Fleetwood Mac’s Rumors is one of rock’s iconic albums. Annie in the Water and Hayley Jane will be joining forces this winter to pay tribute to this classic album.
The Hayley in the Water Spread Rumors Tour begins Feb. 5 at the Waterhole in Saranac Lake and wraps in Burlington at Higher Ground. The tour will visit cities throughout the Northeast from Buffalo to Hartford, CT. Stops include Flour City Station in Rochester, the Buffalo Iron Works, Stone Church in Brattleboro, VT and the Disruption Network‘s third-anniversary party in Utica.
The full-set tribute to Rumors will be sandwiched between sets of original music from both acts, beginning with an acoustic solo set from Burlington’s Hayley Jane. Annie in the Water closes each show with Hayley Jane sitting in.
Hayley Jane has recently collaborated with Ryan Montbleau in the duo Yes Darling, a project that presents a whimsical take on relationships with a Vaudevillian vibe. Her solo set draws from folk, blues, musical theater, and ’60s and ’70s pop and rock. Her performance of “The Chain” with Montbleau and moe. at the 2017 moe.down was one of the highlights of that weekend.
Annie in the Water released its latest album Time to Play in June of this year. This is the band’s second album overall and first since the 2011 debut Destination. They’re riding a wave of tremendous success in 2019 which saw them performing at several festivals, including headlining Woods Fest in Westernville, NY this past August and the Shakori Hills Festival of Music and Dance in Pittsboro, NC in October.
Prior to the February Hayley in the Water tour, Annie in the Water will finish the year with a two-date New Year’s run that has them performing at the official moe. post-party, the Hometown Throwdown Dec. 30 at The Sanctuary in Utica with special guests. They’ll ring in the new year with Raisinhead at the High Peaks Resort Ballroom in Lake Placid. Tickets for both shows are available now.
Hayley in the Water Spreading Rumors Tour Dates:
Feb. 5 – The Waterhole – Saranac Lake, NY
Feb. 7 – Frog Alley Brewing Company – Schenectady, NY
Feb. 8 – Disruption Network’s 3rd Anniversary – Jewish Community Center – Utica, NY
The Marshall Tucker Band was ‘born’ in Spartanburg, S.C. when Doug Gray teamed up with Tommy and Toy Caldwell, Paul T. Riddle, George McCorkle, and Jerry Eubanks. The name “Marshall Tucker” came from a piano tuner whose name was found on a key ring in their old rehearsal space. In 1973 Marshall Tucker Band opened for The Allman Brothers Band, and the following year, they began to headline their own shows.
Marcus James Henderson – Multi-instrumentalist
The SkyLoft in Albany, NY Crossgates Mall, was almost at full capacity on Saturday night, November 2, 2019. The crowd cheered as Doug Gray, the only original member of The Marshall Tucker Band, took center stage. At 71, and fronting the band since 1972, he still held his own.
Gray almost took on the part of an orchestra conductor, when he wasn’t belting out a crowd favorite. He would share the moments with the highly talented band members, who proved their musical chops, which included a 13-minute version of the bands’ well-received hit, “Can’t You See.”
“This is one song that’s played eight million times on the radio,” Gray told the crowd. “I want you to sing it with us.” And they did. Gray handed the microphone to two fans in the front row, and they sang a few bars. He then tossed his tambourine into the audience, and the crowd cheered again. You can see the appreciation in Gray’s eyes. The moment, it seemed, to say thank you for all the support over so many years. Truly, this must be what it is all about.
With many southern rock bands, such as The Allman Brothers not performing any longer, and Lynyrd Skynyrd on their last tour, The Marshall Tucker Band kept the genre going. Today, the band members have all changed, with the exception of Gray. B.B. Borden is on drums, Tony Black, bass and vocals, Marcus James Henderson, commands keyboard, saxophone, flute, and vocals. Chris Hicks and Rick Willis shred the guitar and vocals.
Fans become part of the show as Gray hands over the mic
Similar to many of the crooners still touring of his generation, Gray did not sing on every song, he stuck to the classics and let the younger crew take charge, and take charge they did. Each band member had at least one showcase of their talent, with Henderson and his multi-instrumentals taking much of the spotlight. Chris Hicks wailed on guitar and vocals, sounding strong. After “Take The Highway,” Borden did an amazingly-energetic drum solo, which caused standing fans to inch closer into the magic. Recent American Idol finalist, Madison VanDenburg, made a brief visit to take the stage, and tambourine. The generation gap was evident, as she didn’t know the song as Gray tried to prompt her.
If you are able to see this show, you owe it to yourself to do so. One can only hope the hard work and extended tour will help keep this genre alive for many more generations.
Chris Hicks
One of the few bands of this generation still doing an extended tour. You can find many upcoming shows on the band’s website
Setlist: “Running like the Wind”, This Old Cowboy”, “Hillbilly Band”, “Take the Highway”, “Blue Ridge”, “Fire on the Mountain”, “24 Hours”, “Midnight Promises”, ” I’ll Be Loving You”, “Can’t you See”.
The Tony Award-winning Broadway musical Bandstand will roll out a coast to coast tour starting October 25 in Oklahoma City, OK. This tour comes after this smash- hit spent 2017 on Broadway. During the residency it was nominated for three Tony Awards and snagged the Tony for Best Choreography.
“THE SHOW DEFIES YOU NOT TO BE MOVED”
Time Out New York
The vibrant musical, Bandstand, shows how one can heal through music and dance, written by Robert Taylor (book and lyrics), Richard Oberacker (music) and directed by three-time Tony winner Andy Blankkenbuelher (Hamilton choreography). The plot features World War II veteran Donny, fresh from the front lines, as he returns home to be a songwriter. When this proves difficult, he forms a group to compete in the NBC bandstand contest. Using a peppy outlook and upbeat music, Bandstand delves into the challenges faced by our service men and women upon returning. This is a story that stretches across many decades.
Photo by Michael Pool
Along the way Bandstand will make stops in various New York cities. Included is The Stanley Theater in Utica, Proctors in Schenectady and the Tilles Center for the Performing Arts in Greenvale. Tickets are on sale now through the musicals website. Check out the additional tour dates below.
BandStand Tour Dates: 2019-2020
Oct.25-26 – OCCC Visual and Performing
Arts Center Theater – Oklahoma City, OK
Oct.29-30 – Rudder Auditorium – College Station, TX
Nov.1 – Popejoy Hall – Albuquerque, NM
Nov.2-3 – Civic Center Auditorium –
Amarillo, TX
Nov.4 – Bicknell Center for the Arts –
Pittsburg, KS
Nov.5 – Chapman Music Hall – Tulsa, OK
Nov.6 – Abilene Convention Center –
Abilene, TX
Nov.7 – Cowan Center – Tyler, TX
Nov.8 – Lutcher Theater – Orange, TX
Nov.9 – The Grand 1894 Opera House –
Galveston, TX
Nov.11-12 – Washington Pavilion – Sioux
Falls, SD
Nov.13 – Civic Center – Bismarck, ND
Nov.16-17 – Hult Center for the
Performing Arts – Eugene, OR
Nov.19-20 – Granada Theater – Santa
Barbara, CA
Nov.21-24 – Fred Kavli Theatre –
Thousand Oaks, CA
Dec.3-4 – Pikes Peak Center – Colorado
Springs, CO
Dec.6-8 – Orpheum Theatre – Phoenix, AZ
Dec.11 – Orpheum Theatre – Sioux City,
IA
Dec.12 – Juanita K. Hammons Hall –
Springfield, MO
Dec.13-14 – Civic Center – Des Moines,
IA
Dec.15 – Gallagher-Bluedorn Performing
Arts Center – Cedar Falls, IA
Dec.16 – River Center Adler Theater –
Davenport, IA
Dec.17 – Yardley Hall – Overland Park,
KS
Jan.3-5 – Von Braun Center Concert Hall
– Huntsville, AL
Jan.7 – Paramount Arts Center – Ashland,
KY
Jan.8 – Honeywell Center – Wabash, IN
Jan.9-12 – Stranahan Theater – Toledo,
OH
Jan.14-16 – Century II Performing Arts
Center – Wichita, KS
Jan.17-19- Lied Center for Performing
Arts – Lincoln, NE
Jan.21 – Grand Theater – Wausau, WI
Jan.22 – Bloomington Center for the
Performing Arts – Bloomington, IL
Jan.23 – Niswonger Performing Arts Center
– Van Wert, OH
Jan.24-26 – Morris Performing Arts
Center – South Bend, IN
Jan.27 – Emens Auditorium – Muncie, IN
Jan.29 – Givens Performing Arts Center –
Pembroke, NC
Jan.30 – Clayton Center for the Arts –
Maryville, TN
Jan.31 – Charleston Gaillard Center –
Charleston, SC
Feb.1-2 – Oxford Performing Arts Center
– Oxford, AL
Feb.4-5 – Van Wezel Performing Arts Hall
– Sarasota, FL
Feb.6 – Alan Jay Wildstein Center for
the Performing Arts – Avon Park, FL
Feb.7-8 – The Sharon L. Morse Performing
Arts Center – The Villages, FL
Feb.9 – Mainstage Theater – Niceville,
FL
Feb.10 – Lafon Performing Arts Center –
Luling, LA
Starting on Thursday, Oct. 3, Capital Records Live! will be returning to the stage with another installment of this unique entertainment series. Designed as a way to display the Capital Region’s musical talent, Capital Records Live! began in spring of 2018 with a tribute to the Beatles and continued that fall with a celebration of music from 1969.
Taking place at Schenectady’s GE Theatre at Proctors, with this latest installment—Dark Blue Sea—Capital Records Live! gives its interpretation of the phrase, “Together, I lost myself with you.” Teaming with Collar City-based collaborative dance company, Synergia Dance Project, this will be a three-act narrative dance performance that will bring film and movement to the stage, in addition to the musical performances of pop-rock band, Dark Honey, Eddie Award-winners Girl Blue, and indie folk-pop duo, The Sea The Sea.
With narratives from Chromoscope Pictures and artistic director/choreographer Nadine Medina, this production will explore the concept of loss. Combining the abstraction of dance with the raw power of live music and stunning multimedia visuals. The audience will get to experience live performance in a new, innovative matter.
Tickets for Capital Records Live!Dark Blue Sea, 7:30 p.m. Thursday, Oct. 3, are available at the Box Office at Proctors, 432 State Street, Schenectady; by phone at 518.346.6204; and online at the Proctors website.
RATT’s In Your Direction Tour made its eighth stop of the 17-show tour at the dazzling new Skyloft in Albany, NY on Friday, July 5 and did not disappoint. Rumors were swirling, claiming the show might be canceled due to poor ticket sales, but there was no evidence of that. The Skyloft, the new venue at Crossgates Mall in Albany, NY was packed with cheering fans. The volume was loud, and the vibe was energetic.
The crowd was pumped when the first notes of the opening song “In Your Direction” rang out. Without a break, the band then went into and wailed on “Wanted Man.” The show came to a close with the wildly anticipated “Round and Round.” See the complete setlist below.
Stephen Pearcy of RATT
Perhaps the band is falling into place with the new members, now that they have played half of their tour. Things will only get better so check their website for upcoming shows and cities.
Setlist: In Your Direction, Wanted Man, Dangerous But Worth the Risk, You Think You’re Tough, Walkin’ the Dog, Way Cool Jr., I’m Insane, Lack of Communication, Lay it Down, You’re In Love, Lovin’ You’s a Dirty Job, Slip of the Lip, Nobody Rides for Free, Body Talk, Back for More, and closed out with the fans wildly anticipated Round and Round
Ratt consists of lead vocalist Stephen Pearcy, bassist Juan Croucier and “new breed” members — drummer Pete Holmes (Black ‘N Blue), and guitarists Jordan Ziff (Razer) and Chris Sanders (Britny Fox, Knight Fury)
Chris Sanders Jordan Ziff Stephen Pearcy Juan Croucier Pete Homes Pete Homes
After the Crossgates Mall crowd at Jupiter Hall in Albany dissipated, the dark metal corridors echoed with the growling sounds of screams from beyond.
The Chaos Collective, an upstate live entertainment group, and event manager Joe Vonschinzel, brought the areas darkest, loudest, most theatrical death and black metal bands together for what will, unfortunately, be one of the venue’s last shows.
As you walked to the closed doors and slowly opened them, you could see blue and white light pulsating from the stage. The screams and drums, mixed with wailing deep guitars, made one feel as though they were entering another world, another dimension. The bands put it all out there for the fans, and the fans loved every thunderous moment.
The metal lineup for the night at Jupiter Hall was: Vile Tyrant, Goatmass, Scavengers, Organ Harvest, Faced518. Jupiter Hall will have their last show next weekend, June 14, with Revenge, a non-make up Kiss tribute, Frank Palangi, The Hard Luck Souls, and Wasteland Junction.
For thirty years the Music Haven Concert Series has been bringing musicians from around the world to the capital region and this year to celebrate the 30th anniversary of the summer series they are also adding eight additional events, including theater and film.
The seven Sunday shows feature artists from five continents, with special guests including Eddies lifetime achievement winner Kevin McKrell on July 28th opening for Ireland’s Seamus Egan (founder of the band Solas).
Music Haven’s Founder and Producing Artistic Director Mona Golub announcing the lineup. Photo by Ed Conway
Music Haven is also bringing Shakespeare back to Schenectady’s Central Park with two evenings of A Midsummer Night’s Dream. They will also be introducing a Broadway karaoke night, called Hamiltunes, a first of its kind event.
Along with great entertainment the concert series has great food vendors, specialty beers, ice cream and other novelties making it a treat for the whole family. It’s no wonder that Music Haven won this year’s Eddie for Concert Series of the Year for enriching the cultural experiences of the region.
2019 Concert Series (Sundays, 7 p.m.)
July 7—Raghu Dixit Dubbed “India’s biggest cultural export” by The Guardian, Raghu Dixit’s contemporary global sound embraces elements of rock and hip hop, while rooted to India’s rich cultural heritage. Special Guests: Crossroads—Jay Gandhi & Yacouba Sissoko Sponsored by M&T Bank, Ellis Medicine, Fingerpaint
July 14—Casuarina Named for the street where the band formed, Casuarina has gone from humble Rio de Janiero beginnings to rarified status as one of Brazil’s finest, sultriest Samba combos. Special Guests: Eduardo de Carvahlo e Forró de Bom Sponsored by Freihofer’s, The Salmon Law Firm, Goya
The Garifuna Collective
July 21—The Garifuna Collective Garifuna Collective preserves traditional Caribbean coastal rhythms like Wanaragua and the semi-sacred Hungu-Hungu with turtle shells, jawbones, guitars, bass and spiritual singing. Special Guest: Bodoma Garifuna Culture Band Sponsored by Benchemark Printing, Ben & Jerry’s, Snapple
July 28—Seamus Egan Project Simply put, Solas founder and multi-instrumentalist Seamus Egan is a giant in the world of Irish traditional music, and he returns to his roots with a top notch quartet. Special Guest: Kevin McKrell Sponsored by Galesi Group, Carlilian Foundation
Aug. 4—Thornetta Davis Multiple award-winner “Detroit’s Queen of the Blues,” Thornetta Davis has sung her truth alongside Bonnie Raitt, Kid Rock, Bob Seeger, and a host of blues luminaries. Special Guest: Tas Cru Sponsored by MVP Health Care, CDTA, Rivers Casino & Resort, WEXT 97.7/106.1
Aug. 11—Cimarrón Like the Spanish Fandango, the Colombian Joropo that Cimarrón brings from the plains of the Orinoco River, is fierce, stomping and virtuosic. Special Guests: Sten & Maria Z. Sponsored by FAM Funds, Bustelo Coffee, SAVI
Aug. 18—Jupiter & Okwess Kinshasa-born “Jupiter” Bokondji’s band Okwess marries the American funk heard during his youth in Germany with the Congolese Rumba of his homeland. Special Guests: TBA Sponsored by Lia Auto Group, Polar Beverages, WEXT
Additional Performances (7 p.m.)
Wednesday, July 17—The Turbans—Global dance party
Thursday, July 18—Hamiltunes: An American Singalong
Thursday, July 25—Huntertones—Horn-driven jazz/funk
Friday and Saturday, July 26–27—Will Kempe’s Players: A Midsummer Night’s Dream —Shakespeare in the park
Wednesday, July 31—A Tribute to Nick Brignola—Jazz
Friday, Aug. 9—School of the Performing Arts at Proctors—Broadway Cabaret
Saturday, Aug. 10—The Schenectady Symphony Orchestra—Pops and classical
Friday, Aug. 16—Woodstock: Three Days that Defined a Generation —Premiere screening of new PBS Documentary
The night of Sunday, April 14 was a special night for all of the Capital Region’s music and entertainment scene at Proctors Theatre. It was the first ever Eddie’s – the Capital Region Thomas Edison Music Awards. The Eddie’s were formed this year by Jim Murphy (marketing and corporate development director at Proctors Collaborative) and Salvatore Prizio (program director at Proctors). It provided an opportunity to amplify, empower, and celebrate all creative professionals that are vital to the Capital Region’s growing music scene. Thirty-three categories, ranging from best photographer, soloist, music venue, and others, and three people’s choice categories, were voted on by the public. Two 2019 Inductees, songwriter, Kevin McKrell, and Music Mobile founder, Ruth Pelham, were inducted into the N.Y. Capital Region Thomas Edison Music Hall of Fame.
As a creative professional in the visual arts, photography, and journalism scene, it was an honor to attend and be a part of this show at Proctors. It was a blast being a part of this show with other creative musicians, photographers, publications, and music patrons. The awards show gave patrons an opportunity to learn more about the musicians, bands, publications, music promoters, photographers, venues, radio hosts, and other creatives that make up our music scene in the Capital Region. It was a great event to support all the nominees and winners that make up our growing scene.
This year’s 2019 Inductees for the NY Capital Region Thomas Edison Music Hall of Fame included songwriter and visual artist, Kevin McKrell and Music Mobile Founder, Ruth Pelham. The video presentations and the speeches that both McKrell and Pelham gave to the audience were both interesting and inspiring, particularly Pelham’s. It was interesting to see how McKrell’s Celtic music and his portrait art of musicians that he created inspired him to become a visual artist and a successful musician who previously performed at the esteemed Carnegie Hall.
Girl Blue with Jamie from Chromoscope Video Productions, accepting the award for “Best Music Video” for “Dreams”Sara Ayers and Paul Jossman accepting the award for “Best Arts Publication” for Nippertown.comA photo video montage shown on the screen held in memory of Caroline MotherJudge.Kevin McKrell,songwriter and recipient of The Eddie’s Artistic Lifetime Achievement Award.Music Mobile Founder, Ruth Pelham, the recipient of The Eddies Lifetime Achievement Award for Music Education or Community Impact.
With The Lightning Thief: The Percy Jackson Musical making its way to Schenectady, NY on Friday February 22 and Saturday the 23, James Hayden Rodriguez took time out of his busy schedule to talk about the performance. Rodriguez was very excited to be touring again as one of the four original cast members from when the show debuted in 2017 Off-Broadway. With a wonderful attitude and a humble down-to-earth personality, the conversation was fluid with a few laughs. To Rodriguez, acting in a show like this or any musical is second nature and something he always knew he was meant to do.
NYS Music was able to speak to James Hayden Rodriguez via phone on February 14 as he was just reaching his next stop of tour in D.C, before the cast and crew make their way to Proctors in Schenectady. Rodriguez plays Luke and Others in The Lightning Thief.
Headshot via jameshaydenrodriguez.com
Shannon Marie Palmo: In the musical you are said to play Luke and others. What are the other characters you play aside from just Luke?
James Hayden Rodriguez: My main two characters that I play are Luke and Ares, who is the god of War, who ends up being one of Percy’s biggest villain in the show.
SMP: I read that you guys used the book as your bible, how do you articulate the books on stage? How does that fuse with who you are as an actor, and the freedom that comes with being an actor?
JHR: With Luke specifically, I really have a lot of freedom to just use a lot of my own personal experience. We are all children of Greek Gods, but we are also still human and we have human qualities so we are able to use our personal experience to create these characters which is pretty cool. We have a lot of freedom.
SMP: What do you think are the disadvantages or advantages? What do you like/dislike about doing the tour verse being at one venue in NYC?
JHR: I don’t think there are disadvantages, I think it’s very exciting for us to be just doing the show again at all and the fact that we are able to bring it to all of our fans who were unable to see it in NYC because our fanbase is really massive and its spread and not just in the United States. We are even surprised by coming to these cities and selling out houses and the kids in the audience have read the books and seen the movies and know these characters. They are just really excited that we are bringing it to them. The great thing about the movie is that it has reached a lot of people, so we have a lot of people who are coming to see the show because they have seen the movie. We have the young book fans, but also the people who are new to theatre. They saw this really awesome film so they want to check out how we put this on the stage.
SMP: What is the balance between stage production between dialogue, there’s fighting scenes and it’s also a musical. So how would you say that balances out because some musicals are non-stop music with very little dialogue.
JHR: There’s definitely a lot of dialogue, and Percy is thrown into this world where he is learning this completely new universe to him. He is also dealing with the fact that his mother was just killed by this monster that he didn’t know existed. But when he gets to these really emotional parts in the story, it turns into these big rock numbers, which is really cool. I think we have a good balance from music to dialogue. There’s definitely a lot of scene work which helps us develop the characters and tell the story.
SMP: What is something that goes through your mind when you’re on stage performing whether it’s an actual performance or rehearsal?
JHR: I try to be as present in the story as I can and actively listening to everything on stage. I can’t concern myself too much with who’s in the audience because then it will throw you out of the world and the more you can focus on what is actually happening on the stage the better the performance will be. I don’t like to know if there’s press, or family, or casting directors in the audience.
SMP: With a show being about Greek Mythology, what’s it like being thrusted into such a world as Percy Jackson trying to portray that world on stage because like you said, you guys don’t have CGI as the movie did.
JHR: Yeah, it definitely allows us to be more creative with how we tell the story and that’s what has always been so exciting about theatre in the fist place, and why I got into theatre. You have to use your imagination to tell stories like this and we have been doing this with puppetry, which is cool this time around. We have a puppet team who has really elevated our storytelling. They are scary when revealed. People in the audience scream when they come out.
Rodriguez in The Lightning Thief. Photo by Jeremy Daniel.
SMP: So, what’s it like playing an antagonist like Luke or a character like Luke. When I saw the movie, and who Luke really was, I was completely shocked – without giving too much away.
JHR: (Laughs) Ares is more of the antagonist of this story. I don’t like to think of Luke as the antagonist because he starts out in the show with really good intentions and he’s just really misunderstood. He’s just dealing with his own insecurities and resentment issues because of the relationship with his dad. He’s a teenager as well and coming of age and learning all these new things and starting to have to make choices for himself. And Luke ends up going down a darker path than the rest of the characters. He doesn’t start off this way so you really get to see his journey from being a really good kid to more of a bad kid. I don’t think Luke is an antagonist, I just think he’s trying to make his own path.
SMP: How do you keep up with the physical demands of the show?
JHR: All of us are pretty good at making sure we are going to the gym, doing physical warm ups and stretching so we are not hurting ourselves in the show because the fights are pretty intense.
SMP: Did you guys have to go through fighting boot camp to train?
JHR: Oh yeah, we have a really great fight choreographer who has helped us through our process, and I’m also the fight captain in the show. I take the fights a little more seriously, making sure everyone is safe and doing what they are supposed to do because our choreographer was only here for rehearsals, he doesn’t travel with us.
Proctors is thrilled to announce that THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL, an “electrifying” (Newsday) musical adaption of the New York Times best-selling novel written by Rick Riordan, will play Schenectady, 8:00 p.m. Friday, Feb. 22; and 2:00 and 8:00 p.m. Saturday, Feb. 23.
As a son of Poseidon, Percy Jackson has newly discovered powers he can’t control, monsters on his trail, and is on a quest to find Zeus’ lightning bolt to prevent a war between the Greek gods. Based on the best-selling novel by Rick Riordan and featuring a thrilling original rock score, THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL is an action-packed theatrical adventure that has been celebrated by audiences and critics alike.
Tickets, which range from $20–$50, are available at the Box Office at Proctors, 432 State Street, Schenectady; by phone at 518.346.6204; and online at the Proctors website.
