Last year, Brooklyn-based entertainment and production company, City Farm Presents, debuted a brand new outdoor concert series called Summer Series at Industry City. Starting this week the series is making a return for its second consecutive year. Running from the beginning of June through the end of September, the City Farm Presents Summer Series will see evening performances from over 35 artists and bands, held each night in the outdoor space of Courtyard 1/2.
While City Farm Presents was officially launched in 2017, the core team behind the company is made up of the brains behind two of Brooklyn’s most cherished indie music venues, The Bell House and Union Pool. Those who have seen intimate, one of a kind concerts and performances at these two lower Manhattan music havens know the unexpectedly special talent they often bring in.
The schedule for this season includes a lot of big, Brooklyn-born artists, like legendary afrobeat band Antibalas, JRAD’s Marco Benevento, and formative alternative rock band, Blonde Redhead. At the same time, the festival is pulling hot artists from all over the map; like Nigerian guitar prodigy, Bombino; Brazilian psychedelic rock group, Boogarins; electronic dance guru, RJD2; and indie rockers Guided By Voices, both from Dayton, Ohio.
Summer Series is in fact already underway, with R&B and hip hop artist Lady Wray scheduled to perform Friday night, and rising anti-folk artist Frankie Cosmos and her band performing Saturday night.
In addition to music, Industry City hosts a Food Hall, with a worldy menu of dining options, art installations, and more. To find out more info and to see the full schedule of music events, head to their website here.
Tanglewood, the famed summer home of the Boston Symphony Orchestra since 1937, launches the Tanglewood Learning Institute, and a dazzling array of concerts for their summer season, which runs from June 15 through Labor Day weekend. Tanglewood is located in the Berkshire Hills, between Stockbridge and Lenox, MA. This summer includes a lot of debuts, as well as returning acts for Tanglewood.
The season starts off with Popular Artist Series throughout the month of June, including performances from Postmodern Jukebox, Josh Groban, James Taylor and Earth, Wind & Fire. Then, starting on July 5, the Tanglewood will be home to BSO’s Music Director, Andris Nelsons, for 14 orchestra programs. The BSO and Andris Nelsons will open the orchestra’s summer season with Mahler’s Symphony No. 5 and Mozart’s Piano Concerto No. 22, with Emanuel Ax as soloist.
Other highlights from the season include a one-night-only performance of Bach Cello Suites by Yo-Yo Ma and three performances from The Boston Pops celebrating the music of John Williams. One of these performances being Star Wars: A New Hope, which includes a showing of the classic 1977 film, with the Boston Pops Orchestra performing Mr. Williams’ iconic score. For a complete list of events this summer at the Tanglewood and ticket information click here.
For thirty years the Music Haven Concert Series has been bringing musicians from around the world to the capital region and this year to celebrate the 30th anniversary of the summer series they are also adding eight additional events, including theater and film.
The seven Sunday shows feature artists from five continents, with special guests including Eddies lifetime achievement winner Kevin McKrell on July 28th opening for Ireland’s Seamus Egan (founder of the band Solas).
Music Haven’s Founder and Producing Artistic Director Mona Golub announcing the lineup. Photo by Ed Conway
Music Haven is also bringing Shakespeare back to Schenectady’s Central Park with two evenings of A Midsummer Night’s Dream. They will also be introducing a Broadway karaoke night, called Hamiltunes, a first of its kind event.
Along with great entertainment the concert series has great food vendors, specialty beers, ice cream and other novelties making it a treat for the whole family. It’s no wonder that Music Haven won this year’s Eddie for Concert Series of the Year for enriching the cultural experiences of the region.
2019 Concert Series (Sundays, 7 p.m.)
July 7—Raghu Dixit Dubbed “India’s biggest cultural export” by The Guardian, Raghu Dixit’s contemporary global sound embraces elements of rock and hip hop, while rooted to India’s rich cultural heritage. Special Guests: Crossroads—Jay Gandhi & Yacouba Sissoko Sponsored by M&T Bank, Ellis Medicine, Fingerpaint
July 14—Casuarina Named for the street where the band formed, Casuarina has gone from humble Rio de Janiero beginnings to rarified status as one of Brazil’s finest, sultriest Samba combos. Special Guests: Eduardo de Carvahlo e Forró de Bom Sponsored by Freihofer’s, The Salmon Law Firm, Goya
The Garifuna Collective
July 21—The Garifuna Collective Garifuna Collective preserves traditional Caribbean coastal rhythms like Wanaragua and the semi-sacred Hungu-Hungu with turtle shells, jawbones, guitars, bass and spiritual singing. Special Guest: Bodoma Garifuna Culture Band Sponsored by Benchemark Printing, Ben & Jerry’s, Snapple
July 28—Seamus Egan Project Simply put, Solas founder and multi-instrumentalist Seamus Egan is a giant in the world of Irish traditional music, and he returns to his roots with a top notch quartet. Special Guest: Kevin McKrell Sponsored by Galesi Group, Carlilian Foundation
Aug. 4—Thornetta Davis Multiple award-winner “Detroit’s Queen of the Blues,” Thornetta Davis has sung her truth alongside Bonnie Raitt, Kid Rock, Bob Seeger, and a host of blues luminaries. Special Guest: Tas Cru Sponsored by MVP Health Care, CDTA, Rivers Casino & Resort, WEXT 97.7/106.1
Aug. 11—Cimarrón Like the Spanish Fandango, the Colombian Joropo that Cimarrón brings from the plains of the Orinoco River, is fierce, stomping and virtuosic. Special Guests: Sten & Maria Z. Sponsored by FAM Funds, Bustelo Coffee, SAVI
Aug. 18—Jupiter & Okwess Kinshasa-born “Jupiter” Bokondji’s band Okwess marries the American funk heard during his youth in Germany with the Congolese Rumba of his homeland. Special Guests: TBA Sponsored by Lia Auto Group, Polar Beverages, WEXT
Additional Performances (7 p.m.)
Wednesday, July 17—The Turbans—Global dance party
Thursday, July 18—Hamiltunes: An American Singalong
Thursday, July 25—Huntertones—Horn-driven jazz/funk
Friday and Saturday, July 26–27—Will Kempe’s Players: A Midsummer Night’s Dream —Shakespeare in the park
Wednesday, July 31—A Tribute to Nick Brignola—Jazz
Friday, Aug. 9—School of the Performing Arts at Proctors—Broadway Cabaret
Saturday, Aug. 10—The Schenectady Symphony Orchestra—Pops and classical
Friday, Aug. 16—Woodstock: Three Days that Defined a Generation —Premiere screening of new PBS Documentary
The Kirkland Art Center in Clinton was recently the scene for Kat Wright‘s return to her upstate roots. The Rochester-born chanteuse and her band performed a soulful, sometimes funky, 22-song set to a sold out audience at this small venue in Central New York.
NPR once described Wright as a mix of Amy Winehouse and Bonnie Raitt. It’s easy to note tones of Susan Tedeschi in her delivery as well. This served Wright well later in the set when she and guitarist, Bob Wagner, teamed for a stirring duet of Tedeschi Trucks Band’s “Shelter.”
Kat Wright
Wright’s band is one of the tightest around, making due without the presence of keyboardist, Shane Hardiman, who was missing due to health issues. Wright made note of the spaciousness to her right and wished Hardiman well in his recovery.
Wright commands your attention with her presence and her voice. As soon as she opens her mouth, the notes pour out effortlessly. She possesses that rare quality of projecting deep soulful notes with what may seem to the onlooker as pure ease.
Their set opened with an instrumental jam sans Wright, where the band: Bob Wagner (guitar), Josh Weinstein (bass), Colin Jalbert (drums), Jake Whitesell (tenor sax), and Phil Rodriguez (trumpet), displayed their chops right out of the gate.
Wright joined the fellas for a sultry, soulful performance of “All About You” to get things rolling. The standing room only audience was rapt with the voice coming from the stage while the band provided a jazzy backdrop.
Throughout the course of the night, Wright wowed with her voice while the band did the same. There were points during the show where the band seemed like they were ready to let rip but were holding back just a bit, to allow Wright to shine. These moments were sparse and when they let loose; they really let loose.
This is a well-educated outfit, as shown in covers of blues classics from Howlin’ Wolf and Junior Wells and their jaw-dropping version of the Tedeschi Trucks Band’s “Shelter.” This is a band that wears its influences on their sleeves. If you want funk, they can funk you up with the best of them. If you want soulful ballads, you got it. Blues? Indeed. Kat Wright is one to check out.
The night’s opener was the Utica-based Americana band, The Old Main. Their brand of music is rife with foot-stompers and tender ballads with the ability to flat-out rock. They’re a band on the rise around New York State, but knew their role on this night as the opening act. Humble and funny, they quickly won the audience over with witty, self-deprecating banter between songs and a solid set of original material spanning their two studio albums, as well as a new, as-yet-unnamed song.
The Old Main
The band, consisting of stand-up bassist Nash Robb, guitarist Seth Becker, drummer Mitch Eckler, and banjoist Dusty Elmer, rolled through a solid eight song set, incorporating an enthusiastic jam session that had Eckler using Robb’s bass as an adjunct to his drum kit during “Tuesday.” Robb and Owen offer some of the best harmonizing in Americana today with Eckler providing additional harmonies to add an extra punch. Elmer’s picking is effortless. The Old Main did exactly what they set out to do for this show — provide solid opening band material while winning over new fans.
Kat Wright will be performing at the moe.down Festival in Turin Fourth of July Weekend. The Old Main will be performing at Woods Fest 2 in Westernville on August 10. Both bands are well worth checking out.
The New Mastersounds will hone in onBrooklyn Bowl Friday, May 17 and Saturday, May 18 for two nights, back-to-back, in honor of their 20th anniversary of creating music together. The intimate yet energetic venue encapsulates the explosive nature of the band – that is, if their kinetic energy can be jam packed into such a short window.
Each night will host two evening sets and a Saturday matinee. Friday will feature support from Lamar Williams Jr. on vocals, saxophonist, Jason Mingledorff and Mike Olmos on trumpet on top of the Leeds-based quartet. Doors at 6 pm. Set one at 8:45 pm and a follow up set at 10:15 pm.
Saturday brings on a support band, Control The Sound, for an all ages show with doors at noon. Later on, The New Mastersounds reignite for a recurrence of Friday’s collaboration, mirroring an identical lineup and set times.
The time to celebrate is now. The band’s vast accomplishments and endless discography is complimented by the recent 7” record release. A-side’s “Shake It,” featuring Brooklyn Bowl guest Williams Jr. and B-Side’s “Permission to Land,” featuring Jeff Franca are quintessential NMS, horn-driving and grooving from the start. Written and recorded in Denver, CO, the record was put out by guitarist’s Eddie Roberts own label, Color Red. The release coincided with the two-night appearance at House of Blues New Orleans earlier this month during Jazz Fest. Respectively so, it would only be appropriate to give New York the same courtesy.
More inside The New Mastersounds:
From Leeds, United Kingdom, to the heart of American soul, The New Mastersounds are intuitive to a sonic mold created by their audience. Over the past 20 years, NMS have emerged as one of the prominent bands in a new-funk scene. Elevator-esque consciousness fuses with razor-sharp funk and syncopated drums that results in a dancing frenzy.
The band’s short instrumental songs, what drummer Simon Allen, refers to as a post-Grateful Dead jam band scene with a “snappy, quirky funk,” stretches across the pond. Distinctive as Tatton’s Hammond organ itself, the band shimmers, shines and grooves beyond belief. NMS are hard to stump, fueled by necessity, gritty grooves and the deep rhythms that leak through the cracks of a late-night dance club rage. New generations of people flood, in an overwhelming word-of-mouth craze.
NMS engages the audience directly and harnesses their energy. All of this translates to a unique concept that Allen refers to as “believing in the groove.” By stripping the groove down and keeping it going, it makes the music consistent. Suddenly, fans hip to the groove burst out in dance. NMS generated this loop-like feel of today’s electronic music to give listeners something to hold on to.
At its core, NMS found a common interest in Black American music in the 1960s spun by DJs in Leeds. EDM Electronica was hip and the band quickly began to add this ammunition into their arsenal.
NYC’s City Parks Foundation has announced its participation in PRS Foundation’s International Keychange pledge by presenting Summerstage 2019 lineup that features a 50:50 gender balance. The female-run festival has planned an informational panel on Aug. 4 entitled “Why Aren’t There More Women on Festival Stages?” before Grammy-winning jazz songstress Corinne Bailey Rae takes the newly-renovated stage at 7 p.m. in Central Park. Opening night for the city-wide festival includes a performance by singer-songwriter Emily King at Central Park on June 1.
In addition to a focus on gender balance, the festival celebrates diversity with two Central Park shows during Pride Month: bounce icon Big Freedia on June 13 and drag ballet troupe Les Ballets Trockadero de Monte Carlo on June 19.
The festival will also be honoring musical milestones, such as the 100th birthday of revered choreographer Merce Cunningham with a dance showcase on July 17 in Central Park and the 50th anniversary of the Harlem Cultural Festival – Black Woodstock – with a showcase of jazz and hip hop luminaries at the original festival site in Marcus Garvey Park on August 17.
Notable headliners this year also include The B-52’s, George Clinton, and The Wailers. For details on the full lineup, visit the SummerStage website.
Trey Anastasio announced today that he will perform two solo acoustic shows at New York City’s legendary Carnegie Hall on Tuesday, October 29 and Wednesday, October 30. Tickets will go on sale on Friday, May 17 at 10am ET.
The last time Trey performed at Carnegie Hall, he was joined by the New York Philharmonic Orchestra. Watch an orchestral version of Phish’s “You Enjoy Myself.” Read reviews of the 2019 shows here.
“Birthdays are important, but I don’t want a big one like I had a few years ago. I just want the family, a few friends and neighbors.”
Pete Seeger would have been 100 years old on May 3, 2019. He was getting ready to celebrate his 94th birthday when we talked in April, 2013. It felt like I was talking to my favorite uncle. Pete had a way of making everyone he came in contact with feel that way whether it was Woody Guthrie, Woody’s son, Arlo, or the thousands of other folksingers he inspired.
“I’m actually going to be away on my birthday, because I have a granddaughter who’s going to a little school in Rhode Island that’s having what they call a grandparent’s day, and all the children who can are going to bring their grandparents to school. I’m gonna sing a few songs there. I’m mainly a song leader these days. I don’t have much voice left, but I’ve gotten better and better at getting a crowd to sing with me.”
Pete Seeger made a surprise appearance at Farm Aid 2013 at Saratoga Performing Arts Center
On May 23, The Egg in Albany will present a Pete Seeger Centennial Concert celebrating his 100th birthday. Arlo Guthrie and the 11 other artists performing illustrate how pervasive Seeger was as a moral compass in the history of American folk music and society as a whole. Arlo knew Pete from the day he was born. They performed together for the last time in Carnegie Hall, a month before Seeger died on January 27, 2014.
Arlo has just released Arlo & Pete’s More Together Again for digital download. Taped live in 1993 at Wolf Trap, it captures the mojo of Woody Guthrie’s son celebrating in song 60 years of the two musical families’ intertwining history. Best known for his anthem “Alice’s Resataurant,” With Seeger’s passing, Arlo is now the elder statesman and “keeper of the flame,” ignited by his father’s unofficial national anthem “This Land Is Your Land.”
“Most of the song had been written back in 1940 when he (Woody Guthrie) first came to New York,” Seeger told me in 2013. “He was actually hitchhiking, and Kate Smith singing “God Bless America” was on all the jukeboxes. His original song had all the same verses we know, but the last line was ‘God bless America for me.’ He crossed out that last line and scribbled in ‘This land is made for you and me.’ And that’s how he recorded it in 1948.”
Also included in this Centennial celebration is Guy Davis who accompanied Seeger on his last official tour in 2007. Guy is the son of Ossie Davis and Ruby Dee, stalwarts of The Harlem Renaissance. “Pete Seeger and folk music is where my folks and I intersected best,” says Davis. “Pete Seeger was a friend of both of theirs, and I got sent to a summer camp run by Pete Seeger’s brother, and the older I get, the more I’m in love with the songs I learned in the ’50s and ’60s.”
In 1949, Pete Seeger’s car was among hundreds attacked by KKK members after a concert by African American opera singer Paul Robeson. “Two stones actually went through the glass and landed on the floor of the car. I cemented them into the chimney of a fireplace I was building,” recalled Seeger
The horrible images of that attack galvanized public opinion against KKK hatred. Seeger saw the incident as “an inoculation” for America. “You know when you get a needle in your arm, your arm gets a case of smallpox. The disease precipitates the cure. The rest of your body gets alerted and does not get smallpox, and this is exactly what happened.
“Peekskill had a case of fascism there, but the rest of the country saw the pictures on TV and in local newspapers and mothers with babies in their arms and blood streaming down, and it was not a pretty picture. The rest of the country said, ‘We don’t like this.’”
“I would agree that it was an inoculation,” says Guy Davis today. “It becomes Americanized. Those signs they had, ‘Wake up, America. Peekskill did.’” Pete was first hand on the receiving end of that as was Paul Robeson, as were so many other activists. Pete took one of the stones that was thrown into his car. He had it put into the fireplace of his cabin and he said that if the final riot comes and there were stones being thrown and death being dispensed, then he was going to take that stone and use it.”
“I’ve made a lot of stupid mistakes in my life,” Seeger told me in 2013, “but at least I’m still alive even though there was a thriving branch of the Ku Klux Klan only about three miles away from me. And I’ve often wondered why they didn’t come up and shoot me down or burn down my house or something, but I found out some members of the Ku Klux Klan had some family members who said, ‘You do what you want with Seeger and you’ll regret it. Everybody will be singing his Goddamn songs.’”
Toshi Reagon
Toshi Reagon is named after Pete Seeger’s wife and is the daughter of Bernice Johnson Reagon, civil rights activist and founder of the a cappella group Sweet Honey in the Rock. Toshi will perform her eclectic blend of rock honed on stages with Nona Hendryx, Elvis Costello, and Ani DiFranco. She considers one of her proudest moments to be when she played for her godfather Pete Seeger’s 90th birthday celebration at Madison Square Garden.
Another Centennial performer, David Gonzales, is a storyteller, musician, poet, actor, and writer and a one-of-a-kind artist. In 2009, David was commissioned to write a long form poem for the Hudson River Quadricentennial and, at the Egg, will recite excerpts from that work titled “Oh Hudson!” as they relate to Pete Seeger.
Seeger loved the Hudson River and his Sloop Clearwater became a symbol of our need to clean up our waters. He saw sailing as a metaphor for life. He remembered the time a friend took him out for his first midnight sail on an 11-foot Beetle Cat. “For the first time in my life I found out why people spend millions of dollars on private sailboats,” he said. “It’s not how fast you go, but the fact that you move at all. (Sailing) is a wonderful analogy for life. You use the force of the wind against you to move against it.”
“I was learning to sail on the Hudson, and I came along to certain places where there was a sewage outlet. I found myself sailing through lumps of this and that along with the toilet paper. I thought of the phrase of John Kenneth Galbraith, ‘Private affluence, pubic squalor.’ I had enough money to buy a sailboat, but I was sailing through shit.”
The one thing all the performers on this bill share with each other and Seeger in particular is an all-inclusive love for music as an “inoculation” against hatred and bigotry.
Dar Williams is a popular folksinger. The New York Times Book Review said of her book What I Found in a ThousandTowns that it “reads as if Pete Seeger and Jane Jacobs teamed up, more a report from the Green party than the green room.”
Tony Trischka is America’s consummate banjo artist and perhaps the most influential banjo player in the roots music world. He has written 15 instructional books as well as a series of DVDs. In 2009, he launched the Tony Trischka School of Banjo, an advanced, interactive, online instructional site that is the banjo home for students from around the world.
Amythyst Kiah is a southern songster who blends blues and old-time music. The only African American at the East Tennessee State University Bluegrass, Old Time and Country Music Studies Program during her enrollment, her repertoire includes the music of The Mississippi Sheiks, Son House, Jimmie Rodgers and the Carter Family. The New York Times credited her guitar playing with guaranteeing her a place among blues masters complimented by “her deep-hued voice that can change on a dime from brushed steel to melted toffee.”
Cary Morin is a Crow tribal member who plays Americana acoustic guitar that incorporates blues, bluegrass, jazz, jam, reggae, and dance. His Cradle to The Grave album took the 2018 Independent Music Awards for Best Blues CD and earned him a 2018 Native Arts and Cultures Fellowship.
Dan Zanes & Claudia Eliaza are a couple whose Lead Belly Baby! Album is a children’s CD inspired by folksinger Lead Belly. Grammy winning Zanes began his career in the ’80s rock band the Del Fuegos. His wife Claudia Eliaz is a Haitian-American jazz vocalist music therapist.
Richie Stearns performs with his wife Rosie Newton. Richie brought the old-time clawhammer banjo style to a whole new audience with the bands Donna The Buffalo and The Horseflies, and has accompanied artists such as Natalie Merchant, Bela Fleck, David Byrne, Billy Bragg & Wilco, Old Crow Medicine Show, and Joan Baez. For over 20 years, Richie performed with or for Pete Seeger on numerous occasions, and was invited to score original music for an album that featured Pete telling his life story over a music background.
Taina Asili is a New York based Puerto Rican singer, songwriter, bandleader and activist.The Huffington Post named her group as #2 in a list of “12 Freedom Fighting Bands To Get You Through the Trump Years.” She is dedicated to using her art as a tool for personal and social transformation. The themes in Taína’s writing are based in her activism in political prisoner liberation, prisoner justice, climate justice, and food justice movements.
Bill and Livia Vanaver of The Vanavar Caravan. Bill has composed and produced music for films, dance and theatre productions, including The Clearwater with Pete Seeger. The Vanaver Caravan will perform an excerpt from their Pete Seeger inspired work “Turn, Turn, Turn.”
“I’m one of the musicians. And I’m only one of them,” Seeger told me. “There are now not hundreds but thousands of people making up songs and doing things in small ways here and small ways there and following the advice of the great French biologist Rene Dubois who said, ‘Think globally, act locally.’”
He recalled the tipping point in folk music to be 1960 when folksinger Guy Carawan sang “We Shall Overcome” and it became what in 2019 terms would be considered viral. “The hit song of the weekend was ‘We Shall Overcome’ sung with this rhythmic slow thing. It was a slow song, but it had a very definite rhythm, and it was the hit song of the weekend. Five weeks later Guy was in Raleigh, North Carolina, and somebody shouted out, ‘Guy, teach us ‘We Shall Overcome.’” And that’s where they added something.
“Your right hand reaches out and holds the left hand of the person to your left, and your left hand reaches out to your right. So, your arms cross in front of you. Your shoulders touch, and your bodies sway as you sing this song. Once again, an African tradition is added to this piece of music of bodily movement at the same time you’re singing. You’re not just singing. You’re moving your body.”
Despite the problems we have as a civilization, Seeger was optimistic about the future. “My mantra today is the agricultural revolution took thousands of years. The industrial revolution took hundreds of years, but the information revolution is only talking decades, and if we use the brain God gave us, who knows what miracles may happen in the next few years.”
And he saw the arts as society’s savior. “I think the arts will be among the most important things that save us. Words can mean different things to different people and numbers can, but (it’s all about) the arts, the visual arts, the dancing arts, the cooking arts, the human arts, the sports arts, Joe DiMaggio leaping for a fly ball had all the grace of a ballet dancer, and who knows.”
I asked Seeger what was the single most important thing he’d ever learned. “I guess realizing the human race is one more invasive species,” he said.
Seeger spent long, productive life trying to teach us not to be invasive.
What: Pete Seeger Centennial Concert
When: Thursday, May 23rd, 7:00 p.m.
Where: The Egg, Empire State Plaza, Albany
Tickets: The Egg Box Office at the Empire State Plaza, 581-473-1845, or online.
Future funk and electro-soul artist, Griz, continues to Ride Waves on tour, promoting his new album of the same name across the East Coast. The lineup includes electronic and urban pop producers, Yung Bae and Dwilly, for most of the May shows.
Ride Waves was produced over a two year hiatus that Griz took from electronic music, in which he addresses socio-cultural issues like gun violence. The DJ, producer and saxophone player recruited talent from Bootsy Collins and Matusyahu to Snoop Dogg and Wiz Khalifa for his 5th studio album that emanates with positivity. The album contains elements of funk, rap, reggae and soul, including moments of reflection from Griz’ life. The track “It Gets Better” is an uplifting collaboration with DRAM that showcases Griz’ saxophone skills, and sends a message of perseverance.
Join Griz at the Palace Theatre in Albany and King’s Theater in Brooklyn, NY this week for the Ride Waves tour, as well as his signature electronic beats and organic saxophone-funk.
Upcoming Shows:
May 6th – Worcester, MA – The Palladium* May 8th – Albany, NY – Palace Theatre* May 9th – Buffalo, NY – Buffalo Riverworks* May 10th – Brooklyn, NY – Kings Theatre* May 11th – Philadelphia, PA – The Met* May 14th – Louisville, KY – Iroquois Amphitheater* May 15th – Columbus, OH – Express Live!* May 16th – St. Louis, MO – The Pageant* May 17th – Minneapolis, MN – The Armory* May 17th-19th – Gulf Shores, AL – Hangout Fest May 18th – Kansas City, MO – CrossroadsKC* May 27th – Detroit, MI – Movement June 9th – Chicago, IL – Spring Awakening June 14th – Manchester, TN – Bonnaroo June 21st – Heber City, UT – Bonanza Campout June 23rd – Dover, DE – Firefly Music Festival July 5th – Liempde, NL – We Are Electric July 10th-14th – Dour, BE – Dour Festival July 12th – Bristol, UK – Nass Festival August 2nd-4th – Montreal, QC – Osheaga Festival August 9th-11th – Salmo, BC – Shambhala Music Festival
Beginning tomorrow, keyboard maestro, Marco Benevento, will kick off a string of 10 summer tour dates with room for more to be added along the way. The experimental rock and jazz pianist will play two dates before hitting White Eagle Hall in Jersey City on Friday, May 3, where NYS Music will be there to catch the set in full review.
Armed with the rhythm section of Karina Rykman on bass, drummer David Butler, and a smile from ear to ear, every one of the trio’s gigs is a celebratory event. With appearances already booked at Mountain Jam and Levitate Music and Arts Festival, Benevento’s summer is sure to be as colorful as the stained striped suits he likes to wear on stage.
A taste of live Benevento
Ahead of the first release under his birth-name, New York City native Andrew Fox has been enlisted to bring his soulful psych-pop blend to both the Jersey City and Washington D.C. dates as the opening act. Be sure to check out Shock By Shock, on streaming platforms now.
Andrew Fox Debut Shock by ShockMarco Benevento
Tour Dates:
May 1 – Wilkes-Barre, PA – River Street Jazz Cafe May 2 – Ardmore, PA – The Ardmore Music Hall May 3 – Jersey City, NJ – White Eagle Hall w/ Andrew Fox May 4 – Greenfield, MA – Hawks & Reed Performing Arts Center May 10 – Washington, DC – Pearl Street Warehouse w/ Andrew Fox May 11 – Harrisburg, PA – The Abbey (Free) June 13 – Bethel, NY – Mountain Jam June 26 – Brooklyn, NY – Industry City July 13 – Marshfield, MA – Levitate Music & Arts Festival August 7 – Big Indian, NY – Full Moon Resort