NYS Music 20​19

Category: Syracuse

  • Salt City Blues Concert Returns to Syracuse

    The annual Great Salt City Blues Concert makes its return to Syracuse on Friday, Dec. 27at 7:30 p.m. The event—being held at The Palace Theatre—is a yearly extravaganza that celebrates great blues artists. This year’s theme is to pay tribute to five legends of the genre, where current musicians will be honoring greats of the past. The honorees consist of, Albert Collins, Freddy King, Big Mama Thornton, Slim Harpo and Memphis Minnie.

    The participating musicians include:

    Austin John Doody, Mark Gibson, Tas Cru, Mike DeLaney, Bill Barry, Pete McMahon, Ross Moe, Jerry Neely, Mikal Serafim, Diana Jacobs, Curtis Waterman, Bob Purdy, Ron Spencer, Cathy LaManna, Dunham Hall, Jimmy Wolf, Jane Zell and Dawna Zahn.

    Advance sale general admission tickets will be sold for $25 and can be purchased at Soundgarden in Armory Square & The Palace Commons, while tickets at the door on the night of the show will be $35.

    Tickets for the Salt City Blues Concert can be purchased online through Brown Paper Tickets.

  • Hearing Aide: Mike Powell & The Black River ‘Gypsy Winnebago’

    Mike Powell and the Black River are set to release their second full-length studio album, Gypsy Winnebago. The album was recorded in the band’s loft, The Family Room, overlooking Armory Square in Syracuse over the course of the summer and features contributions from two new band members.

    Joining Mike Powell (guitar/vocals), John Hanus (guitar), Joe Bell (bass) and Dom Scicchitano (drums) on this outing are Brian Lauri (keyboards) and Jason “Jocko” Randall  (percussion).

    The ten-song album reveals a band coming into its own following its 2018 release Classic Universe. A few years under their belt and a series of weekly residencies at Downtown Syracuse’s King of Clubs has helped this band to really grow as a unit. Powell’s songwriting on this album is some of his best.

    Gypsy Winnebago

    The most apparent difference between this record and their first is the vocal harmonies. “I had a long conversation with the band and emphasized how much I felt these songs needed more voices,” says Powell. “There’s something really powerful about human voices singing one message together. The guys obviously have great ears so they grabbed ahold of the harmonies right away and it really brought these songs to life.”

    Fans who have attended the “Thursday Night Rock Show” residencies at King of Clubs have witnessed the band’s progression from a blue-eyed soul band, as exhibited on the debut Classic Universe to a well-rounded rock band with jamband tendencies. This transition can largely be attributed to the addition of Lauri and Randall.

    Many of the songs included in this collection are not new to the die-hard Black River fan. Bandleader and lead songwriter Mike Powell and his partner John Hanus have been performing songs such as “Gone Too Far” and “Moonlight, Sunshine, and Rain” in front of audiences for several years. These songs have also been incorporated into the full band sets as well yet they still reveal a freshness on this recording.

    Gypsy Winnebago
    John Hanus & Mike Powell

    The production of Gypsy Winnebago showcases the individual members of the band, particularly drummer Dom Scicchitano and relative newcomer (to The Black River at least) Brian Lauri on keyboards.  Lauri is also a member of the Syracuse-based roots-reggae band Root Shock.

    Lauri uses his synthesizer to transport the listener back to the ’80s at times, especially in “When I Was a Fire.” The Cars’ Greg Hawkes and Genesis’ Tony Banks would approve.

    “CAW” is a recent composition that can’t help but be influenced by the band’s frequent opening slots for the Canadian surf/spaghetti western/psychedelic rockers The Sadies. John Hanus’s guitar, paired with Scicchitano’s galloping drums and Powell’s haunting whistling transports the listener to the old west, one of Powell’s frequent lyrical destinations.

    In short, Gypsy Winnebago is an album that exhibits a maturing band that should garner some attention for The Black River from critics and fans alike. The album will be released on Friday through all the major streaming platforms. It can be preordered here.

    Key tracks: CAW, Renegade Rhythm, Finer Things

  • In Focus: Aqueous and Lespecial kick off Fall Tour in Syracuse

    Aqueous and Lespecial kicked off their Fall Tour on Thursday, October 24 in Syracuse at the Westcott Theater, playing to a full house with two sets stuffed with prog-rock and jammy goodness.

    Check out a gallery of the night below, and don’t miss the Aqueous and Lespecial when they perform at Putnam Place in Saratoga Springs on Saturday.

    Lespecial setlist: Snell’s Fleet, Fruit Wolf Dance, Jackwise, Onlookers, The Vessel, Machine Elf, Tonberry*, T Mobil
    *first time played

    Aqueous setlist:
    Set One: What’s the Connection?1, How High You Fly, Be the Same, Numbers and Facts2, Dammit, Eon Don2 > Timmy’s Blades > Pseudo Suicide3 > Eon Don

    Set Two: Dave’s Song4 > Skyway5, Jealous, Complex Pt. I2 > Wandering2 6 > Complex Pt. II

    Encore: Origami7

    NOTES:
    1 Rebel Rebel (David Bowie) teases
    2 New arrangement
    3 I’ll Be There For You (Rembrandt’s) tease
    4 Let’s Go Buffalo quote
    5 Purple Haze (Jimi Hendrix) teases
    6 BUSTOUT: LTP 2018/4/21 (111 shows)
    7 Rastaman Chant (Bob Marley) teases

  • In Focus: Ghost Spooks “Death” In Syracuse

    Sweden’s enigmatic hard rock band, Ghost, and Texas based, Nothing More brought The Ultimate Tour Named Death to The Oncenter War Memorial Arena in Syracuse, NY as part of their North American Tour.

    Nothing More always puts on a fantastic show whether you’ve seen them once or ten times. Every performance is extremely high energy that seems like organized chaos, and this event proved no different. Frontman Jonny Hawkins took to the stage in his hoodie and began scaling up the iconic Scorpion Tale. With deep red stage lighting the remaining band members took to the stage before opening up with the explosive track “Let ’em Burn.”

    While only having a nine-song set, Nothing More played some of their major heavy hitters. “Don’t Stop,” “Go To War” and “This Is The Time” were all performed with an incredible amount of energy alongside more emotive numbers like “Jenny,” which is a song about Hawkins sister and the struggle with addiction. “Fade In/Fade Out,” one of Nothing More’s most powerful songs was performed beautifully, which had many members of the audience tearing up.

    Highlights from their set was a cover of the Skrillex track “Equinox,” mashed up with Queen’s “We Will Rock You” making for a pleasantly surprising and epic performance. Jonny Hawkins went absolutely nuts rocking back and forth on top of the Scorpion Tale drenched in sweat.

    Ending their set with “Burn The Witch,” was the most memorable part of their performance, having all members of the band play an epic drum solo in sync together. Hawkins went absolutely nuts again on the drums, which was the perfect finish for Nothing More’s performance.

    Nothing More set list: Let ’em Burn, Don’t Stop, Go To War, Jenny, Fadein/Fadeout, Ocean Floor, This Is The Time (Ballast), First Of The Year ‘Equinox (Skrillex)<We Will Rock You (Queen),’ Salem (Burn The Witch).

    A Ghost show is kind of like a satanic mass. They started the set with a large black curtain draped in front of the stage while church hymns played. It made you feel like you at a traditional Sunday Mass. That was until the curtain dropped and the bands beautifully designed cathedral set was displayed. White stairs leading up to the drummer and keyboardist were positioned, with a large backdrop of stained glass cathedral style windows with pictures of different era “Papas” displayed.

    As the introduction, “Ashes” began to play the Nameless Ghouls took place on-stage dressed in form fitting black outfits and silver masks as the music transitioned to the beginning of “Rats.” Cardinal Copia made his entrance dressed in his crimson suit.

    Cardinal Copia is one of the most charismatic frontmen in the rock/metal genre, and this was on full display in Syracuse. Six of the 20 songs performed were from the bands latest album, Prequelle, including the singles, “Faith” and “Dance Macabre.” Seven songs were performed from the band’s 2015 album, Meliora. Among those were the hits: “From The Pinnacle To The Pit,” “Cirice,” “Devil Church,” the Grammy winning track “He Is,” and the ‘super heavy, heaviest song we have‘ according to Cardinal Copia, “Mummy Dust.”

    Ghost recently released a two track EP, Seven Inches of Satanic Panic – and performed both tracks “Kiss the Go-Goat” and “Mary on a Cross.”

    From a guest appearance by Papa Nihil on the Saxophone for “Miasma,” to Cardinal Copia riding out a tricycle, the show was filled with dry humor and jokes that flowed so well with the bands performance. Watching Ghost perform is almost like watching a musical.

    Ending the night with “Square Hammer,” Ghost proved once again why they are one of the fastest rising hard rock bands in the world. The stage presence and interactions with the crowd connect on a personal level regardless if they’re playing in a small theater or a massive arena. Ghost is able to combine their stage lighting, fog machines, and the band’s incredible synergy for one fantastic show.

    Ghost Set list: Ashes, Rats, Absolution, Faith, Mary on a Cross, Devil Church, Cirice, Miasma, Ghuleh/Zombie Queen, Helvetesfönster, Spirit, From the Pinnacle to the Pit, Ritual, Satan Prayer, Year Zero, Spöksonat, He Is, Mummy Dust, Kiss the Go-Goat, Dance Macabre, Square Hammer.

    Ghost

    • Ghost
    • Ghost

    Nothing More

  • Aqueous All Set to Kick Off Fall Tour in Syracuse

    Buffalo-based band Aqueous makes the first stop on their extensive fall tour tonight in Syracuse at the Westcott Theater. Comprised of Mike Gantzer (guitar/vocals), Dave Loss (guitar/keys/vocals), Evan McPhaden (bass) and Rob Houk (drums), Aqueous is known for their heavy improvisation and their “near psychic” level of on-stage chemistry. As a band, they are always exploring musically, and there is bound to be some exciting surprises for fans throughout the course of the tour. The band is eager to get back on the road and reconnect with fans after an extremely successful festival season this summer, which included appearances at Peach Music Festival, Summer Camp Music Festival and Cobblestone Live.

    “You can’t beat the intimacy and connection with the crowd during headlining AQ shows at clubs, and we’ve got some big plans for this tour.”

    Mike Gantzer

    Highlights for the upcoming tour include a special “Hero’s Halloween” themed night in Pittsburgh which will also feature a collaboration with Pittsburgh’s own pop/funk horn section, Steeltown Horns. There will be VIP “King For A Day” packages for dates in Chicago and Denver. VIP Packages include early entry to the venue, photo opportunity with the band, a download of the show’s soundboard and limited edition VIP merchandise. Additionally, Aqueous will be making their debut at the famed Capitol Theatre in Port Chester, NY with their Vermont-based frends Twiddle. The tour will close out with a hometown two-night run at the Town Ballroom for New Year’s Eve with Buffalo based band Witty Tarbox. 

    New York and Connecticut-based trio lespecial will be joining Aqueous for a few dates on the tour. Lespecial seamlessly fuses a myriad of genres, veering from hip-hop to metal, prog to house, pensive indie-rock to apocalyptic dub.

    See the full list of tour dates below, and visit the band’s website for ticket information. 

    10/24 – Syracuse, NY – Westcott Theater *

    10/26 – Saratoga Springs, NY – Putnam Place *

    10/30 – Harrisburg, PA – XL Live *

    10/31 – Pittsburgh, PA – Rex Theater *

    11/1 – Baltimore, MD – The 8×10 *

    11/2 – Richmond, VA – Richmond Music Hall *

    11/3 – Virginia Beach, VA – The Bunker *

    11/6 – Raleigh, NC – Pour House *

    11/7 – Atlanta, GA – Aisle 5 *

    11/8 – Asheville, NC – Asheville Music Hall *

    11/9 – Nashville, TN – Exit / In *

    11/10 – Louisville, KY – Gravely Brewing Co. *

    11/13 – Ann Arbor, MI – Blind Pig *

    11/14 – Indianapolis, IN – Hi-Fi

    11/15 – Grand Rapids, MI – Stache @ Intersection

    11/16 – Chicago, IL – Lincoln Hall $

    11/17 – Madison, WI – High Noon Saloon

    11/19 – Saint Paul, MN – Turf Club

    11/20 – Omaha, NE – Slowdown

    11/22 – Denver, CO – Gothic Theatre $

    11/23 – Steamboat Springs, CO – Old Town Pub

    12/6 – Covington, KY – Madison Live

    12/7 – Columbus, OH – Woodlands

    12/30 & 12/31 – Buffalo, NY – Town Ballroom

     * w/ Lespecial

    $ notes dates w/ “King For A Day” VIP Experience Option

  • Terrorbyte Brings Ghosts To The Lost Horizon

    Terrorbyte performed an epic Halloween show at The Lost Horizon in Syracuse last night. Performing  most of their catalog, fans were treated to an excellent set with high energy and some chaos.

    They took the stage dressed in their usual masks as a taser got the crowd fired up into a frenzy, chanting “TERRORBYTE” as some of the members began climbing up on the wall. Their stage presence will just draw you in as there is so much going on at once. Whether it’s one of the members tasering another, or someone hanging from the ceiling – there is always something crazy happening at a Terrorbyte show.

    Terrorbyte

    Playing roughly an hour, their set was non-stop, high energy, “in your face” metal. There was little break in between songs as the band flowed so well, only stopping a couple of times to give some insight into their songs. “Gravitational” was dedicated to a late friend of the singer, and he took some time to speak on dealing with issues of depression and suicide.

    Finishing up their set, the crowd demanded another song as everyone in the venue was chanting, “One more song!” Terrorbyte obliged and performed a crushing version of “Shooting Star” which had everyone going nuts.

    Terrorbyte is a “must see” band based out of Syracuse that has made some huge waves in the metal word. During the performance of the show, Terrorbyte mentioned their upcoming album which has been highly anticipated, is currently being worked on, and expected to be released in the near future.

  • Framing Hanley Headlining SMACK Fest In Syracuse Next Week

    Framing Hanley will be headlining SMACK Fest 2019 – Halloween Edition on October 26th at the S.I. Hall at the NYS Fairgrounds.

    Framing Hanley, who shot to fame with their cover of Lil Wayne’s “Lollipop” will be joined by some of the best metal bands CNY has to offer.

    The full lineup for SMACK Fest is as follows:

    – Framing Hanley
    – Skinbound
    – Murder In Rue Morgue
    – Less Than Hate
    – Obdura
    – Damon Larus
    – Kilter
    – Level VII
    – The Burned Out Suns
    – Northwoods Wendigo

    Doors open at 3pm – Show starts at 4pm
    All ages show. Under 18 must be accompanied by an adult
    $5.00 additional fee at door for Under 21

    Tickets can be purchased HERE. PreSale Tickets are $15.00 ($20 day of show). Costume Contests with prizes will be awarded.

    Framing Hanley

     

  • Syracuse’s Trench Announce Fall Tour

    Syracuse shoe-gazers Trench has announced a series of November dates that sees the band hitting up venues throughout the Northeast. The tour kicks off in the band’s hometown at the legendary Lost Horizon on Nov. 9.

    Joining Trench at the Lost Horizon show are Rochester’s The Joke’s on Us, Boston’s reprieve., and Syracuse’s Buggin’ Out and The Same Page. Tickets for the 6:30 p.m. show are available now through Ticketweb. Advanced sale tickets are $10. Tickets the day of the show are $12.

    Trench formed in 2015 when Chris Reilly (guitar/vocals) and Roberto Becerra (bass) got together. They were soon joined by Ron Ballweber (guitar) and Dan Sanborn (drums) to round out the band. They released their debut EP Sun Soaked on Flesh and Bone Records in 2016 and followed it up touring with Nothing, Thrice, Basement, and Silversun Pickups.

    Their second release, 2018’s genre-spanning Ritual Love has the band visiting spaces that include post-rock, shoegaze, post-hardcore and dream pop. Speaking about the album, Reilly states, “The most important thing when writing music is to be honest and genuine, and I think we accomplished that both musically and lyrically on this record.” Ballweber adds, “We never write a song and say that isn’t ‘us.’ When you write honestly and without a conscious influence or direction then everything you create is sincere.”

    Trench is part of a growing Syracuse alternative scene that includes artists such as Mattydale Music Collective, Late Earth, Lucky33, Atkins Riot, Major Player, Lily Grave and Outside Voices. Reilly, speaking to Rochester alternative culture magazine Floated recently said of the scene, “I feel like the community is stronger than it’s been in a long time…It doesn’t feel like a competition. Everyone’s moreso contributing in building a community.”

    Trench Fall Tour Dates:

    Nov. 9 – The Lost Horizon – Syracuse, NY

    Nov. 12 – Monkey House – Winooski, VT

    Nov. 13 – Jewel – Manchester, NH

    Nov. 14 – Muchmores – Brooklyn, NY

    Nov. 15 – Massapequa VFW – Massapequa, NY

    Nov. 16 – Flemington DIY – Flemington, NJ

    Nov. 17 – Cult Classic Brewing – Stevensville, MD

  • Yungblud & MISSIO Sell Out The Lost Horizon

    Yungblud and MISSIO recently made a stop on their Twisted Tales Of The Ritalin Club Tour at The Lost Horizon in Syracuse, NY. It was originally scheduled to take place at The Westcott Theater, but due to scheduling conflicts the show had to be rescheduled at The Lost Horizon and almost immediately sold out.

    Fans of all different ages and backgrounds packed into the club like sardines waiting for MISSIO to take the stage. While mostly everyone was talking about Youngblud and how they couldn’t wait to see him, there were several fans in the front row going off on just how good MISSIO is.

    After a brief introduction by 95X’s Scott Dixon, MISSIO took to the stage in complete darkness as the crowd roared in anticipation. Opening with one of their better known songs, “Twisted,” lead singer Matthew Brue danced to the background electronic beat with a fierce and commanding presence. Immediately captivating the audience with his impressive vocal range and soft but deep tone. MISSIO is able to blend heavy EDM beats with a mix of Rap, Rock, and Alt Rock in a unique style that works so well.

    yungbludBetween songs, Matthew Brue continuously connected with the audience on a personal level. Before performing the song “Politics” he spoke to the audience saying, “How many people here like politics? Though I’m not talking about the politics that you’re probably thinking of. I’m talking about the politics with friends. This song is about some friendships that are worse than politics. Like you just suck out my soul, why are you still here?”

    Before performing “I See You” he reached out to the crowd once again. “We want to take our masks off, and what I mean by that is to be who you really are. Whether you’re dealing with addiction, depression, anxiety or any of the bullshit that comes with life struggles, we still see who you are.” Closing out their set with “Middle Fingers,” MISSIO thanked the crowd and left the audience buzzing as they awaited for Yungblud.

    yungbludThe hype waiting for Yungblud was unreal. Hearing every fan chanting “YUNGBLUD” as loud as they can was one of the loudest crowd noises I have heard at The Lost Horizon. The lights went dark and the crowd erupted into a frenzied scream as two figures dressed in body armor carrying dark flags walked onto the stage.

    yungbludAfter a brief intro to “21st Century Liability,” Yungblud sprinted out from the side stage to fans screaming in ecstasy. The energy Yungblud has on stage is rivaled only by Jonny Hawkins of Nothing More, constantly jumping around to the beat of the music and walking out onto the barricade to lean into his fans.

    Yungblud’s set overall was a very high-energy performance that didn’t slow down until he walked off the stage. Performing hits like “I Love You, Will You Marry Me,” “King Charles,” and “Parents” had the audience singing along to every word throughout the night.

    yungbludAnother highlight of the night was “Polygraph Eyes,” a song about the importance of consent. The way he connects with the audience is rare to see with live shows today, and his fans certainly showed their appreciation as much as Yungblud showed his to the fans.

    Yungblud is a whirlwind of energy onstage and lives up to all the hype surrounding him. His performance is definitely worth seeing live, and the very impressive roster of artists that he has been working with is sure to skyrocket his career.

    Setlist: 21st Century Liability, Psychotic Kids, I love you, Will You Marry Me?, King Charles, Anarchist, Polygraph Eyes, Parents, Medication, Loner, Kill Somebody, Live Interlude, I Think I’m OKAY, California, Die for the Hype, Hope for the Underrated Youth, Machine Gun

    Yungblud

    MISSIO

  • Guest Contributor Exclusive: Mike Powell & Chris Merkley Wrap Up MicroTour at Local 315 in Warners

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley have embarked on a four-show mini-tour of microbreweries across the state searching for the connection between songwriting and brewing. This stop brings us to Local 315 in Warners

    Powell will be returning to the studio soon to record another solo album and his band The Black River is releasing its second full-length album ‘Gypsy Winnebago’ on Nov. 1.

    Merkley is the owner of Old Boy Records and curator of the Seedstock Festival in Cortland each summer. He also performs with The Crooners and Digger Jones and has composed original music for television and film, including the acclaimed HBO series Generation Kill.

    This is the final installment of a four-part NYS Music series documenting the Original Gravity Tour and contributed by Powell. The first installment of Powell’s tour diary can be found here. Day two can be found here. Day three can be found here.

    This past Sunday was the final show of the Original Gravity MicroTour and before I share my final recap I would like to first say thank you to Mike Kohli and NYS Music for allowing me the opportunity to be a guest contributor over the course of the past week. I highly value, respect and appreciate the energy that your team puts into keeping music fans like me up to date on the happenings around this state and beyond. I don’t get to exercise my journalistic side of the brain very often so, needless to say, this experience truly scratched a long burning creative itch. 

    I brewed my first batch of beer roughly ten years ago and have been homebrewing sporadically ever since. As I told Mike Kohli on the phone last night when he was asking about the timing of this final piece, I’ve always lived my life like a starved trout swimming against the stream ready to chase anything shiny that catches my eye.  I guess you could say that I’m very curious by nature and I seemingly find a strong sense of comfort when I’m traveling down an unfamiliar road.  I’ve learned over the years why I choose to live this way.  When I learn a new skill it gives me a deeper understanding and a newfound appreciation for those that do it and those that do it well. 

    I knew that after I went through the process and experienced each step of brewing I would never taste a beer in the same way. After I wrote my very first song as a teenager I started to listen to music differently and on a deeper level. I started making furniture after college and since then I’ve never again sat in a chair without recognizing the craftsmanship and design. So I guess what I’m getting at is, diving headfirst into new things and venturing into new territory gives me a look under the hood on what makes it go. This approach has added color to my life’s wheel and simply fills me with deep admiration.

    Coming from a former professional athlete this may sound a bit odd but I’m not a very competitive person. Well, not in the expected sense anyway. I never set out to become better than anyone else, that’s not what drives me. My drive lives on the inside, its a challenge within myself. For example, I know I will never write songs better than Bob Dylan and I’m one hundred percent aware of that fact, but I know that there’s a song in me somewhere that’s better than my last one. That is what keeps me moving. After exploring and talking with brewmasters over the past several years I think we share a similar mentality.     

    Our last performance saw our biggest crowd of the tour at Local 315 Brewing Company in Warners. I’ve played at this establishment quite a few times and what strikes me most is the cult-like following this brewery has created over its short time in existence. Surrounded by nothing but hop poles, goats and donkeys, this farmstead brewery has put out top quality brews and supported live original music since its inception. The weather on Sunday was absolutely perfect with the sun shining over the cornfields and illuminating the laid back outdoor area that has become this joint’s centerpiece. 

    With dogs chasing frisbees and kids running after one another, this atmosphere feels like you’re at a family reunion in a relative’s back yard. So Chris and I approached it that way and treated the afternoon as loose as we possibly could. Having fun with the crowd and realizing that although everyone was listening to us, we weren’t the center of attention, we were simply just playing our part and fitting into where we should. I’m happy to report that we were able to continue our live poetry on-demand experiment throughout the duration of the tour and people really seemed to get a kick out of it, everyone except Chris and myself. We closed out the Original Gravity MicroTour with our twist on “Got My Mojo Working,” finished our final beers and headed our separate ways. 

    This run has been a short but adventurous ride and as the sun sets on the horizon I would like to reflect back on some memorable moments. 

    1. Chris Merkley is awesome. His performances are so dialed in and tight. What I find amazing is how his musical style seems to fit in just about any scenario. Mine isn’t like that so it really stood out to me. He could play the same set at a festival, a club, a theater or a house concert and it would work and work well. 
    2. Chris Merkley almost killed a kitten with his Prius. While we were loading out our gear at Abandon Brewing we heard some purring coming from the engine.  Which is normal but not when the car is off. Chris popped the hood and found a kitten sitting between the fuse box and the windshield washer fluid. Luckily he coerced it out without some old sheet pizza and carried it to safety.
    3. We saw photographer and good friend Brian Cornish at two of the stops and he told us two separate jokes. Both of which made us laugh and neither of which would be appropriate to publish here.
    4. I didn’t even take my camera out of my truck at Local 315, so the visual content of this post is brought to you courtesy of your very own Mike Kohli. Thank you, dude.
    5. Although there were many highlights and funny moments when it came to the live poetry challenge we were having, my favorite moment was Chris’ lovely work of art titled “Bloody Mary” when the audience gave him the words “Worcestershire” and “butt” to work with.
    6. Seeing familiar faces. We had several people come to every show and have fun touring with us. I think they were more into the beer component. 
    7. And finally tasting the amazing beer. Worth noting that if either of my grandfathers were alive and walked into a bar to find me smelling and swirling a flight of beer they would both kick my ass. But times have changed.  I loved the Woods Valley Witte and Pocket Change IPA from Copper City, the Session and Dunkel at Abandon, 20 East NEIPA at Heritage Hill and Soul Kissed IPA from Local 315.

    You haven’t see the last of Original Gravity MicroTour.  

    Over and Out,

    Mike

Built in Breakdance