Category: Saratoga Springs

  • Side Show Gypsy Dazzles at Saratoga Civic Center

    How would you describe the voice of Marcus Ruggiero? Start with the wind, a soft breeze which just captures your attention. Then feel your heartbeat, the deep, soulful sound reverberates with the rhythm of your heart. You can definitely hear a Cat Stevens tone about his voice, however, depending upon the song, a hint of Darius Rucker can be heard as well. Alone, his voice would be enough, but add to it the wailing guitar of Joe Mele, Sonny Speed at the keyboards, James Cappello driving the bass, and Brian Melick on his eclectic mix of percussion and you have nothing short of perfection in the form of Side Show Gypsy. Playing the second show of a ten-concert series in the lead up to a new album release, Side Show Gypsy treated Saratoga fans to a night of music that was full of emotion and left the crowd clamoring for even more.

  • Hearing Aide: Katie Louise ‘Unleash’

    When I first interviewed Katie Louise, it was hard to wrap my brain around her talent. A classically trained pianist who is now trying to break into the pop scene? How is that even possible?

    Well, she proved it’s possible. She’s even proved it’s not only a formidable attempt, it’s a smash hit.

    The seven song EP, Unleash, released March 15. Louise and her team kicked off the new album with a show at Jupiter Hall.

    Katie Louise Unleash

    Before I heard the full EP, I spoke with Louise. I had listened to two songs before the interview. Even then, I knew she was onto something special. The sultry “Imprisoned in Paradise” is slow, but poignant and powerful. I could feel her emotion throughout the song, and could identify with her rhetorical opener (Why would I want to sit all day and stare at only black and white?). Louise’s ability to speak about how she can see things and feel things, that those around her do not understand, is phenomenal. I felt her pain. “Imprisoned in Paradise” is truly one of my favorites on the EP, which is hard to believe because I’m a die-hard rock ‘n’ roll, go as fast as you can music fan.

    spotify:album:6JAdwa5YmQtd4fjh60xXp2

    Another true highlight is “Broken,” which Louise told me was one of the first songs she wrote. Another sultry, breathy ballad, Louise is able to use language as a medium to communicate the pain and sorrow the song is based on. A gentle piano melody supports her gentle, but strong voice: “I need you to hear me before we’re fighting because I don’t want to lose you / but I can’t do this without you / I need you to love me when I’m not broken.

    This is by far the strongest lyric in the song written by Louise, with her vocals bringing you to the scene of her pain, with a front row seat to watch it all unfold. I felt this lyric; I was able to relate my own emotional journey and feel the exact same pain. As the song picks up, the song becomes a little faster and is complimented with a drum beat that brings the element of pop into the forefront.

    Louise talked about how this EP was a work of “baggage,” as she used some of the harder parts of her childhood and earlier life as a vehicle for her songwriting. Each song demonstrates a different part of her journey, with “Damn Good” bringing a danceable beat and feel-good lyrics (I ain’t gonna lie/ life is pretty damn good/ and I’m sure as hell proud of it) to an album of raw pain and redemption. The guitar solo also gives rock listeners, like myself, something to latch onto, making sure almost any listener has something they like within the brief EP.

    Louise’s piano skills are not lost in this album. The solo in “Unleash” gives you just a taste of what she is capable of. I truly felt an old soul in this solo, as if I’ve heard this a million times, yet not heard it at all. Louise uses her impressive talent to introduce you to the world of piano in a way you might have never seen it before. As she’s clearly demonstrated, piano doesn’t have to be classical; it can be the melody and co-star of a modern pop album.

    If I had to pick only one song from this album, it would be “You Can’t Talk To A Woman Like That.” A female empowerment anthem about what women want in a relationship and the bouncy beat will have you singing along with your sunglasses on, and windows down, as you drive home. The lyrics will have you singing for days (trust me, I sang it on loop for almost a week), while subconsciously thinking about what a woman should, or should not, demand in her life. The lyrics (You call it feminist/ I call it common sense/ and maybe baby you should get some of it) gives the listener an insight of the woman Louise is; you understand she’s here to fight for the respect, platform and place she rightfully deserves in the music industry, and for that matter, life in general.

    Overall, Katie Louise has made a formidable splash into the scene with her first EP. I’m already a huge fan.

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com

  • A reunion in Waterford’s Chrome Food and Spirits will welcome the memories of Saratoga Winners this Saturday

    It was 10 years ago this month that Saratoga Winners, one of the Capital District’s favorite live music venues, burned down in an early morning fire. This Saturday, a reunion is to be held to remember it and the people who made it special at Chrome Food and Spirits.

    From the outside, Saratoga Winners wasn’t much to look at. It was a two-story roadhouse nestled between the Mohawk River and the Town of Colonie Landfill. There was no pretense surrounding the place, other than having Saratoga in its name, which was technically across the river. Nonetheless, in the years before it closed its doors in 2006, it hosted an A-list of musical acts that rivaled the more polished and refined Saratoga Performing Arts Center.

    And, that’s where the comparisons end.

    “I went to a ‘hardcore’ show there at the very end when they weren’t even selling alcohol anymore,” said Ali Hibbs, former Spotlight News and Metroland reporter. “The lead singer in the last band broke his ACL on stage and no one even knew he was hurt for a moment because he was already screaming!” Someone then realized the situation; the singer’s mother. Hibbs said she stopped the show and called for an ambulance, “but the kid refused to let them take him until he finished his set.”

    From the inside, Winners was structured like a barn. Vaulted ceiling, and an exposed wooden frame, including pillars and support beams, reminded one radio personality of a “wagon wheel.” With an open floor layout, patrons had a good view of the band regardless of where they stood.

    David Byrne, the Ramones, Melissa Etheridge, Ben Folds, the Black Crowes, Wilco and Paul Westerberg were just a few of the names of established stars and up-and-coming artists who drew crowds through the doors.

    “It changed personality considerably act to act,” said Ivan Rodat, a former reporter for Metroland. A stereotypical rock venue that wasn’t pigeon-holed into an exclusive genre. He recalled seeing R.E.M. frontman Michael Stipe in attendance once as Fugazi performed on stage. “Great, weird place.”

    Towards the end of its lifespan, Winners became a home for punk and heavy metal music.

    Jason Keller was an on-air personality for 103.5/103.9 FM The Edge. He’d take over the Albany airwaves to play classic rock and alternative music once Howard Stern was done with his syndicated broadcasts. He recalled hosting several shows at Saratoga Winners on behalf of that radio station.

    The on-air host remembered Winners looking like a wooden “wagon wheel.” Despite that observation, it didn’t stop bands from using pyrotechnics onstage. Keller remembered feeling the heat of a “jet engine” ignited from the stage, as he stood across the room next to the soundboard.

    “This can’t be safe,” he said, with an uneasy chuckle. Regardless, no one was hurt.

    Keller is now Commercial Production and Station Imaging Director at 102.7 WEQX. You can still hear him on the air, too.

    Fire

    In the early morning of April 30, 2009, firefighters responded to a call at Saratoga Winners. By the time they arrived, it was engulfed in flames. The original call came in shortly after 3 a.m. The Cresent Bridge was closed for about seven hours as eight fire departments battled the blaze.

    At the time of the fire, Saratoga Winners had been closed for three years. Ownership had changed hands and a new owner reportedly showed interest in returning the venue to its former glory. Authorities later determined that the fire was caused by arson. Just over a month later, the owner was indicted for arson, insurance fraud and reckless endangerment.

    Reunion

    Holly Stah’s memories of Saratoga Winners are more vivid than others. She worked there for eight years. First in the office, then behind the bar. It holds a special place in her heart. It’s where she met her husband, Scott.

    “You could see the bands. You could dance if you wanted to,” said Stah. “All of our friends were there.”

    A big music fan, Stah has collected pictures of herself standing next to Alice Cooper and Billy Sheehan, among others. She likes hard rock enough to recognize characteristics from just the band name, alone. For example, rock bands with an acronym as a name play especially loud. That was proven one night while such a band performed a sound check. Stah was standing near the stage. As the bass player started, she heard a sound from across the room.

    https://www.youtube.com/watch?v=EscxBucHIwQ

    “Glasses were falling off my trays and shattering on the floor,” she said. “I couldn’t get down to the bar fast enough to stop them from falling off and shattering on the floor.

    She later shared her observation of bands with acronyms to the owner. One day, the owner thanked her for the advice by sharing a decision he made. He turned down a request to have “D.I.O.” perform.

    It wasn’t an acronym. The owner was referring to Ronnie James Dio and the band he formed after leaving Black Sabbath in 1982, producing rock anthems like “Holy Diver” and “Rainbow in the Dark.”

    Stah was not happy.

    “I thought I was going to cry,” she said, with a laugh.

    Stah has spent the past year organizing a reunion for people to remember Saratoga Winners and the music that once played there. Saratoga Winners Reunion #3: The Final Chapter will feature music from Untaymed, Divine Right, Maxx Thrust, Bone Box and Enertia at Chrome Food and Spirits on Saturday, April 6, at 4 p.m.

    The lineup includes bands that had played Saratoga Winners, Stah said. It will capture the spirit of the old place. Something she said she is looking forward to.

    “I’m going to see people I haven’t seen in a very long time.”

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com

  • In Focus: Formula 5 Performs at Putnam Place

    For the last time, Formula 5 took to the stage of Putnam Place and performed two sets full of classics with plenty of jams to go around. The band announced in March that they were taking a break, and this being their last club show, fans came out to pack the venue one last time. Songs stretching across the seven years of the band’s existence were performed, with a slideshow of the band in the background in between sets. Albany’s fast-rising Glass Pony opened the night with a set that included a debut cover of “Lucky Man” by Emerson, Lake and Palmer with Formula 5’s Matt Richards joining on keys.

    After Putnam Place, Formula 5 is set to perform at Disc Jam Music Festival, Beanstalk Music Festival and their own Rock the Dock Music Festival on July 12 before taking an extended break.

    Set 1: Pedro->Albatross and Wolves, Nu-Gen->Birch Tree->Sad Bed->Nu-Gen

    Set 2: Drums->Come Along>In the Sand->Trout Waters Pt 1 & 2, Earthbound Tim->Come Along Reprise, Booher’s Pass, Hot Box

    Encore: Breaking Glass, Gettin’ Tough Again

  • Premiere: Watch Wild Adriatic perform “Cooperstown” at Musikfest 2018

    Saratoga Springs’ Wild Adriatic performed at last year’s MusikFest in Bethlehem, Pennsylvania, and thanks to C&C Media Group, we present “Cooperstown” in a full 360′ experience.

    To view the video, watch on YouTube or put on your Virtual Reality headset using your tablet or smartphone. 360 videos are best watched in 1440p on a tablet or mobile device, but are available up to 4K! If you have Google Cardboard, click on the Cardboard icon in the lower right.

    This 360 experience comes courtesy of C&C Media Group, Wild Adriatic and Musikfest. Subscribe to C&C Media Group to see the full show!