One Night Only Again brought awareness to an unfortunate disease called EB, thanks to a few incredible musicians who came together for a special night of jamming at the Capitol Theatre in Port Chester, NY last weekend. The night started with a few EB patients on stage rallying for debra of America, the only U.S. non-profit that provides all-inclusive support to the EB community, and ended with two sets of soul satisfying blues standards, jazz, funk and southern rock.
The EB patients take the stage
The show began with several patients on stage discussing the difficulties associated with EB, also known as Epidermolysis Bullosa, which causes extremely fragile skin. These brave individuals rallied for Debra, as their bandages can cost up to $85K per month and Debra helps defray this cost and much more. Please visit http://www.debra.org/ for more information.
Warren Haynes
After the heartfelt moment with the patients, an all-star cast of musicians emerged on stage to rock out in honor of them, including Warren Haynes (Gov’t Mule) on guitar, Joe Russo (Joe Russo’s Almost Dead) on drums, John Medeski (Medeski, Martin and Wood) on keys, George Porter Jr (Meters) on bass, and Karl Denson (Karl Denson’s Tiny Universe) on saxophone, flute and percussion.
These musicians are feeling it!
Jazzy undertones were present throughout the night as this group had great stage karma, wove through musical genres, and delivered a delicious setlist. Notable jazz-infused rock covers included The Rolling Stone’s “Honky Tonk Woman” and The Allman Brother’s “Whipping Post.” Unfortunately, these songs could only be heard for one night only.
George Porter Jr.
Set One: Warren Hayne’s 3 “String George,” Warren Hayne’s “Sick Of My Shadow,” The Meter’s “Just Kissed My Baby,” Allen Toussaint’s “From A Whisper To A Stream,” The Rolling Stones’ “Honky Tonk Women,” “Good Morning, School Girl” (blues standard), and “32-20 Blues” (blues standard)
Set Two: The Staple Singers’ “Hammer & Nails” > Smokestack Lightning (blues classic), James Brown’s “The Payback,” Jesse Stone’s “Don’t Let Go,” Warren Hayne’s “River’s Gonna Rise,” The Rolling Stone’s “Let’s Spend The Night Together,” Gov’t Mule’s “Sco-Mule,” The Meters’ “It Ain’t No Use,” The Allman Brothers’ “Whipping Post”
Joe Russo’s Almost Dead (JRAD) this week confirm they will return to The Capitol Theatre in 2020 with a three night run from February 21-23.
Presale tickets are available via Facebook on Wednesday, October 23 from 12PM to 10PM. The presale password will be available that day via JRAD’s Facebook page.
Presale continues via The Capitol Theatre on Thursday, October 24 from 12PM until 10PM, and general on sale begins Friday, October 25 at Noon.
The Phryg, a four piece progressive funk band from Brooklyn, best known for tremendously original music featuring deep pockets of funk have found their talents bringing them across the country. Today, The Phryg release the video and single for “Bad Habit,” a song about being ‘addicted’ to funk and attempting to suppress the urge to dance when hearing music that makes you want to let loose.
The lyrics playfully describe the main character coming to terms with his problem and later succumbing to his primal urges stating, “If we could all come to see that the funk is a remedy.”
The tune opens with a thumping groove between the bass and drums that drops into an intoxicatingly catchy chorus. The verses bounce along as lyrics intertwine with Hammond organ before synth chords. The song climaxes with a fiery guitar solo that twists, turns and ascends upwards. The listener is brought back down to earth with a return to the chorus and the final lyrics, “It’s easier to give in then to refrain – I’ve got a funk bad habit.”
The video features Seth Schiesel, Terry Brennan (Cousin Earth) and Angelic Aguilera, with videography by Brandon McClasky and editing by Bryan Walters.
The Phryg most recently played an after party at Garcia’s for a sold out Vida Blue show at The Capitol Theatre, and 2018’s Shakori Hills Festival alongside NY artists like Lettuce and Consider the Source. They’ve shared the stage with Bob Lanzetti of Snarky Puppy, Organ Freeman, Joe Hertler & the Rainbow Seekers, The Fritz, Cycles and many more. The Phryg released their self-titled full length album in July 2016 as a follow up to their debut EP Midnight Snack.
The Phryg Fall Tour dates
Nov. 2 – Official Umphrey’s McGee pre-party at Goose Island – Philadelphia, PA
Nov. 8 – Casa del Sol – Nyack, NY
Nov. 22 – Rock Harbor Pub & Brewery – Rockland, ME
Nov. 23 – Maine Craft Distilling – Portland, ME
Dec. 28 – Phish after party at Rockwood Music Hall – New York, NY
Multi-platinum recording artist Kip Winger has announced a live and unplugged show on Nov. 1 at the Rome Capitol Arts Complex in Rome, NY. The show will be opened by indie-pop singer/songwriter Emma Jude. Hailing from Upstate New York, Jude’s crisp vocals and striking storytelling landed her the 2019 SAMMY award (Syracuse Area Music Award) for Best Pop Album.
Kip Winger first gained popularity when he contributed bass and vocals to Alice Cooper before forming the band Winger which recorded several successful albums in the late 1980s. The band disbanded in 1995 only to reunite in 2001. They immediately began to win fans back with non-stop touring and in 2014 released their highly anticipated sixth studio album called Better Days Comin.
Called “one of the best writers of the past three decades” by Classic Rock Magazine, the live and unplugged show in Rome will showcase Kip Winger as a solo artist. During the band’s break, Kip focused on expanding his own talents in a unconstructed way, composing and arranging music that didn’t fit any genre. “It was incredibly freeing to connect to music without any preconceived ideas about what it needed to be or what niche it needed to fill.” Exploring his talents led to hit compositions like “This Conversation seems like a Dream,” “Songs from the Ocean Floor,” “From the Moon to the Sun” and “Ghosts,” which featured a string orchestra. piano and harp.
To keep the concert up close and personal, setting is limited and RESERVED. Tickets are on sale now and can be purchased here.
Terrorbyte performed an epic Halloween show at The Lost Horizon in Syracuse last night. Performing most of their catalog, fans were treated to an excellent set with high energy and some chaos.
They took the stage dressed in their usual masks as a taser got the crowd fired up into a frenzy, chanting “TERRORBYTE” as some of the members began climbing up on the wall. Their stage presence will just draw you in as there is so much going on at once. Whether it’s one of the members tasering another, or someone hanging from the ceiling – there is always something crazy happening at a Terrorbyte show.
Playing roughly an hour, their set was non-stop, high energy, “in your face” metal. There was little break in between songs as the band flowed so well, only stopping a couple of times to give some insight into their songs. “Gravitational” was dedicated to a late friend of the singer, and he took some time to speak on dealing with issues of depression and suicide.
Finishing up their set, the crowd demanded another song as everyone in the venue was chanting, “One more song!” Terrorbyte obliged and performed a crushing version of “Shooting Star” which had everyone going nuts.
Terrorbyte is a “must see” band based out of Syracuse that has made some huge waves in the metal word. During the performance of the show, Terrorbyte mentioned their upcoming album which has been highly anticipated, is currently being worked on, and expected to be released in the near future.
IDLES released their heavily acclaimed LP, Joy as an Act of Resistance, back in August 2018, and the band has been on a meteoric rise ever since. Before the official release, IDLES were playing the intimate Rough Trade NYC, and this past week saw the boys from Bristol playing their biggest headlining show to date at Terminal 5.
This leg of the tour wrapped up with four shows in the Northeast, all supported by Preoccupations, who also released an excellent album last year, New Material. Their moody post-punk was a perfect appetizer to the show. The nine-song set spanned all four of the band’s LP releases and included both New Material singles, “Espionage” and “Antidote.” The set finished on a heavy, psychedelic note with a lengthy rendition of “Select Your Drone.”
The moment Preoccupations left the stage, the buzz in the room skyrocketed. The anticipation was humming from the crowd as they shouted “We Want IDLES!” The crew was trying to ready the stage. From the moment the lights dimmed, until the last notes were played, the crowd was fully engaged, sending a steady stream of crowd surfers toward the stage. Several times guitarists Mark Bowen and Lee Kiernan took their turns stage-diving and floating atop the crowd all without skipping a beat.
Regardless of how animated and aggressive both the audience and band seemed (there was a ‘wall of death’), the central message from the band’s music was never lost: compassion for everyone and community. From frontman Joe Talbot thanking security for the job they were doing, to the various messages of inclusion and respect in many of their songs, this sentiment was prominent throughout the night.
IDLES seemed to be racing through their 16 song set, but that was just a testament to the enormous energy behind their performance. Forgoing an encore, Preoccupations joined IDLES on stage to take part in a chaotic rendition of “Rottweiler,” with the drum set slowly being torn apart and cymbals crashing all over the stage.
Photo by: Buscar Photo (www.buscarphoto.com)
The band has also just announced a new live album, A Beautiful Thing: IDLES Live at Le Bataclan, recorded in Paris in December 2018 and out officially December 6, 2019. The live album includes tracks from both of the bands studio LPs, and is a self-contained statement about unity and love. The band will be playing shows in the UK in December, with festival appearances scheduled for next Spring.
Framing Hanley will be headlining SMACK Fest 2019 – Halloween Edition on October 26th at the S.I. Hall at the NYS Fairgrounds.
Framing Hanley, who shot to fame with their cover of Lil Wayne’s “Lollipop” will be joined by some of the best metal bands CNY has to offer.
The full lineup for SMACK Fest is as follows:
– Framing Hanley – Skinbound – Murder In Rue Morgue – Less Than Hate – Obdura – Damon Larus – Kilter – Level VII – The Burned Out Suns – Northwoods Wendigo
Doors open at 3pm – Show starts at 4pm All ages show. Under 18 must be accompanied by an adult $5.00 additional fee at door for Under 21
Tickets can be purchased HERE. PreSale Tickets are $15.00 ($20 day of show). Costume Contests with prizes will be awarded.
The Tony Award-winning Broadway musical Bandstand will roll out a coast to coast tour starting October 25 in Oklahoma City, OK. This tour comes after this smash- hit spent 2017 on Broadway. During the residency it was nominated for three Tony Awards and snagged the Tony for Best Choreography.
“THE SHOW DEFIES YOU NOT TO BE MOVED”
Time Out New York
The vibrant musical, Bandstand, shows how one can heal through music and dance, written by Robert Taylor (book and lyrics), Richard Oberacker (music) and directed by three-time Tony winner Andy Blankkenbuelher (Hamilton choreography). The plot features World War II veteran Donny, fresh from the front lines, as he returns home to be a songwriter. When this proves difficult, he forms a group to compete in the NBC bandstand contest. Using a peppy outlook and upbeat music, Bandstand delves into the challenges faced by our service men and women upon returning. This is a story that stretches across many decades.
Photo by Michael Pool
Along the way Bandstand will make stops in various New York cities. Included is The Stanley Theater in Utica, Proctors in Schenectady and the Tilles Center for the Performing Arts in Greenvale. Tickets are on sale now through the musicals website. Check out the additional tour dates below.
BandStand Tour Dates: 2019-2020
Oct.25-26 – OCCC Visual and Performing
Arts Center Theater – Oklahoma City, OK
Oct.29-30 – Rudder Auditorium – College Station, TX
Nov.1 – Popejoy Hall – Albuquerque, NM
Nov.2-3 – Civic Center Auditorium –
Amarillo, TX
Nov.4 – Bicknell Center for the Arts –
Pittsburg, KS
Nov.5 – Chapman Music Hall – Tulsa, OK
Nov.6 – Abilene Convention Center –
Abilene, TX
Nov.7 – Cowan Center – Tyler, TX
Nov.8 – Lutcher Theater – Orange, TX
Nov.9 – The Grand 1894 Opera House –
Galveston, TX
Nov.11-12 – Washington Pavilion – Sioux
Falls, SD
Nov.13 – Civic Center – Bismarck, ND
Nov.16-17 – Hult Center for the
Performing Arts – Eugene, OR
Nov.19-20 – Granada Theater – Santa
Barbara, CA
Nov.21-24 – Fred Kavli Theatre –
Thousand Oaks, CA
Dec.3-4 – Pikes Peak Center – Colorado
Springs, CO
Dec.6-8 – Orpheum Theatre – Phoenix, AZ
Dec.11 – Orpheum Theatre – Sioux City,
IA
Dec.12 – Juanita K. Hammons Hall –
Springfield, MO
Dec.13-14 – Civic Center – Des Moines,
IA
Dec.15 – Gallagher-Bluedorn Performing
Arts Center – Cedar Falls, IA
Dec.16 – River Center Adler Theater –
Davenport, IA
Dec.17 – Yardley Hall – Overland Park,
KS
Jan.3-5 – Von Braun Center Concert Hall
– Huntsville, AL
Jan.7 – Paramount Arts Center – Ashland,
KY
Jan.8 – Honeywell Center – Wabash, IN
Jan.9-12 – Stranahan Theater – Toledo,
OH
Jan.14-16 – Century II Performing Arts
Center – Wichita, KS
Jan.17-19- Lied Center for Performing
Arts – Lincoln, NE
Jan.21 – Grand Theater – Wausau, WI
Jan.22 – Bloomington Center for the
Performing Arts – Bloomington, IL
Jan.23 – Niswonger Performing Arts Center
– Van Wert, OH
Jan.24-26 – Morris Performing Arts
Center – South Bend, IN
Jan.27 – Emens Auditorium – Muncie, IN
Jan.29 – Givens Performing Arts Center –
Pembroke, NC
Jan.30 – Clayton Center for the Arts –
Maryville, TN
Jan.31 – Charleston Gaillard Center –
Charleston, SC
Feb.1-2 – Oxford Performing Arts Center
– Oxford, AL
Feb.4-5 – Van Wezel Performing Arts Hall
– Sarasota, FL
Feb.6 – Alan Jay Wildstein Center for
the Performing Arts – Avon Park, FL
Feb.7-8 – The Sharon L. Morse Performing
Arts Center – The Villages, FL
Feb.9 – Mainstage Theater – Niceville,
FL
Feb.10 – Lafon Performing Arts Center –
Luling, LA
Post-rockers Explosions In The Sky embarked on a nationwide tour which brought them to Asbury Hall in Buffalo for only the second time in their career. After 20 years of making music, the band’s only other appearance in Buffalo was at the Tralf in 2008.
Setlist: A Song for Our Fathers, The Birth and Death of the Day, The Only Moment We Were Alone, Greet Death, Yasmin the Light, Have You Passed Through This Night?, Disintegration Anxiety, Your Hand in Mine, Magic Hours, Catastrophe and the Cure, Colors in Space.
Update 11/27/19: Per an email this week, this event is cancelled. The official statement reads:
Unfortunately, the Museum at Eldridge Street has cancelled the December 1 Greg Wall concert to benefit the Museum due to unforeseen circumstances. We will notify you when the event is rescheduled.
Saxophonist and composer Greg Wall, a staple on the downtown avant-garde jazz scene since the early 1990s, celebrates his 60th birthday with a benefit concert in the stunning historic sanctuary of the Museum at Eldridge Street on Sunday, December 1 at 3 p.m. Wall will perform with his longtime working bands including: Zion80, Hasidic New Wave, Portal, Klezmerfest, and Greg Wall’s Later Prophets, as well as the Ayn Sof Arkestra and Bigger Band which returns for this concert. Proceeds will benefit the Museum.
A leading figure in the Jewish music scene for over thirty years, Greg Wall is a pioneer in blending Jewish music with jazz. After early training under Archie Shepp and Max Roach in Amherst, MA, Wall finished his apprenticeship at New England Conservatory in Boston, studying and performing jazz with Jaki Byard, George Russell, and Jimmy Guiffre, and was part of the Klezmer revival scene at NEC.
After graduation he headed to New York and together with classmate Frank London, helped define the sound of “Jewish Jazz” with groups like Hasidic New Wave, Midrash Mishmash and later, the Ayn Sof Arkestra and Bigger Band, Shechina Big Band, Later Prophets and Zion80. He toured with the late Yosi Piamenta, the “Hasidic Hendrix,” and released several recordings playing original compositions alongside spoken word.
Wall played regularly at the original Knitting Factory locations, Tonic, the Nuyorican Poet’s Cafe, and the Stone, as well as making frequent tours abroad to Europe and Israel, maintaining a parallel career performing classic and mainstream jazz. While on the road, Wall pursued Talmudic study and was ordained as a Rabbi in 2006.
Wall is no stranger to Eldridge Street. In the early- to mid-90s he frequented the venue at a time when the landmark was dilapidated and only beginning to establish itself as in important cultural hub for families, hipsters, artists and religious and secular Jews.
My relationship with the museum goes back almost 30 years, when the restoration of the Eldridge Street Synagogue was the dream of a few determined, hard-working individuals. They never forgot their roots, and simultaneously became an important national cultural icon, while continuing to serve the folks in the neighborhood – It’s my kind of place.
Greg Wall
In 2009, Wall was appointed rabbi at the Sixth Street Community Synagogue in the East Village and continued to exhibit his particular blend of spirituality and avant-garde music with regular performances in the temple’s sanctuary. He was the founding Artistic Director of the synagogue’s Center for Jewish Arts and Literacy, which was an incubator for cutting edge modern music with a Jewish flavor. That practice continued, in 2013, when Wall became rabbi at Beit Chaverim Synagogue, in Westport,CT, where he’s continued to perform regularly his eclectic mix of classical and experimental jazz, Eastern European and African American roots music with a rotating group of influential musicians.
Wall’s latest release is The Book Beri’ah with Zion80, on the Tzadik record label of legendary producer John Zorn. A live recording with jazz pianist Andy LaVerne is scheduled for January, 2020.
The Museum at Eldridge Street is housed in the Eldridge Street Synagogue, a magnificent National Historic Landmark that has been meticulously restored. Opened in 1887, the synagogue is the first great house of worship built in America by Jewish immigrants from Eastern Europe. Today, it is the only remaining marker of the great wave of Jewish migration to the Lower East Side that is open to a broad public who wish to visit Jewish New York. Exhibits, tours, cultural events and educational programs tell the story of Jewish immigrant life, explore architecture and historic preservation, inspire reflection on cultural continuity, and foster collaboration and exchange between people of all faiths, heritages and interests.
