NYS Music 20​19

Category: Genres

  • Star Kitchen announce late-night guest-filled show at Sony Hall in December

    Star Kitchen, the recent side project from Marc Brownstein, has announced a late-night show at New York City’s Sony Hall on Sunday, December 29 during The Disco Biscuits‘ New Years Eve run.

    The band, which also features Danny Mayer (Alan Evans Trio, Eric Krasno Band), Marlon Lewis (Lauryn Hill, John Legend), and Rob Marscher (Matisyahu, Addison Groove Project), will bring their unique brand of funk and improvisation to Sony Hall on Sunday, December 29. The show will take place on place on the Biscuits’ day off in between the second and third nights of their four-night run, while also conveniently falling on night two of Phish‘s new years run, which takes place just a few blocks South at Madison Square Garden.

    star kitchen sony hall

    Following appearances at Electric Forest, High Sierra, Jam Cruise, and The Peach Music Festival, among others, Star Kitchen has been touring hard behind the project, winning fans over at each stop with fun covers, deep improv, and undeniable collaborative energy between all four players. Star Kitchen tends to bring special guests along for the ride when they play, and this show will definitely feature some ace musicians to help add to the mix. The horn section from Trey Anastasio Band—Jennifer Hartswick, Natalie Cressman, and James Casey—will be on hand to add some brass and vocals. In addition, decorated guitarist Eric Krasno will add some six-string firepower to this already stacked performance.

    There are surely a few other surprises in store, as you never know who’s going to show up at a Star Kitchen show. Tickets to Star Kitchen at Sony Hall are on-sale now via Ticketmaster. Use the Presale Code “STAR” to grab yours, and make sure to RSVP via the Facebook Event Page for updates.

  • Premiere: Juniper Lays down their foundation with “Concrete Ocean”

    Boston’s Juniper today premiere their latest single “Concrete Ocean,” a song that tackles a theme of ‘aloneness,’ inspired by bassist Scott Johnson’s transfer to Boston University. The constant sensation of being surrounded by thousands of young adults his age, Johnson was still feeling isolated due to a lack of new friends and connections.

    Johnson wrote “Concrete Ocean,” with band members Cam Ayer (lead vocals), Ahren Shreeve (guitar), Alejandro Marin (drums, vocals) and Sebastian Themelis (keys, vocals) aiding in the process throughout, making the track a full team effort in various arrangement aspects. 

    “The line “Who the fuck talks to me anymore?” in the third verse highlights that even though I would engage in conversation, it wouldn’t be about how I was feeling, or of any profound nature—merely day to day topics.”

    “I look down on, the concrete ocean, with no notion, of where I’m going” refers to constantly looking out of my dorm window at the vast city and feeling overwhelmed as to whether I made the right decision to transfer, and further questioning what I was to do/what I want to do with my life now being in a completely new environment, and the calamity of both of those coming together. Feeling like I was drowning, “may it be in loneliness” identifies that this perpetual superficiality of my reality and the loneliness I felt was suffocating.

    The end of the track and how it repeats the first two lines was meant to allude to the cyclical nature of my experience in transferring, and how others deal with similar issues, and how it may not be my last time having to undergo a similar experience.

    A five piece band who began performing in the Spring of 2017, quickly garnered a small but strong fan base and that summer embarked on their first recording project. A 5 song EP was released in September of 2017, and the group have performed in Brooklyn, Burlington, and various venues around Boston MA in the past two years.

    Since formation, Juniper have crafted their sound, which takes on a unique and eclectic energy, while maintaining a strong fluidity and purpose. Juniper derives their influence from the notion that what they have to say matters, that what everybody has to say matters. One’s voice and identity and what they experience transcends time and space, and connecting with people on that level through the medium of music is what Juniper values most.

    https://www.youtube.com/watch?v=_0ISq9Y37Z8

  • Syracuse’s Trench Announce Fall Tour

    Syracuse shoe-gazers Trench has announced a series of November dates that sees the band hitting up venues throughout the Northeast. The tour kicks off in the band’s hometown at the legendary Lost Horizon on Nov. 9.

    Joining Trench at the Lost Horizon show are Rochester’s The Joke’s on Us, Boston’s reprieve., and Syracuse’s Buggin’ Out and The Same Page. Tickets for the 6:30 p.m. show are available now through Ticketweb. Advanced sale tickets are $10. Tickets the day of the show are $12.

    Trench formed in 2015 when Chris Reilly (guitar/vocals) and Roberto Becerra (bass) got together. They were soon joined by Ron Ballweber (guitar) and Dan Sanborn (drums) to round out the band. They released their debut EP Sun Soaked on Flesh and Bone Records in 2016 and followed it up touring with Nothing, Thrice, Basement, and Silversun Pickups.

    Their second release, 2018’s genre-spanning Ritual Love has the band visiting spaces that include post-rock, shoegaze, post-hardcore and dream pop. Speaking about the album, Reilly states, “The most important thing when writing music is to be honest and genuine, and I think we accomplished that both musically and lyrically on this record.” Ballweber adds, “We never write a song and say that isn’t ‘us.’ When you write honestly and without a conscious influence or direction then everything you create is sincere.”

    Trench is part of a growing Syracuse alternative scene that includes artists such as Mattydale Music Collective, Late Earth, Lucky33, Atkins Riot, Major Player, Lily Grave and Outside Voices. Reilly, speaking to Rochester alternative culture magazine Floated recently said of the scene, “I feel like the community is stronger than it’s been in a long time…It doesn’t feel like a competition. Everyone’s moreso contributing in building a community.”

    Trench Fall Tour Dates:

    Nov. 9 – The Lost Horizon – Syracuse, NY

    Nov. 12 – Monkey House – Winooski, VT

    Nov. 13 – Jewel – Manchester, NH

    Nov. 14 – Muchmores – Brooklyn, NY

    Nov. 15 – Massapequa VFW – Massapequa, NY

    Nov. 16 – Flemington DIY – Flemington, NJ

    Nov. 17 – Cult Classic Brewing – Stevensville, MD

  • Yungblud & MISSIO Sell Out The Lost Horizon

    Yungblud and MISSIO recently made a stop on their Twisted Tales Of The Ritalin Club Tour at The Lost Horizon in Syracuse, NY. It was originally scheduled to take place at The Westcott Theater, but due to scheduling conflicts the show had to be rescheduled at The Lost Horizon and almost immediately sold out.

    Fans of all different ages and backgrounds packed into the club like sardines waiting for MISSIO to take the stage. While mostly everyone was talking about Youngblud and how they couldn’t wait to see him, there were several fans in the front row going off on just how good MISSIO is.

    After a brief introduction by 95X’s Scott Dixon, MISSIO took to the stage in complete darkness as the crowd roared in anticipation. Opening with one of their better known songs, “Twisted,” lead singer Matthew Brue danced to the background electronic beat with a fierce and commanding presence. Immediately captivating the audience with his impressive vocal range and soft but deep tone. MISSIO is able to blend heavy EDM beats with a mix of Rap, Rock, and Alt Rock in a unique style that works so well.

    yungbludBetween songs, Matthew Brue continuously connected with the audience on a personal level. Before performing the song “Politics” he spoke to the audience saying, “How many people here like politics? Though I’m not talking about the politics that you’re probably thinking of. I’m talking about the politics with friends. This song is about some friendships that are worse than politics. Like you just suck out my soul, why are you still here?”

    Before performing “I See You” he reached out to the crowd once again. “We want to take our masks off, and what I mean by that is to be who you really are. Whether you’re dealing with addiction, depression, anxiety or any of the bullshit that comes with life struggles, we still see who you are.” Closing out their set with “Middle Fingers,” MISSIO thanked the crowd and left the audience buzzing as they awaited for Yungblud.

    yungbludThe hype waiting for Yungblud was unreal. Hearing every fan chanting “YUNGBLUD” as loud as they can was one of the loudest crowd noises I have heard at The Lost Horizon. The lights went dark and the crowd erupted into a frenzied scream as two figures dressed in body armor carrying dark flags walked onto the stage.

    yungbludAfter a brief intro to “21st Century Liability,” Yungblud sprinted out from the side stage to fans screaming in ecstasy. The energy Yungblud has on stage is rivaled only by Jonny Hawkins of Nothing More, constantly jumping around to the beat of the music and walking out onto the barricade to lean into his fans.

    Yungblud’s set overall was a very high-energy performance that didn’t slow down until he walked off the stage. Performing hits like “I Love You, Will You Marry Me,” “King Charles,” and “Parents” had the audience singing along to every word throughout the night.

    yungbludAnother highlight of the night was “Polygraph Eyes,” a song about the importance of consent. The way he connects with the audience is rare to see with live shows today, and his fans certainly showed their appreciation as much as Yungblud showed his to the fans.

    Yungblud is a whirlwind of energy onstage and lives up to all the hype surrounding him. His performance is definitely worth seeing live, and the very impressive roster of artists that he has been working with is sure to skyrocket his career.

    Setlist: 21st Century Liability, Psychotic Kids, I love you, Will You Marry Me?, King Charles, Anarchist, Polygraph Eyes, Parents, Medication, Loner, Kill Somebody, Live Interlude, I Think I’m OKAY, California, Die for the Hype, Hope for the Underrated Youth, Machine Gun

    Yungblud

    MISSIO

  • Greensky Bluegrass announce Winter Tour, with stops in Ithaca, NYC and Albany

    Greensky Bluegrass has announced an expansive Winter Tour to kick off 2020 with stops in Ithaca, NYC and Albany.

    With the first show in St. Louis, MO at The Pageant on January 15, the tour winds through the Midwest and East Coast, and finishing with a two-night stand at The Tabernacle in Atlanta. Ghost Light will joining Greensky as the opener for a majority of the dates, with another act being announced in the near future. General on-sale begins on Friday, October 18.

    greensky ithaca nyc

    Ahead for Greensky Bluegrass this fall include appearances at Hulaween & Hangtown festivals, then an epic Midwestern Halloween weekend run kicking off in Chicago at the Chicago Theatre on Halloween, then off to Kansas City and St. Paul. The band will appear at ‘What The Night Brings’ tribute to Jeff Austin on November 4 then a duo of shows in their hometown of Kalamazoo, MI Nov. 29 & 30. Greensky will debut at Denver’s new Mission Ballroom on Dec. 6 & 7 before heading to Mexico for Cloud 9 Adventure’s Strings & Sol. The band will ring in 2020 with a three-night stand at The Riverside in Milwaukee, WI – with support from Horseshoes & Hand Grenades on 12/29 and 12/30, and a three-set Greensky NYE event to close out the year.

    The band’s third incarnation of its Camp Greensky Music Festival is the latest confirmed 2020 date, happening June 4 to 6 in Wellston, MI, tickets are available now. 

    Greensky Bluegrass Winter Tour dates

    1/15 – The Pageant, St. Louis, MO

    1/16 – Old Forester’s Paristown Hall, Louisville, KY

    1/17 – Agora Theatre, Cleveland, OH

    1/18 – The Met, Philadelphia, PA

    1/19 – Roxian Theatre, McKees Rock, PA

    1/22 – State Theater, Ithaca, NY*

    1/23 – State Theatre, Portland, ME*

    1/24 – Beacon Theatre, NYC

    1/25 – House of Blues, Boston, MA*

    1/28 – Flynn Center, Burlington, VT*

    1/29 – The Egg, Albany, NY*

    1/30 – Penn’s Peak, Jim Thorpe, PA*

    1/31-2/1 – The Anthem, Washington, D.C.*

    2/4 – Madison Theater, Covington, KY*

    2/5 – Mill and Mine, Knoxville, TN*

    2/6 – The Fillmore, Charlotte, NC*

    2/7-8 The Tabernacle, Atlanta, GA*

  • Goose releases “Butter Rum” single, kick off Fall Tour in Albany on Friday

    Goose has let loose their third studio single of 2019, “Butter Rum,” ahead of the start of their Fall Tour which kicks off in Albany on Friday, October 18. The track is the band’s third consecutive song mastered by Grammy award winner Emily Lazar (Beck, Vampire Weekend).

    “Butter Rum” is a playful tale of holiday romance heartbreak. The song’s lively tropical momentum will carry you through butterflies, barbeques, and blue Hawaiians as a boy and a girl wander aimlessly hand-in-hand for days. The couple weave through sweat-soaked night clubs and piercing 6 AM sunshine until the vacation ends he’s left with “nothing but the rum.” Grab a drink and prepare to have your heart broken by the sweetheart you were never meant to have.

    As their fall tour kicks off, Goose has four sell out shows and surely more to follow given the buzz they’ve been gaining over the year. A stellar Peach Festival set is just one of the highlights of this Norwalk, CT based indie-groove outfit. At the tour opener in Albany at Parish Public House, Eggy will open the night, with music starting right at 9pm, followed by two sets of Goose.

    The rest of the 20+ date tour carries Goose to NYC on Halloween, Buffalo in mid November then out to with a year end show at Goosemas, the band’s annual holiday extravaganza, held at the Wall Street Theater in Norwalk.

    Goose Pelham May9 EmWalis goose butter rum

    Fall 2019 Tour Dates

    OCT 18 – Albany, NY, Parish Public House Sold Out

    OCT 19 – Cambridge, MA, Sonia Sold Out

    OCT 25 – Wilkes-Barre, PA, River Street Jazz Cafe

    OCT 31 – New York, NY, Mercury Lounge Sold Out

    NOV 02 – New Haven, CT, College Street

    NOV 07 – Harrisburg, PA, Club XL

    NOV 08 – Washington, DC, 9:30 Club

    NOV 10 – Richmond, VA, The Camel

    NOV 14 – Pittsburgh, PA, Roxian Theatre

    NOV 15 – Columbus, OH, The Summit

    NOV 16 – Buffalo, NY, Nietzche’s Sold Out

    DEC 05 – Fort Collins, CO, Aggie Theatre

    DEC 06 – Denver, CO, Cervantes Other Side

    DEC 07 – Steamboat Springs, CO, Old Town Pub

    DEC 08 – Steamboat Springs, CO, Old Town Pub

    DEC 11 – St. Louis, MO, The Bootleg

    DEC 12 – Chicago, IL, Lincoln Hall

    DEC 13 – Cincinnati, OH, Top Cats

    DEC 14 – Indianapolis, IN, The Mousetrap

    DEC 21 – Goosemas VI – South Norwalk, CT, Wall Street Theatre

  • Reverend Peyton’s Big Damn Band announces Blues Revolution Tour featuring special guests

    The Big Damn Blues Revolution Tour will bring together three artists who are both master musicians and amazing showmen. With five stops across New York in November, The Reverend Peyton, Dom Flemons and J.D. Wilkes will take the blues-roots-folk music that they love and live on a unique tour. Each night will culminate with a special jam session featuring all three artists. 

    Blues Revolution Tour

    The tour begins November 6 in Asheville, N.C., then heads north for a date in Brooklyn at Knitting Factory on November 13. From there, shows in Saratoga Springs (Nov 16), Syracuse (Nov. 19), Buffalo (Nov. 20) and Corning (Nov. 21) will bring blues-driven folk across the Empire State.

    The Reverend Peyton’s Big Damn Band, a 2019 Blues Music Award nominee, includes the Reverend’s wife, “Washboard” Breezy Peyton, drummer Max Senteney and is led by the Reverend Peyton, considered to be the premier fingerpickers playing today. A singularly compelling performer and persuasive evangelist, the rootsy, country-blues styles that captured his imagination early in life led him to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour, and David “Honeyboy” Edwards. The recently released album Poor Until Payday debuted at #1 on the iTunes Blues Chart and #4 on the Billboard Blues Chart.

    Joining Reverend Peyton is Don Flemons, who draws from a repertoire of more than 100 years of American folklore, ballads, and tunes. A Grammy Award winner and two-time Emmy nominee, Dom Flemons is known as “The American Songster” and is a music scholar, historian, and multi-instrumentalist – an expert player on the banjo, fife, guitar, harmonica, jug, percussion, quills, and rhythm bones. His 2018 Smithsonian Folkways release Dom Flemons Presents Black Cowboys received a Grammy nomination for Best Folk Album. Flemons co-founded the Carolina Chocolate Drops, who won a Grammy for Best Traditional Folk Album in 2010 and were nominated for Best Folk Album in 2012.

    J.D. Wilkes is a true Renaissance man — musician, visual artist, author, filmmaker, and self-proclaimed “Southern surrealist.”  Also an accomplished multi-instrumentalist (notably on harmonica and banjo), Wilkes has recorded with Merle Haggard, John Carter Cash, Mike Patton, and Hank Williams III. Wilkes is perhaps best known as the founder of the Legendary Shack Shakers, a Southern Gothic rock and blues band whose fans include Stephen King, Robert Plant, and former Dead Kennedys frontman Jello Biafra. Rolling Stone named Wilkes “best frontman” at the 2015 Americana Music Association Festival for his performance with the band.

    https://www.youtube.com/watch?v=wItG_D3Vuvc

    Big Damn Blues Revolution Tour Dates:

    Wed., Nov. 6  ASHEVILLE, NC  The Grey Eagle

    Thurs., Nov. 7 WINSTON-SALEM, N.C. The Ramkat

    Fri., Nov. 8  RALEIGH, NC The Pour House Music Hall

    Sat., Nov. 9   LEESBURG, VA  Third Annual Chad Dukes Veterans Day Jamboree @ Tally Ho Theater; without Dom Flemons

    Sun., Nov. 10  ANNAPOLIS, MD  Rams Head On Stage

    Tues., Nov. 12 BOSTON, MA  City Winery  

    Wed., Nov. 13  BROOKLYN, NY  Knitting Factory

    Thurs., Nov. 14  SELLERSVILLE, PA   Sellersville Theater 1894; without Dom Flemons

    Fri., Nov. 15  TUCKERTON, NJ   Lizzie Rose Music Room; without Dom Flemons

    Sat., Nov. 16  SARATOGA SPRINGS, NY   Cafe Lena; without Dom Flemons

    Sun., Nov. 17  HAMDEN, CT Space Ballroom

    Tues., Nov. 19  SYRACUSE, NY   Westcott Theatre; without Dom Flemons

    Wed., Nov. 20  BUFFALO, NY The Tralf

    Thurs., Nov. 21  CORNING, NY Corning Museum of Glass

    Fri., Nov. 22  MORGANTOWN, WV 123 Pleasant Street

    Sat., Nov. 23  COLUMBUS, OH Woodlands Tavern

    Fri., Nov 29  INDIANAPOLIS, IN  The Vogue; without Dom Flemons

    Sat., Nov 30  NEWPORT, KY  The Southgate House Revival; without Dom Flemons

  • Guest Contributor Exclusive: Mike Powell & Chris Merkley Wrap Up MicroTour at Local 315 in Warners

    Editor’s Note: Mike Powell is a singer-songwriter from Central New York. In addition to his work as a solo artist, he also leads the soulful rock band The Black River. Powell and fellow CNY singer-songwriter Chris Merkley have embarked on a four-show mini-tour of microbreweries across the state searching for the connection between songwriting and brewing. This stop brings us to Local 315 in Warners

    Powell will be returning to the studio soon to record another solo album and his band The Black River is releasing its second full-length album ‘Gypsy Winnebago’ on Nov. 1.

    Merkley is the owner of Old Boy Records and curator of the Seedstock Festival in Cortland each summer. He also performs with The Crooners and Digger Jones and has composed original music for television and film, including the acclaimed HBO series Generation Kill.

    This is the final installment of a four-part NYS Music series documenting the Original Gravity Tour and contributed by Powell. The first installment of Powell’s tour diary can be found here. Day two can be found here. Day three can be found here.

    This past Sunday was the final show of the Original Gravity MicroTour and before I share my final recap I would like to first say thank you to Mike Kohli and NYS Music for allowing me the opportunity to be a guest contributor over the course of the past week. I highly value, respect and appreciate the energy that your team puts into keeping music fans like me up to date on the happenings around this state and beyond. I don’t get to exercise my journalistic side of the brain very often so, needless to say, this experience truly scratched a long burning creative itch. 

    I brewed my first batch of beer roughly ten years ago and have been homebrewing sporadically ever since. As I told Mike Kohli on the phone last night when he was asking about the timing of this final piece, I’ve always lived my life like a starved trout swimming against the stream ready to chase anything shiny that catches my eye.  I guess you could say that I’m very curious by nature and I seemingly find a strong sense of comfort when I’m traveling down an unfamiliar road.  I’ve learned over the years why I choose to live this way.  When I learn a new skill it gives me a deeper understanding and a newfound appreciation for those that do it and those that do it well. 

    I knew that after I went through the process and experienced each step of brewing I would never taste a beer in the same way. After I wrote my very first song as a teenager I started to listen to music differently and on a deeper level. I started making furniture after college and since then I’ve never again sat in a chair without recognizing the craftsmanship and design. So I guess what I’m getting at is, diving headfirst into new things and venturing into new territory gives me a look under the hood on what makes it go. This approach has added color to my life’s wheel and simply fills me with deep admiration.

    Coming from a former professional athlete this may sound a bit odd but I’m not a very competitive person. Well, not in the expected sense anyway. I never set out to become better than anyone else, that’s not what drives me. My drive lives on the inside, its a challenge within myself. For example, I know I will never write songs better than Bob Dylan and I’m one hundred percent aware of that fact, but I know that there’s a song in me somewhere that’s better than my last one. That is what keeps me moving. After exploring and talking with brewmasters over the past several years I think we share a similar mentality.     

    Our last performance saw our biggest crowd of the tour at Local 315 Brewing Company in Warners. I’ve played at this establishment quite a few times and what strikes me most is the cult-like following this brewery has created over its short time in existence. Surrounded by nothing but hop poles, goats and donkeys, this farmstead brewery has put out top quality brews and supported live original music since its inception. The weather on Sunday was absolutely perfect with the sun shining over the cornfields and illuminating the laid back outdoor area that has become this joint’s centerpiece. 

    With dogs chasing frisbees and kids running after one another, this atmosphere feels like you’re at a family reunion in a relative’s back yard. So Chris and I approached it that way and treated the afternoon as loose as we possibly could. Having fun with the crowd and realizing that although everyone was listening to us, we weren’t the center of attention, we were simply just playing our part and fitting into where we should. I’m happy to report that we were able to continue our live poetry on-demand experiment throughout the duration of the tour and people really seemed to get a kick out of it, everyone except Chris and myself. We closed out the Original Gravity MicroTour with our twist on “Got My Mojo Working,” finished our final beers and headed our separate ways. 

    This run has been a short but adventurous ride and as the sun sets on the horizon I would like to reflect back on some memorable moments. 

    1. Chris Merkley is awesome. His performances are so dialed in and tight. What I find amazing is how his musical style seems to fit in just about any scenario. Mine isn’t like that so it really stood out to me. He could play the same set at a festival, a club, a theater or a house concert and it would work and work well. 
    2. Chris Merkley almost killed a kitten with his Prius. While we were loading out our gear at Abandon Brewing we heard some purring coming from the engine.  Which is normal but not when the car is off. Chris popped the hood and found a kitten sitting between the fuse box and the windshield washer fluid. Luckily he coerced it out without some old sheet pizza and carried it to safety.
    3. We saw photographer and good friend Brian Cornish at two of the stops and he told us two separate jokes. Both of which made us laugh and neither of which would be appropriate to publish here.
    4. I didn’t even take my camera out of my truck at Local 315, so the visual content of this post is brought to you courtesy of your very own Mike Kohli. Thank you, dude.
    5. Although there were many highlights and funny moments when it came to the live poetry challenge we were having, my favorite moment was Chris’ lovely work of art titled “Bloody Mary” when the audience gave him the words “Worcestershire” and “butt” to work with.
    6. Seeing familiar faces. We had several people come to every show and have fun touring with us. I think they were more into the beer component. 
    7. And finally tasting the amazing beer. Worth noting that if either of my grandfathers were alive and walked into a bar to find me smelling and swirling a flight of beer they would both kick my ass. But times have changed.  I loved the Woods Valley Witte and Pocket Change IPA from Copper City, the Session and Dunkel at Abandon, 20 East NEIPA at Heritage Hill and Soul Kissed IPA from Local 315.

    You haven’t see the last of Original Gravity MicroTour.  

    Over and Out,

    Mike

  • Trey Tour Kicks Off in Geneva

    Trey Anastasio began his solo acoustic tour last night at the historic Smith Opera House in Geneva, NY with an evening of songs encapsulating not only the entire Phish musical catalog, but its various side projects as well. In addition to acoustic takes on songs that span the prolific songwriter’s career, these smaller, intimate shows gives the Phish front man more of an opportunity to engage the audience with stories and anecdotes that makes the evening feel more like a performance in a friend’s living room.

    After a couple of Phish staples, “Back on the Train” and “Sample in a Jar,” Trey couldn’t help but mention the festival that never was, Curveball, which was to be held just down the road in Watkins Glen. He talked about how there were to be two ways into the concert field, one being a “mime” field you’d have to cross. And don’t be surprised if the next festival is called Momball and your mom is invited.

    Trey Anastasio, Smith Opera House, Geneva, NY, October 15, 2019

    Setlist: Back on the Train, Sample in a Jar, Snowflakes in the Sand, About to Run*, Heavy Things, Turtle in the Clouds, Wolfman’s Brother, Mountains in the Mist, Strange Design, Driver, Sleep, Water in the Sky, Brian and Robert, Theme From the Bottom, Shade, We Are Come to Outlive Our Brains, Sand > The Inlaw Josie Wales, Limb by Limb > Chalk Dust Torture > Harry Hood > Chalk Dust Torture > The Wedge > Bathtub Gin

    Encore: Waste, Lifeboy, Ghosts of the Forest*, Say It To Me S.A.N.T.O.S 

    * – debut acoustic performance

    • Trey Geneva
    • Trey Geneva
    • Trey Geneva
    • Trey Geneva

  • The Bardavon launches Hudson Valley Philharmonic 60th Anniversary Season

    The historic Bardavon 1869 opera house in Poughkeepsie will kick off the Hudson Valley Philharmonic 60th Anniversary Season with the opening concert, Moon Landing, on Saturday, October 26 at 8 p.m.

    Hudson Valley Philharmonic 60th Anniversary

    More than 80 years ago, the Dutchess Philharmonic Community Orchestra was founded by four local amateur musicians, and 60 years ago conductor Claude Monteux elevated the orchestra to a fully-professional ensemble, renaming it the Hudson Valley Philharmonic. The 60th season also represents the HVP’s 21st year under Bardavon management and the 27th under the music direction of conductor Randall Craig Fleischer, who will conduct Moon Landing.

    The Hudson Valley Philharmonic 60th anniversary opening concert at Bardavon celebrates the 50th anniversary of the moon landing with Mozart’s “Jupiter,” Prokofiev’s violin concerto with an HVP String Competition winner and Ravel’s suite from Daphnis et Chloé with projected images from outer space. The program includes:

    Mozart: Symphony no.41, K.551, C major (Jupiter)
    Prokofiev: Violin Concerto no 2, op. 63, G Minor w/ 2018 HVP String Competition winner Cherry Choi Tung Yeung
    Ravel:      Daphnis et Chloé Suite no. 1 & 2 w/visuals from outer space by Dr. Jose Francisco Salgado

    Audience members are invited to a pre-concert talk with the conductor and soloists and/or members of the orchestra one hour prior to the performance.

    José Francisco Salgado is an Emmy-nominated astronomer (BS in Physics, Univ. of Puerto Rico; PhD in Astronomy, Univ. of Michigan), experimental photographer, visual artist, and public speaker who creates multimedia works that communicate science in engaging ways. As the Executive Director and co-founder of KV 265, a non-profit science and arts education organization, Dr. Salgado collaborates with orchestras, composers, and musicians to present films that provoke curiosity and a sense of wonder about the Earth and the Universe. His Science & Symphony films have been presented in more than 350 concerts and lectures reaching a combined audience of more than 400,000 people in 18 countries.

    Cherry Choi Tung Yeung was born in Hong Kong, 22 years ago. Cherry studies with Ms. Ida Kavafian at The Juilliard School and has been admitted to the highly selective accelerated program, where she will finish both Bachelor’s and Master’s Program in four years; she is currently a senior/ first year master student. Cherry was accepted to the Hong Kong Academy for Performing Arts (HKAPA) Junior Program as a scholarship student at the age of 6. Cherry skipped high school and later at the age of only 15, she was accepted as a full-time student at the HKAPA.

    Single tickets to all HVP concerts are $20 – $58 based on location. For more information visit the Bardovan website.

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