Category: Western NY

  • Fall Gets Funky in Buffalo with MFDF Funk Nights

    Every third Thursday of the month, starting September 19, Buffalo is going to be getting funky at MFDF Funk Nights at Nietzche’s, presented by NYS Music.

    Guitarist Matt Fantini of Space Junk and keyboardist Donny Frauenhofer of Intrepid Travelers, DF3, & THE TRUTH will be your hosts, bringing in a rotating cast of local, regional, and national artists each month for a night of improvised heavy funk. This month will feature John Fohl from Intrepid Travelers/Big Martha on drums, James Benders from grüvology/DF3 on bass, and Ellen Pieroni from Folkfaces/THE TRUTH on saxophone.

    Admission is $5 at the door, and the events are 21and over unless accompanied by a guardian. Upcoming dates for MFDF Funk Night are Sept. 19, Oct. 17, Nov. 21 and Dec. 19.

  • Hearing Aide: Alex Northrup and the Backup ‘Long Story Short’

    Rochester based multi-instrumentalist Alex Northrup and his band The Backup released their six-song album in March titled Long Story Short. The band is made up of Alex Northrup (keyboard, vocals), Andrew Carter (bass guitar, backup vocals), and Jake Walsh (drums, backup vocals). The trio has a sound that ranges from really small to huge, making use of each member’s prowess on their instrument and their abilities to hold a strong harmony. One thing that pops out in any of Northrup’s recordings is Alex’s ability to take a song out of the pocket with his strong keyboard performances. Evinced by the six tracks on this release, Alex Northrup and The Backup are beginning to carve out a sound all their own.

    The opening track “Put on the Break-Up” ultimately sets the overall pace for the album. The sweet vocal melody is hashed out by wonderfully performed harmonies. Nothing here is too pristine; that is to say, the vibe is similar to the old Weezer Pinkerton days. The listener will be able to tell that the process of recording that the band took was organic, leaving the bulk of the work to the musicians to make the songs sound good.

    “Sinning on a Saturday” offers a better look at how dynamic the band can be in their orchestration. The bass takes on a life of its own and the texture of the keyboard flexes a bit more as well, as Alex navigates his chord progression to make meaningful and interesting solos. The mood shift that takes place between the verse and chorus is subtle, but noticeable enough to invoke the feelings reflected in the lyrics.

    https://www.youtube.com/watch?v=fXOWdRFEhr8

    One thing that should be taken note of is how Alex writes his lyrics. He talks casually, and even comically at times, about serious issues while never sacrificing the weight of the song’s topic. “Girl of My Dreams” is one such song. The ballad is a nice throwback to older ballads from the 50’s and the band does the style justice. While most of the songs are written by Northrup himself, he does collaborate with other members of the Rochester music scene. Specifically in “There We Go Again”, where some new creative elements and bass lines are added in by Dave Drago.

    The album’s cap is an ethereal instrumental that comes out of almost nowhere to great effect. Each song flows into the next really well, and the entire album felt like it should end much like it does in “Blinded by Delight.” The band’s harmonies are sitting tight in the background behind a beautiful soundscape of textures. Overall, the album’s flow offers a whole new dimension worth analysis of its own. Definitely take a chance on this release, and be sure to find Alex Northrup and The Backup on Spotify, Bandcamp and social media!

    Key Tracks: Sinning on Sunday, Put on the Break-Up, Girl of My Dreams

  • In Focus: Night Lights Music Festival 2019

    Night Lights Music Festival 2019 once again warmed the souls of music lovers with a diverse lineup on the Heron Farm and Event Center in Sherman, NY. Patrons from Western New York and far beyond descended upon the beautiful grounds for three nights of revelry and artistic expression. Topping the bill this year was Night Lights staples Aqueous along with !!!, Big Something, and mash-up DJ extraordinaire Girl Talk. Check out some of the action at the gallery bellow by strawberry island dweller.

  • Hearing Aide: Chaz Hearne & The Dazzlers ‘Intelligence Is Rising’

    To fully appreciate Intelligence Is Rising one must step back from the business (and busyness) of everyday life. As the nature shot on the album cover suggests, the music draws its inspiration from singer/songwriter Chaz Hearne and their getaways to national parks.

    chaz hearne

    In the title track, Chaz Hearne & The Dazzlers encourage the listener to set down their devices and go out seeking enlightenment. This jaunty tune leads us deep into a lush soundscape. Layers of sublime harmonies and a medley of stringed instruments and piano send spirits soaring as high as the treetops on the album cover. No, higher. And the mood continues to lift through the next few tracks, cresting like the lofty mountaintops referenced in the songs “Montana” and “All The Peaks Sing.” The reverb on vocals resounds like echoes in the canyons. And twinkling piano notes spill over in a rambling cascade in “Under The Falls.” 

    “Now We March” starts like a typical folk song, featuring Hearne’s signature banjo-playing, perhaps signifying the start of a hike with one foot in front of the other. “Match your stride to meet my own / Now we’re two never alone,” Hearne sings. About halfway through the song, the trumpet breaks out in joyous celebration, like that moment when a wooded trail opens to a breathtaking vista. 

    The collection takes a turn with “Holy Moly.” The heavier musical elements lend an air of gravity to this song about the damage people have inflicted upon the environment. 

    Well we thought it never ended so 

    We lived with no consequence didn’t we

    And we didn’t want a drastic solution

    But it was too late, isn’t it

    Isn’t it

    Is it?

    – lyrics from “Holy Moly”

    At times infused with rock and at other times pulling in psychedelic dream-pop elements, Intelligence Is Rising surpasses expectations. You’ll find Hearne’s trademark fingerpicking on the banjo and clear tenor timbre. He also recorded the guitar, piano and organ parts for these songs. For this project, he was joined in the studio by a host of “dazzling” musicians: Susanna Rose on vocals, John Delmonico on cello, Emily Dipaola on trumpet, Willa Finck and Katie Knudsvig on violin, Reilly Solomon Taylor-Cook on bass, and Hannah Weidner on drums. The album cover was photographed and designed by Jacqueline Goodman.

    Intelligence Is Rising represents both a celebration of nature and a call to action to protect and preserve the environment. Chaz Hearne & The Dazzlers have created an instant classic you’ll want to add to your playlist for your next back-to-nature road trip, or for anytime you need a breath of fresh air in your life. 

  • Slipknot Brings Knotfest to Darien Lake in Epic Fashion

    The Knotfest Roadshow came to Darien Lake Performing Arts Center on Sunday with one of the heaviest lineups currently touring the United States, starring Slipknot.

    This was not just a tour, but the foundation for a yearly “Knotfest Roadshow” package that could continue to add heavy-hitting bands if Slipknot so desires. The traveling museum with the display of the band’s iconic masks and other items gave fans a much more personal touch and is another reason why this tour is so good.

    Fans packed into the nearly sold out Darien Lake Performing Arts Center ready for one hell of metal show. Metal isn’t dead, and this show proves just that.

    Behemoth took the stage as “Solve” echoed through the amphitheater with a giant backdrop of the United States and an upside-down cross in the middle of it. Fans unfamiliar with Behemoth were shown exactly what they are about with the satanic imagery, black skull masks, and chanting as the band took the stage. Immediately, Behemoth started their heavy and relentless set with “Wolves Ov Siberia”, which included some great pyrotechnics and followed right into “Daimonos”.

    slipknot Knotfest

    The only real break during their set was when Adam “Nergal” Darski went side stage and grabbed two flaming metal spheres and performed what appeared to be a ritual before blasting into “Ora Pro Nobis Lucifer” – the highlight of their set which was accompanied by tons of pyro.

    Behemoth commanded the attention of everyone watching, with Nergal being a charismatic frontman. With the amount of pyrotechnics, showmanship, and overall incredible sound, one would expect this to be direct support to Slipknot. The only downside to their set was that it was only seven songs long.

    Closing out with “Sabbath Matter”, and lastly “Chant For Eschaton 2000” – Behemoth left a very good impression. With a loud “HAIL SATAN!” yelled by Nergal the band ended their set and had the crowd on their feet wanting more.

    Gojira was up next, and the progressive metallers from France would not disappoint. Opening up with “Toxic Garbage Island”, Gojira delivered a heavy eight-song set. Joe Duplantier displayed his impressive fretwork on the guitar, while still doing vocals throughout the night. The sound was flawless as the band played some of their biggest hits, including “Back Bone,” and the fan-favorite, “Flying Whales”.

    While not as theatrical as Behemoth’s performance, Gojira had a stripped-down, raw, and heavy feeling that captivates you and draws you right in. Finishing off their set with “The Gift Of Guilt,” Gojira had an intense performance that left the crowd buzzing.

    After a quick set change, it was time for Volbeat. Fans seemed to be pretty mixed on their feelings towards this band. Some really enjoyed them, while others were clearly there for the heavier acts of the night.  Once frontman Michael Poulson took the stage, the band kept the spirit alive with “Devil’s Bleeding Crown,” an early rock and country influence with a taste of metal.

    Volbeat also played some new material, including the song “Leviathan.” Other highlights from their set included the fan-favorite “Warrior’s Call”  as well as the Slayer-influenced “Slaytan”. Ending their set with their most well-known song, “Still Counting,” the audience was very enthusiastic in singing along and seemed to pleasantly surprise even the more hardcore metalheads in attendance.

    Finally, it was Slipknot time. After almost five hours from the time the show started (there was also a good 45-minute wait between Volbeat and Slipknot) the headliner was ready to take the stage. With a huge black tarp covering the stage with “Slipknot” written across lit up in an eerie orange glow, the hype was real. Fans were already screaming waiting for the curtain to drop, with the thought of Slipknot performing completely reinvigorating the entire venue.

    The curtain dropped giving a view of the brand new stage production Slipknot has brought, and it is big.  The new three-tiered stage is almost overwhelming when you first lay eyes on it. There’s so much going on you don’t really know where to start looking first. There’s video panel walls, air vent windmills, a treadmill that Sid Wilson marched on, and a couple of epic drum kits.

    Each song was also uniquely lit to fit the mood. The heavy opener “People = Shit” was very red-hued, followed by a relaxing blue hue for “(sic),” and lots of pyro for “The Devil in I”.

    With the very recent release of We Are Not Your Kind, Slipknot played a few new songs off the album. The crowd went nuts over “Unsainted,” which sounds amazing live. “All Out Life” was another new one that performed very well, and also included some awesome pyro and explosions.
    Clown made his way down from up top with a flaming torch that he used to beat on a steel drum hanging from above during the performance of “Duality.” The performance of “Sulfer” seemed to raise the energy even higher than it already was with Corey Taylor going all out.

    They ended their set with an encore of “Spit It Out” followed by “Surfacing.” The crowd did not seem tired at all from the amount of chaos they had been enduring.  Corey Taylor is an incredible frontman and is absolutely dedicated to his art and performance. The Knotfest Roadshow is an absolute must-see for fans of metal and rock music. All the bands on the bill bring a unique, fun, and lasting experience. Each of these bands could have easily headlined, and the fact that a tour like this can be brought together makes it exciting for what future Knotfest Roadshows could entail.

  • Knotfest Roadshow Comes To Darien Lake On Sunday

    Masked metal icons, Slipknot, are bringing their Knotfest Roadshow tour to Darien Lake Performing Arts Center this Sunday, August 25. The Grammy winning pioneers have a very heavy supporting lineup that makes for a good contender as the best metal tour this summer.

    Joining Slipknot are Danish rockers, Volbeat; French metallers, Gojira (who are absolutely incredible live); and Polish Black Metal giants, Behemoth. 

    With the very recent release of Slipknot’s new album, We Are Not Your Kind, fans can expect to here quite a bit of new music.

    Slipknot is known for an elaborate stage production, and they take things even further with this tour. Corey Taylor previously stated he wanted to create some “Iron Maiden stuff” for this roadshow, which should make fans very excited.

    There’s also the question of who exactly is “Tortilla Man.” While no one knows exactly who he is yet, you can expect to see him banging away at the top of the drums.

    Lastly, Slipknot will be offering fans a “specially curated” look at the bands history with a mobile museum. The exhibit will feature a plethora of “never-before-seen memorabilia,” including instruments, props and masks. The band shared a peek at the exhibit on Twitter, showing a few of the pieces to be featured at the festival.

    The band shared a peek at the exhibit on Twitter, showing a few of the pieces to be featured at the festival:

    To access the showcase fans will need to invest in a VIP ticket package. Two tiers are being offered along with exclusive merchandise, photo privileges and early access to the festival.

    Tickets for Knotfest are still available via Live Nation here.

  • So Last Year debut captivating new song ‘Minutes Away, Worlds Apart’

    So Last Year’s “Minutes Away. Worlds Apart” is a song about that moment in a relationship when one person is having to tell the other that things are just not going to work out. 

    The song came to Logan, lead singer and writer, over the course of a week, and after working on the song he realized that the bridge would be the perfect moment to bring the whole scene together. In the bridge, both people are singing to each other at the same time, one explaining how things aren’t working and the other explaining how there’s still hope to make it work. The song really conveys tension between two people that are at two different places in a relationship, both lyrically and musically.

    Logan’s musical theater background leads him to write in story format often, and this song is no exception. Fans of catchy hooks, funky guitar riffs and toe-tapping drums with be in love from the moment they hear the song start.  You can expect it to be featured on So Last Year’s upcoming album.

    You can find So Last Year on Facebook, Instagram, and Twitter. You can find So Last Year on Facebook, Instagram, and Twitter.

  • Hootie & the Blowfish with Barenaked Ladies: Sounds Like a Party to Me

    The Group Therapy Tour was just the medicine needed for more than 15,000 fans of Barenaked Ladies that packed into CMAC this past Friday night. This being the first time they’ve toured in over a decade, Hootie & the Blowfish was not only celebrating the 25th anniversary of Cracked Rear View Mirror‘s release back in 1994, but also announced their upcoming album Imperfect Circle, due for release this fall.

    Opening and getting the night started was the Barenaked Ladies. With Ed Robertson on lead vocals and guitar; Jim Creeggan on bass and vocals; Tyler Stewart on percussion and vocals; and Kevin Hearn on keyboards, guitar and vocals; this quartet have perfected their harmonies and playing over the years, but it’s their stage presence that really lifts them above most bands. The one thing that hits you first (if this is the first time you’ve seen them live) is they have so much fun playing together. Racing across the stage, playing to not only the crowd but to each other, fun has to be their middle name (Barenaked Fun Ladies), just has to be.

    They are known for their improvisation – their number one hit “One Week” was added to the album Stunt to demonstrate their flair of improv and the energy they exude during their live shows. Capturing it perfectly on the album and again Friday night, these fun loving guys have proven they still have what it takes to get the crowd out of their seats, dancing and singing. In fact, if the band “Had a Million Dollars,” they wouldn’t have to buy their love because it was right there in front of them as the crowd sang the lyrics word for word while the band pitched and knocked stuffed animals out of the park. Closing the set out with a mash up of some favorite rock songs, percussionist Tyler Stewart demonstrated what his and the other band members’ strongest qualities are: their versatility and talent, both vocally and musically.

    With a quick changeover, it was just minutes before Hootie & the Blowfish took the stage. The moment they came out, the crowd rose to their feet. With hands in the air and phones on record, the crowd ate up every moment they played, hungry for more.

    The setlist was outstanding, giving the crowd a taste of an expanse of music from their library, those that have influenced them along the way, and just favorites of both the crowd and the band. Joining them a few songs into their set, one of the best moments of the night was when Barenaked Ladies sat in for a cover of the Beatles’ “A Little Help from My Friends.” This classic song was just an epic choice to feature all these talented musicians and what they bring to the stage.

    Like a storybook unfolding, Darius told a story the whole evening through music. Sharing past hits from music that influenced them, such as R.E.M.’s “Losing My Religion,” and showing how music can soothe and collectively unite as he and the band dedicated “Will the Circle Be Unbroken?” to the families and victims of the past week’s shootings, it once again demonstrated how music heals and is a universal language to which everyone can relate.

    With a new album to be released on September 6, those in attendance got just a taste of what’s to come. This will be the first album they’ve released since 2005’s Looking for Lucky. A performance of “Rollin’ as an appetizer left the crowd wanting more, at least it did for this photojournalist.

    Despite a slow start to the evening that included the massive number of people coming in to the venue, the issues with ticketing (CMAC is a Ticketmaster venue so buying from third parties is not encouraged or honored) and a strange rain storm that occurred in the beginning of the evening, (rain on one side of the amphitheater and not the other), all in all, it was an amazing night of music that made all the gray moments shine like the rainbow that appeared right before the show began.

    Barenaked Ladies Setlist: Bringing It Home, Odds Are, It’s All Been Done, Gonna Walk, The Old Apartment Matter of Time, Brian Wilson, Lookin’ Up, Pinch Me, Big Bang Theory Theme, One Week, If I Had a Million Dollars, Barenaked Rap: Shallow / Old Town Road / Sicko Mode / High Hopes / Whole Lotta Love / Another One Bites the Dust

    Hootie & The Blowfish Setlist: Samuel L. Jackson Ezekiel 25:17, Hannah Jane, State Your Peace, I Go Blind (54-40 cover), Sad Caper, Not Even the Trees, With a Little Help From My Friends (Beatles cover with Barenaked Ladies), Hold My Hand, I Will Wait, Let Her Cry, Hey Hey What Can I Do (Led Zeppelin cover), Will the Circle Be Unbroken?, Desert Mountain Showdown, I Hope I Don’t Fall in Love With You (Tom Waits cover), Alright (Darius Rucker song), Running From an Angel, Losing My Religion (R.E.M. cover), Time, Rollin’, Wagon Wheel (Old Crow Medicine Show cover), Old Man & Me, When I Get to Heaven / Fight the Power / Freaks of the Industry Encore: Goodbye, Go and Tell Him (Soup cover), Only Wanna Be With You / Get Down on It, Country Roads (John Denver cover)

  • Train and Goo Goo Dolls Bring Summer Fun and Positive Energy to CMAC

    On Friday, August 2, Train, The Goo Goo Dolls and Allen Stone entertained a sold out crowd on a perfect summer night at CMAC. All three bands brought an amazing vibe and positive energy to the evening while The Goo Goo Dolls and Train performed all their classic hits from their respective extensive catalogs spanning from the 1990’s to the present.

    train CMAC
    Allen Stone entertains the crowd

    Kicking off the evening was Allen Stone, an amazing R&B and soulful artist from Chewelah, Washington. He and his band definitely had the sold out crowd primed and energized for the night. Stone, who has been on the scene since 2010, cites his influences as Stevie Wonder, Marvin Gaye, Aretha Franklin and other legends. Stone is a very dynamic exceptionally entertaining showman, not to mention a phenomenal singer. It is apparent in his music and performance from where his musical inspiration originates. His set included his songs “Brown Eyed Lover” and “Chippin’ Away.” Pat Monahan even joined them on stage for a number.

    train CMAC
    John Rzeznik and Robby Takac perform “Slide”

    Making their way to the stage at 7:45 p.m. were co-headliners The Goo Goo Dolls. The enthusiastic crowd was already on its feet in anticipation as John and Robby made their way to the stage. The Goo Goo Dolls launched their hour-plus set with “Stay With You” and immediately followed with “Big Machine” before swapping out guitars. John greeted the crowd while making a reference about being close to his home town of Buffalo, NY before the band performed their third hit in a row, “Slide.” The Goo Goo Dolls continued playing their mainstream hits that span two decades, including “Black Balloon,” which, you guessed it, included what seemed like thousands of black balloons floating down into the crowd, “Name”and “So Alive,” before closing out the night with “Iris” and “Broadway.” They also played “Miracle Pill” in support of their upcoming album of the same name which is due out on September 13.

    train CMAC
    John Rzeznik performs “Stay With You”
    train CMAC
    Robby Takac

    Finally, taking the stage at 9:20, were co-headliner Train. Train seemed to pull out all the stops on this gorgeous summer night during their performance. Not only did they play an impressive hour and forty minute, 18-song setlist which included two encores, they also brought along confetti and streamer cannons as well as some pretty dazzling pyro effects. Despite the cool bells and whistles that helped make for a mesmerizing and stunning visual performance, there seemed to be something else, something uplifting and moving during Train’s performance.

    train CMAC
    Pat Monahan and Train sending love to the sold out crowd at CMAC

    Train, formed in 1993 and hailing from San Francisco, CA , has been a hit-producing machine since the release of their self titled debut album Train in 1998 with “Meet Virginia.” The multi-platinum and Grammy award winning band kicked of their set with “Calling All Angels.” It was during this song when frontman Pat Monahan put his hands up towards the sky and asked the audience to follow him in sending love to all loved ones near and far as everyone sang along. Monahan’s energy seemed to flow through the audience and back, giving a sense of connection and tranquility that flowed throughout the venue. Train’s second song, “50 Ways to Say Goodbye,” incorporated blasts of colorful confetti into the audience which continued to enthrall the crowd along with their third song, “If It’s Love.”

    train CMAC
    Confetti shoots into the crowd at CMAC during Train’s set
    train CMAC
    Pat Monahan of Train

    Train continued throughout the night with hit after hit including “Meet Virginia,” which featured a blazing solo by guitarist Luis Maldonado, “Hey Soul Sister”, “Play That Song,” as well as a house-rocking rendition of Queen’s “Under Pressure” and Tom Petty’s “American Girl” where John Rzeznik joined them on stage. Allen Stone also made a guest appearance on “Bruises.” Train ended the night with two encores, including a Led Zeppelin cover with “Heartbreaker” and, finally, “Drops of Jupiter,” which also included visually stunning pyrotechnics. Train rocked into the night with the energy and power of a locomotive steaming full ahead, yet the atmosphere was fun, happy and positive. I mean with balloons, beach balls, streamers, confetti and sparklers, the show was definitely a fun experience for all that attended. Despite the fun and positive hoopla, let’s not forget about all the songs that these two bands with over 50 years of combined experience deliver flawlessly night after night, while still having a blast and keeping their crowds entertained and dancing ’til the last drop.

  • Bush, Live and Our Lady Peace Leave CMAC Crowd Higher Than Ever

    90’s nostalgia was in the air when Our Lady Peace, Live and Bush made their stop on the Altimate Tour at CMAC in June. This tour brings some of the best bands from the ’90s together and truly made it one of the ultimate tours to see this summer.

    Kicking off the night was Our Lady Peace as they warmed the audience up with their intense yet centered energy. OLP is one of those bands that brings the audience’s energy up and got the nostalgia ball rolling for the evening. Their setlist was packed with so many hits from the ’90s/early 2000s such as “Superman’s Dead” and “Starseed.”

    Next up was co-headliners LIVE. Lead vocalist Ed Kowalczyk started singing from the middle of the amphitheater and slowly descended through the audience until he reached his bandmates on stage. It threw the crowd for an exciting loop as everyone turned their heads to locate Kowalczyk. LIVE really cherry picked their setlist, giving the crowd a fabulous mixture of their hits and throwing in some musical nostalgia of their own with their covers of REM’s “Losing My Religion” and The Rolling Stone’s “Paint it Black.”

    All three bands rocked CMAC, but there is no denying the energy Bush bought to the stage when they closed the night. Bush played a great set with a mixture of their hit songs, including their new single “Bullet Holes.” Lead vocalist Gavin Rossdale bounced around the stage just like he did in 1997. He and guitarist Chris Traynor have an undeniable vibe when they play their guitar chords together. Rossdale jumped off stage during “Everything Zen” and went through the audience, giving the fans in the back some love and appreciation.

    The Altimate Tour is not one to miss. It is a 90’s cocktail of amazing musicians that sparked the youth back then and they continue to feed that fire to their fans 20 years later. Not many bands can bring a tour like this to life, but Bush, LIVE and Our Lady Peace can and did.

    The Altimate Tour just kicked off their last leg of the tour and New Yorkers still have time to catch this amazing tour with stops scheduled for August 29 in Wantagh, NY and on August 30 in Bethel, NY.

    Our Lady Peace Setlist: Drop Me in the Water, Innocent, Superman’s Dead, Somewhere Out There, Clumsy, Stop Making Stupid People Famous, Starseed

    Live Setlist: Dam at Otter Creek, All Over You, Selling the Drama, Losing My Religion, Shit Towne, Iris, The Dolphin’s Cry, Paint it Black, Lakini’s Juice, I Alone, White Discussion, Heaven, Turn My Head, Lighting Crashes

    Bush Setlist: Machinehead, Chemicals, This is War, Sound of Winter, Swallowed, Everything Zen, Disease, Bullet Holes, Little Things, Glycerine, Comedown

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