Category: Genres

  • Tag’s Closes Out Summer Concert Series In True Rock and Roll Style

    On Saturday September 21, 2019 four veteran hard rock bands rolled into Tags Summer Stage in Big Flats, NY to close out the summer concert series with a bang. 80’s iconic rock bands RATT, Warrant, Firehouse and Kix shared the stage for a night of rock and roll, reminiscing with gritty guitars, thundering bass, pounding drums, classic hits and power ballads. The entire six hour concert was abounding with that quintessential big driving eighties sound, par can lights, iconic riffs, screaming guitar solos, and lots of hair (for those who still have it) – along with plentiful lipstick and leather and vintage concert T’s both onstage and throughout the crowd. For many, 30 years ago seemed like yesterday and we were transported back to 1989.

    STEPHEN PEARCY ~ RATT

    Kicking the night off were veteran rockers Kix. Hailing from Hagerstown, Maryland, Kix formed in late 1977 with Ronnie “10/10” Younkins, Brian “Damage” Forsythe on guitars and bassist Donnie Purnell, with drummer Jimmy Chalfant and frontman Steve Whiteman coming on board shortly after. Kix released their debut self titled album Kix in 1981, followed up by Cool Kids in 1983 and Midnite Dynamite in 1985. It was after their release of their platinum album, Blow My Fuse in 1988, when the band experienced major commercial success with the hits “Blow My Fuse,” “Cold Blood,” and the power ballad “Don’t Close Your Eyes,” which reached number 11 on Billboard 100.

    Kix hit the stage at 5:30 pm and began figuratively blowing fuses with their jaw dropping performance. Never missing a beat, Kix hit the ground running and never slowed down a for second during their hour long set. Steve Whiteman’s vocals were as strong as ever and still hit those high notes effortlessly. Whiteman, who has been out front revving up the crowds for nearly four decades with his charismatic and highly energetic stage presence, ran out on stage wearing all blue, as the band kicked into their opening number “Midnite Dynamite.” Whiteman has avoided the fate of many rock frontmen of his generation and has withstood the test of time as he still has the pipes, stage presence and energy of performers half his age.

    KIX ROCKS TAGS SUMMER STAGE

    Despite being the first band in this classic line-up, many fans felt that Kix stole the show with their no frills, in your face, straight up rock and roll. As stated previously, Whitemans’s vocals were spot on superb. Both guitarists Younkins and Forsythe, although not overly flashy, were highly impressive with their style of playing and musicianship. Each yielding exquisitely beautiful guitars, their tone was magnificent as they complimented each others unmistakable style. Rounding out the astounding musicians in Kix were drummer Chalfant and newest member (2003) bass player Mark Schenker. Talk about a rock and roll bottom end, these two had the air moving. I’m sure the fans in the lawn section could feel the power emanating from the subs as the bottom end exploded like thunder.

    The bands dominating performance unequivocally stunned the large crowd at Tags Summer Stage with their dynamic show stopping 10-song set. Their set included the opening number “Midnite Dynamite” as well as favorites “Get It While It’s Hot,” “Cold Blood” and “Don’t Close Your Eyes.” For a veteran rock band with a career that spans over forty years, Kix is proving to generations of fans, new and old, that they are timeless and still in charge. With seven studio albums under their belt, there are an array of songs in their catalog from the classics to the lesser known that they can pull out any night leaving the crowd wanting for more.


    C.J. SNARE GREETS THE CROWD AT TAGS

    Next up was Firehouse led by original members vocalist C.J. Snare, guitarist Bill Leverty and drummer Michael Foster, along with newest member Allen Mckenzie who joined the band in 2004.

    Firehouse wasted no time kicking things off in blazing style as they exploded into their opening powerhouse number, “Overnight Sensation,” from their 1990 double platinum self titled debut album. Next was “Crash” from their 2003 album Prime Time, followed by “Shake and Tumble” from their debut album. Although Firehouse has not released an album of new material, they are no strangers to touring as road seasoned and extremely talented musicians and showmen who continue to perform with the energy and presence they have been know for for the past thirty years.

    Tonight was no different. Snare had the crowd engaged and on their feet from the minute he stepped on stage as he interacted openly, made jokes and even invited a couple onstage to celebrate a special occasion with a dance during “When I Look Into Your Eyes.” His stage presence and commanded rock and roll respect and his vocal range and power are still as strong and commanding as ever. Leverty’s guitar playing remains soulful and melodic, yet blistering and intricate as he takes his playing through the stratosphere with his custom C.R. Alsip guitar. As Leverty solos through all the iconic Firehouse songs, it is easy to hear why he still remains one of the most gifted and talented guitarists after all these years.

    BILL LEVERTY ~ FIREHOUSE

    Rounding out the accomplished veteran line-up are original drummer Foster and their newest member, bassist McKenzie. Together, this dynamic duo kept the pace and rhythm with booming finesse as the band continued playing hit after hit including “Oughta Be a Law,” “All She Wrote” and “Lover’s Lane.” Firehouse closed out their 11 song power packed set with “Reach For The Sky” and lastly, “Don’t Treat Me Bad.”


    The crowd at Tag’s did not have any time to cool off before Warrant took control of the stage in dominating fashion. With original members guitarists Erik Turner and Joey Allen, bassist Jerry Dixon and drummer Steven Sweet along with ex-Lynch Mob vocalist Robert Mason, who joined the band in 2008, they took the stage around 8:30, ready to roll as they exploded into their opening number “32 Pennies.” This summer Warrant is hitting the road promoting their “Dirty 30” tour in celebration of the anniversary of their first album, Dirty Rotten Filthy Stinking Rich, which was released in 1989.

    WARRANT

    For the last thirty years Warrant has been tearing up the charts, recording and touring since the release of their double platinum debut album despite lineup changes on and off. Although Mason brings his unique style, energy and dynamic vocal performance to the band, he covers former original vocalist Jani Lane’s range effortlessly with tenacious vigor and rock and roll attitude.

    Warrant exploded on stage with as much passion and attitude as they have for the last 30 years. It is obvious they want to give the fans what they have been coming to see after three decades of touring. Make no mistake, the performance, rock and roll attitude and energy are a big part of what makes Warrant as popular as they are with the fans, however the musicianship and dedication to their craft is what it is all about. Their powerful, unmistakable signature sound on all of their big hits such as “Down Boys,” “Uncle Tom’s Cabin” and “D.R.F.S.R.,” as well as their power ballads including “Sometime’s She Cries” and “Heaven” was evident Saturday at Tag’s.

    ROBERT MASON ~ WARRANT

    After much excitement and anticipation, headliners RATT took command of the stage at 9:45. If the eager crowd at Tag’s had not had their fill of incredible rock and roll yet, they were in for a full out assault as RATT invaded Big Flats, New York. With only two original members of RATT in this current line-up, RATT, with frontman vocalist extraordinaire Stephen Pearcy is going strong; they look and sound as good as ever.

    Along with Pearcy, bassist Juan Croucier is the only other original member of this multi-platinum commercially successful rock band. Despite the absence of three original musicians, this version of the band currently consists of guitarists Jordan Ziff (2018) and Chris Sanders (2018) formerly of Brittany Fox, along with drummer Pete Holmes formerly of the band Black and Blue. This line-up is phenomenal with Ziff easily filling the shoes of original RATT guitarist, Warren DeMartini.

    JORDAN ZIFF ~ RATT

    RATT kicked of their supercharged 75-minute set with “In Your Direction” from their 1984 multiplatinum album Out of the Cellar, followed by “Wanted Man,” from Cellar and “Dangerous But Worth the Risk” from their 1985 follow up album, Invasion of Your Privacy.

    RATT mesmerized the audience for over an hour with 14 songs from their catalog of hits including “Way Cool Jr.,” “Lay It Down” and “You’re in Love.” Ziff and Sanders shredded through the classic RATT songs with finesse and speed making even the most intricate guitar parts appear simple. Croucier appeared to have the intensity and vitality as he had during the early days of RATT with his dynamic stage presence and performance, flipping his bass guitar around and over his head. RATT closed out the show with “Back For More” and finally their biggest hit, and probably most well known song, “Round and Round.”

    Despite the cooling temperatures on the last day of summer 2019, Kix, Firehouse, Warrant, and RATT easily had the crowd at Tags heated up and not wanting the night, or summer to end. However, for all that attended this awesome rock and roll show, the summer most definitely ended on a positive, memorable note.

  • Elton John Announces Additional ‘Farewell Yellow Brick Road’ Tour Dates

    Great news for Elton John fans. The Rocketman singer has announced that he is adding new dates to his final tour, “Farewell Yellow Brick Road.” The tour, a play on his seventh studio album and song of the same name, was originally announced on a VR180 YouTube live special. This farewell, which is planned to span three years, three hundred tour dates and five continents, commenced on Sept. 8.

    “It’s time to come off the road so I can fully embrace the next important chapter in my life,” he said on his official website. Having already performed throughout the United States, he is coming back for another go-around in the States, only this time, he’ll be solely performing in the New York/ New Jersey area.  In fact, of the remaining twenty-one dates he has left in the United States, the final eight will be performed throughout the tri-state area. His last show in the United States will be on April 18, 2020, at the Nassau Coliseum in Long Island.

    Overall, the five-time Grammy award winner has ninety-three dates left on his tour. Thirty-four in Australia, twenty-one in the United States, twenty in the United Kingdom, eight in Canada, Six in New Zealand, three in France, and one in Ireland. Elton John has his final tour date on this grand expedition set for Dec. 16, 2020, at the O2 arena in London, UK.

    More information can be found here. A list of remaining New York tour dates can be found below.

     Nov. 16 – Nassau Coliseum- Long Island, NY

     April 6 – Madison Square Garden- New York, NY

     April 7 – Madison Square Garden- New York, NY

     April 10 – Barclays Center- Brooklyn, NY

     April 11 – Barclays Center- Brooklyn, NY

     April 17 – Nassau Coliseum- Long Island, NY

     April 18 – Nassau Coliseum- Long Island, NY

  • Hearing Aide: Underwater Bosses ‘Aqua La Vista’

    The Great Lakes are the biggest lake system on Earth with a total shoreline of 10,900 miles, more than the East and West US coasts combined. It should come as no surprise that Syracuse is home to a burgeoning Surf Rock scene and the birthplace of Underwater Bosses. These guys have been playing together in numerous projects for over 2 decades, but finally formed this band last September. Their debut album, Aqua La Vista, was released in April and consists of 12 original tracks that perfectly capture the spirit of the sport, that made the genre famous.

    “Ride of the Surfers Ride” opens the album with everything you’d hope for in a surf rock song. Wet, arching guitar riffs, head bobbing drum beats and a bass line to boogie to. “Basshead” takes that and turns it up even higher, all while adding a salty organ to the mix. This is the kind album you play in your car on a sunny day with the windows down. In fact, it was the “Between the Black Sea and Me” that made me get into my car to take a drive in order to fully appreciate the sound and style of this album.

    “Red Tide” is a prime example of how this band’s sound can make their music feel oceanic in size. This song itself is a powerhouse; large from the get-go like the algae blooms it’s named after. This band continues to encapsulate the feeling of surfing with a sound that swells in and out like the sea itself. “KGB Tsunami,” my favorite instrumental surf track on the album, has a super catchy guitar riff and Chris Stewart really lets his inner Dick Dale shine as he makes you feel like James Bond is catching waves. Bob Breen’s intense drumming can’t be highlighted by a single track but “Surfin Hand” really showcases his talent. The same can be said for Greg Bresett on bass, who obviously shines on “Basshead” but really kicks it up on “Heavy the Ride.”

    This album also consists of two vocal surf tracks and the really hold their own amongst the instrumental surf tracks. “Turtle Neck Sweater Zombies” is infinitely catchy and fits nicely in the first half of the album. However, “Surfin Lullaby” is the most unique song on this album and also the most beautiful. It shines a lovely light on how great this band is and would be a lovely cap to the album, but a better one is certainly the last full track, “Surftacular”. It’s just one last all-out surf fest until the end. While this album is a must-listen for any fan of the surf rock genre, I would absolutely recommend it to anyone looking for a fast, fun and frenetic sound.

    Key Tracks: KGB Tsunami, Surfin Hand, Surfin Lullaby

  • In Focus: Borderland Music + Arts Festival 2019

    Borderland Music + Arts Festival 2019 showcased some of the best roots and rock music of today on the beautiful grounds of Knox Farm State Park. In addition to the music spread out over three stages, there were art vendors, installations, ample food and beverage options, even alpacas and axe throwing. Headlining Saturday night was Warren Haynes’ Gov’t Mule. Sunday saw Greensky Bluegrass close out the festival.

  • The New Motif Lays out Fall Tour – Includes Stops in Colorado and Northeast

    Eclectic funk/jam band The New Motif are back on the road this fall and look to branch out of the Northeast with their two-night debut run in Colorado.

    With stops in NYC at The Cutting Room, two nights on Cape Cod, a Phish after-party in Providence and supporting Kung Fu leading up to a performance at Bethel Woods Center for the Arts, the deep psychedelic grooves The New Motif has become known for will reach wide audiences as they close out 2019 with a bang. For New Years Eve, they’ll perform at the iconic Paradise Rock Club in Boston, opening for Pink Talking Fish.

    Sept. 20 – The Press Room – Portsmouth, NH 
    Sept. 28 –  MTG Pheno Cup Music & Arts Festival – Lancaster, NH
    Oct. 11 – LaBoca – Middletown, CT 
    Oct. 12 – Cutting Room – NYC, NY
    Oct. 18 – Hawks & Reed – Greenfield, MA  w/Strange Machines
    Oct. 26 – P.H.O.M.E. – Portland, ME  w/ Strange Machines
    Nov. 15 – Your Mom’s House – Denver, CO –  PPPP After Party w/Stig
    Nov. 16 – ULLR Tavern – Winter Park, CO
    Nov. 22 – Grumpy’s Pub – Falmouth, MA 
    Nov. 23 – Grumpy’s Pub – Falmouth, MA 
    Nov. 29 – Stone Church – Brattleboro, VT  w/ Kung Fu
    Nov. 30 – Fete – Providence, RI  Phish After Party w/ Meraki
    Dec. 19 – Port City Music Hall – Portland, ME  w/ Kung Fu
    Dec. 20 – 3S Artspace – Portsmouth, NH  w/ Kung Fu
    Dec. 21 – Toads Place – New Haven, CT  w/ Kung Fu
    Dec. 22 – Bethel Woods Center for Arts Bethel, NY  w/ Kung Fu
    Dec. 31 –  Paradise Rock Club – Boston, MA w/ Pink Talking Fish
  • Hearing Aide: Lucky Chops Self-Titled Album

    NYC’s brass-funk quintet Lucky Chops are releasing their brand new, self-titled album Lucky Chops to the public tomorrow. Fans who donated to support the album’s production were treated to the full album a day early.

    Lucky Chops isn’t their first recording, however, the 11-track album marks their first full-length studio effort that brings a collection of original songs to their growing fan base, marked by careful attention to detail in the compositions and production. Their first release, NYC, came out around the same time that their New York City subway performances gained viral attention on social media and is comprised mostly of covers, and subsequent single and EP releases that established a foundation of original material leading to this latest project.

    Lucky Chops performing at Brooklyn Bowl (April 2019)

    There is no single defining sound that the band has laid down on this latest release. By the fourth song, Lucky Chops has defined a well-crafted blend of original sounds for this multi-genre, multi-decade influenced banger of an album.

    The medium paced disco groove of “Halfway to the Hudson” leads things off with interludes laced with brassy, Daft Punk-inspired licks. From this catchy attention grabber, the album quickly flaunts a diversity in sound, traveling through a lighthearted “Dancing Babies” to the heavy, steady beat of “Traveler” where their own original dance style shines through.

    The album’s prominent track and first single, “Full Heart Fancy,” is the best demonstration of Lucky Chops’ writing and performing skills, with each of the five members featured throughout the song.

    The album, as a brass band recording, is naturally instrumental and sans vocals. However, a unique part of their compositions is that several of the melodies beg the attentive ear to search for its own lyrics to sing in tune or harmony with those melodies. “Flyway,” as an example, is a relaxed tune where the tenor sax line resonates with the familiar feel of Paul McCartney’s singing on “Yesterday.” Naturally, or even instinctively, unspoken words form at the tip of the tongue while listening to the album.

    In a broader sense, Lucky Chops brings that aspect out in many of the tracks by how well the subtlety (and sometimes the obvious) blend into their arrangements prominent elements of some of the pop music styles of 1950’s surf rock (“Dance Nights”), and 1990’s/2010’s alt/pop (“Familiar Places,” “Mo’ Mo,” “Memories”).

    Lucky Chops represents a step forward for the band in the effort and craft in composing/producing/recording, and for the perseverance they have shown fans through an unavoidable delay in the release. The band’s new music continues in the band’s tradition of having a wide appeal, enjoyed at home or at one of their high energy club/concert hall shows.

    Before heading out on an extensive European tour in a few weeks, Lucky Chops will be doing a special live stream performance on their social media channels today from the Times Square subway station (by the A-C-E lines/Port Authority) at 12:30 EST. The band will also host an additional special album sneak peek live stream/Q&A on their YouTube channel beforehand at noon. The album can be purchased and streamed here.

    https://www.youtube.com/watch?v=_D5RFEiPbOk

    Key Tracks: Full Heart Fancy, Memories, Familiar Places

    Track Listing

    Halfway To The Hudson
    The Dancing Babies
    Traveler
    Dance Night
    Full Heart Fancy
    Flyway
    Pizza Day
    Familiar Places
    Memories
    It’s Not Goodbye
    Mo’ Momo

    Lucky Chops will return to touring around the US this spring with several East Coast stops (listed below), including two nights at Brooklyn Bowl. Full tour dates, along with ticket information, can be found here.

    March 27/28 – NYC – Brooklyn Bowl
    April 1 – Pawling, NY – Daryl’s House Club
    April 2 – Hamden, CT – Space Ballroom
    April 3 – Somerville, MA – ONCE Ballroom
    April 4 – Syracuse, NY – Syracuse University
    April 10 – Philadelphia, PA – The Foundry at The Fillmore
    April 11 – Washington, DC – Union Stage

  • 18th Annual Independent Music Awards announce call for entries

    Music Resource Group has announced the official Call for Entries for the 18th annual Independent Music Awards (IMAs) to honor the year’s best indie music and visual design work from around the world.  

    Now in its 18th year, The Independent Music Awards is the premier platform for independent creatives from around the world. Honoring artistry, diversity and excellence, winners and nominees are promoted to millions of music consumers and industry insiders via ongoing promotion, performance and distribution opportunities, and celebrated during the annual IMA ceremony and Indie Konference in New York City.

    Independent

    Entries are judged – for their artistry and innovation rather than streaming stats or social influence – by panels of influential recording and touring artists, programmers, talent buyers and other influencers worldwide. Previous IMA judges include Keith Richards, Tom Waits, Laurie Anderson, Snoop Dogg, Amanda Palmer, Keith Urban, Chris Thile, Aimee Mann, M’shell Ndegeocello, Norah Jones, Peter Gabriel, Melissa Etheridge, Buddy Guy, Ozzy Osbourne among many others.

    The most diverse awards on the planet, the prestigious program celebrates achievements by established and emerging talent in more than 100 Album, EP, Song, Producer, Video and Graphic Design categories. Projects can be submitted for review here through December 12, 2019. Enter by September 29 to take advantage of the early entry period.

    Fans are able to register to determine this year’s Vox Pop Nominees and will be in the running for the IMA Super Fan Award by promoting their favorite Song and Video entries to their social networks.

    Nominees will be announced in Spring 2020, and all Winners revealed in June at the annual ceremony during the IMA Indie Konference in New York City.

    Known for championing artists who follow their muse rather than metrics, the program receives submissions from 119 countries from artists previously on major labels, as well as notable indie label and self-released talent in all styles and mediums.

    Past IMA Winners & Nominees include:Amy Lee, Asking Alexandria, fun., Melissa Auf der Maur, Five Finger Death Punch, Meghan Trainor, Passenger, Valerie June, …And You Will Know Us by the Trail of Dead, Lacuna Coil, Macy Gray, All That Remains, Band of Skulls, Ben Kweller, Chris Whitley, Cursive, Dale Watson, Flying Lotus, Girl in a Coma, Jamie Lidell, JD McPherson, Miguel Migs, Jackson Browne, Spinnerette, Team Me, The Apples in stereo, Tony Trischka, Vienna Teng, and many, many more.

  • Portland’s Ezra Bell rolls through New York this week

    Carving a wide path through the musical spectrum, Ezra Bell brings thrir folk/soul/rock sound to New York City on Friday, September 27 and Syracuse on Sunday, September 29. Featuring the irreverent and introspective songwriting of Benjamin Wuamett, Ezra Bell has been a staple of the Portland, OR scene since 2013, with three well-received EPs under their belt.

    Ezra Bell features Maurice Spencer (bass), Tom Trotter (drums), Aaron Mattison (horns and arrangements), Honora Hildreth (backing vocals and percussion), and Jeremy Asay (keys and guitar) more-than-ably backing up Wuamett’s story-songs and satirical jigs with organic precision.

    Ezra Bell

    Ezra Bell has released three EP’s: Don’t All Look Up at Once, 2013; We Came by Canoe, 2014; and Farewell Griffin, 2016. Their first full length eponymous album dropped in May 2018 and is streaming now. They are currently recording regularly and releasing singles almost as quickly as the months fly by.

  • Premiere: Monte Vayo ‘Sunrise 98’

    Monte Vayo has reemerged with a brand new track, “Sunrise 98.” The Rochester-based electronic artist made his debut last winter with the atmospheric EP Count Me Out. While his body of work thus far has been minimalist in terms of lyrics, his latest endeavor “Sunrise 98” ventures into a purely sans-vocals soundscape.

    This push to create more instrumental work comes as I’m taking time to study the emergence of abstract art from the turn of the 20th century. I see instrumental music without any direct language or lyrics as parallel to artwork created without any distinct or recognizable visual forms. There is still color, there is still texture, but in lieu of a direct, explicit representation comes an unavoidable sense of space. Much like standing in an empty theatre or cavern for the first time, there’s a natural captivation that comes with experiencing atmospheres both vast and intimate.

    – Monte Vayo

  • Warren Haynes and Gov’t Mule Dazzle Albany

    Gov’t Mule and Warren Haynes made a stop on their Bring On The Music fall tour on September 19 with a performance at Albany’s Palace Theatre. The name of the tour is a play on the band’s new concert film and corresponding live album, Bring On The Music – Live From The Capitol Theatre, which came out in June on CD, vinyl, DVD, and BluRay.

    To see the Southern rock jam band Gov’t Mule live at this beautiful and historic Albany landmark was an amazing experience. The lighting was nothing short of perfection, which added greatly to the experience.

    Photo by Stephanie J Bartik 

    Gov’t Mule is comprised of guitarist Warren Haynes, drummer Matt Abts, multi-instrumentalist Danny Louis, and bassist Jorgen Carlsson. Haynes took the stage and commanded the crowd’s attention with his soulful vocals and guitar chops while wowing the eager fans with the first song, “Traveling Tune.” His talent is known throughout the music world and he is the inspiration of many guitar players. He was the guitarist for The Allman Brothers Band and put together Gov’t Mule with the late Allen Woody (bass) in 1994 as a side project.

    There is a connection between Haynes and bass player Carlsson and Abts on drums that can be easily observed. Each band member became completely immersed in not just their individual instruments, but the songs themselves. With Haynes’ soulful voice and virtuosic solos with expansive guitar tones, Carlsson’s expert bass playing, Abts locking it in with insane drumming, and Danny Louis dazzling the crowd on keys, each tune was performed to perfection

    Jorgen Carlsson on bass

    With rock at its core, Gov’t Mule integrated a full range of musical styles including blues, jazz, soul and some funky rhythms. No one left the room disappointed. If given the chance to see this band first hand, you owe it to yourself to do so.

     Check out the Gov’t Mules website for a full list of the band’s upcoming tour dates, ticketing, and more information.

    Set One: Traveling Tune (part 1), Mule, Pressure Under Fire, Time To Confess, Lay Your Burden Down, Inside Outside Woman Blues, Unring The Bell, Endless Parade, Revolution Come, Revolution Go

    Set Two: Wandering Child, What is Hip?, (with Jerry Marotta, without Matt Abts), Freeway Jam, Child Of The Earth, Lively Up Yourself, Fool’s Moon, Thorazine Shuffle, Traveling Tune (part 2)

    Encore: Dark Was The Night, Cold Was The Ground

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