Category: Albany

  • Renovated Lark Hall Opens Doors With Carl Broemel (Of My Morning Jacket) & Deer Tick

    Sunday evening, Justin and Jennifer Miller opened the doors of the beautifully renovated Lark Hall in Albany, NY to friends and family with My Morning Jacket’s Carl Broemel as the featured artist. Ian O’Neill of Deer Tick opened up the evening on guitar and vocals with help from Dennis Ryan on drums and vocals. They played some originals that were just recorded, songs from their side project Happiness and Deer Tick songs from the album Mayonnaise.

    carl broemel
    Photo by Mathew Golden

    The audience, having just been treated by the Miller’s to a Tex Mex buffet and open bar, was all smiles and an amazing listening room shone brilliantly as the last rays of sunlight came into the hall through the balcony windows.

    carl broemel lark hall

    The invite-only audience of about 70 people was in for a real treat next as O’Neill and Ryan closed their set stating, “Well looks like Carl just got here and we have one more for you, then we are going to come on out there and watch him with y’all!” Carl Broemel, guitar, pedal steel and saxophone player for My Morning Jacket, having just finished a four-night run with his bandmates, had quietly been watching the opening set from the side of the hall. Broemel, who has just released the critically acclaimed Wished Out album in 2018 and 2019’s EP Brokenhearted Jubilee was up next.

    We were incredibly honored and grateful to have Carl join us on our maiden voyage… and none of it would have ever been possible without the support and love of our friends who were there to share the experience with us – Truly a dream come true!”

    Justin and Jennifer Miller

    After a quick stage switch and soundcheck, Carl “Snowy” Broemel took the stage armed with his electric, acoustic and pedal steel guitar and a rig of pedals and loopers. The Miller’s entrusted their close friend Matt Hueston as the event coordinator and the evening was dubbed “A Snowy Evening At Lark Hall.” The sound at Lark Hall was the first thing those lucky enough to be in attendance noticed. The sound technicians and natural wood of the theater made for a crisp and perfect quality as each note rung true. This space is perfect as a listening room, but the hall will surely host some barn burners as well.

    carl broemel
    Photo by Matthew Golden

    Broemel opened the set with “Starting From Scratch” from Wished Out. He moved in and out of his original material from his solo records with the same ease as he moved between looping guitars with harmonies that created a rocking atmospheric funk. Then the pedal steel came in, layered over top. You could hear a pin drop as the audience did not make a peep during this very special set. It is no wonder why Rolling Stone magazine listed Broemel in the top 20 modern guitar players in the world. His command and control of all that was happening on stage was flawless.

    carl broemel
    Photo by Matthew Golden

    Having just finished a solo tour with Tyler Ramsey, Broemel decided to play an M. Ward cover, “Chinese Translation,” that they had done together while on tour. This version soared through the hall and out onto the Albany streets outside like the sweet drops of moonlight touching down through the trees. Another highlight of the evening was “Carried Away” from 2010’s All Birds Say. Finally, Broemel was beckoned back onstage to treat the audience to one more tune and decided to close out the evening with a rollicking version of Tom Petty’s “Last Dance With Mary Jane.”

    After the concert, Broemel signed posters, t-shirts and hung out in the hall talking to fans for hours. He even joined fans in a ping pong match in the adjacent Lark Street Yoga Studio run by Jennifer Miller, just voted a Top 5 Woman Operated Business in Albany. All the facilities at the beautifully renovated Hall and Yoga Studio are state of the art. The sound is amazing. The framed posters that line the walls and decorations are incredible. Those lucky enough to attend “A Snowy Evening at Lark Hall” had a once in a lifetime experience and also witnessed the start of what will surely be a successful venture and true listening space for artists to play and feel like family.

    Event organizer Matt Hueston said, “What a magical night, and I don’t think there was one second I didn’t have a smile on my face. I wanted to put this event on not only because I love Carl, My Morning Jacket, and Deer Tick, but to show my appreciation for all of the kindness that strangers, who are now amazing friends, have shown me during my musical adventures. Music brings us together in a way very few things can. Be kind, spread positivity, and as always rock on!” Hueston seems to be onto something here, as Broemel expressed his desire to come back and play this brand new venue again. Be on the look out for so much more from the Miller’s new venue Lark Hall! Scroll past the pictures for the venue’s Mission Statement.

    carl broemel

    Lark Hall is a Historic performance arts and community venue located at 351 Hudson Avenue in Albany, New York.  Located in the heart of Albany’s Lark Street neighborhood, this 14,000 square foot building was constructed in 1916 by the Daughters of the Eastern Star as a meeting and performance hall that includes street level retail and meeting spaces and a 3,000+ square foot venue space with 22’ ceilings, proscenium stage, intricate mezzanine areas, and an artist’s green room and living quarters located above the stage.  Owned and operated from 1977 to 2017 by Electric Body Arts, Inc., Lark Hall was most recently utilized as a not-for-profit dance and fitness school maintaining all original historic details.

    Purchased in March 2018 by a group led by Jeff Buell and Justin Miller, Lark Hall is being developed into a multi-tenanted performance arts and community venue that will build on the neighborhood’s longstanding arts and community-oriented culture.  Carefully designed and engineered, Lark Hall will be developed to provide not only an unmatched guest experience, but also to serve as a one-of-a-kind residency for artists to perform, stay and hone their craft in a comfortable oasis from touring.The building’s first floor at street level boasts over 3,000 square feet of commercial space that hosts Lark Street Yoga Studio (1,400 square feet of high end yoga and fitness studio space) and related amenities, along with an additional approximately 1,000 square foot lobby and common space that will host Lark Juice Bar, Lark Hall Box Office and new elevator bay for ADA and load in access to the upper hall. 

    An additional 1,200 feet of first floor space is under construction to host a locally-owned coffee shop.The main hall currently contains nearly 3,000 feet of main open floor space fronting an approximately 10 x 30 proscenium stage, along with built in mezzanine space on one side that provides incredible sight lines and acoustics in current format.  The hall will be upgraded to include expanded mezzanine amenities for reserved-level ticketing with private bar and bathrooms.  The main floor level will include a large bar area and new bathrooms to service the main floor area.  Among the significant building upgrades to be installed to support the hall and support spaces include a new elevator, extended stage area, bar and related service and office spaces, building-wide sprinkler and fire signaling, HVAC systems and air handling, along with building-wide electrical systems, lighting and tech backbone to support state of the art sound, lighting and front of house equipment. 

    For first phase of built out, Lark Hall will be rated for ~300+ occupants and feature unparalleled acoustics and unrestricted sight lines for every single guest.The hall also boasts a unique 2-3 bedroom apartment located above the stage that is directly connected to the stage and mezzanine areas.  This amenity will be offered to artists and support crew for use during and after performances.  This living space will be a one-of-a-kind green room and residency area to attract and retain artists for multi-night residencies and unique performance opportunities.  This living space also adjoins approximately 1,200 square feet of practice and recording space that will be offered to artists and recording professionals for use as part of regular bookings and extended practice and recording opportunities. 

    All photos by Matthew Golden

    Facility Highlights: Historic ~500 capacity venue with unique multi-level mezzanine layout, 22 foot ceiling and proscenium stage.  The main Hall includes tech and monitor rooms built into the wings of the stage area, with multiple access points from stage to private artist residence areas.Both GA floor and mezzanine levels for reserved ticketing opportunities, along with flexible seating formats to accommodate ADA and general seating preferences for select shows.Artist focused living and practice space to attract and retain local, regional and national touring acts.  Living space may be available for short term stays to support community meetings, weddings and other hall offerings. 

    Practice and studio space will also be available for use as part of enhanced ticketed performances (a la midnight preserves), and for lease and/or management by third-party recording professionals.Built-in flex space on first level that will provide dedicated box office, merchandise counters and flex space availability within yoga studio to support artist meet and greets and integrated gallery space for artist support industry (gallery for pop-up poster artists and photographers, sound check party amenities, and general flex space to support events built around ticketed performances).Designed for both fans and artists, Lark Hall will provide an unparalleled live music and performance experience.

  • Five Questions with Katie Louise

    It’s been about four months since local singer/songwriter and classically-trained pianist Katie Louise released her debut EP. Unleash, a seven-track collection of originals, was a labor of love — and an expression of pent-up baggage — that resulted in an album that somehow makes a piano fit in seamlessly with modern-day pop music. Since the release, a lot has happened for Louise, including gigs, wedding planning and buying a new house.

    katie louise

    Kaitlin Lembo: It’s been four months since you released Unleash and we’ve seen you in several shows since then. How has life been since the release?

    Katie Louise: To be honest, this year has been crazy. Right after I released the EP, I was hit with a lot of new milestones: wedding planning, my fiancé and I buying our new home, starting all the renovations. I definitely haven’t had time to market Unleash the way I wanted to, but I’m hoping after the wedding in September to make music videos for some of the songs.

    Kaitlin Lembo: What made you decide to release merch with the EP?

    Katie Louise: I’ve always had merch, but I believe in ‘new EP, new merch.’ It’s a complement to the EP and it’s also a fun creative outlet. This merch has done better than ever; stock is moving quickly and we’ve gotten so much love! It’s been a slam dunk.

    Kaitlin Lembo: How was the response to your EP?

    Katie Louise: People seem to really enjoy it. Again, I haven’t had time to market much, so I know it could be much better. We had originally sat aside a bit of money for marketing and we just haven’t had time to touch it yet; we are hoping to dip into it after the wedding and do some serious marketing. But those who have heard it seem to give overall very positive feedback. It’s an amazing feeling to have people love what you write!

    Kaitlin Lembo: Do you think you’ll be releasing another EP in the near future?

    Katie Louise: Ideally, I’d like to release something new every two years. It seems like a nice time period for something to do well, while not becoming boring or overplayed. I have been working on some new stuff but it’s taken a backseat to the things happening in my personal life. But I would love to release something else at some point.

    Kaitlin Lembo: You played with Skeeter Creek and now you’ve performed with SIRSY just this past Sunday. What has it been like to perform with two staple upstate acts?

    Katie Louise: It’s absolutely exciting. When I first started, I was booking a few gigs here and there. My fiancé helps me book gigs now and since he’s taken over, he’s everywhere and booking me with some really incredible people. I loved performing at Wicked because it’s a whole different world musically from Trick Shot, even though it’s in the same place. I used to perform here when I started gigging, and to come back full circle and perform with SIRSY and see where I’ve come from is so motivating and inspiring.

    Unleash can be streamed or purchased on Spotify and Apple Music.

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • John Mayer Makes Musical Magic for Albany in Tour Opener

    John Mayer chose Albany to open his 2019 tour at the Times Union Center, and a sold-out crowd was there to greet him. Playing two full sets that each could have been stand-alone concerts, Mayer required no opening band for his fans, some of whom held up signs with recommended setlists.

    Photo by Jim Gilbert

    Mayer casually strode across the neon backlit stage after band members set up, picked up his guitar, and gave the room chills during this heatwave with his easy, bluesy playing. They would play two full songs before Mayer greeted the crowd with a gentle “Good Evening,” and he swapped out his electric guitar for his acoustic one. The stage was bathed in purple light as Mayer responded to a fan holding up requested songs, “You’re going to get your way, well at least half of your requests” he smiled. The crowd was entranced.

    There was a mix of old and new songs, songs from Mayer’s earlier career as well as hits from the present. The crowd sang along as he played “Who Says You Can’t Get Stoned” like they were away at a summer camp, except the volume of the singalong was higher.

    John Mayer Albany
    Photo by Jim Gilbert

    Mayer and his band took a few longer breaks between songs, leading one to wonder if this first night together performing brought up some unexpected moments they needed to problem solve. But no problems came through to the crowd; Mayer’s relaxed performance, joined by his very joyful band of 8 musicians, seemed like it was simply a continuation of a longer standing tour.

    Mayer announced mid-first set “Hey we’re back everybody” with a big grin and was very chatty with the crowd. He struggled to let go of the fan’s request list, even sharing he has “low-grade guilt” thinking of a fan holding a sign and getting disappointed during his performance. He presented as a giant sweetheart, seeking to please others and humble about his own musical talent. He even gently shifted his setlist to include a fan’s request, stating, “So I did some thinking,” and added “Age of Worry” to the second set to please her.

    John Mayer Albany
    Photo by Jim Gilbert

    Mayer is talented, too, possibly beyond what most folks who listen to him on the radio will realize. He started in Boston’s Berklee School of Music but left the conservatory to begin performing before completing his degree. Mayer pulls melodies out of the guitar like magic; his fingers look incredibly loose as he moves them over the strings, and somehow he brings a great groove line out of the instrument. It looks effortless, but as anyone who has ever played guitar knows, that reflects years of practice.

    His lyrics, too, often reflect aching and longing that the timbre of the guitar matches perfectly. Sometimes sounding like bluegrass, other times like pop, and again changing to blues, Mayer’s versatility is constantly pronounced.

    John Mayer Albany
    Photo by Jim Gilbert

    By set two, the laser cut backdrop had added some trees and sun, and some fun (if not irrelevant) visuals played behind the band as they performed “Still Feel Like Your Man.” The dancing panda was completely adorable on the video, bringing a lighter vibe out. He shifted back to blues quickly with “Love is a Verb,” where he stayed for a few more songs.

    Mayer can really do anything, and the crowd at the Times Union was swaying with him, mesmerized by not only his talent but the clear talent of fellow guitar player Isiah Sharkey. Sharkey has emerged as a guitar giant in his own right, and many fans were screaming out his name in recognition of his also stunningly riffs on the guitar.

    John Mayer Albany
    Photo by Jim Gilbert

    For many fans, the best song of the night was the raw and brutally honest “In the Blood,” a recent hit by Mayer that asks if we can escape our family of origin or if we are forever slaves to repeat earlier generations’ mistakes. The crowd was clapping and singing along with the lyrics, highlights of which were on the screen overhead. This is a brutal song, if really listened to, and was a truly intense and authentic experience to watch Mayer take so many in the audience on this honest line of inquiry.

    Mayer followed with a more upbeat but similarly honest “Waiting on the World to Change.” He thanked the crowd for keeping the songs alive, stating “We only play these songs because you’ve made these great songs.” He spoke about how each song brought him back to earlier days, and noted that songs hold memories for all of us, allowing us to go back and visit our earlier selves.

    John Mayer Albany
    Photo by Jim Gilbert

    Mayer is a thinker, an artist who attempts to reach for joy but isn’t afraid to grind into anxiety, sadness, lost love and the depths of despair. His writing and playing reflect that with integrity, and this resonates with fans who see themselves in that very human and raw experience.

    By the close of the concert, Mayer had performed 27 songs, some of which included long jam sessions showcasing the guitar talent he shares with band members. And he never missed a beat.

    Photo by Jim Gilbert

    Set One: Belief, Love on the Weekend, Who Says, Helpless, Moving On and Getting Over, Something Like Olivia, Edge of Desire, Vultures, Wildfire, I Guess I Just Feel Like

    Set Two: The Age of Worry(Acoustic), Emoji of a Wave(Acoustic), Daughters(Acoustic), Something’s Missing(Acoustic)(First verse only), In Your Atmosphere(Acoustic)(First part only), Still Feel Like Your Man, Love Is a Verb, Why Georgia, The Beautiful Ones(Prince cover) (David Ryan Harris solo), Slow Dancing in a Burning Room, Rosie, If I Ever Get Around to Living, In the Blood, Waiting on the World to Change, Gravity

    Encore: Born and Raised, New Light

  • In Focus: A Taste of the Islands Land in Albany with Reggae’s Culture

    Culture is reggae’s most dominating harmony group. Born in the 70′s golden age of reggae, Culture gained acclaim for its long series of classic “roots” albums. Joseph Hill, singer and songwriter for the legendary Jamaican vocal trio, collapsed and died while on a 2006 tour of Europe. Kenyatta Hill’s career began the day his father’s ended. Kenyatta stepped onstage and delivered electrifying performances and was able to complete the tour. While pursuing an active solo career, Hill keeps the Culture legacy alive by thrilling old and new fans with the classic sounds of this legendary harmony group. Performing at Jennings Landing in Albany with reggae from Jojo Romero & NIghtshift, Thursday, July 11, which was no exception.

    Culture’s rendition of Bob Marley’s “Redemption Song,” had chill fans swaying. When Kenyatta noted he was not political, but then began the first few notes of “Policeman,” a song with lyrics of mistreatment by police officers, the crowd roared in support of the band.

    It was a fantastic show, which kept a large demographic of fans happy. The tones of Kenyatta’s voice were smooth yet robust. If you are a fan of reggae or would like to hear what it’s all about, definitely look out for Culture.

  • RATT Rocks the Skyloft

    RATT’s In Your Direction Tour made its eighth stop of the 17-show tour at the dazzling new Skyloft in Albany, NY on Friday, July 5 and did not disappoint. Rumors were swirling, claiming the show might be canceled due to poor ticket sales, but there was no evidence of that. The Skyloft, the new venue at Crossgates Mall in Albany, NY was packed with cheering fans. The volume was loud, and the vibe was energetic.

    The crowd was pumped when the first notes of the opening song “In Your Direction” rang out. Without a break, the band then went into and wailed on “Wanted Man.” The show came to a close with the wildly anticipated “Round and Round.” See the complete setlist below.

    Stephen Pearcy of RATT

    Perhaps the band is falling into place with the new members, now that they have played half of their tour. Things will only get better so check their website for upcoming shows and cities.

    https://www.therattpack.com/


    Setlist: In Your Direction, Wanted Man, Dangerous But Worth the Risk, You Think You’re Tough, Walkin’ the Dog, Way Cool Jr., I’m Insane, Lack of Communication, Lay it Down, You’re In Love, Lovin’ You’s a Dirty Job, Slip of the Lip, Nobody Rides for Free, Body Talk, Back for More, and closed out with the fans wildly anticipated Round and Round


    Ratt consists of lead vocalist Stephen Pearcy, bassist Juan Croucier and “new breed” members — drummer Pete Holmes (Black ‘N Blue), and guitarists Jordan Ziff (Razer) and Chris Sanders (Britny FoxKnight Fury)

  • Chris Fisher and Conehead Buddha Gifts Hometown Reunion

    Virginia, there is a Santa Claus; and he has granted all of the good and bad children of the Capital District a very precious present, a Conehead Buddha reunion show! A night filled with frolicking funk and ska that only this classic jam band, formed in the mid-90’s, can provide. Conehead Buddha, once a mainstay of the NYS music scene, will be reuniting for a once in a lifetime spectacle at The Marble Rock House located in Leeds, NY on Saturday July 13 at 9PM. The musical establishment is co-owned by Neil Murphy and long time Conehead Buddha Trumpet player, Terry Lynch, so it will definitely be a hometown performance with their loyal fans in attendance.

    Chris Fisher Conehead Buddha

    Founder of Conehead Buddha and front-man Chris Fisher has traveled back to New York State from his new home base of Brentwood, Tennessee, and along with Lynch they have organized a gathering of Conehead Buddha members, from various iterations of the band’s lineup throughout their 25 year + run. A notable exception to the band’s roster will be the absence of longtime Buddha saxophonist Shannon Lynch whose indelible presence will be missed. Her duties will be expertly filled by Neal Spitzer, who is also a Conehead Buddha alumni.

    The night will be a retrospective of Buddha’s extensive catalog mined from their six LP’s of original material released over the years. Tickets are $15.00 and are expected to sell out for the show, so make sure to purchase them prior at the Marble Rock House website.

  • 39th Annual Old Songs Festival Storms into Altamont

    The 39th annual Old Songs Festival was held in picturesque Altamont, New York, nestled just below the towering Helderberg escarpment. Thousands of fans gathered for the weekend celebration of folk music, instruments, and friendship. Campers braved the, at times, heavy rain to hear more than 40 performers over the 3-day festival. 

    Intimate performances were held on three main stages, spread between the outdoor amphitheater and inside the fairground’s buildings. Musicians and festival goers gathered for more than 100 workshops over the weekend on topics ranging from dancing, open tuning, the bodhran (an Irish frame drum), and clawhammer banjo playing.  

    The festival drew performers from across New York State, as well as the world, including Canada, Ireland, Scotland, Italy, and South Africa. It was impossible to hear every performance, but the days were packed with great music. The artists were masters of their instruments, and wove together song and storytelling that made a performance in a barn in front of hundreds of people feel like sitting in a friend’s living room, listening to a jam session. 

    Main Stage performers included: Bepe Gambetta, the Italian guitarist; Musique à bouches, a Canadian acapella group; Sharon Katz and The Peace Train, from South Africa; Tui, A fiddle duo; Mulebone, a New York Based blues duo; Poor Man’s Gambit, a traditional Irish trio.

    The entire festival had a feel of a family reunion. Several kids could be seen riding bikes in the infield, as well as taking advantage of the numerous kid’s music and activities. As Sunday’s performances drew to a close, attendees could be heard asking, if not reassuring each other that that they would see one another next year.

  • Village of Menands announces Summer Concert Series

    The Village of Menands, just north of Albany, has announced their summer concert series. The concerts are held on Tuesdays, starting July 9 at Ganser-Smith Memorial Park (Menands Park). Shows go from 6-8:30pm, rain or shine. All are welcome, including families, dogs and those with lawn chairs. Food and beverages available for purchase from the Menands Fire Co.

    village of menands

    Menands Summer 2019 concert series lineup:
    July 9 New York Players
    July 16 Oldies Show
    July 23 Hotshot Hillbilly’s
    July 30 Hair of the Dog
    August 6 The 317
    August 13 The All Paul Show

    For more information visit the Menands Village website.

  • Erin McKeown Bares All at Caffè Lena

    Erin McKeown had confidence that seemed unshakable on the stage at Caffè Lena Thursday night, June 20. Erin began her set speaking about how she has to do a lot of self-work and self-building to get where she is. She spoke of how she had been outed at a young age, and her parents weren’t accepting of her lifestyle. It was a relief to hear that someone who was so strong could have moments of self-doubt.

    “Sometimes,” she explained, “It is hard to look in the mirror and like what you see. Mirrors can break you back.” This led into her first song of the evening, “Mirrors Break Back,” off her album of the same name released in 2017. She changed her performance by treating the song as a poem, a spoken word piece. When she was finished, she was met with loud applause from the audience.

    Erin performing a spoken word version of “Mirrors Break Back” at Caffè Lena on June 20.

    The room was filled with joy, a crowd who could appreciate who Erin was and understand her background. Caffè Lena had given the LGBTQ community a safe space to listen to an out and proud lesbian performer and activist. Erin spoke openly about her life. She talked about the struggles she has had, and how she has overcome it.

    Witty and charming, Erin stated that she felt like she should play songs for the Pride event that were gay, but then commented that all of her songs were. She did include an “especially gay set” for the crowd. These included songs like “Sugar in a Pie” and “Jenny.”

    She also chose a song, “28,” which was about a particular time in her life – when she was 28. Erin relates it to the orbit of Saturn, which takes 28 years, and when it rolls around there is a time of upheaval and huge changes take place. “It’s not especially gay, but I am,” she said with a playful shrug as she began.

    Erin switched to the piano to continue her set with the song “The Lions” which contains the lyrics, “There’s a risk, there’s a twist, to anything worth doing.” This seems to be a philosophy that Erin has carried with her through life. She has successfully produced the musical Miss You Like Hell which has won five Drama Desk awards and was named the “Best Musical of 2018” by Wall Street Journal. At the age of 40, Erin published a song book, Some of My Better Songs (But Not All of Them). She is currently working on another musical and perhaps a singer/songwriter record. Erin is someone who is constantly busy, and she seems to thrive when she has many creative endeavors going on at once. 

    Erin does nothing by halves. In geographic areas where there has been tension about gay rights, Erin has chosen to not avoid them as some artists have, but has made it a point to play there. She wanted to see how things were on the ground level and encourage the people fighting the good fight. For them, she wrote the song “Queer Gospel” to encourage them to persist despite the difficulties they faced.

    The audience gave Erin a standing ovation, and when she returned for her encore she chose to play a song that required audience participation. Together Erin and the audience sang “Where Did I Go” with the audience filling in the chorus and Erin singing the solo verses. The Caffè was filled with voices brought together to rejoice in who they were, in whom they had bravely chosen to be despite adversities. Hands clapped in unison. On a night when it was important to come together, Erin ended with the right song.

    Caffe Lena will continue the pride series next month with a performance by Jonatha Brooke on  July 17th at 7 p.m. For tickets go here.

  • In Focus: Slick Rick The Ruler takes crowd on a great adventure at Alive at 5

    Slick Rick the Ruler was joined by DJ T.G.I.F and Giant Gorilla Dog Thing for Albany’s Alive at 5 summer concert series at its location under I-787 on Thursday, June 20. Ricky Martin Lloyd Walters, known to the world as Slick Rick and widely regarded as “hip-hop’s greatest storyteller,” is a London-born, Grammy-nominated performer and the most successful British-American rapper in music history.

    The hip-hop veteran began his career in 1983, as a member of Doug E. Fresh’s Get Fresh Crew, pioneering what is today celebrated as the “Golden Age of Hip- Hop.” Recognizing the need for positive influences, Rick has devoted his time to mentoring youth on the dangers of violence. Additionally, he has partnered with various local and national organizations to raise awareness and funds for the issues impacting underserved communities.

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