New Jersey folk-punk duo The Front Bottoms have been forced to cancel a string of shows this week due to Brian Sella’s emergency appendectomy on Monday.
According to a post on the band’s Twitter feed, the surgery went well but the band was unfortunately forced to cancel all dates scheduled for this week, including one in Amityville on Thursday and Albany on Saturday while Sella recovers.
Last night Brian was diagnosed with appendicitis and was rushed into emergency surgery. Luckily, the surgery went well. Unfortunately we need to cancel this weeks shows as Brian needs time to recover. All refunds are available at point of purchase. Hope to see ya at Champagne Jam pic.twitter.com/APUZ9DKIot
Refunds for the shows are available at point of purchase. The Front Bottoms are next scheduled to perform at their annual curated Champagne Jam at the Fillmore Complex in Philadelphia on Dec. 21. This year’s event is sold out.
Phish’s Fall Tour rolled into Long Island on Sunday with an appearance at Nassau Veterans Memorial Coliseum, a building they hadn’t played in almost 17 years. While this Sunday show may not have reached the level of the esteemed February, 28, 2003 show, one of the more venerable shows in Phish history and they last time they played here, it still delivered two robust sets of music filled with old classics, bustout covers, intricate jams and a nod to the past. Check out NYS Music’s photo gallery of all the fun below.
Phish 12/1/19 Nassau Veterans Memorial Colisuem
Set 1: Ghost > Rift, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > The Wedge, Martian Monster > Timber (Jerry the Mule) > Cool it Down > Roggae > Poor Heart > Tube > Character Zero
Set 2: Everything’s Right > Down with Disease -> Cities > Carini > Ruby Waves > Twenty Years Later > Backwards Down the Number Line > Say it to Me S.A.N.T.O.S.
Encore: Roses are Free > Slave to the Traffic Light
Nick Granelle, a vocalist from Long Island, gathered Bronx rapper Evan Lesoule and NYC based singer/songwriter Lillimure together in order to create his new single “Transformation.” Released on Friday, November 1, the track starts as a beat created by Jade Aubertin, utilizing a kalimba in place of a hi hat, and various unconventional percussion instruments, as well as 808 to make the track fall into amorphous categories. From there, Granelle created a multifaceted track with recorded vocals by Lesoule.
Some flavors that come to mind when listening to the track are world, pop, and hip-hop, all mixed together with ethereal female vocals, and features an uptempo ambience packed with many elements. The music video is dark, industrial and hectic, using both vintage and modern contrasting shots.
The Black Crowes announced tour dates on Monday to celebrate the 30th anniversary of the band’s debut album Shake Your Money Maker. The tour will see the Robinson brothers visiting amphitheaters across the country beginning June 17 in Austin performing their debut album in its entirety along with select hits.
Chris and Rich Robinson appeared on Monday’s Howard Stern show to make the tour announcement. The extensive tour makes stops at Bethel Woods, Jones Beach, Saratoga and Darien Lake in New York and wraps at the Forum in Los Angeles on Sept. 19.
The Black Crowes
While this is being billed as a Black Crowes reunion, the brothers Robinson will not be performing with any of their former bandmates on this tour. Joining the Robinsons in the band are Isiah Mitchell (guitars), Tim LeFebvre (bass), Joel Robinow (keyboards) and Ojha (drums). The band last performed in 2013 with each of the brothers forming their own bands in the meantime.
Tickets are on sale now. For information, visit the Black Crowes website here.
June 17 – Austin360 Amphitheater – Austin, TX June 19 – Dos Equis Pavilion – Dallas, TX June 20 – Cynthia Woods Mitchell Pavilion – Houston, TX June 23 – BOK Center Tulsa, OK
June 24 – Walmart AMP – Rogers, AR June 26 – Oak Mountain Amphitheater – Birmingham, AL June 27 – Cellairis Amphitheater at Lakewood – Atlanta, GA June 30 – Coral Sky Amphitheatre – West Palm Beach, FL July 1 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre July 3 – PNC Music Pavilion – Charlotte, NC July 4 – Coastal Credit Union Music Park at Walnut Creek – Raleigh, NC July 7 – Ascend Amphitheatre – Nashville, TN July 8 – Ascend Amphitheatre – Nashville, TN July 10 – Veteran United Home Loans Amphitheater – Virginia Beach, VA July 11 – Jiffy Lube Live – Washington, DC July 14 – BB&T Pavilion – Camden, NJ July 15 – Bethel Woods Center for the Arts – Bethel, NY July 17 – PNC Bank Arts Center – Holmdel, NJ July 18 – Northwell Health at Jones Beach Theater – Wantagh, NY July 21 – Bank of New Hampshire Pavilion – Gilford, NH July 22 – Xfinity Center – Boston, MA July 24 – Xfinity Theatre – Hartford, CT July 25 – Saratoga Performing Arts Center – Saratoga Springs, NY July 28 – Budweiser Stage – Toronto, ON July 29 – DTE Energy Music Theatre – Detroit, MI July 31 – Darien Lake Amphitheatre – Buffalo, NY Aug. 1 – KeyBank Pavilion – Pittsburgh, PA Aug. 13 – Xcel Energy Center – Minneapolis, MN Aug. 15 – Hollywood Casino Amphitheatre – Chicago, IL Aug. 16 – Ruoff Home Mortgage Music Center – Indianapolis, IN Aug. 18 – Blossom Music Center – Cleveland, OH Aug. 20 – Riverbend Music Center – Cincinnati, OH Aug. 23 – Hollywood Casino Amphitheatre – St Louis, MO Aug. 26 – Providence Medical Center Amphitheater – Kansas City, MO Aug. 28 – CHI Health Center – Omaha, NE Aug. 30 – Red Rocks Amphitheatre – Denver, CO Sept, 1 – USANA Amphitheatre Salt Lake City, UT Sept. 4 – White River Amphitheatre – Seattle, WA Sept. 5 – Sunlight Supply Amphitheater – Portland, OR Sept. 8 – Concord Pavilion – Concord, CA Sept. 9 – Shoreline Amphitheatre – Mountain View, CA Sept. 11 – MGM Grand Garden Arena Las Vegas, NV Sept. 12 – Ak-Chin Pavilion Phoenix, AZ Sept. 18 – North Island Credit Union Amphitheatre – San Diego, CA Sept. 19 – The Forum – Los Angeles, CA
Legendary hip-hop artist Chuck D – born, Carlton Douglas Ridenhour – will be honored with the Woody Guthrie Prize, on November 16, at Cain’s Ballroom in Tulsa, Oklahoma. The Queens-bred emcee is known for his politically conscious lyrics, which he’s used to help spread awareness about the many injustice’s minorities face.
Ridenhour, an Adelphi University graduate, as well as the recipient of an honorary doctorate, began his rap career as a member of iconic hip-hop group, Public Enemy. Their 1988 sophomore album, It Takes a Nation of Millions to Hold Us Back, is not only considered a rap-classic, but standout records like “Rebel Without a Pause,” and “Night of the Living Basehead,” set the standard for politically conscious music.
Throughout his career, the Rock & Roll Hall of Famer has made it a point to address social-political issues facing the African American community, whether it be through his solo work, his contributions to Public Enemy and rap-rock supergroup, Prophets of Rage (alongside members of Audioslave, Rage Against the Machine and Cypress Hill emcee, B-real).
The Woody Guthrie Prize is awarded to artists who use their art to speak up for the less fortunate. It is presented in honor of American folk singer Woodrow Guthrie. Other recipients of the award include, gospel singer Mavis Staples, folk singer and activist Pete Seeger, and television producer, Norman Lear, who produced sitcoms such as, Sandford and Son, The Jeffersons, and Good Times.
“We are honored to recognize Chuck’s work as he shines a light on social and cultural issues through his words and encourages us all to take action for equality and justice. We know that Woody would be rapping right alongside him as he speaks truth to power,” said Deana McCloud, director of the Woody Guthrie Center, according to the official website of the Woody Guthrie center.
Tickets to see the presentation of the Woody Guthrie Prize and a discussion with Chuck D are available here.
Syracuse shoe-gazers Trench has announced a series of November dates that sees the band hitting up venues throughout the Northeast. The tour kicks off in the band’s hometown at the legendary Lost Horizon on Nov. 9.
Joining Trench at the Lost Horizon show are Rochester’s The Joke’s on Us, Boston’s reprieve., and Syracuse’s Buggin’ Out and The Same Page. Tickets for the 6:30 p.m. show are available now through Ticketweb. Advanced sale tickets are $10. Tickets the day of the show are $12.
Trench formed in 2015 when Chris Reilly (guitar/vocals) and Roberto Becerra (bass) got together. They were soon joined by Ron Ballweber (guitar) and Dan Sanborn (drums) to round out the band. They released their debut EP Sun Soaked on Flesh and Bone Records in 2016 and followed it up touring with Nothing, Thrice, Basement, and Silversun Pickups.
Their second release, 2018’s genre-spanning Ritual Love has the band visiting spaces that include post-rock, shoegaze, post-hardcore and dream pop. Speaking about the album, Reilly states, “The most important thing when writing music is to be honest and genuine, and I think we accomplished that both musically and lyrically on this record.” Ballweber adds, “We never write a song and say that isn’t ‘us.’ When you write honestly and without a conscious influence or direction then everything you create is sincere.”
Trench is part of a growing Syracuse alternative scene that includes artists such as Mattydale Music Collective, Late Earth, Lucky33, Atkins Riot, Major Player, Lily Grave and Outside Voices. Reilly, speaking to Rochester alternative culture magazine Floated recently said of the scene, “I feel like the community is stronger than it’s been in a long time…It doesn’t feel like a competition. Everyone’s moreso contributing in building a community.”
On June 15, 1972, Jeff Curtis went to see Led Zeppelin perform at the Nassau Coliseum on Long Island, and he would leave with a guitar case belonging to Jimmy Page and hold onto it for 47 years.
The case, an original Liften guitar case, famously came with 1958-1960 Gibson Les Paul guitars. While only about 1,500 Sunburst Les Paul guitars were made during this time period, they are regarded as the most prized and demanded guitars by rock musicians and known for their incredible tone. Such notables who played and recorded with 1958-1960 Les Pauls include Jimmy Page, Eric Clapton, Slash, Jeff Beck, Keith Richards, and many other guitar gods.
The case can be seen on the inside cover of Led Zeppelin IV
Jimmy Page owns two of them, but his favorite is his 1959 Les Paul sold to him by Joe Walsh around 1969. Jimmy recorded pretty much all of his iconic Led Zeppelin songs with that guitar, starting with Zeppelin’s second album. Page used a telecaster on the first album before he acquired his ’59 Les Paul.
via LedZeppelin.com
That summer, Led Zeppelin was in the middle of their eighth U.S. tour, and two heavy nights at Nassau Coliseum served as the final East Coast dates of the summer. After the show, Mick Hinton, John Bonham’s drum tech, who Jeff had met the year before at Madison Square Garden, invited Jeff to the stage after the show. Jeff was in the stands behind the stage and shouted to Mick, “How do I get down there?”
Hinton picked up and tossed a guitar case belonging to the Led Zeppelin guitarist to Jeff, who then walked down, past two security checkpoints with the case in hand, up onto the stage, and handed it back to Mick. For years, the case was “hidden under a pile of junk deep in an attic” as Curtis shared with NYS Music. Living in Westbury, Curtis is a guitarist who can be found at open mic nights across Long Island and has performed in Hawaii, California and Sweden.
Curtis shared the full story on Facebook how he wound up with the original case, and was recently able to return it to Jimmy. Read below their photo for the full story.
After the few minutes it took to pack up the drums, he says to me, “You can have that.” I was speechless, to say the least! “Where will the guitar go?” He took me over and showed me Jimmy Page’s number one Les Paul guitar in its brand new anvil road case. The case I was given was being discarded that night since its back was crushed and no longer afforded protection to the guitar. Talk about being in the right place at the right time!
So began my decades-long possession of a genuine rock n’ roll artifact. But I also realized from that point onward that it was something I couldn’t talk about. While there have been a small handful of friends over the years who were aware that I had it, I had kept this a deep secret over the past 47 years in fear that someone might either burglarize my house or worse, threaten me in order to steal it. For this reason, I had decided a couple of years ago that I no longer wanted the guitar case.
Despite its certain significant monetary value to a collector, I had also decided that I wouldn’t ever sell it since making money off someone else’s fame is simply against my principles. I decided that I would find a way to personally return it to Jimmy Page. But how to accomplish this? How would I get in touch with the right people to set up a meeting?
Back in July, I went to see the Play It Loud exhibit at the Metropolitan Museum of Art in New York City. Jimmy Page’s number one Les Paul guitar was one of the instruments on display. I got the idea that maybe I could be put in touch with his people via the exhibit’s curator. A few days later, I called the museum and spoke with the curator’s assistant who asked me to send an e-mail with photos, which I did. About two weeks later, I got a call from a gentleman, Perry, who works with Jimmy. He asked to set up a meeting to personally examine the case and take several more detailed photos. About a month later, I received word that Jimmy wanted to meet me and have the case returned.
So, on a beautiful Sunday afternoon in a hotel lounge in New York City, my two daughters, a close friend and I had the pleasure of a 1-hour sit-down and conversation with Jimmy, with him finally getting the guitar case back. When I opened it up, the look on his face was priceless: “What memories this brings back!” “Thank you so much!” In person, he is a genuinely warm and very welcoming gentleman. We talked about Led Zeppelin, he asked about my musical influences, asked my daughters what type of music they enjoyed and various other topics. I gave him copies of both my CDs, which he said he would listen to. He also had brought me a special limited box set edition of Led Zeppelin 2 and signed its book as well as another book I had brought with me. I can honestly say that after the first few minutes, my nervousness completely disappeared and it felt like I was talking with an old friend. Nevertheless, the experience of having had the opportunity to sit down with the very person whose music not only greatly influences my own but also inspired to me to initially pick up and learn to play the guitar almost 50 years ago is something that I will never forget!
Thanks so much Jimmy and thank you Perry! Mission accomplished.
After sitting with Page for an hour, Curtis said of the legendary guitarist, “It was like talking to an old friend.” He continued, “Jimmy was a real gentleman to sit and talk with, not a hint of ego. He asked my daughters about their musical interests, and asked about my influences as well. He made us all feel very comfortable. But it took a week to kind wrap my head around the experience of meeting him for that long.”
This article was originally published by Under the Radar – Covering the Long Island Music Scene and appears as a special to NYS Music. Under the Radar and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene across Long Island. For more, visit BreslauBombers.com.
Hot off their summer tour, Collective Soul is finishing out the year with a series of fall headlining shows. Over the next couple months, they’ll be up and down the coast, from Niagara Falls, Canada and Portland, Maine all the way down through Florida. New York dates include Syracuse on September 28 and Huntington on October 2. Tickets are on sale now.
The setlist for their shows is sure to include songs that span their quarter-century-long catalog, from early works like “Shine,” “December” and “The World I Know,” as well as songs from their recently released tenth studio album, Blood.
“For us, we want to play the hits as we always do, but I think we also want to share the new record with our fans. At 25 years later, we want to say, ‘Hey, we’re still making the best that we can do.’ Right now, I’ve got seven of the new songs in the setlist, and hopefully, on some nights, we can play the whole thing from start to finish. I mean, it’s our 25th anniversary. We’re going at it hard, everyone! We’re going hard.”
– E Roland
Collective Soul Fall 2019 Tour Dates
Sept. 21 – The Wellmont Theater – Montclair, NJ
Sept. 22 – Shippensburg University – Shippensburg, PA
Sept. 24 – Capitol Center for the Arts – Concord, NH
Sept. 25 – Aura – Portland, ME
Sept. 27 – Eastern States Exposition – West Springfield, MA
Sept. 28 – Crouse-Hinds Theater – Syracuse, NY
Sept. 29 – Cabot Theater Beverly – Beverly, MA
Oct. 1 – Ridgefield Playhouse – Ridgefield, CT
Oct. 2 – The Paramount – Huntington, NY
Oct. 3 – Parx Casino – Bensalem, PA
Oct. 5 – Hops and Hogs Festival – Huntersville, NC
Nov. 7 – Niagara Fallsview Casino – Niagara Falls, Canada
Nov. 8 – Niagara Fallsview Casino – Niagara Falls, Canada
Nov. 22 – Hard Rock Live – Orlando, FL
Nov. 23 – Coral Springs Center for the Arts – Coral Springs, FL
Nov. 25 – Maxwell C. King Center for the Performing Arts – Melbourne, FL
Nov. 26 – Van Wezel Performing Arts Hall – Sarasota, FL
Philadelphia’s electro-rock powerhouse Tweed has announced a run of dates for fall 2019. This weekend, Tweed will be at Blue Point Brewery in Patchogue for a free show, and on October 4 they’ll be aboard The Lucille for an NYC Rocks Off boat cruise with New Jersey’s Waiting On Mongo. The band brings their electrifying “Tweed Goes Disco” tunes to the boat cruise and will be welcoming horn-section sit-ins throughout the night. Additionally, Tweed has also added a new member in multi-instrumentalist, Charles Field, to their permanent lineup.
This announcement comes after Tweed’s recent Camp Bisco debut and August co-headline with El Ten Eleven and TOBACCO at Philly’s SENSORiUM Festival. If you missed the recent release of their single, Moves, whichincluded a homemade music video, go and check out the band’s new sound. The official music video will be released in October and their sonically-charged full-length album, Moves, is due to release in November.
Drummer, Joe Vela explains, “We couldn’t be more excited to add Charlie to the band. Chaz is an incredibly talented musician and has been sitting in as a special guest with us for years. It’s been long overdue to get him on tour with us. Charlie will be leveling-up these songs with his violin, guitar, percussion, and vocals and has already contributed to our soon-to-be-released album.”
Sep 14 Blue Point Brewery – Patchogue, NY
Oct 4 Rocks Off Boat Cruise – New York, NY
Oct 5 Beauty in the Backyard – Darlington, MD
Oct 18 Electric Halloween Festival – Millville, NJ
Oct 31 Deer Park Tavern – Newark, DE
November 2 TBA – Philadelphia, PA
November 27 Sprout Music Collective West Chester, PA
Dysfunktone is a four piece jam rock band from Long Island, comprised of Rob Meza (guitar/vocals), Brandon Hanna (guitar/keyboards/vocals), David Wolfsohn (bass/vocals), and Dakota Henry (drums). The group released their first studio effort in 2017 with EP, Illegitimate Business, a mix of funk, rock, soul and rap, that gave the world its first look into the band’s sound. Last month Dysfunktone put out their first full length record, Collective Perspective, which expands on their melting pot sound and gives the world a detailed look at what the group is capable of.
Collective Perspective features a fairly consistent vibe throughout the album, creating this dreamy, sonic landscape that each track seems to relate back to. The music flows, yet is progressive and funky, and lyrical themes deal with different aspects of life that the majority of listeners can relate to.
“Dementia,” is a highlight of the album, with lyrics coming from the perspective of a person dealing with the confusing headspace of dementia, such as: “swim in memories, but always drown, my thoughts are nowhere to be found, my world is upside down.” The musicianship on the track is impressive, melding reggae vibes of the verses with the swirling, psychedelic sounds of the chorus and funky interstitial sections, all crescendoed by a blazing guitar solo that drops the tune into its instrumental counterpart, “Reflection Collection.”
Another highlight is “Hourglass,” which is part of a larger suite of songs that flow into each other, preceded by “Clouded” and “Mirror.” The track features just a handful of verses, and is instrumental for the majority of the song, but the lyrics leave the listener inspired to take hold of their life and make themselves who they want to be. The instrumental section flies through several different musical styles and the tension builds with each shift, with just the last minute of the track bouncing from progressive riff rock to a middle eastern sound and into a heavy metal breakdown -exemplifying that melting pot sound, mentioned before.
The aforementioned “Clouded” is a song worth checking out, melding its laid back, yet dark lyrics with its funky instrumental sections, featuring the best solo on the album.
Collective Perspective as an album is a good representation of Dysfunktone’s sound, merging several different genres together to create an album that takes the listener on a musical journey, though it could improve on one thing. Some of the songs sound a little too similar musically during the lyrical sections, all sharing that flowy sound mentioned earlier, which helps keep the vibe of the album consistent, but leaves the listener kind of tired of that sound by the end of the album. That being said, the album as a whole works well, and the musicianship on tracks like “Toasty” and “Feelin’ Time” is really impressive. The album is definitely worth listening to if you’re a fan of jam rock. Catch Dysfunktone at Art Jam 2019 in Whitingham, VT from September 6-8 and purchase Collective Perspective on the group’s Bandcamp here.