How would you describe the voice of Marcus Ruggiero? Start with the wind, a soft breeze which just captures your attention. Then feel your heartbeat, the deep, soulful sound reverberates with the rhythm of your heart. You can definitely hear a Cat Stevens tone about his voice, however, depending upon the song, a hint of Darius Rucker can be heard as well. Alone, his voice would be enough, but add to it the wailing guitar of Joe Mele, Sonny Speed at the keyboards, James Cappello driving the bass, and Brian Melick on his eclectic mix of percussion and you have nothing short of perfection in the form of Side Show Gypsy. Playing the second show of a ten-concert series in the lead up to a new album release, Side Show Gypsy treated Saratoga fans to a night of music that was full of emotion and left the crowd clamoring for even more.
Category: Saratoga Springs
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Hearing Aide: Katie Louise ‘Unleash’
When I first interviewed Katie Louise, it was hard to wrap my brain around her talent. A classically trained pianist who is now trying to break into the pop scene? How is that even possible?
Well, she proved it’s possible. She’s even proved it’s not only a formidable attempt, it’s a smash hit.
The seven song EP, Unleash, released March 15. Louise and her team kicked off the new album with a show at Jupiter Hall.

Before I heard the full EP, I spoke with Louise. I had listened to two songs before the interview. Even then, I knew she was onto something special. The sultry “Imprisoned in Paradise” is slow, but poignant and powerful. I could feel her emotion throughout the song, and could identify with her rhetorical opener (Why would I want to sit all day and stare at only black and white?). Louise’s ability to speak about how she can see things and feel things, that those around her do not understand, is phenomenal. I felt her pain. “Imprisoned in Paradise” is truly one of my favorites on the EP, which is hard to believe because I’m a die-hard rock ‘n’ roll, go as fast as you can music fan.
Another true highlight is “Broken,” which Louise told me was one of the first songs she wrote. Another sultry, breathy ballad, Louise is able to use language as a medium to communicate the pain and sorrow the song is based on. A gentle piano melody supports her gentle, but strong voice: “I need you to hear me before we’re fighting because I don’t want to lose you / but I can’t do this without you / I need you to love me when I’m not broken.”
This is by far the strongest lyric in the song written by Louise, with her vocals bringing you to the scene of her pain, with a front row seat to watch it all unfold. I felt this lyric; I was able to relate my own emotional journey and feel the exact same pain. As the song picks up, the song becomes a little faster and is complimented with a drum beat that brings the element of pop into the forefront.
Louise talked about how this EP was a work of “baggage,” as she used some of the harder parts of her childhood and earlier life as a vehicle for her songwriting. Each song demonstrates a different part of her journey, with “Damn Good” bringing a danceable beat and feel-good lyrics (I ain’t gonna lie/ life is pretty damn good/ and I’m sure as hell proud of it) to an album of raw pain and redemption. The guitar solo also gives rock listeners, like myself, something to latch onto, making sure almost any listener has something they like within the brief EP.
Louise’s piano skills are not lost in this album. The solo in “Unleash” gives you just a taste of what she is capable of. I truly felt an old soul in this solo, as if I’ve heard this a million times, yet not heard it at all. Louise uses her impressive talent to introduce you to the world of piano in a way you might have never seen it before. As she’s clearly demonstrated, piano doesn’t have to be classical; it can be the melody and co-star of a modern pop album.
If I had to pick only one song from this album, it would be “You Can’t Talk To A Woman Like That.” A female empowerment anthem about what women want in a relationship and the bouncy beat will have you singing along with your sunglasses on, and windows down, as you drive home. The lyrics will have you singing for days (trust me, I sang it on loop for almost a week), while subconsciously thinking about what a woman should, or should not, demand in her life. The lyrics (You call it feminist/ I call it common sense/ and maybe baby you should get some of it) gives the listener an insight of the woman Louise is; you understand she’s here to fight for the respect, platform and place she rightfully deserves in the music industry, and for that matter, life in general.
Overall, Katie Louise has made a formidable splash into the scene with her first EP. I’m already a huge fan.
This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com
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In Focus: Formula 5 Performs at Putnam Place
For the last time, Formula 5 took to the stage of Putnam Place and performed two sets full of classics with plenty of jams to go around. The band announced in March that they were taking a break, and this being their last club show, fans came out to pack the venue one last time. Songs stretching across the seven years of the band’s existence were performed, with a slideshow of the band in the background in between sets. Albany’s fast-rising Glass Pony opened the night with a set that included a debut cover of “Lucky Man” by Emerson, Lake and Palmer with Formula 5’s Matt Richards joining on keys.
After Putnam Place, Formula 5 is set to perform at Disc Jam Music Festival, Beanstalk Music Festival and their own Rock the Dock Music Festival on July 12 before taking an extended break.
Set 1: Pedro->Albatross and Wolves, Nu-Gen->Birch Tree->Sad Bed->Nu-Gen
Set 2: Drums->Come Along>In the Sand->Trout Waters Pt 1 & 2, Earthbound Tim->Come Along Reprise, Booher’s Pass, Hot Box
Encore: Breaking Glass, Gettin’ Tough Again
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Premiere: Watch Wild Adriatic perform “Cooperstown” at Musikfest 2018
Saratoga Springs’ Wild Adriatic performed at last year’s MusikFest in Bethlehem, Pennsylvania, and thanks to C&C Media Group, we present “Cooperstown” in a full 360′ experience.
To view the video, watch on YouTube or put on your Virtual Reality headset using your tablet or smartphone. 360 videos are best watched in 1440p on a tablet or mobile device, but are available up to 4K! If you have Google Cardboard, click on the Cardboard icon in the lower right.
This 360 experience comes courtesy of C&C Media Group, Wild Adriatic and Musikfest. Subscribe to C&C Media Group to see the full show!






































