Category: Genres

  • Guest Contributor Exclusive: Mike Powell and Chris Merkley Kick-Off Original Gravity Tour at Copper City Brewing in Rome

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley are embarking on a four-show Original Gravity mini-tour of microbreweries across the state searching for the connection between songwriting and brewing.

    This is the first of a four-part NYS Music series contributed by Powell. Additional photos contributed by NYS Music staff.


    There are few relationships more felicitous than the one that exists between beer and music. My love for songs and storytelling began in the late ’80s when I was just a kid laying on a shag carpet underneath our Formica kitchen table. My father would regularly invite his work buddies over to our house after the whistle blew at the paper mill and they would sit around banging away on old guitars, breathing into harmonicas and drinking cases of Genny Light. I would hide quietly, listen closely and watch as their oil-stained work boots tapped along to the beat of songs like “I’m So Lonesome I Could Cry”, “Desperados Waiting For A Train” and “On The Road Again”.  

    At the conclusion of just about every song, one of the men at the table would take the floor and share an often hilarious story with the others. These stories and these songs from hardworking men in greasy blue uniforms in many ways became the backbone of what I’ve spent the past ten years of my life doing. Above the sound of the human voice, the wailing tone of a harp and the thump of a dreadnought I so vividly remember the signature snap of that blue aluminum can popping open – beer was just part of the ceremony.  

    The genesis of the Original Gravity MicroTour was a simple phone conversation I had in August with my friend and fellow songwriter Chris Merkley. He and I became fast friends last year while doing a run that included stops at some of the best little theaters in Central New York like Nelson Odeon, Borodino Hall, Earlville Opera House and the Auburn Public Theater. His ability as a performer is undeniable but what I find most admirable is his strong sense of community and ability to inject creativity into all that he does. Take a trip out to Cortland for one of his Seedstock Music Festivals and you’ll see exactly what I am talking about. 

    This particular conversation centered around playing shows together again but we didn’t want it to be standard boilerplate. We both needed to do it differently and find a way to shine a light on other like-minded folks doing amazing things in their own arenas. Our talk quickly spun out of control, per usual, and our minds started collectively racing towards the topic of a small craft brewery tour. 

    We talked about how craft breweries have created a whole new stage for original musicians like us and how grateful we are that they exist. We started asking each other deep psychological questions like, “Do people that prefer a craft beer experience have something in their make-up that makes them more apt to digest original music?” “Are there similarities between songwriters and brewers?” “Why make your own beer when there’s plenty of great beer being made all around the world?” “Why write songs when there are millions of amazing songs already written?” The aim of the Original Gravity MicroTour is to take a four-night deep-dive exploration into the analogous union between original songwriters and craft brewers.  

    After I hung up with Chris I immediately put in an excited call to my dear friend Mike Kohli who happens to be one of the biggest music supporters I know, a lover of craft beer and the editor of this here media outlet. I told Mike our plans and I asked if he would perhaps allow me to be a guest content provider during the MicroTour and he graciously agreed. He told me that he has had a very similar idea kicking around in his brain for quite some time and has been waiting for the right moment to tell the story.  And since I had him on the phone already I decided to push the envelope and take it one step further. I said, “How about we kick the thing off on your home turf, Copper City Brewing Company?” And he said, “HELL YEAH…I mean, let me check with the owners Dan and Lori.” 

    For over 80 years, the city of Rome has lacked the presence of a local microbrewery. Prohibition effectively shut down the last of them in the 1930s and the void remained until the visionary couples Dan and Lori Colasanti Frieden and Eric and Erica Sheible Daniels spoke up in 2015 and announced their ambitious plans to bring brewing back to Rome. After looking all over town for the right property they landed on a renovation project at 1111 Oneida Street on Rome’s east side.

    When you push through the doors of CCBC you’ll most certainly be greeted with a big smile from behind the bar as your eyes scan around the modern industrial motif. The fresh grainy smell will hit your senses, your mouth will water and your palette will prepare. As a musician, the first thing I noticed walking in was an elegant nook off to the left with comfortable seating, board games and a guitar on a stand that is welcome to be played by any and all patrons. The room itself is an interesting juxtaposition because although it has several rigid metal touches it somehow gives off a thoughtful warmth. I’ve played shows at Copper City three or four times now and I’ve come to realize that the warmth comes from the people inside it. 

    Chris and I had an awesome time on night number one.  Perhaps my favorite part of the night was our attempt at doing on-demand poetry. During Chris’ set, he asked the crowd to throw out a couple of words and I would be tasked with writing a poem related to them in real-time and present it by the time I took the stage. Well, the audience gave me “Camel Unicorn” and I thought I wrote a pretty good poem under pressure. But after my reading, I asked for the audience to now give me a couple of words for Chris to work with and I selected “Asbestos Shed”. I thought he was going to struggle. But in true Merkley fashion, he won the night and got the biggest eruption from the crowd with his incredible tale of smashing his face after falling not so gracefully from a shed as a kid.  

    Big thanks to Copper City for the incredible hospitality, wonderful beer and all that came out to hear us. This train rolls on to Abandon Brewing tonight in Penn Yan where I plan to dethrone Merkley as the top on-demand poet on this tour. 

    Below is a video documenting the first night of the tour. Featured are Copper City Brewing Company co-owner Dan Frieden and the brewery’s talent buyer and NYS Music Editor-in-Chief Mike Kohli.


    Powell and Merkley continue their tour on Friday, Oct. 11 at Abandon Brewing Company overlooking Keuka Lake in Penn Yan. Tickets for the 8:00 p.m. show are available at the door. Additional dates on the tour include Heritage Hill Brewhouse in Pompey on Saturday, Oct. 12 and Local 315 Brewing Company in Warners on Sunday, Oct. 13.

  • Trey Anastasio Band Announces New Tour Dates for 2020

    Phish frontman Trey Anastasio has announced a new set of performances for the Trey Anastasio band for the 2020 calendar year. Following the traditional slate of Phish shows to begin the year, the veteran guitarist will be back on the road for a nine-city run.

    The tour will start off with a two-date stint in Port Chester before heading out west for four consecutive dates, finishing off in the South with shows in Texas and Louisiana.

    After the official announcement, pre-sale tickets were made available and the rest go on sale for the general public on Oct.11.

    Tickets can be purchased via Anastasio’s website.

    The Trey Anastasio Band’s full list of tour dates can be found below:

    Jan. 10 – The Capitol Theatre – Port Chester, NY
    Jan. 11 – The Capitol Theatre – Port Chester, NY
    Jan. 16 – The Observatory North Park – San Diego, CA
    Jan. 17 – The Wiltern – Los Angeles, CA
    Jan. 18 – The Wiltern – Los Angeles, CA
    Jan. 21 – The Van Buren – Phoenix, AZ
    Jan. 24 – ACL Live at Moody Theatre – Austin, TX
    Jan. 25 – House of Blues – Houston, TX
    Jan. 26 – Bomb Factory – Dallas, TX
    Jan. 28 – The Tobin Center – San Antonio, TX
    Jan. 31 – The Civic Theatre – New Orleans, LA
    Feb. 1 – The Civic Theatre – New Orleans, LA

  • Watch “Loose Lucy” and “Uncle John’s Band” from Grateful Dead Giants Stadium Box Set

    “The Swamp,” as Giants Stadium was affectionately known, hosted Grateful Dead shows in 1987, 1989 and 1991. In 1987, the band saw their hit “Touch of Grey” reach the Top 10 and the band’s stadium rock years hitting their peak. The latest box set from the godfather of jam bands, GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased Grateful Dead shows from Big Blue’s home in East Rutherford, NJ: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991.

    Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir’s TRI Studios in San Rafael, CA and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters.

    This release is limited to 10,000 individually numbered copies and available via Dead.net. Find more details on the Giants Stadium box set here.

    Grateful Dead archivist and legacy manager David Lemiuex says of the “Loose Lucy” from the June 17, 1991 show, “Gone from the repertoire for 16 years, 1974-1990, when it made its return at the Capital Center on 3/14/90, it was in its slower 1973 arrangement, and was incredibly well-received, with one of the most inadvertently self-referential choruses in the Dead’s canon. Were they thanking us for a real good time? Were we thanking them? Regardless, it was a blast to sing along with Jerry when he was clearly having fun singing this classic.”

  • ‘Jazz and Microbits’ Series Comes to Kearny Point this October

    Jazz and Microbits will occur every Wednesday from 6-8 p.m. The schedule for October features world jazz trio BeBimBop (10/2), Newark-based trumpeter James Gibbs III (10/9), renowned guitarist Paul Meyers and Brazilian percussionist Nanny Assis (10/16), guitarist Bob Devos and bassist Steve LaSpina (10/23), and pianist Oscar Perez (10/30). Click here for directions.

    Riverview Jazz, the producers of the Jersey City Jazz Festival, have announced a new intimate jazz series in Kearny Point, NJ. In partnership with Sprig Market Cafe and Kearny Point, each Wednesday in the month of October will bring an evening of delectable bites, bespoke cocktails, and world-class jazz music.

    “We are very excited to bring some great jazz to the town of Kearny. We toured the industrial space at Kearny Point and immediately saw the potential for presenting music,” says Riverview Jazz Executive Director Bryan Beninghove. “The food and drinks at Sprig are top-notch, there’s a wealth of amazing musicians in the area, and the vibe is really hip. We’re excited!” RiverviewJazz.Org is a 501(c)(3) not-for-profit organization.

    Admission to Kearny Jazz is free with a tasting menu offered for $25/person.

    Jazz & Microbites lineup

    October 2: BeBimBop

    October 9: James Gibbs III

    October 16: Paul Meyers y Nanny Assis

    October 23: Bob Devos and Steve LaSpina

    October 30: Oscar Perez

  • Harlem’s Mwenso & The Shakes embark on ‘Harlem 100’ Tour this fall

    Harlem-based band Mwenso & The Shakes will embark on their extensive “Harlem 100” North American Tour this fall which includes stops in Baton Rouge, Jacksonville, Greenville, Charlotte, Des Moines, Princeton, St. Louis, Flint, Stanford and many more.

    In collaboration with IMG Artists,the National Jazz Museum in Harlem and JMG Live, this multimedia show celebrates the 100th anniversary of the Harlem Renaissance while capturing the sights and sounds of Harlem when legendary artists such as Fats Waller, Duke Ellington, Langston Hughes and Billie Holiday made Harlem the cultural center of the country. Conducted by bandleader and lead vocalist Michael Mwenso, “Harlem 100” presents the most exciting Harlem musicians and dancers in a modern variety show.

    Mwenso & The Shakes

    “The ‘Harlem 100′ will be a musical journey that celebrates one of the greatest movements in cultural history while connecting the past to the present,” says Mwenso.

    Mwenso was born in Freetown, Sierra Leone but spent his teenage years hanging out at the legendary jazz club Ronnie Scott’s in London where he was exposed to musicians such as Benny Carter, Elvin Jones, Ray Brown and Billy Higgins. In his youth, Mwenso started honing his talents as a trombonist, singer and performer playing in jump bands, reggae and Afrobeat horn sections and at hard-bop sessions. Mwenso’s talent as a performer caught the attention of many, which subsequently led him to meet James Brown who allotted space for him to sing and dance at his London shows.

    The band’s debut album Emergence, out now via Ropeadope Records, has received critical praise, with PRI’s “The World” saying, “To say the music of Mwenso and The Shakes is pretty wild is an understatement. It’s part jazz, part funk and part Broadway show tunes.”

    Driven by Mwenso’s deep ancestral understanding of the African-American music tradition, Emergence came together through many late nights at the band’s loft in Harlem exploring music outside of the traditional classroom, using free-form musical expression. Hailing from many corners of the world including Sierra Leone, London, South Africa, Greenwich Village, Madagascar, France, Jamaica and Hawaii, the band gains inspiration from each of their unique backgrounds while cohesively collaborating in a spontaneously communal and improvisational environment.

    In 2012, friend and jazz musician Wynton Marsalis brought Mwenso to New York City to serve as curator and programming associate at Jazz at Lincoln Center where he also booked nightly sets at Dizzy’s Club Coca-Cola. Over the next few years, Mwenso booked and performed with the likes of Cécile McLorin Salvant, Jon Batiste, Aaron Diehl, Sullivan Fortner and Jamison Ross.

    Through these performances at Dizzy’s, Mwenso began to collaborate with a wide variety of Juilliard-trained musicians that soon became known as The Shakes. This unique group of global artists presents music that merges entertainment and artistry with a formidable timeline of jazz and blues through African and Afro-American music.

    Mwenso & The Shakes are Mwenso (bandleader, vocals), Vuyo Sotashe (vocals), Kyle Poole (drums), Gabe Schnider (guitar), Mathis Picard (piano and keys), Ruben Fox (tenor sax), Julian Lee (tenor sax), Russell Hall (bass)and Michela Marino Lerman (tap dance).

    harlem 100

    Mwenso & The Shakes “Harlem 100” Tour Dates

    October 8—Baton Rouge, LA—The Manship Theatre

    October 11—Irmo, SC—Harbison Theatre at Midlands Technical College

    October 12—Wilmington, NC—Thalian Hall

    October 13—Jacksonville, FL—Ritz Theatre & Museum

    October 14—Greenville, SC—Peace Center for Performing Arts

    October 15—Charlotte, NC—Blumenthal Performing Arts, Knight Theater

    October 17—College Park, MD—Clarice Smith Performing Arts Center

    October 18—Harrisonburg, VA—James Madison University – The Forbes Center for the Performing Arts

    October 19—Hampton, VA— Hampton Arts, The American Theatre  

    October 22—University Park, PA—Center for the Performing Arts at Penn State University

    October 23—Lancaster, PA—Millersville University, The Ware Center

    October 24—Rochester, NY—Nazareth College Arts Center, Callahan Theater

    October 26—Storrs, CT—Jorgensen Center for the Performing Arts at University of Connecticut

    October 27—Morristown, NJ—Mayo Performing Arts Center

    October 30—Des Moines, IA—Hoyt Sherman Place

    November 1—West Lafayette, IN—Loeb Playhouse at Purdue University

    November 2—Oxford, OH—Miami University of Ohio Hall Auditorium

    November 3—Midland, MI—Midland Center for the Arts

    November 6—Princeton, NJ—McCarter Theatre

    November 7—Athens, OH—Ohio University Memorial Auditorium

    November 8—Carmel, IN—Center for the Performing Arts

    November 9—St Louis, MO—The Sheldon Concert Hall

    November 10—Overland Park, KS—Carlsen Center at Johnson Country Community College

    November 14—Urbana, IL—Krannert Center for the Performing Arts, Colwell Playhouse

    November 15—Flint, MI—The Whiting

    November 16—Chandler, AZ—Chandler Center for the Arts

    November 17—Cerritos, CA—Cerritos Center for the Performing Arts

    November 20—Stanford, CA—Stanford Live, Bing Concert Hall

    November 21—Rohnert Park, CA—Green Music Center at Sonoma State University

    November 22—Davis, CA—Mondavi Center

    November 23—Livermore, CA—Livermore Valley Performing Arts Center

    November 24—Arroyo Grande, CA—Clark Center for the Performing Arts, Forbes Hall

  • Injury Postpones Gordon Lightfoot Tour

    Gordon Lightfoot has postponed the October and November dates of his “80 Years Strong” due to a leg injury the Canadian balladeer sustained while working out earlier this year.

    The 80 year-old Lightfoot was scheduled to perform dates at Binghamton’s Broome County Forum on Oct. 25, Buffalo’s Kleinhans Music Hall on Oct. 28, Rochester’s Kodak Center on Oct. 29 and Utica’s Stanley Theater on Nov. 3.

    Gordon Lightfoot

    A statement from Lightfoot’s representatives stated, “Doctors orders have mandated that Gordon will not be sufficiently recovered, due to complications from an injury sustained while working out at his gym, and will be unable to travel in time for his upcoming tour.”

    Tickets already purchased may be refunded at the point of sale and all tickets will be honored at the rescheduled dates, which are expected to be some time in June.

  • In Focus: Steve Lacy ‘Apollo XXI’ at the Apollo Theater

    Steve Lacy sold out the Apollo Theater, his fifth stop on his first ever solo tour, despite touring since the age of 15 with the group The Internet.

    Steve Lacy walked on stage in his pink gown and played Apollo XXI end to end. He spent a great portion of the show singing with either a guitar or bass in hand, but ran around with only the microphone for a few bangers. After finishing the album and a couple of his singles, Lacy had run out of music to play. He decided to perform “Dark Red” twice to close out his set.

    Steve Lacy
    Steve Lacy
    Steve Lacy
    Steve Lacy
    Steve Lacy
  • 10th Annual O+ Kingston festival of art, music and wellness kicks off this weekend

    Dance-punk band !!! (Chk Chk Chk) will headline the 10th annual O+ Kingston festival of art, music and wellness, held October 11-13. !!! will be joined by folk-rocker Elvis Perkins, Dirty Projectors lead singer and guitarist David Longstreth (solo), cabaret-punk band The World/Inferno Friendship Society, cumbia-meets-garage rocker Tall Juan, visionary guitarist Sam Cohen, neo-soul band Lady Moon & The Eclipse and 40 more solo artists, bands and ensembles representing a wide cross-section of musical genres and styles.

    O+ Kingston

    Weekend wristbands include entry to all concerts as well as film and video screenings, participatory art workshops, cycling events, Literary SALO+N, classes in yoga, dance, meditation, sound healing, and more. See the full schedule here, subject to change.

    Kingston community members who would like to attend, but are deterred by financial resources will be able to pick up free 3-day wristbands from the following O+ Festival partners: Center for Creative Education, Harambee, Hudson Valley LGBTQ Community Center, Kingston Library, Latinxproject, My Kingston Kids, Radio Kingston, Rise Up Kingston and the YMCA of Kingston and Ulster County. Free wristbands are made possible thanks to the generosity of O+ supporters.

    Other O+ Kingston music highlights include BODEGA (post-punk indie), The Giraffes (heavy rock), Carrie Nation & The Speakeasy (folk rockabilly), Sound of Ceres (electro dream pop) and Chris Wells and The Silver Spaceship (epic party band from the superfreak behind The Secret City).

    O+ Kingston
    Elvis Perkins

    In addition, O+ partner Bardavon Presents welcomes “The Mystical Arts Of Tibet” on Sunday, Oct. 13 at UPAC.

    The initial music lineup (of which 60 percent is from the mid-Hudson Valley) also includes: Ami Madeleine, Chris Andersen, The Arkhams, Sandy Bell, Brandy, Camp Saint Helene, Carrtoons, Datura Road, Dronechoir, Eat The Cake Band, Greg Farley, The Four Fives, Foster Care, Glockabelle, Zeb Gould, Grover, Hen in the Foxhouse, Jalani Lion, JB!! aka Dirty Moses w/Victory Soul Orchestra and DJ Nate da Great, Julia Kent, DJ Ali’s KinderDisco, Zamy Maa, Olivier Manchon’s Orchestre de Chambre Miniature, Maiko Hata Trio, The Meditation Tapes, Mooskii G. Myyers, Peter Naddeo, The Nightblinders, NOVA ONE, 100ANDZERO, Ramona Lane, The Restless Age, Sledge Wolf, Cheval Sombre, Tiny Blue Ghost, TONUS MAXIMUS, The Wilful Boys and Tyler G. Wood.

    O+ Kingston
    Dirty Projectors’ David Longstreth

    This year’s O+ Kingston artists have responded to the theme of “X” with cross-disciplinary projects, collaborations and interventions at the intersection of art and life. Films, installations, murals, performances, multi-site experiential projects and workshops invite the viewer to activate artwork with participation. Workshops include artXmedicine, visual artXmusic, artXsocial engagement/activism, artXenvironmental activism, and X organizing principle/pattern

    Participating artists and musicians receive complimentary health and wellness care in the Artists’ Clinic and in local dentists’ offices during the festival weekend. O+ calls this exchange: “the art of medicine for the medicine of art.”

    O+ Kingston is currently seeking general festival volunteers and volunteer health and wellness providers in the Artists’ Clinic.

  • Massry Center 2019-20 season adds Wooten Brothers, Martin Sexton, Milk Carton Kids and more

    The Massry Center at The College of Saint Rose has unvieled their 2019-20 season, featuring the Wooten Brothers, Martha Redbone, Martin Sexton, Dallas Brass, Milk Carton Kids and Kat Edmonson. The acoustically incredible Kathleen McManus Picotte Recital Hall and other concert spaces play host to a full slate of musical performances during the year, including orchestral works, chamber music, Latin jazz, zydeco, and more. The calendar also features several performances by Saint Rose Camerata in October, February and March.

    Martha Redbone – Saturday, October 12

    massry wooten brothers

    Martha Redbone is one of today’s most vital voices in American Roots music. A multi award-winning musician, the charismatic songstress with the magnificent voice is celebrated for her tasty gumbo of roots music embodying the folk and mountain blues sounds of her childhood in the Appalachian hills of Kentucky mixed with the eclectic grit of her teenage years in pre-gentrified Brooklyn. With the power of her gospel singing African-American father’s voice and the determined spirit of her Cherokee/Shawnee/Choctaw mother, Redbone broadens all boundaries of Americana.

    Saint Rose Camerata – Saturday, October 26 – George Crumb’s 90th Birthday Celebration

    massry wooten brothers

    Saint Rose Camerata honors American composer George Crumb for his 90th birthday (b. October 24th, 1989. The concert includes a group of songs from his early period, works for amplified instruments, and the use of extended techniques. Written in 1969 during the Apollo 11 flight, Night of the Four Moons features extracted texts from poems by Federico Garcia Lorca and an unusual ensemble combination of mezzo-soprano with flute, electric cello, banjo, and an array of ethnic percussion instruments. Celestial Mechanics [Makrokosmos IV], a piano masterpiece of twentieth century, will be performed with special lighting and projected images.

    Dallas Brass – Saturday, November 9

    Founded in Dallas, TX in 1983 by Michael Levine, the Dallas Brass has become one of America’s foremost musical ensembles. The group has established a unique blend of traditional brass instruments with a full complement of drums and percussion, which creates a performing entity of extraordinary range and musical challenges. They play an eclectic mix of classical masterpieces, Dixieland, swing, Broadway, Hollywood and patriotic music, all with their own unique and sometimes very comical twist!

    Milk Carton Kids – Saturday, December 7

    massry wooten brothers

    The Milk Carton Kids are a neo-traditional folk duo from Los Angeles, California. Kenneth Pattengale and Joey Ryan-formed harmonized vocals and tightly entwined guitar lines might conjure shades of the Everly Brothers or Simon & Garfunkel, but their music has a unique American roots-folk flavor. Their witty onstage banter snaps as crisply as their guitar licks. They’re known on the road for their adversarial, Smothers Brothers-evoking comedic banter as well as their virtuosic guitar skills.

    Saint Rose Camerata – Saturday, February 15 – Nineteenth and Twentieth-Century Chamber Music

    Saint Rose Camerata presents 19th and 20th– century chamber music including a cello sonata by Beethoven (2020 marks the year of his 250th birthday anniversary), works by Dvořák, Martinů, and American composer Juliana Hall.

    Wooten Brothers – Sunday, March 1 

    Victor Wooten, a five-time Grammy Award-winning artist and a founding member of the eclectic group Bela Fleck and the Flecktones,has also been playing with his brothers for over four decades. They are recognized as some of the most innovative musicians in existence and are collectively known as one of the most talented and dynamic band of brothers the world has ever known

    Saint Rose CamerataSaturday, March 28th Season Finale: Saint Rose Composers and Façade by Walton

    Season Finale: Saint Rose Camerata presents a new work about Chilean artist Violeta Parra by Emily Pinkerton, Assistant Professor of Music Industry, and a work for voice and guitar by American composer Domenic Argento. The program also includes Façade: An Entertainment by British composer William Walton. The work is a clever and entertaining combination of recited poems by Edith Sitwell and Walton’s instrumental music. Saint Rose Camerata will perform selected movements from the collection of over forty poems, which were assembled between 1922 and 1928.

    Kat Edmonson – Saturday, April 25

    Kat Edmonson forged her sound, an unusually charming and seamless blend of old and new, performing in small rooms and clubs before touring worldwide and performing with the likes of Lyle Lovett, Chris Isaak, and more. She has emerged as one of the most distinctive performers in contemporary American music.  With a sweetly mellifluous soprano echoing Blossom Dearie’s lighter-than-air approach as well as her gift for evocative songwriting, Kat is a rare artist who embodies the spirit of the past while remaining resolutely au courant.

    Martin Sexton – Saturday, May 16

    massry wooten brothers

    Syracuse native Sexton got his start singing in the streets and subways of Boston in the early ’90s. Still fiercely independent and headlining venues from The Fillmore to Carnegie Hall, he has influenced a generation of contemporary artists. His songs have appeared in television series and in numerous films, though it’s his incendiary live show, honest lyrics, and vocal prowess that keep fans coming back for more.

    Click here for more info on the Massry Center’s 2019-2020 season.

  • November 17 dont’ miss the next MFDF Funk Night at Nietzsche’s

    Buffalo’s MFDF Funk Night returns to Nietzsche’s on Thursday, November 21, with special guests Sam Pavlovich (Intrepid Travelers) on bass and Matt Felski (Scarlet Begonias) on drums. They’ll be joined by hosts Matt Fantini of Space Junk and Donny Frauenhofer of Intrepid Travelers, DF3 and The Truth.

    Presented by NYS Music, MFDF Funk Night is only $5 for two sets of fun(k) starting at 9pm at Nietzsche’s. Hosts Fantini and Frauenhofer bring a rotating cast of local, regional, and national artists each month for a night of improvised heavy funk.

    The final funk night of 2019 is set for Thursday, December 21. Save the date!

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