for “Bad Habit,” a song about being ‘addicted’ to funk and attempting to suppress the urge to dance when hearing music that makes you want to let loose.

    The lyrics playfully describe the main character coming to terms with his problem and later succumbing to his primal urges stating, “If we could all come to see that the funk is a remedy.”

    The tune opens with a thumping groove between the bass and drums that drops into an intoxicatingly catchy chorus. The verses bounce along as lyrics intertwine with Hammond organ before synth chords. The song climaxes with a fiery guitar solo that twists, turns and ascends upwards. The listener is brought back down to earth with a return to the chorus and the final lyrics, “It’s easier to give in then to refrain – I’ve got a funk bad habit.”

    The video features Seth Schiesel, Terry Brennan (Cousin Earth) and Angelic Aguilera, with videography by Brandon McClasky and editing by Bryan Walters.

    The Phryg most recently played an after party at Garcia’s for a sold out Vida Blue show at The Capitol Theatre, and 2018’s Shakori Hills Festival alongside NY artists like Lettuce and Consider the Source. They’ve shared the stage with Bob Lanzetti of Snarky Puppy, Organ Freeman, Joe Hertler & the Rainbow Seekers, The Fritz, Cycles and many more. The Phryg released their self-titled full length album in July 2016 as a follow up to their debut EP Midnight Snack.

    The Phryg Fall Tour dates

    Nov. 2 – Official Umphrey’s McGee pre-party at Goose Island – Philadelphia, PA

    Nov. 8 – Casa del Sol – Nyack, NY

    Nov. 22 – Rock Harbor Pub & Brewery – Rockland, ME

    Nov. 23 – Maine Craft Distilling – Portland, ME

    Dec. 28 – Phish after party at Rockwood Music Hall – New York, NY

  • Kip Winger Bringing Intimate Acoustic Show to Rome

    Multi-platinum recording artist Kip Winger has announced a live and unplugged show on Nov. 1 at the Rome Capitol Arts Complex in Rome, NY. The show will be opened by indie-pop singer/songwriter Emma Jude. Hailing from Upstate New York, Jude’s crisp vocals and striking storytelling landed her the 2019 SAMMY award (Syracuse Area Music Award) for Best Pop Album.

    Kip Winger first gained popularity when he contributed bass and vocals to Alice Cooper before forming the band Winger which recorded several successful albums in the late 1980s. The band disbanded in 1995 only to reunite in 2001. They immediately began to win fans back with non-stop touring and in 2014 released their highly anticipated sixth studio album called Better Days Comin.

    Called “one of the best writers of the past three decades” by Classic Rock Magazine, the live and unplugged show in Rome will showcase Kip Winger as a solo artist. During the band’s break, Kip focused on expanding his own talents in a unconstructed way, composing and arranging music that didn’t fit any genre. “It was incredibly freeing to connect to music without any preconceived ideas about what it needed to be or what niche it needed to fill.”  Exploring his talents led to hit compositions like “This Conversation seems like a Dream,” “Songs from the Ocean Floor,” “From the Moon to the Sun” and  “Ghosts,” which featured a string orchestra. piano and harp.

    To keep the concert up close and personal, setting is limited and RESERVED. Tickets are on sale now and can be purchased here.

  • The Music of Cream Announces 2020 Disraeli Gears Tour

    The Music of Cream, the pedigree of the hallowed ’60s trio Cream: Kofi Baker (Ginger Baker’s son), Malcolm Bruce (Jack Bruce’s son) and Will Johns (Eric Clapton’s nephew), have announced an exciting new tour for 2020. Honoring the legendary band’s landmark album, the 40-date North American tour will feature Disraeli Gears performed in its entirety followed by a set of additional hits and rarities from Cream, Clapton, Blind Faith and more. The upcoming tour finds The Music of Cream continuing their celebration of the extraordinary music and legacy their family members created more than 50 years ago via their extensive live show and personal stories and footage of their fathers and mentors.

    Will Johns, Kofi Baker, Malcolm Bruce

    Kicking off February 28th in Victoria, BC, Canada, the Disraeli Gears Tour will travel all across North America stopping everywhere from Vancouver, Seattle, Portland, Santa Barbara, San Diego, Phoenix, Boulder, Baton Rouge and Fort Lauderdale to Birmingham, Atlanta, Annapolis, Long Island, Boston, Toronto, Chicago, Milwaukee, Omaha and all that’s in between, before wrapping May 3rdin Austin. See below for the full list of tour dates. Tickets are on sale starting this Friday, October 18 at 10 a.m. local time; visit www.musicofcream.com for ticketing information.

    With primal riffs, soaring operatic choruses, poetry, fashion and theater rolled into one, Disraeli Gears defined the era in which it was written. The super-group’s second studio album, released in November of 1967, is often considered Cream’s crowning achievement. Disraeli Gears, featuring the singles “Sunshine of Your Love” and “Strange Brew,” was their American breakthrough reaching #4 on the Billboard Top 200 Albums Chart before ultimately becoming a platinum-seller in the U.S. The album was inducted into the Grammy Hall of Fame in 1999 and Rolling Stone included Disraeli Gears in their list of the Top 500 Greatest Albums of All Time saying, “Cream’s sharpest, most linear album focused its instrumental explorations into colorful pop songs.” In addition to critical acclaim over the decades, the original band members themselves praised their work on Disraeli Gears. Ginger Baker noted, “You can’t escape the fact we were having such fun playing with each other,” while Jack Bruce said, “This was a whole new beginning for the band and I loved that time very much,” and Eric Clapton added, “We had found ourselves…it was a pivotal point in the history of popular music.”

    Malcolm Bruce

    For the members of The Music of Cream, who first launched their celebratory 50th Anniversary World Tour in 2017 and have since performed over 100 shows together worldwide, including a string of recent sold-out UK shows, honoring Disraeli Gears and the storied history their family members created on this new tour was an easy choice.

    “To follow our 50th Anniversary Tour, it was a no-brainer to go out and celebrate Disraeli Gears in its entirety,” shares Kofi Baker (drums). “There are songs that are quite different, they wanted to challenge everything! And from a personal point of view, it gives me the opportunity to perform another song my dad wrote called ‘Blue Condition’ that I really like. I also loved the artwork for the album; my sister and I used to laugh because we said you could see up my dad’s nose. Happy memories that we can bring to the stage.”

    Kofi Baker

    “Why Disraeli Gears? Well, that’s easy for me,” says Will Johns (guitar, vocals). “It was the birth of the wah-wah pedal and you gotta love the wah-wah! That we can interpret such groundbreaking music and continue to tell Cream’s story is as exciting for us as we know it was for the band when they recorded it all those years ago. Like my uncle, I am a blues man through and through, and on this record there’s some fantastic interpretations of this genre, the likes of ‘Lawdy Mama’ and ‘Outside Woman Blues,’ so it doesn’t get better than that!”

    “There are many reasons I love the idea of performing Cream’s second album Disraeli Gears,” adds Malcolm Bruce (bass, vocals). “Many of Cream’s best-known songs are on the record including ‘Sunshine of Your Love,’ ‘Strange Brew’ and ‘SWLABR.’ But importantly to me, perhaps my favorite Cream song, and I think my Dad’s too, ‘We’re Going Wrong’ is on there as well. It has always been such a special song to perform, so open in its possibilities for improvisation, and lyrically, the song works on a number of levels, both personal and universal. I also love some of the less well-known songs on the album like ‘World of Pain’ and ‘Dance the Night Away.’ It even contains comedy elements in ‘Mother’s Lament.’ Overall, it is a very cohesive set to perform. We are looking forward to it!”

    Will Johns

    During its heartbreakingly short lifespan, Cream was an explosive musical cocktail that provided the super-group blueprint for others to follow. Their third album, Wheels of Fire (1968), was the world’s first platinum-selling double album, and collectively Cream sold more than 15 million copies of their albums worldwide. Not surprisingly, Rolling Stone ranked the Rock and Roll Hall of Fame group (inducted in 1993) as 67th in their 100 Greatest Artists of All Time list. The trio originally said farewell on a 1968 U.S. tour, and apart from a brief reunion in 2005 at London’s Royal Albert Hall and New York’s Madison Square Garden, Cream retained an almost mythological status in the music world, right up until the passing of Jack Bruce in 2014. This, for many fans, marked the end of an era and an acceptance that there would never really be another opportunity to celebrate the group’s legacy. That is, until The Music of Cream emerged. And with the recent passing of Ginger Baker, the new trio (Kofi, Malcolm, Will) look forward to sharing more of their stories as well as Cream’s incomparable music with fans new and old to keep Cream’s legacy alive.

    For more information on The Music of Cream, visit:

    www.musicofcream.com

    www.facebook.com/musicofcream

    • THE MUSIC OF CREAM – DISRAELI GEARS TOUR DATES
    Friday, February 28
    Victoria, BC @ McPherson Playhouse
    Saturday, February 29
    Vancouver, BC @ Rickshaw Theatre
    Sunday, March 1
    Bellingham, WA @ Wild Buffalo House of Music
    Tuesday, March 3
    Seattle, WA @ Triple Door
    Wednesday, March 4
    Spokane, WA @ Bing Crosby Theater
    Thursday, March 5
    Portland, OR @ Aladdin Theatre
    Friday, March 6
    Mill Valley, CA @ Sweetwater Music Hall
    Saturday, March 7
    Santa Barbara, CA @ Soho Restaurant and Music Club
    Sunday, March 8
    San Diego, CA @ Balboa Theatre
    Tuesday, March 10
    Folsom, CA @ Harris Center for the Arts
    Wednesday, March 11
    San Juan Capistrano, CA @ The Coach House
    Saturday, March 14
    Phoenix, AZ @ Crescent Ballroom
    Sunday, March 15
    Tucson, AZ @ Fox Tucson Theatre
    Tuesday, March 17
    Beaver Creek, CO @ Vilar Performing Arts Center
    Thursday, March 19
    Boulder, CO @ Boulder Theatre
    Saturday, March 21
    Greenville, TX @ Texan Theater
    Sunday, March 22
    Baton Rouge, LA @ Spanish Moon
    Tuesday, Mach 24
    Ponte Vedra, FL @ Ponte Vedra Concert Hall
    Wednesday, March 25
    Ft. Lauderdale, FL @ The Parker Playhouse
    Thursday, March 26
    Lakeland, FL @ Youkey Theatre
    Friday, March 27
    Bonita Springs, FL @ Southwest Florida Event Center 
    March 28-31
    Miami, FL @ Flower Power Cruise
    Thursday, April 2
    Birmingham, AL @ Workplay
    Friday, April 3
    Atlanta, GA @ Center Stage
    Monday, April 6
    Greensboro, NC @ Carolina Theatre
    Tuesday, April 7
    Annapolis, MD @ Rams Head On Stage
    Thursday, April 9
    Alexandria, VA @ The Birchmere
    Friday, April 10
    Glenside, PA @ Keswick Theatre
    Tuesday, April 14
    Ridgefield, CT @ The Ridgefield Playhouse
    Thursday, April 16
    Huntington, NY @ The Paramount
    Friday, April 17
    Montclair, NJ @ The Wellmont Theater
    Saturday, April 18
    Derry, NH @ Tupelo Music Hall
    Sunday, April 19
    Boston, MA @ The Wilbur
    Tuesday, April 21
    Pittsburgh, PA @ Jergel’s Rhythm Grille
    Friday, April 24
    Toronto, ON @ Queen Elizabeth Theatre 
    Sunday, April 26
    Chicago, IL @ Park West
    Tuesday, April 28
    Milwaukee, WI @ Pabst Theater
    Wednesday, April 29
    Omaha, NE @ Slowdown
    Friday, May 1
    Jackson, MS @ Duling Hall
    Sunday, May 3
    Austin, TX @ 3Ten ACL Live
  • Terrorbyte Brings Ghosts To The Lost Horizon

    Terrorbyte performed an epic Halloween show at The Lost Horizon in Syracuse last night. Performing  most of their catalog, fans were treated to an excellent set with high energy and some chaos.

    They took the stage dressed in their usual masks as a taser got the crowd fired up into a frenzy, chanting “TERRORBYTE” as some of the members began climbing up on the wall. Their stage presence will just draw you in as there is so much going on at once. Whether it’s one of the members tasering another, or someone hanging from the ceiling – there is always something crazy happening at a Terrorbyte show.

    Terrorbyte

    Playing roughly an hour, their set was non-stop, high energy, “in your face” metal. There was little break in between songs as the band flowed so well, only stopping a couple of times to give some insight into their songs. “Gravitational” was dedicated to a late friend of the singer, and he took some time to speak on dealing with issues of depression and suicide.

    Finishing up their set, the crowd demanded another song as everyone in the venue was chanting, “One more song!” Terrorbyte obliged and performed a crushing version of “Shooting Star” which had everyone going nuts.

    Terrorbyte is a “must see” band based out of Syracuse that has made some huge waves in the metal word. During the performance of the show, Terrorbyte mentioned their upcoming album which has been highly anticipated, is currently being worked on, and expected to be released in the near future.

  • In Focus: We Want IDLES – Dominating Terminal 5

    IDLES released their heavily acclaimed LP, Joy as an Act of Resistance, back in August 2018, and the band has been on a meteoric rise ever since. Before the official release, IDLES were playing the intimate Rough Trade NYC, and this past week saw the boys from Bristol playing their biggest headlining show to date at Terminal 5.

    idles
    IDLES at Terminal 5 – Photo: Joseph Buscarello

    This leg of the tour wrapped up with four shows in the Northeast, all supported by Preoccupations, who also released an excellent album last year, New Material. Their moody post-punk was a perfect appetizer to the show. The nine-song set spanned all four of the band’s LP releases and included both New Material singles, “Espionage” and “Antidote.” The set finished on a heavy, psychedelic note with a lengthy rendition of “Select Your Drone.”

    idles
    Preoccupations at Terminal 5 – Photo: Joseph Buscarello

    The moment Preoccupations left the stage, the buzz in the room skyrocketed. The anticipation was humming from the crowd as they shouted “We Want IDLES!” The crew was trying to ready the stage. From the moment the lights dimmed, until the last notes were played, the crowd was fully engaged, sending a steady stream of crowd surfers toward the stage. Several times guitarists Mark Bowen and Lee Kiernan took their turns stage-diving and floating atop the crowd all without skipping a beat.

    idles
    Preoccupations at Terminal 5 – Photo: Joseph Buscarello

    Regardless of how animated and aggressive both the audience and band seemed (there was a ‘wall of death’), the central message from the band’s music was never lost: compassion for everyone and community. From frontman Joe Talbot thanking security for the job they were doing, to the various messages of inclusion and respect in many of their songs, this sentiment was prominent throughout the night.

    idles
    IDLES at Terminal 5 – Photo: Joseph Buscarello

    IDLES seemed to be racing through their 16 song set, but that was just a testament to the enormous energy behind their performance. Forgoing an encore, Preoccupations joined IDLES on stage to take part in a chaotic rendition of “Rottweiler,” with the drum set slowly being torn apart and cymbals crashing all over the stage.

    idles
    Photo by: Buscar Photo (www.buscarphoto.com)

    The band has also just announced a new live album, A Beautiful Thing: IDLES Live at Le Bataclan, recorded in Paris in December 2018 and out officially December 6, 2019. The live album includes tracks from both of the bands studio LPs, and is a self-contained statement about unity and love. The band will be playing shows in the UK in December, with festival appearances scheduled for next Spring.

  • Framing Hanley Headlining SMACK Fest In Syracuse Next Week

    Framing Hanley will be headlining SMACK Fest 2019 – Halloween Edition on October 26th at the S.I. Hall at the NYS Fairgrounds.

    Framing Hanley, who shot to fame with their cover of Lil Wayne’s “Lollipop” will be joined by some of the best metal bands CNY has to offer.

    The full lineup for SMACK Fest is as follows:

    – Framing Hanley
    – Skinbound
    – Murder In Rue Morgue
    – Less Than Hate
    – Obdura
    – Damon Larus
    – Kilter
    – Level VII
    – The Burned Out Suns
    – Northwoods Wendigo

    Doors open at 3pm – Show starts at 4pm
    All ages show. Under 18 must be accompanied by an adult
    $5.00 additional fee at door for Under 21

    Tickets can be purchased HERE. PreSale Tickets are $15.00 ($20 day of show). Costume Contests with prizes will be awarded.

    Framing Hanley

     

  • Tony Award-Winning Musical ‘Bandstand’ Takes the Road

    The Tony Award-winning Broadway musical Bandstand will roll out a coast to coast tour starting October 25 in Oklahoma City, OK. This tour comes after this smash- hit spent 2017 on Broadway. During the residency it was nominated for three Tony Awards and snagged the Tony for Best Choreography.

    “THE SHOW DEFIES YOU NOT TO BE MOVED”

    Time Out New York

    The vibrant musical, Bandstand, shows how one can heal through music and dance, written by Robert Taylor (book and lyrics), Richard Oberacker (music) and directed by three-time Tony winner Andy Blankkenbuelher (Hamilton choreography). The plot features World War II veteran Donny, fresh from the front lines, as he returns home to be a songwriter. When this proves difficult, he forms a group to compete in the NBC bandstand contest.  Using a peppy outlook and upbeat music, Bandstand delves into the challenges faced by our service men and women upon returning. This is a story that stretches across many decades.

    Photo by Michael Pool

    Along the way Bandstand will make stops in various New York cities. Included is The Stanley Theater in Utica, Proctors in Schenectady and the Tilles Center for the Performing Arts in Greenvale. Tickets are on sale now through the musicals website. Check out the additional tour dates below.

    BandStand Tour Dates: 2019-2020

    Oct.25-26 – OCCC Visual and Performing Arts Center Theater – Oklahoma City, OK

    Oct.29-30 – Rudder Auditorium – College Station, TX

    Nov.1 – Popejoy Hall – Albuquerque, NM

    Nov.2-3 – Civic Center Auditorium – Amarillo, TX

    Nov.4 – Bicknell Center for the Arts – Pittsburg, KS
    Nov.5 – Chapman Music Hall – Tulsa, OK

    Nov.6 – Abilene Convention Center – Abilene, TX

    Nov.7 – Cowan Center – Tyler, TX

    Nov.8 – Lutcher Theater – Orange, TX

    Nov.9 – The Grand 1894 Opera House – Galveston, TX

    Nov.11-12 – Washington Pavilion – Sioux Falls, SD

    Nov.13 – Civic Center – Bismarck, ND

    Nov.16-17 – Hult Center for the Performing Arts – Eugene, OR

    Nov.19-20 – Granada Theater – Santa Barbara, CA

    Nov.21-24 – Fred Kavli Theatre – Thousand Oaks, CA

    Dec.3-4 – Pikes Peak Center – Colorado Springs, CO

    Dec.6-8 – Orpheum Theatre – Phoenix, AZ

    Dec.11 – Orpheum Theatre – Sioux City, IA

    Dec.12 – Juanita K. Hammons Hall – Springfield, MO

    Dec.13-14 – Civic Center – Des Moines, IA

    Dec.15 – Gallagher-Bluedorn Performing Arts Center – Cedar Falls, IA

    Dec.16 – River Center Adler Theater – Davenport, IA

    Dec.17 – Yardley Hall – Overland Park, KS

    Jan.3-5 – Von Braun Center Concert Hall – Huntsville, AL

    Jan.7 – Paramount Arts Center – Ashland, KY

    Jan.8 – Honeywell Center – Wabash, IN

    Jan.9-12 – Stranahan Theater – Toledo, OH

    Jan.14-16 – Century II Performing Arts Center – Wichita, KS

    Jan.17-19- Lied Center for Performing Arts – Lincoln, NE

    Jan.21 – Grand Theater – Wausau, WI

    Jan.22 – Bloomington Center for the Performing Arts – Bloomington, IL

    Jan.23 – Niswonger Performing Arts Center – Van Wert, OH

    Jan.24-26 – Morris Performing Arts Center – South Bend, IN

    Jan.27 – Emens Auditorium – Muncie, IN     

    Jan.29 – Givens Performing Arts Center – Pembroke, NC

    Jan.30 – Clayton Center for the Arts – Maryville, TN

    Jan.31 – Charleston Gaillard Center – Charleston, SC

    Feb.1-2 – Oxford Performing Arts Center – Oxford, AL

    Feb.4-5 – Van Wezel Performing Arts Hall – Sarasota, FL

    Feb.6 – Alan Jay Wildstein Center for the Performing Arts – Avon Park, FL

    Feb.7-8 – The Sharon L. Morse Performing Arts Center – The Villages, FL

    Feb.9 – Mainstage Theater – Niceville, FL

    Feb.10 – Lafon Performing Arts Center – Luling, LA

    Feb.17 – King Center – Melbourne, FL

    Feb.18-23 – Moran Theater – Jacksonville, FL

    Feb.25-26 – Whiting Auditorium – Flint, MI

    Feb.28-29 – Hershey Theatre – Hershey, PA
    Mar.1 – Palace Theater – Waterbury, CT

    Mar.3-8 – National Theatre – Washington, D.C.

    Mar.10 – Stanley Theatre – Utica, NY

    Mar.12 – State Theatre – Easton, PA

    Mar.13-14 – Proctor’s Theatre – Schenectady, NY

    Mar.15 – Tilles Center for the Performing Arts – Greenvale, NY

    Mar.17-18 – Community Theatre – Morristown, NJ

    Mar.19-22 – Hanover Theatre – Worcester, MA

    Mar.27-29 – Pioneer Center – Reno, NV

    Mar.30-31 – Mary Stuart Rogers Theater – Modesto, CA

    Apr.2 – Idaho Falls Civic Auditorium – Idaho Falls, ID

    Apr.3-5 – Velma V. Morrison Center for the Performing Arts – Boise, ID

    Apr.7-12 – Memorial Auditorium – Sacramento, CA

    Apr.14 – Civic Center – Cheyenne, WY

    Apr.15 – Beach-Schmidt Performing Arts Center – Hays, KS

    Apr.17-19 – Lexington Opera House – Lexington, KY

    Apr.20 – Carson Center – Paducah, KY

    Apr.21 – Robinson Music Hall – Little Rock, AR

    Apr.22 – Community Center Auditorium – Bartlesville, OK

    Apr.24-26 – Birmingham-Jefferson Convention Complex – Birmingham, AL
    Apr.27-28 – Grand Opera House – Macon, GA

    Apr.29-30 – Koger Center for the Arts – Columbia, SC

    May 2 – Wilson Center – Wilmington, NC

    May 3 – Morganton Municipal Auditorium – Morganton, NC

    May 5-17 – Broward Center for the Performing Arts – Ft. Lauderdale, FL

    May 25 – Murphey Performance Hall – San Angelo, TX

    May 26-31 – Winspear Opera House – Dallas, TX

    Jun.3-4 – Count Basie Theatre – Red Bank, NJ

    Jun.5-7 – Shubert Theater – New Haven, CT