Category: Regions

  • School’s in Session for Schenectady with ‘School of Rock’ at Proctors

    School of Rock: The Musical takes Schenectady, NY by storm with its five-night performance at Proctors in the heart of downtown. Based on the Paramount film, written by Mike White and starring Jack Black, the musical follows suit. With lyrics by Glenn Slater and new music by Andrew Lloyd Webber, in addition to director Laurence Connor’s vision, this musical takes the movie into a completely different light.

    School of Rock follows failed rock star Dewey Finn, played by Merritt David Janes, as he takes a class of straight-A prep school kids and turns them into rock stars. With the pressure of needing to pay rent from his roommate and best friend Ned and Ned’s bossy girlfriend Patty, Dewey finds himself in an unusual predicament. With Ned being a substitute teacher, the principle of Horace Green Prep School calls in need of a fill-in. And thus, the kids at this prestigious prep school go from model students to rock and roll stars, playing in battle of the bands and learning to go outside their comfort zone.

    Opening the show was an announcement allowing the audience to know that the children in the musical do play their own instruments. Right in tune with the opening announcements, the musical was treated as a live rock concert and began with a performance in which Dewey was originally in – which was refreshing compared to most musicals.

    Throughout the show there was a balance of musical numbers and dialogue that both adults and children were able to enjoy. Keeping up with the humor that fans of the movie came to enjoy, the musical had plenty of laughs for everyone. With jokes referencing Harry Potter and making light of hot topics like, “the man” can also be a woman, it kept the crowd pleased and laughing.

    The show also had songs that everyone could relate to and enjoy. One song sung by the students called “If Only You Would Listen,” allowed children in the audience to relate to what the actors were saying. The song featured four of the students and showed us what home life was like with their parents, and the expectations parents had for their children. This song resonates not only with the children watching, but even adults because at some point we have all felt the pressure of our parents. Another song that also was relatable and hilarious was when Dewey was teaching the students to learn to relax. “Stick It to the Man” rang through as more of an anthem for the musical as a whole; the idea behind it was to teach the kids to loosen up – what rock and roll is all about. Throughout School Of Rock the audience watched how these kids went from being shy and rule-bound, to loosening up and having fun. But it’s not just the kids who go through a transformation, Dewey does as well. He goes from being a selfish, fame hungry, failed rocker to someone who realizes what it’s like to be in a band and part of a team. Dewey becomes someone the students can confide in and trust.

    The stage set up and lighting was just as impressive as the cast. The backdrops for each scene was easily movable by either sliding up, or to the side and even turning around. For the opening number and the finale of the show, the audience gets thrusted into a rock and roll concert. The kids performing for battle of the bands had their parents in the audience watching in awe, as well as us being a part of the show. With the lighting matching to that of an actual concert, bright and flashing, we were part of the show, cheering on the band of students aptly named School of Rock.

    This show was both engaging and fun. With a great cast and song selection to keep the audience both engaged and interested, School of Rock knocked it out of the park. It is both a new and inventive show, fun for all ages. The music was meaningful and there are songs that will resonate with each person. School of Rock: The Musical  enhances the movie to a whole new level of interactions. Altogether the show was enjoyable and kept you laughing at every turn.

    Performances will take place at Proctors in Schenectady Tuesday through Sunday. Following the Capital Region, the tour will makes its way to Boston.

     

  • Photo Gallery: Spafford Brings the Jams to Buffalo

    Arizona rockers Spafford‘s winter tour has them heading east and found them playing to a packed house at Buffalo Iron Works on Wednesday, February 6th. See our photo gallery below.

  • Mountain Jam Announces Lineup and Venue Change

    After 14 years at Hunter Mountain, Mountain Jam announced its lineup Thursday and that it will be relocating to the Bethel Woods Center for the Arts, site of the original Woodstock festival. Mountain Jam will be held June 13-16.

    More than 40 artists were announced as the festival looks to get back to its roots of being more jam-friendly. Headliners for the 15th edition of Mountain Jam include Gov’t Mule, Willie Nelson and Family, and the Avett Brothers. An additional headliner will be announced later in the spring.

    The fest will have a decidedly New York flair with the inclusion of Joe Russo’s Almost Dead, Amy Helm, Marco Benevento, Consider the Source, Wild Adriatic, and the Big Takeover.

    Early Bird tickets go on sale Friday, Feb. 8 at 10:00 a.m. and are available through Monday, Feb. 11 at 11:59 p.m. for $159 through the Mountain Jam website.

  • Hilltop set to release debut album this weekend

    Hilltop, a 5-piece band from Albany that features a blend of rock with funk, jazz, blues and bluegrass mixed in, is set to release their self-titled debut album on Friday, February 8. 

    The band combines original music, diverse covers, and improvisation to create a unique listening experience. The band includes Aris Nieuwkerk (guitar, vocals), George Scherck (keyboards, vocals), David Klang (bass, guitar, vocals), Stephen Perry (drums, percussion, vocals), and Reid Perry (drums, percussion, vocals) who have collective influences of The Grateful Dead, Phish and Miles Davis. All these artists feature many different styles over the span of their careers, and this is what has shaped Hilltop’s sound and how to incorporate various styles into their songs – there is not just one sound or style that defines Hilltop.

    hilltop debut album

    Hilltop was tracked at recording studios at the two colleges band members attend – Schenectady County Community College and Mercy College in Westchester. Mixing was completed at Mercy College and the album was mastered on Long Island at MEI Studios, where David is an engineer. The songs on the album had already been performed live numerous times, with David noting, “This made it easy to get a natural feel for our songs in the studio, giving the listener an accurate representation of what the band sounds like live.”

    This summer, Hilltop plans to hit the festival circuit in New York and the Northeast, and looks forward to building their following so they can spread out beyond the confines of the Northeast. The band knows this is a long journey and is dialed in for just that. “We know it often takes decades for a band to become seriously established outside of a small niche, and I think we’re all preparing ourselves to keep moving forward with Hilltop on a long term basis. We’ll see where it can take us if we can keep it going for a while!” said Klang.  

    The band’s single off Hilltop, “Driftwood” was released on January 18 and a multi-cam studio video of the single was recently released on YouTube. 

    Hilltop’s self-titled debut album drops on Friday, February 8 and will be available on iTunes, Apple Music, Spotify, Bandcamp and Google Play.

    To celebrate the release of Hilltop, a release party will be held on Saturday, February 9 at Parish Public House in Albany. Doors open at 8pm with Glass Pony opening the night at 9pm. Cover charge is $10.

  • Mike Gantzer, Kris Myers and Ryan Stasik drop DOOKIE

    Albany was certainly the place to be Friday, February 1. The Palace Theater hosted Umphrey’s McGee for another always-astounding performance, and the Pearl Street Pub threw a legendary after-show. Once the UM show concluded at The Palace, drummer Kris Myers and bassist Ryan Stasik made their way down the block to meet up with Aqueous guitarist Mike Gantzer.  The three collaborated on an energetic, punk-rock tribute to Green Day‘s 1994 album Dookie that took the Pearl Street Pub’s crowd on a high-speed cruise down memory lane.

    The trio took the stage with attendees anxious to take it all in.  Set one blasted off with “Burnout,” “Having a Blast” and “Chump.” Stasik then dropped into the signature bass line of “Longview,” bringing about a crowd sing-a-long. One highlight of the night was a set of three Ween covers. In between Green Day hits “Longview” and “Welcome to Paradise,” the guys played Ween’s “The Grobe,” “It’s Gonna Be a Long Night,” and “Transdermal Celebration.” The set continued with Dookie tracks in sequential order, mixing in genre-relevant covers from Nirvana, The Ramones and Weezer.  Craftily weaving in a tease that was also featured at the UM show earlier, “Norwegian Wood” (The Beatles) was heard throughout “In The End.”  The end of the evening featured an epic trio of songs including “Brain Stew,” “Geek Stink Breath,” the first single from Green Day’s album Insomniac, and “Bad Mouth,” a Fugazi cover.

    This date marked the 25th Anniversary of the release of Dookie, making the performance a celebratory collaboration.  Mike Gantzer, Kris Myers and Ryan Stasik have performed full covers of the Green Day album on two other occasions: once as a late night tribute set at Summer Camp Music Festival 5/26/17 and again at Brooklyn Comes alive on 9/24/17.

    (Unofficial Setlist)

    Burnout, Having a Blast, Chump > Longview, The Grobe (1), It’s Gonna Be a Long Night (1), Transdermal Celebration (1), Welcome to Paradise, Pulling Teeth > Basket Case, She, Drain You (2), Sassafras Roots, When I Come Around, Coming Clean, I Wanna Be Sedated (3) > Blietzkreig Bop (3), Emenius Sleepus, In The End (4) > F. O. D. > All By Myself, My Name Is Jonas (5), Say It Ain’t So (5), Undone – The Sweater Song (5), Brain Stew

    Encore: Geek Stink Breath, Bad Mouth (6)

    1- Ween cover
    2- Nirvana cover
    3- The Ramones cover
    4- Norwegian Wood (The Beatles) tease
    5- Weezer cover
    6- Fugazi Cover

  • 2019 SAMMY Hall of Fame Class and Nominees Announced, Lou Reed to Receive Posthumous Lifetime Achievement Award

    The Syracuse Area Music Awards has announced its new class of inductees for the SAMMY Hall of Fame as well as nominees among 13 categories for the 2019 SAMMY Awards.

    2019 sammy
    Lou Reed

    The 2019 inductees include ’50s doo-wop band, Little Jan and the Radiants; 95X radio personality and host of the weekly radio program “Locals Only,” Scott Dixon; long-running independent acoustic duo, Karen Savoca and Pete Heitzman; and highly influential drummer and music store owner, Al Falso.

    2019 sammy
    Scott Dixon

    The SAMMYS will also posthumously honor Syracuse University alumnus, Lou Reed with the Lifetime Achievement Award and internationally acclaimed trombonist, Melissa Gardiner as Educator of the Year.

    Other honorees this year are well-known street musician, Elijah Harris, Jr., with the Founders Award and a brand new award named in honor of its inaugural recipient, Jack O Bocchino, the Jack O Bocchino Spirit of Syracuse Award.

    2019 sammy
    Jack O Bocchino

    Now in its 26th year, the Syracuse Area Music Awards seeks to honor musicians, educators, industry professionals and supporters of the Central New York Music scene. This year’s Hall of Fame dinner and awards ceremony will take place March 7 and 8. The Hall of Fame dinner will be held upstairs at the Dinosaur Bar-B-Que on Willow Street while the awards will be presented at Eastwood’s Palace Theater.

    Performers at the awards ceremony include a Lou Reed tribute band that features Stuart Heinrich and Ellard “Moose” Bolles of Reed’s late ’70s-early ’80s backing band. Also performing are 2019 inductees, Karen Savoca and Pete Heitzman, past SAMMY recipient, R&B band Stroke, 2018 Best Jamband winner, Barroom Philosophers and Sean McLeod with 2017 Best R&B winner Alani Skye.

    Tickets for the Hall of Fame dinner and the awards ceremony are available through the SAMMYS website. Tickets for the dinner are $25 and tickets for the ceremony are $20. The dinner will run from 7:00 p.m. until 10:00 p.m. on Thursday, March 7. The awards ceremony begins at 7:00 p.m.

    NewsChannel 9 WSYR’s morning show, Bridge Street is hosting the SAMMY Spotlight Series each Thursday at 10:00 a.m. through March 7. Artists featured on the program include:

    Feb 7-   Late Earth

    Feb 14 – Sera Bullis

    Feb 21 – Infinity

    Feb 28 – Fritz’s Polka Band

    Mar 7 –   Bad Mama’s Blues Band

    The 2019 SAMMY nominees:

    Best Pop

    Screen Test, Through the Past Brightly

    Forgottensong, Forgottensong Vol 1 and 2

    Emma Jude, Pocket Full of Postcards

    Best Hip Hop/Rap

    G-Netics, Elevated

    Big Nate MG, No Hooks Needed x Hook Line

    J. R. Lottary, Instant Win

    Chris Mac, Go For Broke Project

    MLA, Salute Me

    Best Americana

    Joe Davoli, Golden Rule

    Eileen Nicholson Kalfass, Crossing Bridges

    Ghost Town Ramblers, Ghost Town Ramblers

    Dennis McGuire’s One Man Band, Old Songs Rusty Strings

    Best Alternative

    Townhouse Warrior, Words, Unsaid

    The Amazing Shakes, 10x The Crash

    Strange To Look At, Strange To Look At

    The Beuchesnes, Twilight Interstate

    Late Earth, Late Earth

    Sympathy, For Everyone to See

    Best Rock

    Jukin’ Bone, Unfinished Business

    Atkins Riot, Atkins Riot “Iguanas”

    Tony Touris, Ghost Town

    Climbing Stars, Ascension

    The Trend, J Marc Memorial Show

    Best Hard Rock

    One Step From Falling, Stuck

    Amerikan Primitive, Down to the Devil

    The Last Divide, The Last Divide

    Between Hope & Fear, Between Hope & Fear

    Damon Larus, Crusade

    Best Other Style

    Emedin Rivera, Tropical Tubulence

    Samba Laranja: The SU Brazilian Ensemble, Gurana′

    Fritz’s Polka Band, Hey!

    Best Jam Band

    Mike Davis and the Laughing Budda Episodes, Find Yourself – › Caterpillar

    Ginbucket, On Ice

    Count Blastula, Jive Honey

    Sundrop Rise, Family Tree

    The Lightkeepers, Talking Man’s Blues

    Best Singer/Songwriter

    Sydney Irving, The Halfmoon Sessions

    Jess Novak, Fear is the Cage. Love is the Key.

    Darryl Rahn, Making Strangers

    Rhiannon Payne, Folklore

    Stephen Douglas Wolfe, Quixotic Symphony

    Best Blues

    Neil Minet & the Night Flyers, Shades of Blue

    Tas Cru, Memphis Song

    Steven D Odum, Steve Odum Plays His Blues

    Ron Spencer Band, Into the Blue

    Cloutier, Thunder N Lightning

    Best R & B

    The Ripcords, Live at Subcat Studios

    Irv Lyons, Jr., Sisters & Brothers

    Jaquiel THEVOICE, The Natural Project

    Apollo XXIII, Borderline

    Best Country

    Follow the Muse, American Days

    Lonnie Park, Stories of the Lost and Found

    Steven Cali, American Farmer

    The Moonshine River Band, Bad Habit

    Best Jazz

    Bob Holz, Silverthorne

    Byron ‘Kidd’ Cage, Platinum Healing Glove

  • Umphrey’s McGee Heats Up Albany Fans Amidst Polar Vortex

    In the midst of a polar vortex, fans of Umphrey’s McGee fought through the frigid cold to see the band take to the historic Palace Theatre stage in Albany. This is the group’s fourth performance at the Palace over the past five years, seemingly solidifying it as a staple tour stop in the northeast. Opening up the night, they had Robert Walter’s 20th Congress, featuring John Kimock and Scott Metzger.

    umphreys mcgee albany
    photo by Dave Decrescente

    The first set kicked off with the heavy rocker “Domino Theory,” off 2011’s Death by Stereo, setting the mood for the night with its driving metal sound. Following a type 1 jam, the group played “Got Your Milk (Right Here),” another rocking tune that hadn’t been played since the group’s Red Rocks run. Robert Walter joined the group for “Whistle Kids” from Umphrey’s recent 2018 release it’s not us. Walter took over keyboardist Joel Cummins’ Fender Rhodes for the song and led the group through the ensuing jam with Cummins by his side on the Hammond organ, raising the somewhat downtempo feel of the song into a short, but sweet prog jam. “The Linear” followed, continuing that progginess and going into the first real jam of the set, heavily featuring guitarists Brendan Bayliss and Jake Cinninger working with each other to create atmosphere and bring the song into “White Man’s Moccasins,” a jazzy tune that let Cinninger show off his chops a bit.

    umphreys mcgee albany
    photo by Dave Decrescente

    “Resolution” came next, raising the tempo immensely with its uplifting sound, and leading the group into a full band tease of The Beatles’ classic “Norwegian Wood.” The jam in “Resolution” was very spacey and electronic, creating a similar feel to what they did with “The Linear” earlier in the set but adding in the electronic drum kit from drummer Kris Meyers. Myers and percussionist Andy Farag took a mini drum jam before the group brought “Resolution” into “Upward,” a bluesy ballad by Bayliss that took the energy from “Resolution” and transformed it into the peak of the segment. To close out the set, Bayliss welcomed moe. drummer Vinnie Amico to the stage for a cover of ZZ Top’s “Cheap Sunglasses,” a classic by the Texas hard rock trio.

    Umphrey's McGee Albany
    photo by Dave Decrescente

    The second set was the highlight of the night, starting off with the prog metal masterpiece “Miss Tinkle’s Overture,” which really shows how all 6 members are a well oiled machine when they need to get down and technical. “Miss Tinkle’s” led the group into a dub reggae-esque jam once they had played through the composed sections before Cinninger brought the jam back into a metal sound for the “peak” of the jam. “Walletsworth” followed, continuing the heavy sound from “Miss Tinkle’s,” but not featuring any real jam besides Cummins taking a piano solo before the last chorus. “Waiting Room” kept the heaviness going, with its driving bassline and anthemic lyrics really getting the crowd raging for its brief performance.

    Umphrey's McGee Albany
    photo by Dave Decrescente

    To kick off the best segment of the set, the band started into the familiar opening chords of “1348,” which is always a welcome sound at an Umphrey’s show. The jam in “1348” was really interesting, the group mixed a dance sound with funky guitar riffing and really kept the groove driving until they suddenly broke into “Eat,” which was just heavy guitar riffage front to back. “Maybe Someday” came next, riding the wave of heaviness from “1348” > “Eat” and launching into a heavy metal jam that wove in and out of the composed sections of the song. Ending out the set was “The Floor” back into “1348,” completing the song from earlier in the set. “The Floor” is an incredible song to see live, it’s very dramatic and Middle Eastern-sounding at points, but also brings forth some of the group’s heaviest breakdowns.

    This version of the song didn’t feature any jamming, but was a super tight version of the song and provided the perfect launchpad for dropping back into “1348.” The second half of “1348” was a culmination of all the energy they’d been building up throughout the second set, exploding into one last super heavy runaround of the main riff before ending the set. For the encore, the group sandwiched “Soul Food I” between two halves of “Puppet String.” The group seamlessly dropped out of the composed section of “Puppet String” into “Soul Food I,” performed the song, and then bassist Ryan Stasik dropped back into the “Puppet String” bassline and the rest of the band followed suit.

    Umphrey’s McGee performed a heater of a show on Friday night in Albany, check out the photo gallery below for a taste of what the night looked like. Check back with NYS Music for coverage of the Dookie aftershow.

  • 2019 BRIC House Sessions

    BRIC House Sessions is back for another year with its Thursday night concert series. BRIC House has featured world-class artists that reflect the diversity within Brooklyn. Celebrating 40 years of pioneering the arts and media in NYC as well as one of the leading presenters free cultural programming in Brooklyn. The BRIC organization presents and incubates work by artists and media-makers that reflects New York’s diversity and reaches hundreds of thousands of people each year.

    With BRIC House being its main venue, it houses a public media center, a major contemporary art exhibition space, two performance spaces, a glass walled TV studio and work spaces for artists. It also is the space for the Celebrate Brooklyn! Festival in Prospect Park and has BRIC TV, radio and Brooklyn Free Speech media. It’s lead sponsor and supporter is the innovative entertainment and retail destination company City Point, which is 1.8 million square feet of retail, residential, office and entertainment complex at the epicenter of Downtown Brooklyn.

    So far this year headlining artists Son Little with special guest singer-songwriter Melissa Laveaux and guitarist Christopher Paul Stelling performing in Fort Greene on Feb. 28. Then on March 7 they have the Electro Arabic act 47SOUL who party with a message, with the female fronted, neo-beat deconstructionist Underground System to open. You can check out other artists performing on their website. Tickets can be purchased online at BRICartsmedia.org.

  • “Massive Tuesday in Ithaca”: Rayland Baxter Captivates the Haunt

    On a snowy night in Ithaca on the precipice of the deep freeze, known as the Polar Vortex, a young college town crowd braved the elements to warm up to folk-rock breakout, Rayland Baxter and his 5-piece band. In the midst of a lengthy tour promoting his critically-acclaimed new release, Wide Awake, the set expectedly concentrated heavily on the new stuff, but sprinkled in songs from his entire catalog for a dynamic show.

    The set list looked a bit like a roll call. Present was “Mr. Rodriguez,” “Angeline,” Willy, “Sandra Monica,” “Olivia,” Larocco and “Amelia Baker.” But all eyes, ears and minds were set on Baxter himself.

    The frontman commanded the stage and audience like an old pro. The crowd was amped and excited; Baxter was game for a little friendly banter, going so far as to join in on a FaceTime with someone’s father. The obligatory “How’s it going?” query was answered, “It’s a massive Tuesday in Ithaca.” Baxter agreed, then took it and ran, describing his day flying in from Nashville. Later he would introduce “Olivia” as a Massive Tuesday for sensitivity dot com. When asked about his shoes, Baxter promptly took one off and put in a pitch for All Birds, followed by a pitch for his toothbrush brand of choice, of all things.

    Even more, he controlled the crowd through music. At the powerful highs of “Everything to Me” and the extended jam of “Amelia Baker” they followed along in full rock out mode. They sang and danced together to the catchy hooks of “Hey Larocco” and “Casanova.” When Baxter broke it down in a mid set solo excursion, exploring some of his older, folksier material like “Dreamin’” and “Willy’s Song,” the ambient noise in the bar was dropped to an almost indistinguishable murmur. Respectfully and incredibly quiet to enjoy Baxter alone with his guitar, voice and an airy whisper of a whistle blown through his teeth.

    Illiterate Light, a guitar and drum duo out of Harrisonburg, VA, warmed up the night with selections from their just-released EP, Sweet Beast. Bombastic drumming played from a standing position, fiery guitar leads and quality vocals, reminiscent of Jim James, put the stamp on an opening set that checked all the boxes. The venue had a room full of patrons from the get-go: the headliner had a crowd thoroughly ready for their set, the audience had an introduction to a great young band, and Illiterate Light had themselves a bevy of new fans.

    Setlist: Strange American Dream, Mr. Rodriguez, Freakin’ Me Out, Everything to Me, Angeline, Sandra Monica, Young Man, Dreamin, Willy’s Song, Olivia, Hey Larocco, Casanova, Amelia Baker, Yellow Eyes, Let It All Go Man

  • AJ Lambert, Sinatra’s Granddaugher, debuts John Cale cover in new Video

    AJ Lambert, granddaughter of Frank Sinatra and daughter of Nancy Sinatra, recently debuted the video for “Cleo,” a cover by artist John Cale. The track appears on her first full length solo album, Careful You, which was released earlier this month. 

    Careful You is an album of unique, poignant interpretations of songs by artists including Spoon and TV on the Radio, as well as some of her grandfather’s deep cuts such as “Sleep Warm” and “I’ll Be Seeing You.” The album was recorded with a full band and produced by Daniel Schlett (The War on Drugs, Amen Dunes) and Boshra AlSaadi (TEEN, Janka Nabay). AJ will tour in support of the release, with a full band featuring musicians from the album, such as drummer Parker Kindred (who also plays with Joan As Policewoman) and bassist Josh Werner (who recently collaborated on a release with Bill Laswell).

    Speaking about the video for “Cleo,” Lambert said, “I just thought it would be fun to really play up the pop elements of the song in a new version… to me, it’s lyrically keeping with the theme of the record – namely thinking that love will save the day and then reckoning what happens, when it gets more complicated than that. Hence the ‘always a bridesmaid’ theme of the video, too.”

    Last year, she released Lonely Songs, a collaborative EP with Greg Ahee of Protomartyr, to celebrate the 60th anniversary of her grandfather’s seminal album, Only the Lonely. In AJ’s words: “These songs let me say thank you to Frank. I’m so honored to carry on a bit of this tradition of being a song interpreter and it’s so much fun to do it in a modern way… I believe that good music is good music, no matter what era it’s from… Greg was a big fan of the album already so it was fun to collaborate.”

    AJ Lambert has worked as a film music supervisor and bassist in various bands (including Here We Go Magic and a reunion of seminal punk icons, The Homosexuals). As a solo vocalist, she performs two complete Sinatra albums live – In The Wee Small Hours and Only the Lonely – with John Boswell on piano, at small clubs and theaters around the country. AJ also hosts “Third Generation” on Sirius XM’s “Siriusly Sinatra” channel and regularly performs at private and charity events. Whether performing with a pianist, a full band or on record, AJ Lambert’s style and interpretations of both standards and contemporary music alike are truly her own.

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