Category: Pop

  • Whitney Houston & The Notorious B.I.G Nominated for Rock Hall of Fame

    While in the midst of a change of leadership, the Rock & Roll Hall of Fame has nominated 20 new possible inductees for 2020. These latest nominees—which include posthumous nominations for legendary rapper, The Notorious B.I.G, as well as R&B and soul songstress Whitney Houston—are bridging a gap between genres, genders and race. Something departing Rock Hall chairman Jann Wenner has been criticized for in the past. A claim which he has refuted. “Musical achievements have got to be race-neutral and gender-neutral,” said Wenner, according to the New York Times.

    Nonetheless, incoming chairman John Sykes—the president of Entertainment Enterprises for the radio conglomerate iHeartMedia—has made it a point to embrace the new direction that music is heading into. “The important goal is to diversify the New York foundation board, with more women, more people of color and [become] a board that reflects the artists that are now being inducted,” said Sykes, according to The Cleveland Plain Dealer.

    While new agendas are being set forward, traditional rock bands are still a mainstay of the Rock Hall of Fame. This year’s nominations include rock acts Motörhead, Judas Priest, Dave Matthews Band, Nine Inch Nails, the MC5, Thin Lizzy and T Rex, among others.

    After nominations, the committee in charge of electing inductees—made up of more than 1,000 historians, members of the music history and every living Rock Hall inductee—fill out ballots with the five highest vote getters making up that year’s class. Beginning in 2012, fans have been allowed to vote who they think belongs in the Rock Hall, with the top five fan vote-getters making up one ballot. Artists become eligible to be nominated 25 years after the release of their first commercial recording, according to the Rock Hall’s official website.

    The official inductees will be announced in January, with the ceremony to take place in May. The show will air at a later date on HBO.

  • Hearing Aide: BHuman ‘BMovie’

    BHuman has crafted the soundtrack to your next intergalactic dance party. BMovie is a theatrical concept album of interstellar proportions, springing from a love of sci-fi and 1950’s horror flicks enjoyed by Londoner Billie Lloyd and New Yorker Harrison Scott, the members of this queer pop duo.

    In dramatic fashion, BMovie offers an overture, intermission, and interlude-providing segues. These futuristic instrumental tracks use clips of dialog, including lines from old movies, serving as a fun way to weave their work with the existing framework of sci-fi pop culture. They also help to lend context to the songs and move the story line forward.

    The first song on the album is a cover of Cher’s mega-hit “Believe.” BHuman has stripped back the song to emphasize the bittersweet sentiment of the lyrics, then contrasted it with light and airy percussion and synth. The song debuted earlier this year, just in time for NYC Pride.

    As delightful as this opening is, it’s only the beginning. BHuman’s original songs interlace captivating synth pop melodies and fantastical vocal hooks to create soundscapes that are out of this world. The music maintains an ethereal levity as BHuman explores interpersonal relationships and learning how to be comfortable in one’s own body.

    The album builds to an incredibly vulnerable and touching climax with “Teachmehowtobeyourgirl.” We’ve moved past believing in life after love, past using people in “Distraction,” through the web of lies that people weave in “Fiction.” Here we enter a space where it is safe accept one’s self, to love another person, and to discover what it really means to be human.

    Key Tracks: Distraction, Fiction, The Other Way, Teachmehowtobeyourgirl

     
  • Elton John Announces Additional ‘Farewell Yellow Brick Road’ Tour Dates

    Great news for Elton John fans. The Rocketman singer has announced that he is adding new dates to his final tour, “Farewell Yellow Brick Road.” The tour, a play on his seventh studio album and song of the same name, was originally announced on a VR180 YouTube live special. This farewell, which is planned to span three years, three hundred tour dates and five continents, commenced on Sept. 8.

    “It’s time to come off the road so I can fully embrace the next important chapter in my life,” he said on his official website. Having already performed throughout the United States, he is coming back for another go-around in the States, only this time, he’ll be solely performing in the New York/ New Jersey area.  In fact, of the remaining twenty-one dates he has left in the United States, the final eight will be performed throughout the tri-state area. His last show in the United States will be on April 18, 2020, at the Nassau Coliseum in Long Island.

    Overall, the five-time Grammy award winner has ninety-three dates left on his tour. Thirty-four in Australia, twenty-one in the United States, twenty in the United Kingdom, eight in Canada, Six in New Zealand, three in France, and one in Ireland. Elton John has his final tour date on this grand expedition set for Dec. 16, 2020, at the O2 arena in London, UK.

    More information can be found here. A list of remaining New York tour dates can be found below.

     Nov. 16 – Nassau Coliseum- Long Island, NY

     April 6 – Madison Square Garden- New York, NY

     April 7 – Madison Square Garden- New York, NY

     April 10 – Barclays Center- Brooklyn, NY

     April 11 – Barclays Center- Brooklyn, NY

     April 17 – Nassau Coliseum- Long Island, NY

     April 18 – Nassau Coliseum- Long Island, NY

  • New Music: Kyle Stockman’s ‘Shooting Star’

    “Shooting Star,” the guitar and vocal-laden song, off of 19-year-old alternative-pop artist Kyle Stockman’s debut-project, Hearts, is more than worth a listen. Produced, mixed, and mastered by Stockman himself, the record, incidentally, did not start off as one his favorites, going through a metamorphosis before taking its present form. “It started out as a very different song than it ended,” Stockman reveals. “It sounded a lot different and I went back at the end of the album and rewrote the chorus and re-wrote one of the verses. At that point, I realized I really liked what it had become.”

    The song serves as a transition in the album. In context with the rest of the project, its purpose is to be a relaxed and melodic break from some of the edgier produced songs. “It took on a more relaxed vibe and its content matter shows a transition from what I was talking about in the beginning,” says Stockman.

    On its own though, the single possesses high replay value. With distinctive guitar riffs that are bound to be embedded in the listener’s brain and effortless vocals from Stockman, the record remains melodic while not being overzealous in its attempts at being catchy. It is a song that begs to be repeated throughout the day.

    While the album was released on June 29, the Harlem native is still keeping up with the promotion, releasing a three-part music video on Sept. 9, that features three of the songs from the album, including “Shooting Star.”

    Listen to “Shooting Star” below and check out the newly-released video for “Hearts” here.

  • Of Monsters and Men Delivers a Triumphant Show at Radio City Music Hall

    It has been eight years since Of Monsters and Men released their mega-hit song “Little Talks” from their debut album My Head is an Animal. This past July they released their third full-length project, Fever Dream, and have now embarked on a North American tour in support.

    Of Monsters and Men

    The second stop on the tour found the band playing a sold out show at New York’s famous Radio City Music Hall with support from Lower Dens. The hall quickly filled with a crowd of truly all ages and backgrounds, from teenagers to adults, with many different foreign languages represented. Of Monsters and Men have a reach that is truly worldwide and fans in NYC could not wait for their chance to see them.

    Of Monsters and Men
    Photo by: Buscar Photo (www.buscarphoto.com)

    The show kicked off with the opening track from Fever Dream, “Alligator.” The band ended up playing nearly 3/4 of the new album throughout the show. It was not until the second to last song of the main set where OMAM finally gave in and played “Little Talks” to a crowd shouting the entire song.

    Of Monsters and Men
    Photo by: Buscar Photo (www.buscarphoto.com)

    The band continues their run of US shows until the end of September, with one Vancouver show on September 28. They wrap up the tour with a triumphant hometown festival appearance in Reykjavik, Iceland at Iceland Airwaves 2019 on November 6-9.

    Of Monsters and Men
    Photo by Joseph Buscarello
  • Banks Shows Off Her Dance Moves in Brooklyn

    Banks brought her energetic live show to Brooklyn Steel on September 10 in support of her fantastic new LP, III. This was a second night added due to the first night on September 8 selling out so quickly.

    Kevin Garrett opened the night with a soulful, beat-backed set of ballads. The crowd was full of Kevin Garrett fans as they willed him on by, singing and dancing along. His new album Hoax, released back in March of this year, was a nice complement to the evening, setting a warm tone but not stealing away any energy from Banks.

    Banks
    Kevin Garrett at Brooklyn Steel – Photo: Joseph Buscarello

    As the stage hands removed the opening band’s instruments, it was immediately clear that she would be dancing from one end of the stage to the other. With a keyboard set-up far stage left and a drum kit far stage right, the entire Brooklyn Steel stage was turned into Banks’ and Co. personal dance floor – and they sure used every inch.

    Banks
    Banks at Brooklyn Steel – Photo: Joseph Buscarello

    The audience was in full-throat for every song – belting out all the lyrics and trying to mimic Banks’ dance moves on the packed GA floor. Some of the more adventurous dancers drifted to the back of the room and the balcony where there was ample space to dance.

    Banks
    Banks at Brooklyn Steel – Photo: Joseph Buscarello

    This is only the start of the III World Tour. Banks continues in North America through October then hits Europe in November.

  • Hearing Aide: Alex Northrup and the Backup ‘Long Story Short’

    Rochester based multi-instrumentalist Alex Northrup and his band The Backup released their six-song album in March titled Long Story Short. The band is made up of Alex Northrup (keyboard, vocals), Andrew Carter (bass guitar, backup vocals), and Jake Walsh (drums, backup vocals). The trio has a sound that ranges from really small to huge, making use of each member’s prowess on their instrument and their abilities to hold a strong harmony. One thing that pops out in any of Northrup’s recordings is Alex’s ability to take a song out of the pocket with his strong keyboard performances. Evinced by the six tracks on this release, Alex Northrup and The Backup are beginning to carve out a sound all their own.

    The opening track “Put on the Break-Up” ultimately sets the overall pace for the album. The sweet vocal melody is hashed out by wonderfully performed harmonies. Nothing here is too pristine; that is to say, the vibe is similar to the old Weezer Pinkerton days. The listener will be able to tell that the process of recording that the band took was organic, leaving the bulk of the work to the musicians to make the songs sound good.

    “Sinning on a Saturday” offers a better look at how dynamic the band can be in their orchestration. The bass takes on a life of its own and the texture of the keyboard flexes a bit more as well, as Alex navigates his chord progression to make meaningful and interesting solos. The mood shift that takes place between the verse and chorus is subtle, but noticeable enough to invoke the feelings reflected in the lyrics.

    https://www.youtube.com/watch?v=fXOWdRFEhr8

    One thing that should be taken note of is how Alex writes his lyrics. He talks casually, and even comically at times, about serious issues while never sacrificing the weight of the song’s topic. “Girl of My Dreams” is one such song. The ballad is a nice throwback to older ballads from the 50’s and the band does the style justice. While most of the songs are written by Northrup himself, he does collaborate with other members of the Rochester music scene. Specifically in “There We Go Again”, where some new creative elements and bass lines are added in by Dave Drago.

    The album’s cap is an ethereal instrumental that comes out of almost nowhere to great effect. Each song flows into the next really well, and the entire album felt like it should end much like it does in “Blinded by Delight.” The band’s harmonies are sitting tight in the background behind a beautiful soundscape of textures. Overall, the album’s flow offers a whole new dimension worth analysis of its own. Definitely take a chance on this release, and be sure to find Alex Northrup and The Backup on Spotify, Bandcamp and social media!

    Key Tracks: Sinning on Sunday, Put on the Break-Up, Girl of My Dreams

  • Sister Sparrow & The Dirty Birds Plan Final Shows Before Maternity Leave

    Sister Sparrow & The Dirty Birds have announced a final stint of shows before lead singer Arleigh Kincheloe embarks on maternity leave, with a second baby on the way, due in October. But that has not stopped her from holding true to the nitty-gritty Dirty Bird funk that goes down each and every time the band hits the stage.

    sister sparrow maternity
    Press Photo By Kevin Condon

    The Dirty Birds had just performed a free show at Athens Riverfront Park in Athens, NY. For the last three dates fans will flock to Chattanooga, TN; Jersey City, NJ and a final cap at Brooklyn Bowl on September 14.

    Kincheloe told NYS in a phone interview how it is just time to take a break from the road, rightfully so. However the front-woman stuck out the entirety of her pregnancy touring on the road, where as she did not with her first child. Despite the reactions by some fans, mothers especially, this is a true gift, taking the bands family ties to a second generation. Kincheloe is nothing short of grateful and glowing to be moving around stage with her child. Spiritually, and quite literally, Kincheloe feels her newborn-to-be on stage with her, making for a unique and special run of final shows.

    Arleigh, rocking out with her newborn-to-be in Athens, last Friday.

    Touring vigorously with Kincheloe’s latest realise Gold, the band spent the latter half of 2018 and early 2019 on the road selling out venues, including the accliamed Levon Helm Studios. Gold was produced and co-written in collaboration with Carter Matschullat (Chef’Special, Secret Weapons) at Brooklyn’s DØØM Studio, and made NYS Music’s Best Album of the Year in 2018, below.

    The glimmer of Gold  has caught our eyes. The overanxious wait for another Dirty Bird release had us on edge. In the past three years we have been deprived of the nitty-gritty funk powerhouse and soulful horn section that is Sister Sparrow & The Dirty Birds. While Gold is everything we want, this record is a spotlight on the undeniable front-woman Arleigh Kincheloe, a.k.a Sister Sparrow. This razors edge has captivated fans – a blend between modern-pop shimmer, electronic accents and that Dirty Bird flare.

    Read more at NYS Music…

    September 7  | Moon River Festival  | Chattanooga, TN

    September 13  |   | Jersey City, NJ

    September 14  |   | Brooklyn, NY

  • Joywave Releases Cinematic Music Video, Announces Tour with Bastille

    Our obsession with Joywave continues. They’ve just released a new music video and announced that they’ll be touring with Bastille this fall. The video, shot entirely on Kodak film, consists of a series of trailers for fictional movies. With their signature wry humor, band members depict themselves as stars or directors of movies from a variety of genres including westerns, horror, action, and drama. The song “Obsession” is the second single from their forthcoming album, set to release in the next year.

    joywave video

    The video release comes ahead of their upcoming fall tour. Joywave plays Madison Square Garden on Sept. 24. See the full list of tour dates below. These tour dates are in addition to the final performance of their intimate “Posession Sessions” series in London on Nov. 20.

    JOYWAVE

    ON TOUR WITH BASTILLE

    Sept. 16 – The Met – Philadelphia, PA   

    Sept. 17 – Rockland Trust Bank Pavilion – Boston, MA   

    Sept. 18 – Place Bell – Montreal, QC 

    Sept. 20 – Budweiser Stage – Toronto, ON   

    Sept. 21 – The Anthem – Washington, DC          

    Sept. 22 – Stage AE – Pittsburgh, PA  

    Sept. 24 – Madison Square Garden New York, NY

    Sept. 27 – Mohegan Sun Casino – Uncasville, CT  

    Sept. 28 – Virginia Credit Union LIVE! – Richmond, VA  

    Sept. 29 – Express Live! – Columbus, OH  

    Oct. 1 – Masonic Temple Theatre – Detroit, MI   

    Oct. 2 – Chicago Theatre – Chicago, IL   

    Oct. 4 – The Mission Ballroom – Denver, CO  

    Oct. 5 – Salt Air Pavilion – Magna, UT   

    Oct. 7 – Theatre of the Clouds – Portland, OR    

    Oct. 8 – Thunderbird Sports Centre – Vancouver, BC    

    Oct. 9 – WaMu Theater – Seattle, WA   

    Oct. 11 – The Greek Theatre at UC Berkeley – Berkeley, CA   

    Oct. 12 – Greek Theatre – Los Angeles, CA   

    Oct. 13 – Open Air Theatre – San Diego, CA    

    Oct. 15 – Comerica Theater – Phoenix, AZ   

    Oct. 17 – South Side Ballroom – Dallas, TX   

    Oct. 18 – White Oak Music Hall – Houston, TX   

    Oct. 19 – Austin 360 Amphitheater – Austin, TX    

    Oct. 21 – BJCC Concert Hall – Birmingham, AL   

    Oct. 22 – Municipal Auditorium – Nashville, TN    

    Oct. 23 – Coca-Cola Roxy – Atlanta, GA  

    Oct. 25 – Red Hat Amphitheater – Raleigh, NC   

    Oct. 26 – Daily’s Place Amphitheater – Jacksonville, FL   

    Oct. 27 – Bayfront Park Amphitheatre – Miami, FL   

    JOYWAVE POSESSION SESSIONS

    Nov. 20 – The Lexington – London, UK  

  • Beck and Cage the Elephant Stampede Saratoga

    Beck and Cage The Elephant arrived in Saratoga on Monday night, as it was the next stop in their Night Running Tour, which will conclude at the end of August. The night was kicked off with a bang, as the New York City based Sunflower Beans brought an energetic indie-rock sound, bringing the early-arriving crowd to their feet. Their set was followed up by Spoon, who kept the same pace and energy as the Sunflower Beans, despite being two decades older.

    Cage The Elephant took the stage shortly after the Spoon’s set. The lights all fell, and the Bowling Green native band was silhouetted by the surrounding pyrotechnics. Eventually Matt Shultz, the band’s lead singer, emerged wearing an outfit you’d only imagine from a Cage The Elephant frontman— a grey trench coat, a masquerade mask, a straw sunhat and an assortment of accessories on various satchels donned by the singer. This was the outermost of many (and I mean many) layers that Shultz was wearing. Throughout the set he unpeeled each layer, revealing strange outfit after strange outfit, until he was left in a nude leotard and red short-shorts. These layers of clothing didn’t impede Shultz’s mobility in the slightest however, as there wasn’t a single minute in the 19-song-set that he wasn’t running, dancing, jumping, or leaning hard into each and every lyric.

    Beck and Cage the Elephant
    Photo by Jim Gilbert

    Cage just released their fifth studio album, Social Cues, this past April, so naturally, they played many tracks from the new record, including; “Broken Boy,” “Social Cues,” “Ready To Let Go” and various others. As the set went on the energy of the band never slowed, keeping the thousands in attendance dancing right along. Playing hits such as “Ain’t No Rest For The Wicked,” “Come A Little Closer” and “Cigarette Daydream,” before finally finishing their set with “Teeth.” However, just because the band was done didn’t mean Matt Shultz was. Midway through the last song the singer left the stage and began to make his way through the crowd, and didn’t stop when the song concluded and his bandmates left the stage. Shultz continued on, making his way through the amphitheatre, eventually reaching the lawn, where he crowd-surfed all the way up to the concourse and eventually made his way to the balcony, embracing and entertaining fans the whole way. It was almost 20 minutes after the set that Matt Shultz made his backstage, however, we hadn’t seen the last of him yet…

    After Cage The Elephant’s long and exhilarating set it was hard to believe we still hadn’t seen the main act. But, sure enough, there was another entire set to be seen, and it did not disappoint. Beck opened his portion of the night with an acoustic slide guitar solo, such as one you may hear in an Old Western, that solo transitioned into arguably his most recognized song, “Loser.” Beck’s set was filled with his signature indie-rock-rap music, impressive solos from him and his band, bright lasers and lights, and fans who had not stopped dancing since the night began. The night did slow down for a few minutes, when Beck gave a touching speech, talking about his mother who was in the crowd, the importance of savouring what you have and not taking anything for granted – this did not disappoint the fans though, as they continued to cheer and show their support. Beck then covered the Korgis “Everybody’s Gotta Learn Sometime,” then played his own “E-Pro,” before exiting the stage in preparation for the encore that was surely to follow.

    Beck began his encore with the sound of the iconic guitar intro of “Where It’s At,” leaving no one unsure of what song was being played. Once that was over Beck gave an unexpected but riveting harmonica solo, beginning his 1994 song “One Foot in the Grave.” Following this, Beck invited the Spoon singer, Britt Daniel, to come back on stage and asked him what he song he wanted to play, Britt replied, “Pump It Up” by Elvis Costello, and so that became the third song of the encore.

    Next, Beck invited yet another singer back on stage, this time Cage The Elephant frontman Matt Shultz (who came out wearing yet another exotic outfit, this time complete with a yellow rain jacket and hat). Beck and Shultz sang their recent single together, “Night Running” (of which the tour was named after), followed by a reprise of “Where It’s At,” during which confetti rained from the amphitheatre before the night finally came to an end.