The life of Afrobeat’s founder, Fela Kuti, was celebrated in the 2009 Broadway musical concert Fela!, and on Monday, July 29, the concert experience celebrating his music came to an enthusiastic, and curious, crowd at Saratoga Performing Arts Center. Kuti used the Afrobeat sound to push back against the post-colonial government of Nigeria in the 1970s, a prime example of Kuti’s mantra “music is the weapon of the future.” As it was then and is now, new era protest music and this performance brought Kuti’s music to life for all to draw from.
Photo by Jim Gilbert
With a 10-piece band on stage, including three percussionist and four horns, as well as an ensemble with five members (2 men, 3 women) who sang alongside Duain Richmond (Fela Anikulapo-Kuti), the stage was lit up through dance. One that had fervor and energy not seen at SPAC in ages. This was not dancing for the faint-of-heart, or hips, as Richmond said to the crowd throughout the show: “Everybody say Yeah Yeah.” Audience engagement that is a hallmark of Afrobeat concerts became coupled with some of the best on-stage dancing you’ll find anywhere.
With the start of “Expensive Shit,” Richmond led the band to give the audience an introduction to Afrobeat. Starting with the drums, then guitar, then bass set the groove, and soon the horns came in. If you were not moving, you should check your pulse. The ensemble taught the crowd how to dance by moving their hips to the hours on a clock. “1 & 7,” “3-6-9” and “12 & 6” got the booties shaking and fans out of their seats. Dancing from ensemble members Oneika Phillips, Iris Wilson and Afi Bijou became more furious and fully engaging.
“Zombie” found the crowd being invited into the covered orchestra pit, where each audience member shook what they had. From kids to parents, and grandparents, everyone was getting down to the beat of the band. As the show closed with “Colonial Mentality,” Kuti’s anti-colonial anthem, the crowd was back in the pit dancing with the ensemble, and Richmond, engaging in a form of protest that Kuti would surely look upon with a smile and hope for the future.
Setlist: Everything Scatter, The Clock – Yellow Fever, Ikoyi Blindess, Trouble Sleep Yanga Wake Am, Expensive Shit, Water No Get Enemy, Zombie, Sorrow Tears and Blood, Opposite People, No Buredi.
On Aug. 11, Mipso will be performing two shows at Caffè Lena. Hailing from Chapel Hill, North Carolina, the quartet is known for its blend of folk and modern-alt sounds. Rolling Stone recently named them an “Artist You Need to Know,” which is fitting given their ability to create songs that are fragile in narrative but robust in sound. With gentle vocals, Mipso sings about life’s truths, softening the blows of a sometimes harsh reality.
Their most recent album, Edges Run, was released on April 6 and includes notable tracks such as “People Change” and “Moonlight.” Originally pigeon-holed as a bluegrass band, this album marks a break-away from the bluegrass sound with a wide array of styles ranging from ballads to more upbeat pop songs utilizing instruments that aren’t typically associated with a bluegrass band such as the electric guitar.
Mipso will be performing at both 6:00 and at 8:30 pm. For tickets to either show, please go the Caffè Lena website.
Full of energy in constant motion, Fela! The Concert will bring the award winning Broadway musical to Saratoga Performing Arts Center (SPAC) on Monday, July 29. The sensual, eclectic sounds and powerful lyrics of Fela Kuti, the founding father of Afrobeat, prove why he became one of the world’s most celebrated and rebellious music legends of the 60’s, 70’s and 80’s. Set against a soaring canvas of projected images, Fela! The Concert is driven by the electrifying rhythms from a live Afrobeat band, with singers and dancers who bring to life Fela’s provocative spirit. Fela! The Concert features members of the original Broadway cast from the highly acclaimed Tony Award winning production Fela! This unique concert experience radiates joy and leaves audiences on their feet wanting more.
Prior to Fela! The Concert, at 7 p.m. SPAC will present a high-energy, professionally choreographed final performance by 80 local children who have been participating in The Performance Project: Youth in Motion. Led by the award winning National Dance Institute and presented in partnership with the Capital District and Saratoga Regional YMCA’s, SPAC’s Performance Project is a two-week dance intensive designed to teach children dance skills while instilling in them a belief in their own abilities and capacity to achieve success.
More information on Fela at SPAC can be found here.
Rob Thomas’ Chip Tooth Tour rolled into Saratoga Springs on Wednesday, July 24, complete with some great opening acts, messages of gratitude and music celebrating both past and present. Although there was a smaller crowd for the venue, fans filled in to hear singer/songwriter Chris Trapper and the thunderously joyful Abby Anderson before Thomas took the stage at 9pm.
Rob Thomas of Matchbox Twenty. Photo by Jim Gilbert.
Rob Thomas is the lead singer of Matchbox Twenty, and he brought the rock star spirit in his dramatic entrance on stage. With lights flashing in time with the drum set, punctuating his presence, Thomas strode on stage, ceasing movement with generous pauses in light, sound and movement. The fierce guitar lick danced with Thomas, who ran backward high kneeing across stage. And in a moment it was clear: he’s a rock star – with or without his famous band.
Thomas welcomed the crowd after his second song, saying hello to Saratoga with a large grin. He added, ‘Here’s the thing. We’ll do this show tomorrow night, and we played it last night. But nothing is more special than this show tonight.’ And so started the message of the evening to be present and enjoy the moment. Thomas would reiterate this both in lyrics and words, chatting with the crowd throughout the evening – celebrating life’s every day moments in song and story.
From “Her Diamonds,” which acknowledges with brutal honesty loving someone with chronic pain, to the more folksy “The Great Unknown,” a song about death, Thomas’ desire to communicate his message resounded with authenticity. He invited Chris Trapp back up to sing Trapp’s original song about death, which was mashed up with Thomas’ “happy little song about death” in a joyful and honest moment on stage.
During “Streetcar Symphony,” Thomas expressed gratitude to his opening acts and fellow musicians on stage with him. He was clear in using his talent and velvety voice to share his wisdom to celebrate life in all its moments. Thomas talked about a time with his dogs on tour when he wrote “Little Wonders” for a movie soundtrack that made him recognize the joy in life through his animals.
Thomas covered David Bowie’s “Let’s Dance,” getting the crowd dancing in their aisles. After a full set of 17 songs, his fans called him back for an encore performance of “…Something to Be,” followed by loved Matchbox Twenty song “Unwell” and Santana’s “Smooth.” He was visibly having a great time, dancing and moving like the rock star he has become, without the rock star attitude. Instead he demonstrated generous gratitude, sharing the applause and calling his opening acts back to perform with him.
Thomas lives his message. He was present in the moment, and loving every minute of it.
Setlist: I Love It, Real World ’09, Lonely No More, Her Diamonds, If You’re Gone (Matchbox Twenty song), Can’t Help Me Now, The Great Unknown, Streetcorner Symphony, One Less Day (Dying Young), Little Wonders, Fire On the Mountain, Let’s Dance (David Bowie cover), 3 A.M., Ever the Same, Someday, I am an Illusion.
Encore: …Something to Be, Unwell, Smooth (Santana Cover), This is How a Heart Breaks.
It’s been about four months since local singer/songwriter and classically-trained pianist Katie Louise released her debut EP. Unleash, a seven-track collection of originals, was a labor of love — and an expression of pent-up baggage — that resulted in an album that somehow makes a piano fit in seamlessly with modern-day pop music. Since the release, a lot has happened for Louise, including gigs, wedding planning and buying a new house.
Kaitlin Lembo: It’s been four months since you released Unleash and we’ve seen you in several shows since then. How has life been since the release?
Katie Louise: To be honest, this year has been crazy. Right after I released the EP, I was hit with a lot of new milestones: wedding planning, my fiancé and I buying our new home, starting all the renovations. I definitely haven’t had time to market Unleash the way I wanted to, but I’m hoping after the wedding in September to make music videos for some of the songs.
Kaitlin Lembo: What made you decide to release merch with the EP?
Katie Louise: I’ve always had merch, but I believe in ‘new EP, new merch.’ It’s a complement to the EP and it’s also a fun creative outlet. This merch has done better than ever; stock is moving quickly and we’ve gotten so much love! It’s been a slam dunk.
Kaitlin Lembo: How was the response to your EP?
Katie Louise: People seem to really enjoy it. Again, I haven’t had time to market much, so I know it could be much better. We had originally sat aside a bit of money for marketing and we just haven’t had time to touch it yet; we are hoping to dip into it after the wedding and do some serious marketing. But those who have heard it seem to give overall very positive feedback. It’s an amazing feeling to have people love what you write!
Kaitlin Lembo: Do you think you’ll be releasing another EP in the near future?
Katie Louise: Ideally, I’d like to release something new every two years. It seems like a nice time period for something to do well, while not becoming boring or overplayed. I have been working on some new stuff but it’s taken a backseat to the things happening in my personal life. But I would love to release something else at some point.
Kaitlin Lembo: You played with Skeeter Creek and now you’ve performed with SIRSY just this past Sunday. What has it been like to perform with two staple upstate acts?
Katie Louise: It’s absolutely exciting. When I first started, I was booking a few gigs here and there. My fiancé helps me book gigs now and since he’s taken over, he’s everywhere and booking me with some really incredible people. I loved performing at Wicked because it’s a whole different world musically from Trick Shot, even though it’s in the same place. I used to perform here when I started gigging, and to come back full circle and perform with SIRSY and see where I’ve come from is so motivating and inspiring.
This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
Perhaps musical talent can be inherited. At least, that seems to be the case with David and Sophie Buskin, who will be performing as part of Caffè Lena’s Pride Series on Thursday, August 1, as Buskin & Buskin. David, known for his background in folk-rock, is part of the duo Buskin & Batteau, and the band Modern Man, which he refers to as a “geezer trio.” He is a talented songwriter and has written for artists such as Judy Collins, Arlo Guthrie and Roberta Flack.
Sophie is a bit more rock and roll. Her stylings influenced by alt-rock, albeit she has been a part of the NYC folk scene for many years now. While attending college at Berklee, she was part of their Gospel Choir. Her first album, Sweet Creature, was released last year. She has been slowly evolving as a musician in her journey of self-discovery, and has performed with Jewel, Alana Davis, Mason Jennings and Judy Collins.
This multi-generational act brings a certain playfulness to the stage that comes along with knowing one another for such a long period of time. David’s pride in his daughter and her maturation into the musical performer she is today is apparent in their interactions, and is a pleasure to witness.
The opener that evening will be local Schenectady County Community College barbershop quartet, Out of Time. Tickets can be purchased here.
Chrome Food and Spirits in Waterford, NY was the site of a recent anniversary party for the Capital Region’s newest online local radio station, RadioRadioX. Founded on July 10, 2018 by local musicians, Art Fredette and Ralph Renna, the fledgling station has marked its “X” on the spot in the Capital Region through its Waterford radio station headquarters along with its monthly magazine, The Xperience Monthly. Its mission since formation has been aimed towards playing great music and supporting the local scene through the arts and the ever-growing music scene that continues to serve the Capital Region.
July 10 was the official one-year anniversary of the station. In celebration of both that and the magazine, the RadioRadioX team held a rocking birthday party held Sunday, July 14 at Chrome Food and Spirits. The party was full of fun shenanigans and great live entertainment all afternoon. It was a fun event for the community to be a part of this summer to celebrate the birth of a local radio station, its local original artists and cover groups, and the local artisans and businesses who make up our great scene.
Art Fredette
Before it became RadioRadioX, the radio station was known as “The X.” Music fans would tune into the station on public radio at 106.1 FM where it would receive airplay for nine months until its untimely demise last year when the radio station that was playing local and regional music not normally heard on popular radio was suddenly taken off the airwaves. Local musicians and fans of the popular station were in an uproar that the station, which was playing their music and supporting the local scene, had disappeared without a trace. Eventually, 106.1 FM became a popular Top 40 radio station and, later, became one of two stations for WEXT.
Rising up from the ashes, members of “The X” jumped into action and decided that the only way to celebrate its demise was to have a funeral party for the station that was held on April 14, 2018 at The Hangar On the Hudson in Troy, properly called, “A Funeral For The X.” A who’s who of the Capital Region’s local scene, like The Ramblin’ Jug Stompers, Soul Sky, The Lawn Sausages, Buggy Jive, C.K. And The Rising Tide, to Acoustic Trauma, all came out to pay their respects to the radio station through live music. With death comes rebirth, and “The X” suddenly became RadioRadioX, much to the delight of the scene who was ready to see their radio station make a comeback with a splash.
Since its rebirth, RadioRadioX has built a name for itself. The radio station was created by local musicians and serves the local scene on a whole new level. Since March 2019, RadioRadioX has held their own monthly concert series at their studio where patrons could check out the studio in person while sitting back and enjoying some live music from local solo acts and bands at their event, “Xperience Live.” An open house was held at the studio featuring music from the ’60s lounge cover group Off The Record, and the “Second Chance Prom,” held at Il Faro Restaurant and Bar, that the band also took part in for this exclusive RadioRadioX feature event. Along with the online station came a monthly magazine, The Xperience Monthly. The magazine features exclusive music interviews, show reviews, short fiction stories, and arts features written exclusively by local musicians and artisans who are dedicated to keeping our local creative scene alive.
Live music for this event was held on two main stages. In between sets, as the larger acts set up their gear and did their sound checks, patrons went inside the bar to have a drink while watching great performances from solo performers like Brittany Robichaud and Will Foley, and a duo performance from Big Frank and The Bargain Bingers members Frank Novko and Johnny Hoffman. From Robichaud’s acoustic take of Alanis Morissette’s “Not the Doctor,” to The Bargain Binger’s unique take on a popular Rolling Stones cover, each act kept their audience entertained with their cover tunes.
The acts that were featured on the main stage included Albany’s Honey Slider, featuring Caity Gallagher (vocals/piano) and Alec Lewis (vocals/lead guitar), Acoustic Trauma, The Lawn Sausages (featuring Luke McNamee on saxophone), Soul Sky, The Chris Busone Band and headlining act, Murali Coryell’s Electric Band.Honey Slider’s originals were soft and sweet through their delicate piano melodies and swift guitar measures. Acoustic Trauma was blazing loud and energetic. Maceli’s swift violin play and the energy he has on stage along with his backline, was amazing. Soul Sky, featuring their three-guitar army of Mark Emanatian, Joe Mele, and Jeremy Walz, raised the roof to a whole new level through their guitar soloing as they fed off each other in their cover of Eric Clapton’s “Why Does Love Have to be So Sad?” Funny as always, The Lawn Sausages continue to entertain with their non-stop jokes in between songs and their funny song lyrics that they played from their new album, Appetite for Dysfunction, even at one point inviting two female dancing friends to join them on stage to be their backup dancers for a song.The blues remain alive and well as the final two bands, Chris Busone Band and Murali Coryell’s Electric Band, played some tasty tunes for the soul. Coryell’s set, although short, was amazing with the assistance of his bassist and drummer. He performed some tunes from his current album, Made in Texas, and left his audience wanting more. The blues is certainly in his blood and it is clear how much passion he has for it through his musical tribute to Muddy Waters and in his original tune, “Eyes Wide Open.” Lastly, the “Superstition” from the Chris Busone Band had the audience on their feet with their eyes agape in awe as they watched them perform solos with both passion and a slight angst.In addition to the music, a group of local businesses and artisans proudly displayed and sold their merchandise. RadioRadioX gave away some tickets to raffle winners who wished to attend the “Divine Vibes” event held at The Beer Diviner in Cherry Plain, NY. The businesses and artisans who took part at the event include Goldie’s Marketplace, ALM Fine Art And Photography (featuring music photography from Amy Modesti), Mary Kay consultant Angela “Diamond” Fowler, The American Red Cross, American Foundation for Suicide Prevention with music CDs for sale from Will Foley, Park Lane, and visual art, jewelry, and writings sold from Carol Bosselman. RadioRadioX not only supports the local music scene, but they support their community and the local businesses who come together to help bridge their creative community together in the Capital Region. This party helped build community among the local businesses, artisans, organizations, and the music scene in one fun afternoon.
Happy Anniversary, RadioRadioX! Congratulations to the entire team for hosting and putting on this fantastic event at Chrome Food and Spirits. And “Cheers” to many more years in local online radio, newsprint, and helping to bridge together local artisans, musicians, and businesses into one great melting pot of creativity and collaboration.
“So, I have a new EP out,” Jonatha Brooke said to the crowd gathered at Caffè Lena on Thursday night. The news was received with warm applause. “And I’m naked on the cover.” At this point she posed, arms stretched outwards and upwards, ready to take on whatever the audience sent her way.
Jonatha is the second performance of Caffè Lena’s pride series, which has a way of making performers feel safe enough to be completely honest. Jonatha’s vulnerability is only accentuated by her presence on the stage, a lone woman with a mic and a guitar.
The performance was incredibly satisfying. Perhaps it was the way her voice eased through the room, settling in comfortably with the crowd. Or it could be the fact that she is a self-proclaimed “terrible liar” and her brand of off-beat candor was refreshing.
Jonatha spoke openly about her relationship with her mother, doing impressions of her throughout the night. She has written and performed in a musical based on living with her mother while she dealt with Alzheimer’s. The musical is called My Mother Has 4 Noses and is based off a quote made by her mother, who said, “After all, how many people do YOU know who can say they have FOUR noses?”
After “mothering her mother” as she so put it, Jonatha spoke about how it had helped her better understand herself on a new level, one in which she experienced what she described as a, “I would take a bullet for you feeling.” This led into a performance of a song that she played as a member of The Story – “So Much Mine.” This song describes the perspective of a mother watching over her child and the worries that spring to mind when one thinks about them.
Many of Jonatha’s songs revealed different aspects of her inner workings, such as her song “Imposter,” off of her new EP of the same name. The song is played on mandolin, and in it, she calls herself the imposter. She said that the song was about her own feelings of self-doubt that sometimes haunt her, a relatable feeling to be sure. “Liar, loser, phony. No one ever says so, but I know it’s true. Poser, lightweight, cheapskate. I wanna be, but woe is me. Someone better muster up the truth,” she sang, her voice clear in the small space. She calls herself her “own best saboteur,” harkening on the very realistic feeling many have of having to fake their way through the day, to bend themselves to appear less weak or to hide their flaws from others.
And yet, there was no denying that Jonatha Brooke wasn’t as uncertain of herself as “Imposter” may have led the audience to believe. Before performing her song “Fire,” Jonatha strolled casually across the stage and proclaimed, “I am kind of liking getting older sometimes because I don’t give a shit anymore.” Amen to that.
She chose to end with “Linger,” her big hit from 2001. It was comforting to hear that someone as successful as she is could still harbor doubts. In this, Pride Night at Caffè Lena has once again provided Saratoga with a space of security where doubts were eased.
John Mayer chose Albany to open his 2019 tour at the Times Union Center, and a sold-out crowd was there to greet him. Playing two full sets that each could have been stand-alone concerts, Mayer required no opening band for his fans, some of whom held up signs with recommended setlists.
Photo by Jim Gilbert
Mayer casually strode across the neon backlit stage after band members set up, picked up his guitar, and gave the room chills during this heatwave with his easy, bluesy playing. They would play two full songs before Mayer greeted the crowd with a gentle “Good Evening,” and he swapped out his electric guitar for his acoustic one. The stage was bathed in purple light as Mayer responded to a fan holding up requested songs, “You’re going to get your way, well at least half of your requests” he smiled. The crowd was entranced.
There was a mix of old and new songs, songs from Mayer’s earlier career as well as hits from the present. The crowd sang along as he played “Who Says You Can’t Get Stoned” like they were away at a summer camp, except the volume of the singalong was higher.
Photo by Jim Gilbert
Mayer and his band took a few longer breaks between songs, leading one to wonder if this first night together performing brought up some unexpected moments they needed to problem solve. But no problems came through to the crowd; Mayer’s relaxed performance, joined by his very joyful band of 8 musicians, seemed like it was simply a continuation of a longer standing tour.
Mayer announced mid-first set “Hey we’re back everybody” with a big grin and was very chatty with the crowd. He struggled to let go of the fan’s request list, even sharing he has “low-grade guilt” thinking of a fan holding a sign and getting disappointed during his performance. He presented as a giant sweetheart, seeking to please others and humble about his own musical talent. He even gently shifted his setlist to include a fan’s request, stating, “So I did some thinking,” and added “Age of Worry” to the second set to please her.
Photo by Jim Gilbert
Mayer is talented, too, possibly beyond what most folks who listen to him on the radio will realize. He started in Boston’s Berklee School of Music but left the conservatory to begin performing before completing his degree. Mayer pulls melodies out of the guitar like magic; his fingers look incredibly loose as he moves them over the strings, and somehow he brings a great groove line out of the instrument. It looks effortless, but as anyone who has ever played guitar knows, that reflects years of practice.
His lyrics, too, often reflect aching and longing that the timbre of the guitar matches perfectly. Sometimes sounding like bluegrass, other times like pop, and again changing to blues, Mayer’s versatility is constantly pronounced.
Photo by Jim Gilbert
By set two, the laser cut backdrop had added some trees and sun, and some fun (if not irrelevant) visuals played behind the band as they performed “Still Feel Like Your Man.” The dancing panda was completely adorable on the video, bringing a lighter vibe out. He shifted back to blues quickly with “Love is a Verb,” where he stayed for a few more songs.
Mayer can really do anything, and the crowd at the Times Union was swaying with him, mesmerized by not only his talent but the clear talent of fellow guitar player Isiah Sharkey. Sharkey has emerged as a guitar giant in his own right, and many fans were screaming out his name in recognition of his also stunningly riffs on the guitar.
Photo by Jim Gilbert
For many fans, the best song of the night was the raw and brutally honest “In the Blood,” a recent hit by Mayer that asks if we can escape our family of origin or if we are forever slaves to repeat earlier generations’ mistakes. The crowd was clapping and singing along with the lyrics, highlights of which were on the screen overhead. This is a brutal song, if really listened to, and was a truly intense and authentic experience to watch Mayer take so many in the audience on this honest line of inquiry.
Mayer followed with a more upbeat but similarly honest “Waiting on the World to Change.” He thanked the crowd for keeping the songs alive, stating “We only play these songs because you’ve made these great songs.” He spoke about how each song brought him back to earlier days, and noted that songs hold memories for all of us, allowing us to go back and visit our earlier selves.
Photo by Jim Gilbert
Mayer is a thinker, an artist who attempts to reach for joy but isn’t afraid to grind into anxiety, sadness, lost love and the depths of despair. His writing and playing reflect that with integrity, and this resonates with fans who see themselves in that very human and raw experience.
By the close of the concert, Mayer had performed 27 songs, some of which included long jam sessions showcasing the guitar talent he shares with band members. And he never missed a beat.
Photo by Jim Gilbert
Set One: Belief, Love on the Weekend, Who Says, Helpless, Moving On and Getting Over, Something Like Olivia, Edge of Desire, Vultures, Wildfire, I Guess I Just Feel Like
Set Two: The Age of Worry(Acoustic), Emoji of a Wave(Acoustic), Daughters(Acoustic), Something’s Missing(Acoustic)(First verse only), In Your Atmosphere(Acoustic)(First part only), Still Feel Like Your Man, Love Is a Verb, Why Georgia, The Beautiful Ones(Prince cover) (David Ryan Harris solo), Slow Dancing in a Burning Room, Rosie, If I Ever Get Around to Living, In the Blood, Waiting on the World to Change, Gravity
On Friday, July 12, Upstate NY celebrated a final farewell performance from one of the area’s most beloved jam acts,Formula 5. The groove-rock foursome, for their final show, were headlining the third annual Rock The Dock Music Festival in Lake George, NY. Formula 5 had announced their intention to go on an indefinite hiatus earlier this year with plans to to finish out a select handful of live performances, the last of which was their main stage set at Rock The Dock, the one-day music event which they have hosted for the past two years.
On this third time around, Rock The Dock saw a beautiful day of weather and an impressive turnout of festival patrons who flocked to a corner of Lake George to see an intimate list of popular music acts. Other acts on the festival main stage for the day were the funk dance band West End Blend, singer-songwriter Mike Powell, Saratoga Springs’ JT Maple, along with Americana rock outfit Eastbound Jesus and the Colorado-based jam quartet Magic Beans. And, of course, after all of these acts, Formula 5 closed the stage out, performing a highly lauded, headlining set of music.
Adding to its serene views and amiable atmosphere, Rock The Dock equipped itself with an impressively nice sound. Patrons could sit atop the second or third deck of the massive steamboats —three of them boxed in the concert area in grand fashion—and enjoy the music as if they were riding the front row. In between sets, patrons could meander to close by vendors and be serenaded by the music of both JT Maple and Mike Powell.
Magic Beans, one of Colorado’s most promising jamband acts in recent times, were on deck taking the stage just before Formula 5’s send off. And they played a short but strong hour-long set that really managed to warm up the energy of Rock The Dock properly. Towards the end of their set, Beans’ steady, focused approach to uplifting trance funk had hit the crowd right way and had the concert area flush with dancers and smilers. At the apex of this great set, Magic Beans delivered a uniquely slow version of Talking Heads’ “Life During Wartime.”
Formula 5 then took their time that evening to put on a proper close to a more than respectable seven year career of touring and recording. Those seven years saw a few different iterations of the band (every member of which was present this evening) craft and refine a highly popular, unique improvisational sound and live experience.
That live experience came out in full force for one last time at Rock The Dock, with the band—in it’s most recent lineup of keyboardist Matt Richards, bassist James Woods, drummer Greg Marek, and guitarist Joe Davis—sounding off to hundreds of their most dedicated fans and family in true, larger-than-life style. The way they performed for this ending display, the band might as well as have been in front of thousands of people, let alone several hundred. It came with perhaps a bit of irony that this last set from Formula 5 was as musically thrilling as some of the best they had ever done. By the last of the exasperated yet tenaciously sung notes from lead Joe Davis on the night’s encore “Breaking Glass,” it didn’t seem right that such a great display was the end instead of being the beginning of a new chapter.
But here at Rock The Dock there was no crazy setlist, no stage antics or tricks. Formula 5 simply offered an extremely well-executed, instrumentally colorful and comfortable display of original jams. A mighty “In The Sand” strapped Formula fans into a familiar rocket, and catapulted them towards the psychedelic reaches of high-energy space funk that this band had always demonstrated they could navigate better than most others playing today.
By the time the band transitioned energetically into “Come Along,” the dock was rife with glee. Whether people were realizing or not that this was in fact Formula 5’s final show, for a moment, that didn’t seem to be clear. People were just happy, and they moved in colorful motion to the quartet’s shifting tempos and amazing collection of weird, wild rock sounds.
One of those sounds was the familiar and super heady keyboard intro from Matt Richards to the band’s “Sad Bed.” If anyone thought “In The Sand” would be the highlight point, they might have been subverted by this tune which was played even more ambitiously than the mega jam before it. Across the last couple of years, since the career-making release of their record All Points North, “Sad Bed” has been one of Formula 5’s most creative and transcendent vehicles for improvisation, stretching out on many live occasions past twenty-five or even thirty minutes in length. This farewell show at Rock The Dock boasted a “Sad Bed” to end all “Sad Beds,” a masterfully groovy, last improvisational exercise for the band. In this inspired performance, Formula 5 sounded like a synthesis between all of their influences, fusing together the cosmic ’70s feel of Parliament Funkadelic, the raunchy grit of Widespread Panic, and the artistic unexpectedness of The Grateful Dead.
Even “Trout Waters Pt. 1 & 2,” which the band often in past shows would split up as segue points between other songs, was kept together in one long delivery and went near ballistic. Drummer Greg Marek, who was completely in the zone in this moment, deserves credit for helping to launch this one into a fantastic, power-rocking jam.
Through the entirety of this fully loaded yet all-too-quick two hours, the band was all smiles, with all four members beaming at one another at every musical change or, at times it seemed, just because they were so into it. Here, in the last show, they were having fun, and perhaps that’s what counts most. The crowd was certainly more than appreciative, matching the band’s amazing gusto step for step through to the end. When the band had returned to a deafening encore chant, Marek took to the microphone and said a few words that must have eased at least a few minds. “I don’t see why there’s any reason we can’t do this again next year.”
Swimmer continued the party for Rock The Dock at Lake George’s King Neptune’s Pub and the beach bar’s crowd eventually swelled to a cool gathering of festival attendees and turned the local hub into a sizzling last bit of dancing fun. Formula 5’s members, when they weren’t on stage making their last sentimental statements of the evening, were among the late night crowd, having a much deserved beer and mingling with fans and friendsSwimmer, this instrumentally intense yet often very melodically pleasing quartet, ripped up the last few hours of the festival between confident guitar shreds, jamtronic-tinged bass and drum lines, and even some moments of soulful saxaphone work thrown in. At the very least, this band that hails from the still musically fecund hotspot of Burlington, VT showed that while some of our favorites now and then have to call it quits, the music is always being carried on strongly by still younger and continually impressive artists.
Formula 5 Setlist: Friday July 12, Rock The Dock Music Festival
Set 1: Earthbound Tim > Booher’s Pass, Pedro -> In the Sand > Come Along, Trout Waters Pt 1 & 2, Sad Bed > Gettin Tough Again
