The second annual Rock for Recovery fundraiser for Helio Health took place on March 29 at The Palace Theatre in Syracuse with Modafferi, Periodic Table of Elephants, Late Earth and The Lightkeepers performing. The event was one of three regional shows to raise awareness of mental health and substance abuse issues. Shows in Binghamton and Rochester preceded this culminating show. The Lightkeepers headlined this year. Late Earth played all three shows as well as last year’s event. Director, Ashley Forshee decided to expand the event to three cities. Helio Health https://www.helio.health/ has services in Syracuse, Utica, Binghamton, and Rochester. It’s where “hope meets healing.”
One in twelve people will be impacted by a substance abuse disorder sometime in their life. Only 10% of those who need treatment will receive it.
A beautiful thin layer of fresh snow covered the quaint and “Rockwellian” village of Homer, NY on an early Spring evening. That did not keep anyone away from the sold out Los Lobos show at the Center for The Arts of Homer on Sunday.
Many traveled from Syracuse, Ithaca, Cortland and many other villages and towns throughout Central New York to enjoy this remarkable venue. The night began with an acoustic trio; members of the band sang traditional Mexican folk songs. Their energy could barely be contained and their joy was palpable throughout the entire room. As the set progressed saxophone, keys and finally drums were added. After another traditional number dedicated to “our brothers and sisters in Puerto Rico,” the band sizzled up through the set break, closing with the first and only English language song of set one. The sound was swelling through the renovated church and many in the audience took to the aisles to dance.
After a brief intermission, Los Lobos continued to rock the stage, covering tunes from their catalog that spans 46 years. The instrumentation was driven by the percussion and very strong back line which allowed for other members to take turns on smoking hot guitar leads, swinging accordion melodies, runs on the keys and saxophone solos that often times reminded the audience of the driving rock of the band Morphine. One could almost taste the history and blend of blues, rock, Mexican rhythms and feel the looseness and ease in how the band crafted each song together.
It was a masterclass, played in an incredible room. It is such a rarity in this day and age to find an audience in the moment. Center for The Arts of Homer can thank their fans for creating a listening room experience, so important for the enjoyment of the fans and players alike. The great volunteer staff made everyone feel at home and the venue experience as a whole was warm and welcoming. No matter if you were on the ground floor or balcony, there is truly not a bad seat. The sound was mixed very well and captured the richness and quality of the band that can best be described as a heartwarming experience.
Los Lobos played an excellent show and after playing mostly originals and traditionals, they ripped through the final few songs, getting the audience on their feet, clapping and stomping along. “Bertha” was followed by “I Got Loaded” and the standing ovation lasted for the entire 5 minutes until the boys came back out for the encore and closed the show with a stellar cover of “Cinnamon Girl.”
The people at Center For The Arts of Homer have struck music gold. Their upcoming program continues to showcase many great regional and national artists. This is a “must visit” venue with an intimate feel and an audience that appreciates the performers’ integrity. After the show multi-instrumentalist Louie Perez had this to say, “Having this much fun should be illegal! There is certainly something special about this place and these people and you could see that tonight!”
Two weeks ago, we started with 64 artists from New York State, representing all genres and corners of the state. Now we have reached the Final Four of NYS Music’s March Madness and these four remaining artists represent four different genres – folk, rock, rap and jam – an eclectic mix of what makes New York State a breeding ground for all types of music.
Beastie Boys bested Billy Joel to take the crown in the TIP the Band region, and they will face off against the lone Upstate victor in the Final Four, moe., fittingly, out of the Funk n Waffles region.
Vote below for who you think is the best artist from New York State in the past century! The finals will start this Thursday, April 4. You can also vote on Twitter!
On the first truly warm day in Central NY, Los Blancos, took the stage at a Historic Theater. The Earlville Opera House was built in 1890 and has survived many changes throughout its history, with the most recent phase beginning in 1970. Los Blancos keys/harp player Max Eyle’s father was actually in attendance and was the first Director of this beautiful theater.
Just as the day, the room was warm with an excited audience, intent on hearing Los Blancos debut show at the famed Opera House. The sound in this space was perfect for the band’s very intimate performance.One could almost compare a show here to a classic episode of VH1 Storytellers.Colin Aberdeen, on guitar and lead vocals, seemed to sense this and kept the crowd laughing between songs with tales of the various incarnations of his band, playing bar rooms and theaters and everything in between, as well as shenanigans over 25 years of playing regionally and touring.
[bs-quote quote=”Man it feels like we are playing at a campfire in here and I’m setting my drink on the back of a pickup…This is an incredible and legendary place, with so many icons having played here before. You can really feel it and it’s an honor to be here.” style=”style-2″ align=”center” color=”#dd3333″ author_name=”Colin Aberdeen” author_job=”Los Blancos, Guitar”][/bs-quote]
The Syracuse based band used this show to play many original songs. Of the few covers, Los Blanks dug deep into blues/americana with Dan Penn and Earle King. With Aberdeen’s lead and Steve Winston’s solid bass playing, Eyle was allowed room to get the blues driven tunes in full gear. Lenny Milano held a steady backbeat on the vintage house drum kit from 1965 to complete this foursome with perfect fills, choosing his moments.
Los Blancos as a whole, played the room astonishingly well, earning ovations for solos and commanding the attention of the room. Listening in this mostly wooden space, sounded like a live album that had already been mixed down. It is no wonder both the band and The Earlville Opera House have been at it so long.
The band was able to fuze elements of swing, down home blues, and on some of the slower tunes, a campfire feel that set the tone. Aberdeen actually mentioned this in the second set addressing the audience: “Man it feels like we are playing at a campfire in here and I’m setting my drink on the back of a pickup.” During intermission he spoke about the history of the theater, which boasts many incredible performers over the years. “This is an incredible and legendary place, with so many icons having played here before.You can really feel it and it’s an honor to be here.” Los Blancos has over 200 songs in their repertoire and asked if they made a setlist Aberdeen said, “Sometimes we have an idea, but man we just play what feels right for the room.”
Photo contributed by Sean Nevison
Theater Director, Michelle Connelly, noted that “We are thrilled to have Los Blancos here tonight!They are a true burst of energy with heart and soul and they blew the roof of the place tonight!” The concert tonight was a testament to the theater’s great programming and care in every detail of the show.The audience could see it in the smiles of the players, and the mutual respect could be felt as each song was enjoyed thoroughly be this very attentive crowd.
If you are around the Syracuse area, make sure to look out for Los Blancos. They are true masters of their crafts and very humble musicians.The audience was won over from the very beginning with the band’s playing and charm.There is certainly something special about Earlville Opera House as well, that brings the best out of its performers – creating a positive and fun atmosphere, in one of the best listening rooms in New York State. This is a must see theater and one of the few Opera Houses left.The first floor is also an art gallery and there are many special events throughout the year as well.
Chris Thile, taking a break from his day job as host of the radio show “Live From Here,” got the band back together for a spring tour with the Punch Brothers with a tour that started with a return to the State Theatre in Ithaca. A place that banjoist, Noam Pikelny deemed to be too trusting due to the fact that on their last visit, a stranger on their flight offered them a place to stay just a few minutes after meeting them.
The show was mostly a get-down-to-business affair, songs flowed effortlessly into each other and chatter was held to a minimum. Though some songs required further explanation, such as when they featured two different Tiki drink-themed instrumentals in the set. First the World War II drink “Three Dots and a Dash.” Later it was “Jungle Bird,” which Thile eloquently provided the recipe for. This then devolved into an argument with Pikelny over the meaning of “cheeky bit.” It was a comedy bit reminiscent of “Live From Here” and a welcome comedy break.
The show concluded with an encore played unplugged and front of stage. The crowd was whisper quiet and the acoustically-sound room carried “The Hops of Guldenberg” to the furthest reach without issue. Without prompt the crowd joined in for some hearty “Oh Boys” for the show closer. The trust was warranted.
Opener, Gabriel Kahane, played a short set of solo piano and guitar pieces. After the 2016 election, Kahane spent two weeks traveling by train with no phone or other modern technology, passing the time conversing with passengers in the dining cars, trying to understand and connect with people. He wrote an album’s worth of material about the experience and played some of it in his set, beautiful and meandering piano pieces. As about as stark a contrast as one could imagine, he sandwiched in a group of mini songs based on bizarre and comical tweets he read, with subjects like killer cats, Marie Kondo and Mr. Peanut.
Setlist: Movement and Location, My Oh My, All Ashore, Flippen, Boll Weavil, Alex, Angel of Doubt, Three Dots and a Dash, Just Look at This Mess, Jumbo, Another New World, Passepied, New York City, Julep, Jungle Bird, Skeleton Key Encore: The Hops of Guldenberg, Oh Boy
The Syracuse Area Music Awards has announced its new class of inductees for the SAMMY Hall of Fame as well as nominees among 13 categories for the 2019 SAMMY Awards.
Lou Reed
The 2019 inductees include ’50s doo-wop band, Little Jan and the Radiants; 95X radio personality and host of the weekly radio program “Locals Only,” Scott Dixon; long-running independent acoustic duo, Karen Savoca and Pete Heitzman; and highly influential drummer and music store owner, Al Falso.
Scott Dixon
The SAMMYS will also posthumously honor Syracuse University alumnus, Lou Reed with the Lifetime Achievement Award and internationally acclaimed trombonist, Melissa Gardiner as Educator of the Year.
Other honorees this year are well-known street musician, Elijah Harris, Jr., with the Founders Award and a brand new award named in honor of its inaugural recipient, Jack O Bocchino, the Jack O Bocchino Spirit of Syracuse Award.
Jack O Bocchino
Now in its 26th year, the Syracuse Area Music Awards seeks to honor musicians, educators, industry professionals and supporters of the Central New York Music scene. This year’s Hall of Fame dinner and awards ceremony will take place March 7 and 8. The Hall of Fame dinner will be held upstairs at the Dinosaur Bar-B-Que on Willow Street while the awards will be presented at Eastwood’s Palace Theater.
Performers at the awards ceremony include a Lou Reed tribute band that features Stuart Heinrich and Ellard “Moose” Bolles of Reed’s late ’70s-early ’80s backing band. Also performing are 2019 inductees, Karen Savoca and Pete Heitzman, past SAMMY recipient, R&B band Stroke, 2018 Best Jamband winner, Barroom Philosophers and Sean McLeod with 2017 Best R&B winner Alani Skye.
Tickets for the Hall of Fame dinner and the awards ceremony are available through the SAMMYS website. Tickets for the dinner are $25 and tickets for the ceremony are $20. The dinner will run from 7:00 p.m. until 10:00 p.m. on Thursday, March 7. The awards ceremony begins at 7:00 p.m.
NewsChannel 9 WSYR’s morning show, Bridge Street is hosting the SAMMY Spotlight Series each Thursday at 10:00 a.m. through March 7. Artists featured on the program include:
Feb 7- Late Earth
Feb 14 – Sera Bullis
Feb 21 – Infinity
Feb 28 – Fritz’s Polka Band
Mar 7 – Bad Mama’s Blues Band
The 2019 SAMMY nominees:
Best Pop
Screen Test, Through the Past Brightly
Forgottensong, Forgottensong Vol 1 and 2
Emma Jude, Pocket Full of Postcards
Best Hip Hop/Rap
G-Netics, Elevated
Big Nate MG, No Hooks Needed x Hook Line
J. R. Lottary, Instant Win
Chris Mac, Go For Broke Project
MLA, Salute Me
Best Americana
Joe Davoli, Golden Rule
Eileen Nicholson Kalfass, Crossing Bridges
Ghost Town Ramblers, Ghost Town Ramblers
Dennis McGuire’s One Man Band, Old Songs Rusty Strings
Best Alternative
Townhouse Warrior, Words, Unsaid
The Amazing Shakes, 10x The Crash
Strange To Look At, Strange To Look At
The Beuchesnes, Twilight Interstate
Late Earth, Late Earth
Sympathy, For Everyone to See
Best Rock
Jukin’ Bone, Unfinished Business
Atkins Riot, Atkins Riot “Iguanas”
Tony Touris, Ghost Town
Climbing Stars, Ascension
The Trend, J Marc Memorial Show
Best Hard Rock
One Step From Falling, Stuck
Amerikan Primitive, Down to the Devil
The Last Divide, The Last Divide
Between Hope & Fear, Between Hope & Fear
Damon Larus, Crusade
Best Other Style
Emedin Rivera, Tropical Tubulence
Samba Laranja: The SU Brazilian Ensemble, Gurana′
Fritz’s Polka Band, Hey!
Best Jam Band
Mike Davis and the Laughing Budda Episodes, Find Yourself – › Caterpillar
On a snowy night in Ithaca on the precipice of the deep freeze, known as the Polar Vortex, a young college town crowd braved the elements to warm up to folk-rock breakout, Rayland Baxter and his 5-piece band. In the midst of a lengthy tour promoting his critically-acclaimed new release, Wide Awake, the set expectedly concentrated heavily on the new stuff, but sprinkled in songs from his entire catalog for a dynamic show.
The set list looked a bit like a roll call. Present was “Mr. Rodriguez,” “Angeline,” Willy, “Sandra Monica,” “Olivia,” Larocco and “Amelia Baker.” But all eyes, ears and minds were set on Baxter himself.
The frontman commanded the stage and audience like an old pro. The crowd was amped and excited; Baxter was game for a little friendly banter, going so far as to join in on a FaceTime with someone’s father. The obligatory “How’s it going?” query was answered, “It’s a massive Tuesday in Ithaca.” Baxter agreed, then took it and ran, describing his day flying in from Nashville. Later he would introduce “Olivia” as a Massive Tuesday for sensitivity dot com. When asked about his shoes, Baxter promptly took one off and put in a pitch for All Birds, followed by a pitch for his toothbrush brand of choice, of all things.
Even more, he controlled the crowd through music. At the powerful highs of “Everything to Me” and the extended jam of “Amelia Baker” they followed along in full rock out mode. They sang and danced together to the catchy hooks of “Hey Larocco” and “Casanova.” When Baxter broke it down in a mid set solo excursion, exploring some of his older, folksier material like “Dreamin’” and “Willy’s Song,” the ambient noise in the bar was dropped to an almost indistinguishable murmur. Respectfully and incredibly quiet to enjoy Baxter alone with his guitar, voice and an airy whisper of a whistle blown through his teeth.
Illiterate Light, a guitar and drum duo out of Harrisonburg, VA, warmed up the night with selections from their just-released EP, Sweet Beast. Bombastic drumming played from a standing position, fiery guitar leads and quality vocals, reminiscent of Jim James, put the stamp on an opening set that checked all the boxes. The venue had a room full of patrons from the get-go: the headliner had a crowd thoroughly ready for their set, the audience had an introduction to a great young band, and Illiterate Light had themselves a bevy of new fans.
Setlist: Strange American Dream, Mr. Rodriguez, Freakin’ Me Out, Everything to Me, Angeline, Sandra Monica, Young Man, Dreamin, Willy’s Song, Olivia, Hey Larocco, Casanova, Amelia Baker, Yellow Eyes, Let It All Go Man
The family band has a certain quality that’s tough to emulate. In Binghamton, there’s a band that is doing just that. Composed of Michael Toyryla (guitar), Jesse Wheeler (guitar), Keagan Toyryla (bass/vox) and Caleb Wheeler (drums), Tijuana Danger Dogs are a rock and roll family. Michael and Jesse met in 1999, subsequently gigging in various hard-rock projects. In 2010, an accident left Michael unable to perform live. Continuing to pursue the passion, Michael worked at recovery and the duo were able to find their niche in the studio. Here they cut their teeth songwriting and producing. Eventually, after a miraculous recovery, Tijuana Danger Dogs were able to start performing live again. This time, each of the original two members brought their son on board. Keagan and Caleb rounded out the lineup and the rock family was in full action. Their new release, All My Friends: Vol. 1 finds the band with various featured vocalists. Each song offers a different view of the group and leaves a lot to look forward to in future releases.
Overall the album has an encompassing rock n’ roll theme,
dipping into such influences as Pearl Jam, Radiohead, and Green Day. The
featured vocalists provide nice variety in every tune and tend to be the
solidifying factor in the atmosphere of each song. While the rock is relentless
throughout, the songs sometimes lack a certain build and dynamic range, which
is partly a product of the production quality which can come off as more lo-fi.
The hooks on the songs are great, and the melodies stack up well against the
instrumental backdrops. The second track, “All My Friends (f. Tim Ruffo)” is a
nice country themed song that highlights some of the band’s best qualities. The
harmonies are executed well and the lead guitar offers a colorful solo. The
drum performance is tight and meshes well with the bass line.
There are some Fueled by Ramen (record label) type aesthetics on here, particularly in the third song, “Getaway (f. Asia Toyryla)” where the vocal inflections tend towards pop-punk. Little soundscape additions at the end of the tune add character to the recording and outline some of the interesting ideas the band includes in their tracks that will differentiate them from other rock families. The album runs the gamut of rock influences and dips into some of the budding ideas the band has of their own. Each track has a nice variety, though the energy is often static on portions of tracks. This isn’t to say the energy isn’t that of typical rock style- there are some hard hitting parts. It will be interesting to hear what the Tijuana Danger Dogs have planned next- future studio work and live shows are on the horizon for a band whose potential is evident in this release. Check out the album on their website and catch them live as they begin to hit the road again.
Syracuse punk band Bridge Under Fire is doing the unorthodox. They are releasing four new songs from their new EP through four different record labels. NYS Music is premiering the L.R.S. Records single, “Self-Unemployed.” Check it out below.
Bridge Under Fire is a Syracuse-based punk/hardcore band with a discography that includes two full-length albums, two EPs, a split 7″ single and several compilation contributions. The new untitled EP has been released in four parts across four labels and through four different media outlets.
Band leader and L.R.S. Records owner, Mark Turley, described the project this way:
After releasing our last full length in 2017, the band was discussing other options than just writing more songs to be an EP or album. We decided to write singles rather than songs that fit together content-wise onto an album. The results were interesting and different than what weâve done so far. Through L.R.S. we had these relationships with the other labels and thought this would be a different way to release our music.
Mark Turley
To celebrate the release of the new music, Bridge Under Fire will host a show at Spark Contemporary Art Space in Syracuse on Feb. 22. Also on the bill that night is Sympathy Band, Talk Wrong and Dimladia. For more information on this show, visit promoter After Dark Presents’ website. To check out more of Bridge Under Fire’s work, visit their Bandcamp page here.
Turley also hosts a weekly podcast called Long Range Sarcasm (L.R.S.) with Nick Oliver. It is available on iTunes and Google Podcasts. The podcast features news and music from the L.R.S. stable of artists as well as other Central New York musicians.
Bridge Under Fire’s brand new single, “Self-Unemployed” is available below as a NYS Music exclusive release. Check it out.
A punk show headlined by St. Catherine’s, Ontario’s Inhalants will take place Feb. 2 at Spark Contemporary Art Space on East Fayette Street in Syracuse. The show will also feature a litany of New York State punk and hardcore bands, including Troy’s Your Brain on Drugs, Syracuse oi/street punks, the War Lovers, Syracuse old school punks, Lucky 33, Syracuse skate punks, the Shuvits and another touring band to be announced.
The $5 show starts at 8:00. Tickets will be available at the door. Proceeds are for the touring band. There will also be an array of out of print hardcore and punk t-shirts available for $5.
Lucky 33, a veteran of two Vans Warped Tours, is currently working on new material. This show will be the band’s first with new guitarist/vocalist Zac Birdslow and last show until their second annual Punk Rock BBQ on Memorial Day weekend.
Check out the official video for their song “Paycheck” below. The song is a solid mix of high energy, late ’80s-mid ’90s era punk with shades of pop-punk thrown in. The band has found a second home in Rochester of late and is looking to further their success in their hometown of Syracuse and beyond.
This low-cost show is the perfect opportunity to check out what’s happening in the Syracuse punk scene. For more information, follow the event page here.
