Category: Regions

  • Stefan Alexander covers Tweet/Missy Elliot classic “Oops (Oh My)”

    NYC-based queer pop artist Stefan Alexander, whose promising initial surge began three years ago with his debut single “Skeleton,” has released a video for his cover of Tweet’s “Oops (Oh My)” feat. Missy Elliot.

    “Back when I was a kid, the song (and the iconic music video) felt so scandalous in the best way possible,” says Alexander. “Now, from an adult perspective, I understand the lyrics to be about self-pleasure and independence, especially for women and femme-identifying folks, who are too often stigmatized for their sexual desire. The message is timeless!”

    Stefan grew up in an artistic household in Northampton, MA playing multiple instruments including cello, piano, guitar and mandolin. While attending NYU’s Clive Davis program, he formed a folk band opposite pop singer Phoebe Ryan. In the NYC folk clubs, Stefan honed his songwriting and vocals, realizing his strengths as a pop musician. Stefan soon began collaborating with producers Elliot Jacobson (Verité, Elle King) and Andrew Horowitz (John Legend, Janelle Monae) to discover his sound.

    With his smooth as silk vocals laid over a very stylized R&B bed, Stefan switches up the perspective, tackles the track, and posits it in a very modern take, while maintaining all of the flavor. Replacing the sparse Timbaland production with a more synth-driven texture, he embraces all of Tweet’s sensual delivery and turns up the heat, making the song more intimate and seductive.  

    Tackling such an iconic song is no easy feat, and Stefan told Stitched Sound, “I tried to modernize the song with some more current production, but I wanted to stay true to the original as much as possible. The most important thing was to keep the sensuality of the original, so hopefully that comes through.”

    Although his career trajectory was cut short when he succumbed to a mysterious pain disorder (Central Sensitization Syndrome) that made it impossible for him to perform music, much less most physical activity, Stefan has picked up where he left off. He is using his platform to speak honestly about his chronic illness and hopes his story can inspire others to overcome whatever challenges they may be facing in their lives.

    Back in the ring, Alexander released the much-lauded EP Thunderclap earlier this summer, signaling his return to form, of which The New Nine said, “An emotional pop masterpiece that will get stuck in your head but also make you cry if you let it sneak up on you.”

    Stefan plans to release his second EP in early 2020, with more music coming throughout the spring and summer.

  • Hearing Aide: Full Body ‘Always There’

    Full Body is a Rochester-based rock band that has been making music that fits their name. The band’s deep brand of gangly rock is unique and rounded, tying in elements of shoegaze and post-rock to make something in the realm of noise rock. Their most recent release, Always There, cements their sound in a well produced record. The band is composed of Dylan Vaisey, Jack Chaffer, and Jacob Kotler. Full Body has been navigating the local scene with a sound that stands out, relentless in their writing of melancholy and bittersweet music. 

    The album has just eight songs, but is constantly engaging. Each song has a sweet melodious center, but the band fills out the rest with oblique instrumentals. “Hard Drive” is a great example of this, with its lurid opening slowly building out chorus-washed guitars into a vigorous guitar solo. The vocals carry the tune well, though they never really take the spotlight away from the mood the song is conveying. This is the case throughout the album as each song is more a product of its parts.

    The tunes are short and to the point; there’s no meandering and no ideas that feel unfinished. The third track, “Alias,” is a great look at the band’s ability to mesh together different ideas and grooves to create coherent and viable songs. Though each part compliments the others, it should be pointed out that the drumming on this album is stellar and warrants a close look on its own. The deft navigation of song structure in the rhythm section, including bass, adds a lot of thickness to each tune. “Sonic Boom” is another hard hitting song that shows this. 

    Overall, Always There is certainly worth a listen through. It is short, interesting, and very well written by a band that is making their own sound and owning it. Full Body has found a niche, but they are not afraid to break out of that to take creative risks that ultimately pay off. Be on the lookout for Full Body to come to your town, and make sure to support by streaming their music on services such as Spotify and Bandcamp.

     
  • Orchard Lounge, DrFameus and Maŕa set for debut performances at Gramercy Theatre in February

    Chicago-based DJ collective Orchard Lounge return to New York City on Friday, February 7 for their first ever performance at Gramercy Theatre, joined by DrFameus and Brooklyn electronic producer Maŕa.

    Orchard Lounge and DrFameus are no strangers to taking the stage together, most recently sharing the bill and even performing with each other at Cervantes’ Masterpiece Ballroom in Denver. While a rarity that these acts share a bill and stage with one another, they’ll surely be performing together at some point throughout the night.

    DrFameus, the solo electronic music project created by the versatile Disco Biscuits’ drummer Allen Aucoin finds him exploring many musical realms, ranging from breakbeats to drum ‘n’ bass, dubstep, techno and house. The performance is a combination of Allen’s live drumming over his original production and different mixes.

    Maŕa, a Brooklyn-based electronic producer, uses her unassuming demeanor and disarming look “to put listeners on their asses.” As the creator of Brooklyn’s Cultivated Sound, she brought a fresh, unique face to the local techno scene, blending blistering hard beats with synthetic and dulling bludgeoning bass. She exudes a raw sexuality when slamming long blended transitions from smoother minimal techno to “bastardly boosted beats”

    Doors open at 10 PM for this show, with tickets available starting at 10am on Friday, November 8.

  • Caravan of Thieves to perform 2019 Holiday Concert at FTC Stage One

    Folk troubadours Caravan of Thieves will return to stages across North America this winter after taking two years off from touring for personal and artistic growth and they’ll celebrate their return with a holiday concert performance at FTC Stage One on Saturday, November 16. Marking their only show for the remainder of 2019, Fuzz and Carrie Sangiovanni got their start in Bridgeport, CT in 2008 and have continued to expand their artistic vision and bring in a variety of new stringed instrument players into the Caravan of Thieves lineup.

    Originally inspired by the big band swing era, the Quintette du Hot Club de France, and early American folk music, the acoustic guitar playing and singing duo Caravan of Thieves took local musicians Brian Anderson (upright bass) and Ben Dean (violin) out on the road with them to test drive their new concept. By the end of 2008, the Caravan began to gain recognition for their distinctive style, released their debut full-length album Bouquet (2009) and have shared stages with a wide variety of artists such as Emmylou Harris, Dan Hicks, The Decemberists, Keb Mo, Tom Tom Club, Punch Brothers, among others. Live performances cover a wide range of intimate acoustic duets to exciting junk-percussion jams to big audience stomp, clap and sing-alongs.

    According to Fuzz and Carrie, “We’re driven to consistently entertain our audience, in concert and on our studio recordings, which lends to building a community of listeners who can be involved in our show and our creative process in some way, as well as a variety of artists who we can share our vision with. These elements allow our band and our music to be alive and have a soul.”

    Fuzz and Carrie brought in some change for 2016 and went out for a few national tours with new members of the group, releasing a duo album Maple Hill Sessions, Vol 1 (2016), an intimate recording inspired by the recent duo moments in the Caravan of Thieves shows.

    The recharged Caravan will embark on a winter tour with select East Coast dates which have yet to be announced.

  • Alanis Morissette to perform ‘Jagged Little Pill’ at The Apollo Theater on December 2

    Alanis Morissette will perform her seminal 1995 album Jagged Little Pill at the legendary Apollo Theater in Harlem on Monday, December 2. The fully acoustic performance will be followed by a Q&A with Alan Light, co-host of SiriusXM Pandora show Debatable. The one-night only event celebrates the opening week of Jagged Little Pill the Musical at the Broadhurst Theater, with the first performance on Friday, December 5.

    Jagged Little Pill won five Grammys including album of the year. The Broadway version of the album features an original story by Diablo Cody.

    Pre-sale tickets go on sale Thursday, November 7 at 10am – make sure to sign up for the mailing list by Wednesday, November 6 at 5pm to receive a pre-sale code. 

  • Empire State Youth Orchestra Celebrates 40 Years At Troy Savings Bank Music Hall

    Members of the Empire State Youth Orchestra shut down the house with a robust symphony performance of four classical pieces at the Troy Savings Bank Music Hall on Saturday night. As the musicians took to the stage, excitement rose in the room as everyone got ready to celebrate ESYO’s 40th Anniversary Celebration. The crowded room had a diverse audience of young and old, supporting family members and fans of classical music alike. Renowned for its amazing acoustics, the Troy Savings Bank Music Hall served as a perfect venue.

    With as much animation as the small box on which he stood would allow, conductor Carlos Agreda drew exactly what was needed out of the 100 Capital Region middle and high school students sitting on stage. 

    Opening the concert was Dmitri Shostakovich’s ‘Festive Overture OP.96.’ This celebrative piece, while the shortest of the night, was the perfect set up for what was to come. ESYO Alumni Kenneth Olsen took the stage to perform the solo of the four movement ‘Concerto for Violoncello and Orchestra’ by Edward Elgar. Hailing from the Albany area and a graduate of Colonie High School, Olsen feverishly tore through the piece all from memory which brought the crowd to their feet in applause.

    After a brief intermission the audience returned to their seats for the final two pieces. First up was the wildly popular Overture to ‘Die Fledermaus’ by Johann Strauss Jr., bringing another witty and playful piece to the set before the musicians settled in for their most complex piece of the night. The grandeur sounds of composer Ottorino Respighi filled the venue as the students undertook the ‘Pines of Rome’ with near perfection. Through four movements, using various melodies and rhythms including a recording of a nightingale, the audience was transported to another time and place.   

    Agreda asked at the beginning of the concert, “Why ESYO? Why should one support the arts?” The smiling faces and teary eyes from nearly every person in the room was answer enough. ESYO provides students a chance at pursuing musical excellence and reminding us all that music speaks where words fail.

    Be sure to check out ESYO’s website for the upcoming 2019-2020 season including their annual Melodies of Christmas at Proctors Theatre in Schenectady.

    ESYO Upcoming Concert Dates

    Nov. 24 – TBA

    Dec. 6 – Fransworth Middle School – Guilderland, NY

    Dec. 15 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    Dec. 19-22 – Proctors Theatre – Schenectady, NY (Melodies of Christmas)

    Feb. 1 – Crossgates Mall – Albany, NY

    Feb. 12 – Clayton B. Bouton High School – Voorheesville, NY

    Feb. 13 – TBA

    Feb. 27 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    Mar. 9 – UAlbany Performing Arts Center – Albany, NY

    Mar. 29 – UAlbany Performing Arts Center – Albany, NY

    Apr. 1 – Proctor’s Theatre – Schenectady, NY

    Apr. 26 – Troy Savings Bank Music Hall

    May 1 – TBA

    May 2 – Arthur Zankel Music Center, Skidmore College – Saratoga Springs, NY

    May 3 – Brown School – Schenectady, NY

    May 10 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    May 17 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    May 31 – Saratoga Performing Arts Center – Saratoga Springs, NY

    June 20 – GE Theatre at Proctors – Schenectady, NY

  • Sleeping With Sirens Announces 2020 ‘The Medicine Tour’ with Set It Off, Belmont and Point North

    Pop – punk group Sleeping With Sirens will set off on a 21 stop North American tour in 2020 to celebrate  the release of their new album “How It Feels To Be Lost.” Joining “The Medicine Tour” starting in Lincoln, Nebraska on Jan. 8 will be alternative rockers Set It Off, Belmont and Point North. Along the way, they will make a stop at Upstate Concert Hall near Albany on Febr. 4 before ending the tour a few days later in their current residence of Grand Rapids, Michigan.

    How It Feels To Be Lost is Sleeping With Sirens’ fifth full-length studio album since emerging onto the scene in 2010. Returning to a post-hardcore sound, the  record features tracks like “Leave It All Behind,” “Break Me Down,” and “Agree To Disagree,” as well as the track appropriately titled “Medicine (Devil in My Head).” Recorded at the MDDN Studios in Los Angeles, the album was produced by Zakk Cervini and Matt Good.

    The group’s daring ability to push the envelope in rock has pumped out music infused with different genres from pop, acoustic and some R&B. A loyal fan base known as “Strays” has helped them reach over 1.5 million in record sales, millions of streams and three gold singles. Tickets for “The Medicine Tour” go on sale Friday, Nov. 8, at the group’s website.


    Sleeping With Sirens, Set It Off, Belmont + Point North 2020 Tour Dates

    Jan. 8 – Bourbon Theatre – Lincoln, NB
    Jan. 10 – The Forge – Chicago, IL
    Jan. 11 – Skyway Theatre – Minneapolis, MN
    Jan. 12 – Granada Theatre – Lawrence, KS
    Jan. 14 – Summit Music Hall – Denver, CO
    Jan. 15 – The Depot – Salt Lake City, UT
    Jan. 17 – House of Blues – Las Vegas, NV
    Jan. 18  – Regency – San Francisco, CA
    Jan. 20 – Encore – Tucson, AZ
    Jan. 22 – House of Blues – Dallas, TX
    Jan. 23 – White Oak Music Hall – Houston, TX
    Jan. 25 – The Masquerade – Atlanta, GA
    Jan. 26 – The Cowan – Nashville, TN
    Jan. 28 – Union Transfer – Philadelphia, PA
    Jan. 30 – Starland Ballroom – Sayreville, NJ

    Jan. 31 – Soundstage – Baltimore, MD
    Feb. 1 – Palladium – Worcester, MA
    Feb. 4 – Upstate Concert Hall – Albany, NY
    Feb. 5 – Phoenix Concert Theatre – Toronto, Ontario
    Feb. 7 – The Crofoot – Detroit,MI
    Feb. 8 – The Intersection – Grand Rapids, MI

  • Everyone Orchestra with Robert Randolph, Vernon Reid, Turkuaz horns and more to perform at Garcia’s on November 17

    On Sunday, November 17, Everyone Orchestra, conducted by Matt Butler, will welcome a cadre of musicians for a performance at Garcia’s at The Capitol Theatre in Port Chester, NY.

    everyone orchestra garcia's

    Butler will bring with him sacred steel guitarist Robert Randolph, Vernon Reid (Living Colour), Claude Coleman Jr. (Ween), George Gekas (The Revivalists), Josh Schwartz and Chris Brouwers (Turkuaz), along with Asbury Park’s Remember Jones.

    If you’ve never caught Everyone Orchestra, let alone a Sunday show at Garcia’s, this performance couldn’t be better timed.

    https://www.youtube.com/watch?v=h0LiV_5NWig
  • In Focus: Turkuaz Skates Into Buffalo

    The calendar may have turned to November but the Halloween spirit was strong in Buffalo with Turkuaz dressing up in celebration of our neighbors’ to the north national pastime, ice hockey! Sammi Garett and Shira Elias even dropped their gloves and staged a hockey fight that had to be broken up by referee Chris Brouwers to the delight of the packed crowd at the Town Ballroom.

    Setlist: Nightswimming, Doktor Jazz, Make You Famous, Heat Drop, If I Ever Fall Asleep, E.Y.E., Mister Man, Digitonium, Big Business > Murder Face, Take ‘Em Down, Every1’s A Winner > Superstatic, Better Get Ready > Lookin’ Tough, Feelin’ Good, Gogo Mr. Dodo, The Shape I’m In
    Encore: Monkey Fingers

  • Salt City Blues Concert Returns to Syracuse

    The annual Great Salt City Blues Concert makes its return to Syracuse on Friday, Dec. 27at 7:30 p.m. The event—being held at The Palace Theatre—is a yearly extravaganza that celebrates great blues artists. This year’s theme is to pay tribute to five legends of the genre, where current musicians will be honoring greats of the past. The honorees consist of, Albert Collins, Freddy King, Big Mama Thornton, Slim Harpo and Memphis Minnie.

    The participating musicians include:

    Austin John Doody, Mark Gibson, Tas Cru, Mike DeLaney, Bill Barry, Pete McMahon, Ross Moe, Jerry Neely, Mikal Serafim, Diana Jacobs, Curtis Waterman, Bob Purdy, Ron Spencer, Cathy LaManna, Dunham Hall, Jimmy Wolf, Jane Zell and Dawna Zahn.

    Advance sale general admission tickets will be sold for $25 and can be purchased at Soundgarden in Armory Square & The Palace Commons, while tickets at the door on the night of the show will be $35.

    Tickets for the Salt City Blues Concert can be purchased online through Brown Paper Tickets.

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