Category: The Northeast

  • Hearing Aide: Izzy Heltai ‘Only Yesterday’

    Only Yesterday, the new EP from Izzy Heltai, dropped April 19 on all streaming platforms. It feels nostalgic to his old work with more adult gut-punching overtones that make Only Yesterday something any indie-folk lover should check out.

    Izzy Heltai Only Yesterday
    Izzy Heltai captured by Emma Kate Rothenberg-Ware.

    The four song  EP starts with Helai’s single, “Marching Song,” which Heltai says was very much about being in a low point of his depression and not having much self worth in himself. The songs starts with some slow strumming acoustic guitar and slowly, he starts to sing. A piano joins, just slightly, and then completely adds itself as the chorus starts. Heltai sings: “On and on a marching song gets sung inside my head. I’m walking out the door now. It feels like only yesterday I learned I could be here. Now here I go leaving.

    Then, just after the chorus ends, a trumpet adds itself to the mix. “Marching Song” sits in the stomach of the listener and they can’t help, but empathise with Heltai feeling like “He’s drowning and dragging you down and if he says nothing you’ll stay on dry land.” It’s the feeling that someone will be better off without you – a hard thing to admit to oneself let alone sing out to the rest of the world.

    The second song on the EP is called, “Common Sense,” and it starts with acoustic guitar and violin. It’s about thinking someone was the love of your life, but realizing, maybe you didn’t know them the way you thought. It’s a fabricated idea in your head. This is an emotion many have felt, but few are able to express in a way that’ll get across to the listener, the way Heltai does. It’s a feeling of nostalgia for someone that you realize, might not even really be for them, but for the idea of them.

    “Stuck in Stone” follows the classic Heltai format starting with an acoustic guitar intro. Accompanied with an array of different instruments, percussive guitar works as a satisfying pause to the song. The song revolves around having your mind made up, but your body being “Stuck in Stone,” physically not being able to make yourself do what you’ve decided. As most of Heltai’s songs, it is a relatable feeling. Heltai puts his remarkable twists to make a familiar story one-of-a-kind with his unique word choices.

    Izzy Heltai Only Yesterday
    Izzy Heltai captured by Emma Kate Rothenberg-Ware.

    Only Yesterday ends with “Mountain,” which switches up Heltai’s normal format. The song flows from present to past with Heltai’s current feelings on himself and love to things he’s experienced. His mother told him he couldn’t have candles in his room. He would burn the house down. Trumpet returns, adding a layer to the instrumental parts of the song, that resolve with an “ah” feeling for the listener.

    The 16-minute long EP feels so much longer than that with its catchy choruses to its insightful words. Heltai is definitely someone too look out for in the indie-folk scene. Heltai is currently on tour and has dates across the United States from now until August. For more information visit his website.

  • Mike Gordon Brings His Funk to Jersey City

    Phish bassist Mike Gordon brought his brand to Jersey City, NJ for a rocking St. Patrick’s Day’s show. The current lineup includes Gordon, guitarist Scott Murawski, drummer John Kimock, keyboardist Robert Walter (JJ Grey, Robert Walter’s 20th Congress) and percussionist Craig Myers.

    Gordon’s band is nearing the end of a March tour that started in Atlanta, GA and moved up the East Coast. Upcoming dates include Buffalo, NY and Cambridge, Mass. The band will also play at Jazz Fest in April.

    Jersey City’s White Eagle Hall was the venue for this rocking event. Originally built as a community center, this restored historic building is in the downtown area. On this night, White Eagle Hall was sold out and at capacity.

    Set 1 began with the band entering to a roaring packed crowd. Mike showed off his matching illuminated bass with Murawski’s guitar. His funky, slappy bass playing transcended these songs, creating a rocking dance party. A cool multi-colored light show accompanied the music. The set ended with the high energy “Crazy Sometimes.”
    Set 2 picked up where set 1 left off. “Sweet Emotion” was the notable cover from the set. Elizabeth Nestlerode sat in with the band during the encore for “If You Want Me.” Nestlerode is a Broadway star in The Other Josh Cohen. The show ended on a high note with Jersey City anxious for more of the Mike Gordon Band.

    SET 1: Whirlwind, Steps, Sleep to Dream, Got To Be More Careful, Tropical Rocket, Angatta, You Strike My Main Nerve, Crazy Sometimes

    SET 2: Tiny Little World, Stealing Jamaica, Put Down The Phone, Noon to Noon, When Your Mind’s Made Up [1], My Favorite Mistake, Jones, Sweet Emotion

    ENCORE: If You Want Me [2], I Am Random

    [1] Mike Gordon debut.

    [2] Mike Gordon debut; with Elizabeth Nestlerode on vocals.

  • Mike Gordon Sells Out Asbury Lanes

    On Saturday, March 16, Mike Gordon played to a capacity crowd at Asbury Lanes, a new Jersey Shore venue brought to you by The Bowery Presents. The Phish bassist’s solo outfit is not to be missed, with Craig Myers, Robert Walter, and John Kimock the band is fun and tight, exploring each song. But it’s the long time collaboration with Scott Murawski that makes these shows ebb and flow through a funky jammy sound that is a lot of fun. Mike Gordon will be out on his solo tour for the rest of the month of March and for any Phish fan it is a must see.

    SET 1: Different World, Victim, Infinite > Jumping > Meat, Black Tambourine, Let’s Go

    SET 2: Up And Down, Sughn Never Sets, Yarmouth Road, Marissa, Cities, Face

    ENCORE: Destiny Unbound, Gimme Some Lovin’

  • In Focus: Bob Weir and Wolf Bros Shine at Count Basie Theatre

    Completing a stellar two night run at the historic Count Basie Theatre in Red Bank, New Jersey, Bob Weir and Wolf Bros continue to shine, expanding the Grateful Dead’s legacy to new heights. Bob Weir is in top form, and is supported by two amazing musicians; Don Was on bass and Jay Lane on drums, each bringing their own style to the performance. Highlights included “Blackbird,” “Deal” and “Eyes of The World,” but it was the extremely intimate and emotional rendition of “Standing On The Moon,” that didn’t leave a dry eye in the building and rounded out an amazing two nights for the band and deadheads alike.

    Set 1: Easy to Slip, Gonesville, Blackbird, K.C. Moan, Odessa, Hell in a Bucket, She Belongs to Me, Corrina, Deal

    Set 2: Me and My Uncle, Cassidy, Truckin’, Fever, Ashes and Glass, Don’t Let Go, Eyes of the World, Standing on the Moon, Going Down the Road Feelin’ BadEncore: U.S. Blues

  • Hearing Aide: Say What You Will ‘Anything, Everything’

    Vignettes of heartache, redemption, hometown joy and drama fuel Anything, Everything, the sophomore album from the Connecticut-based pop-punk band Say What You Will. Hailing from New Haven, the band is Christine Sabol on bass guitar, Shane Emery on vocals and lead guitar, Chuck DeFilippo on drums and Ethan Griffeth on lead vocals. Amongst changes in personnel and other identity shifts since 2017’s Seconds to Home, the new album is a work of passion and exploration, sure to excite longtime fans and attract new ones. The band supported the album release by debuting their music video for the feature track, “Southbound,” in late February.

    Drawing from the likes of State Champs, Grayscale, Sleep On It and others, Say What You Will found a way to create a distinctive, unique sound while paying homage to their influences. Recorded with Chris Piquette at No Boundaries Studios in Rhode Island, the record marks a new age of growth and maturation for the band. Anything, Everything is set to release on all platforms next Friday, March 15.


    “We’ve always tried to incorporate so many influences into our music, and I think that this time around we were more focused on making something that sounded like us.”

    Shane Emery

    From the start, “Break Away” pulls listeners in, skipping casual orbit and launching them directly into the fiery atmosphere of Anything, Everything. The restrained, energy-building intro showcases the band’s chemistry by allowing Griffeth’s expressive voice to sit on top of the rhythm, culminating in a quick stop and explosion of layered melody sure to get peoples’ bodies moving.

    Moving on, it’s clear that a key strength of the album is how it dynamically shifts between the blasting, yell-along, triumphant choruses and the sensitive, yearning reprieves. “Carolina” stands apart as a pop-punk ballad, an ode to a specific place and time, displaying Emery’s journeying, skilled guitar and the interplay between drums and Sabol’s bass. The record picks up the pace again in “Lake Zoar,” filled with jump-along moments.

     

     

     

    Distinct from the instrumentation of each song, there are the stories Griffeth shares through emotive vocals and heart-wrenchingly piercing lyrics. “Summer Haze” ends the album with a story of a woman who’s struggled with helping her significant other with drug addiction. Inspired by heroin epidemics in Griffeth’s hometown, the song is the band’s plea to shine a light on dark moments.

    Anything, Everything has all the elements of what makes a great pop-punk record, though it doesn’t stop there. The album represents a refined and redefined sound identity for the group. Listeners will always find their way to the catchy hooks, the grooves and breakdowns in the songs that feature boundary-pushing infusions from other genres. Say What You Will has put all their cards on the table, successfully creating something unique and inspiring. Pop-punk fans will find plenty of value and perspective from picking up this album.


    [accordions title=”Tour Dates:”]
    [accordion title=”March 9: Tierra’s Tropicales – Ossining, NY” load=”hide”]March 10: The Raven – Worcester, MA
    *March 29: Wamleg – Wallingford, CT

    *Anything, Everything Release Show*
    [/accordion]
    [accordion title=”April 6: Pauly’s – Albany, NY” load=”hide”]April 15: Encore Live Room – Dayton, OH
    April 16: Evolution Music – Downers Grove, IL
    April 17: Laundry Room – Nashville, TN
    April 18: The Depot – Baltimore, MD
    April 26: Ralph’s Diner – Worcester, MA
    May 3: Cianfano’s – Elizabeth, NJ
    May 4: The Barbary – Philadelphia, PA[/accordion]
    [/accordions]

    Photo: Megan Greer

    Listen to Anything, Everything and learn more here.

  • Premiere: Get down on stage with Marco Benevento in 360 Degrees

    Marco Benevento’s performances are a lively experience to watch in any setting. Alongside bassist Karina Rykman and drummer Andrew Borger, Marco puts on an unpredictable show with a range of originals and unique deconstructed cover choices. With a history of performances with Garage a Trois, Benevento Russo Duo, G.R.A.B., Joe Russo’s Almost Dead and Bustle in Your Hedgerow, Marco is a master on the keys and a treat to see live, and today you can see a performance from Marco in 360 degrees.

    marco benevento 360

    So get your Virtual Reality headset on (or your tablet or smartphone) and get ready to bust out some dance moves with Karina and rock out on stage with Marco and drummer Dave Butler. This 360 experience comes courtesy of C&C Media Group, Marco Benevento, Royal Potato Family, and Ardmore Music Hall who collaborated as a way to say THANK YOU to fans by giving them an immersive 360 concert for free.

    Watch “Bus Ride” from Marco’s September 22, 2018 show at Ardmore Music Hall in Ardmore, PA. Want more? Subscribe below to see the full show and tune into Set 1 and Set 2! (360 videos are best watched in 1440p on a tablet or mobile device, but are available up to 4K! If you have Google Cardboard, click on the Cardboard icon in the lower right.)

    All videos were produced by C&C Media Group. Subscribe to C&C Media Group’s YouTube channel to gain access to current and future performances and interviews. 

    Catch Marco on tour this spring

    March 9 – Woodstock, NY – Levon Helm’s Barn (SOLD OUT)
    March 29 – New Orleans, LA – Hogs For The Cause
    April 26 – New Orleans, LA – Blue Nile
    April 27 – New Orleans, LA – Tipitina’s
    May 1 – Wilkes-Barre, PA – River Street Jazz Cafe
    May 2 – Ardmore, PA – Ardmore Music Hall
    May 3 – Jersey City, NJ – White Eagle Music Hall
    May 4 – Greenfield, MA – Hawks & Reed
    May 10 – Washington, DC – Pearl Street Warehouse
    May 11 – Harrisburg, PA – The Abbey (Free)
    June 13 – Bethel, NY – Mountain Jam
    July 13 – Marshfield, MA – Levitate Festival

  • Photo Gallery: Cheap Trick Sell Out Wellmont Theatre

    On Friday, March 1, rock n’ roll legends Cheap Trick played to a sold out audience at The Wellmont Theatre in Montclair, New Jersey. Since the 1970’s Cheap Trick has been blending elements of all musical genres, making their sound and style instantly recognizable throughout music. The Rock and Roll Hall of Fame-rs, treated the eager crowd to all the hits: “Just Got Back,” ”The Flame,” ”I Want You to Want Me,” ”Dream Police” and “Surrender.” Fans young and old sang every word. Cheap Trick has performed over 5,000 times live, sold 20 million records and bring an amazing energy, keeping these classic songs fresh and fun proving – After 46 years there is still nothing like a Cheap Trick show.

    Setlist: Hello There, Lookout, You Got It Going on, Just Got Back, Big Eyes, California Man, She’s Tight, Stick Man of Europe, Stiff Competition>Need Your Love, Daddy Should Have Stayed In High School, Ain’t That a Shame, Baby Loves to Rock, Waitin for the Man, The Flame, I Want You To Want Me, Dream Police, Clock Strikes Ten, Surrender, Goodnight

     

  • moe. Sends a Message via Setlist Friday Night

    moe. played the State Theatre in Portland, ME Friday night, the first of a two-night run there to kick off their quick February jaunt through the northeast. A glance at the Al Schnier-heavy setlist reveals a message for the Commander-in-Chief from moe. Each song title’s first letter makes up an acronym.

    “Ass” refers to the original working title for the song “Bullet,” which is referenced as “Assfinger” on setlists. Astute readers may also notice the mention of the word “ass” twice.

    moe. performs at the State again on Saturday before heading Concord, NH Thursday, Feb. 21. See the official setlist post from moe.’s Facebook page below.

    Also of note is a new Schnier song, “Screaming and Kicking,” which made its debut Friday.

    moe. State Theatre, Portland, Maine – February 15, 2019

    Set 1: Tailspin > Ricky Marten > Understand, meat., Waiting For The Punchline, It

    Set 2: Seat Of My Pants > Akimbo, Little Miss Cup Half Empty > Y.O.Y., I Can Never Remember, New Hope For The New Year, George > Bullet

    Encore: Screaming & Kicking#, Spaz Medicine

    {# First time played (original al. song)
    First and second sets acronym – using setlist nomenclature for Bullet

    Check out the show as uploaded to the Internet Archive here.

  • Hearing Aide: Kris Yunker ‘Biocoastal Waves’

    Kris Yunker has been around the scene for many years, coming to the Northeast with his good friend and fellow On the Spot Trio bandmate, Danny Mayer. His long road has brought him to Iron Wax Studios, the brain child of soul-man extraordinaire, Alan Evans. Here Kris, Al, and guest singer, Kelly Burr laid down an incredibly funky and upbeat new album, Bicoastal Waves.

    Bicoastal Waves blends surf funk, space rock, and organ jazz to create a unique sound driven by Yunker’s left-handed bass lines. The whaling Hammond organ is the beauty, while Evans’ beats are the soul. This album has a little bit of it all with fat and funky whalers to heavy rock bangers.

  • Hearing Aide: Uncle Stump ‘Panacea’

    Just a little over a year after their debut album Family Tree, The New Jersey-based psych/funk rock band Uncle Stump have released their second studio effort, Panacea. Although officially an EP, this five-song release is jam-packed with the depth and diversity of a full-length album. Avoiding a sophomore slump, the band was able to capture the texture and sound of their live shows while in the studio. Something that can be challenging to artists that improvise as much as Uncle Stump does on stage.

    After the gloomy psychedelia, the record brightens up a bit with “Body Talk”. A lighthearted track with both tropical and jazzy sections, that is sure to end up being a dance-floor favourite for fans to sing along to. The final track of the EP “Anita”, starts as an upbeat and playful romp that finds itself spinning around into a deep groove, complete with vocals parts influenced by the likes of Zappa or Claypool. A catchy little jam you may find yourself humming even after the album is over.

    Uncle Stump has been added to this year’s Sherman Winter Jam at the Sherman Theater in Stroudsburg, PA on February 16th. Headlined by revered Grateful Dead tribute Splintered Sunlight, the line-up promises to be a party full of explorative rock n’ roll.

    Key Tracks: “Room”, “Anita”

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