Category: Genres

  • Spafford Announces Extensive 2020 Winter Tour

    Spafford announced its 2020 winter tour this week. The four-piece will venture out on a 39-date tour following their four-night New Year’s run in California. Throughout the winter, they will be joined by a number of special guests including The Iceman Special, Eggy, Cycles, Yak Attack, and The Jauntee.

    The tour kicks off Jan. 15 in Houston, TX at the White Oak Music Hall, then continues into Austin, Dallas and New Orleans. The band will then travel to the southeast with dates in Pensacola, Tampa, Fort Lauderdale, Jacksonville, Birmingham, Oxford (MS), and Knoxville. Jan. 31 is the first of a two-night run at the Variety Playhouse in Atlanta, GA.

    February will see dates in Greensboro, Washington D.C., and Boston before their three-night run at Brooklyn’s Brooklyn Bowl February 7-9. The last night of the run will be a special acoustic-only performance. The band will take a short break and get back on the road for a set of Colorado dates, which start with a three-night run Feb. 28 – March 1 in Winter Park. March brings two-night runs in Frisco and Steamboat Springs, followed by stops all throughout the midwest and west coast, until the band reaches Las Vegas on April 4.

    See the full list of dates below. Presales and VIP packages are available now, and general admission tickets for all announced dates go on sale Friday, Nov. 15. Check out the band’s website for ticket information.

    December 27 – West Hollywood, CA – The Roxy Theatre

    December 28 – West Hollywood, CA – The Roxy Theatre

    December 30 – San Francisco, CA – Great American Music Hall

    December 31 – San Francisco, CA – Great American Music Hall

    January 15 – Houston, TX – White Oak Music Hall (Upstairs)

    January 16 – Austin, TX – Antone’s Nightclub

    January 17 – Austin, TX – Antone’s Nightclub

    January 18 – Dallas, TX – Trees

    January 19 – New Orleans, LA – House of Blues New Orleans

    January 22 – Pensacola, FL – Vinyl Music Hall

    January 23 – Tampa, FL – The Orpheum

    January 24 – Fort Lauderdale, FL – Culture Room

    January 25 – Jacksonville, FL – 1904 Music Hall

    January 28 – Birmingham, AL – Saturn

    January 29 – Oxford, MS – Proud Larry’s

    January 30 – Knoxville, TN – Bijou Theatre

    January 31 – Atlanta, GA – Variety Playhouse

    February 1 – Atlanta, GA – Variety Playhouse

    February 3 – Greensboro, NC – The Blind Tiger

    February 5 – Washington, DC – 9:30 Club

    February 6 – Boston, MA – Royale

    February 7 – Brooklyn, NY – Brooklyn Bowl

    February 8 – Brooklyn, NY – Brooklyn Bowl

    February 9 – Brooklyn, NY – Brooklyn Bowl *

    February 28 – Winter Park, CO – Ullrs Tavern

    February 29 – Winter Park, CO – Ullrs Tavern

    March 1 – Winter Park, CO – Ullrs Tavern

    March 4 – Grand Junction, CO – Mesa Theater

    March 6 – Frisco, CO – 10 Mile Music Hall

    March 7 – Frisco, CO – 10 Mile Music Hall

    March 10 – Steamboat Springs, CO – Schmiggity’s Live Music Dance Bar

    March 11 – Steamboat Springs, CO – Schmiggity’s Live Music Dance Bar

    March 13 – Aspen, CO – Belly Up Aspen

    March 14 – Telluride, CO – Sheridan Opera House

    March 17 – Park City, UT – Park City Live

    March 19 – Victor, ID – Knotty Pine

    March 20 – Bozeman, MT – Rialto

    March 21 – Missoula, MT – Top Hat Lounge

    March 22 – Sandpoint, ID – The Hive

    March 24 – Bellingham, WA – The Shakedown

    March 26 – Portland, OR – Wonder Ballroom

    March 27 – Bend, OR – Volcanic Theatre Pub

    March 28 – Seattle, WA – Neumos

    April 1 – Arcata, CA – Humboldt Brews

    April 4 – Las Vegas, NV – The Bunkhouse Saloon

    An Evening with Spafford – Acoustic Only Show

  • Hearing Aide: Acidhead ‘Distractions’

    Distractions, the debut album from the Brooklyn-based Acidhead coming out on November 15, is a moving opening statement. It’s an honest delivery of feelings and emotions that are often the very essence of being distracted.

    The brainchild of multi instrumentalist Patrick McGee, Acidhead doesn’t say outright that it’s about a breakup but the cues from Kanye West’s 808’s & Heartbreak combined with song titles like the opening narration “Everything Got So Distant” and the album’s single “Throw Away The Time” are obvious hints.

    Distractions lead single “Throw Away The Time.”

    Throughout the album, distorted auto-tuned vocals and 808 beats put McGee’s influence on full display. The second single, “Love Has Me Keep On Dying,” is chock full of the aforementioned effects while the lyrical content drives the emotion forward – “Everyone’s lonely, hearing her voice late in the morning.”

    While each track has strength in their own right, showcasing instrumental fluency and pulling from a variety of styles, the entire track list is cohesive and, ironically, not distracted at all. Each song sits just where it should and even as they are different in their composition, they feel like they all belong together on this album. On the fourth track, “Marciac Doney,” there’s a steadily building and lighthearted instrumental that crescendos into a hard-hitting drum and synth pad jam. Then, track five, “Hanover Rains,” features a straight up piano ballad. It’s nicely even-keeled

    Lending a hand throughout the album are Andrew Forman of Goodfight, Lou Rogai of Lewis & Clarke, and the Rat Trap Pack, McGee’s avant-garde horn ensemble. The closing track “Wrongright” brings the set to it’s conclusion with a manic, guitar-duo-solo but settles down as if to say, “That was a whirlwind. I’m tired, Time to relax”

    Key tracks: Hanover Rains, Throw Away The Time

    You can catch Acidhead on tour in New York and Pennsylvania through mid-December. Be sure to check out Distractions when it drops on November 15.

    11/22/19 – Wilkes-Barre, PA – Karl Hall – w/ Lou Rogai, Chukwu

    11/27/19 – Brooklyn, NY – Knitting Factory w/ Jesse and Forever

    11/30/19 – Easton, PA – Connexions Gallery w/Chukwu

    12/7/19 – Beacon, NY – Quinn’s w Jesse and Forever

    12/8/19 – Cambridge, MA -The Lilypad w/ Mario Fabrizio/Phillip Gollub, Wendy Eisenberg, Crylophone

    12/14/19 – New York, NY – Con Artist Collective – w/Amani Fela

    12/15/19 – Ruba Club – Philadelphia, PA w/ Flanafi, Cheeky

  • Red Hot Chili Peppers and Foo Fighters to Headline Boston Calling

    The headliners for the 2020 Boston Calling Music Festival have been announced—and they include Grammy-winning rock bands Red Hot Chili Peppers and Foo Fighters. The annual extravaganza, set to take place on Memorial Day Weekend between May 22-24 at the Harvard Athletic Complex, will also have over 60 other artists and bands performing.

    The Boston-based music festival began in 2013 and previously took place during the spring and fall, before switching to their now once-a-year format. Always a popular event, the festival has drawn as many as 40,000 people and has seen the likes of Eminem, Travis Scott and Twenty-One Pilots headline previous events.

    Aside from the performances, the festival will include the best food in Boston. A 100-foot Ferris wheel, art installations, life-size games, exciting partner activations, 30 all-star food vendors, local and international brews, wines and seltzers and platinum menus curated by Boston’s most prestigious chefs, according to the Boston Calling official website.

    “Boston is such a great city for rock music, and we are so proud to bring some of the most important rock artists of all time to Boston Calling next Memorial Day Weekend,” said Boston Calling CEO Brian Appel in an official release.

    Limited pre-sale tickets will be made available on, Thursday, Nov. 14, at 10:00 a.m. General admission tickets will be priced at $239, VIP passes will be $549 and platinum passes will be $1049.

  • Toronto duo Crash Adams release first single “Astronauts”

    Crash Adams, a duo from Toronto comprised of Rafaele Massarelli (Crash) and Vince Sasso (Adams), have been around music their entire lives. With Massarelli’s uncle running a studio since before they were born, they’ve been luck enough to use the studio whenever they wanted.

    As a result, the duo produce, write, sing, mix and master all their music, and this week have released their first single, “Astronauts.” The track kicks off their soon to be released EP, and does so with gusto. With a distinct club vibe and a touch of Chromeo-style funk, “Astronauts” is an infectious song for Crash Adams to make an introduction to audiences.

    With an immense range of influences, Crash Adams‘ goal is to make you feel nostalgic, yet inspired.

    Crash says of “Astronauts”:

    “There are so many “astronauts” in the world, they may know it or not, but eventually they will achieve everything they’ve wanted out of their time on earth. It will be hard, and they will be considered different from those who aren’t astronauts. But in the end, the view of earth is greatest from outer space.”

    crash adams

    “Musically, our album is inspired by sounds that spoke to us growing up, and what feelings helped shaped our lives. There are many hidden messages in our brand that will be revealed throughout our journey. We want our sound to be more of a feeling than a genre, and that’s what we’re striving to keep.”

  • Putnam Place welcomes White Denim, Kung Fu, The Lizards and more this November

    Saratoga Spring’s premiere music club, Putnam Place, hosts a wide variety of rock, jam and funk acts this November. Check out the shows below and get down in the Spa City with these bands. For more information, visit Putnam Place’s website.

    The Wheel – Thursday, November 14

    Celebrating the music of The Grateful Dead, The Wheel was founded in 2010 by Andy Morse looking to play to his roots of years chasing the Grateful Dead. The Wheel is ever rolling, covering new terrain in and out of the spaces before it as we spin 24 hours a day.

    putnam place november

    Tickets are “Pay What You Want” if you are over 21, $10 for 18-21 if under 21.

    Kung Fu w/ Strange Machines – Friday, November 15

    Funk and jam unite with Kung Fu and Strange Machines throwing down a full night of deep funk-filled jams. Kung Fu draws on influences such as early Headhunters and Weather Report, and merges those ideas with a contemporary EDM informed sensibility. Imagine 70’s funk-fusion meets a modern dance party. Strange Machines consistently deliver high energy and engaging live performances, and the band continues to make waves throughout the Northeast and beyond.

    Tickets are $12 advance / $15 day of show

    White Denim w/ Spaceface – Saturday, November 16

    Rock and psychedelic rock are on tap when White Denim and Spaceface arrive in Saratoga Springs. White Denim have carefully and continuously studied the greatest records ever made, but they write songs just dumb enough to drink, dance, and fight to. Theirs is a music that aims for the whole body, while equally satisfying the mind. While it has morphed, expanded, and even burst apart, White Denim’s sincere and human drive and ability to spark true rock & roll exhilaration have been unerring constants of the band’s 10-year existence.  

    putnam place november

    Spaceface is led by Jake Ingalls who also plays guitar and synthesizer in The Flaming Lips. The experience reflects that influence, as it works to bring the concert grade experience to a club level.  Spaceface’s music offers a refreshing approach on psychedelic rock, with transparent ’70s references but also strikingly modern elements that make this trick something to behold.  Their new record, Sun Kids is hazy, psychedelic pop music, elegantly composed and features artists Mikaela Davis as well as Julien Baker.

    Tickets are $17 in advance / $20 Day of Show. $5 surcharge if under 21. 18+

     

    Given to Fly, The Otherside, Flannel Millennium – Friday, November 22

    Tickets: $10, 18+ ($5 surcharge if under 21)

    Remember the 90s? Well on Friday, November 22, three bands will jog your memory and transport you back to the era of grunge, flannel and OG teen angst. Given to Fly (Pearl Jam tribute), The Otherside (Red Hot Chili Peppers tribute), and Flannel Millennium (90’s / 2000’s Grunge / Alternative tribute) offer a 1-2-3 punch of classic

    https://www.youtube.com/watch?v=lTMj8Hdaaqg&feature=emb_title

     

    The Lizards – Saturday, November 23

    Looking to get your Phish fix in before Fall Tour starts? Then look no further than The Lizards, Toronto’s premiere Phish cover band. Always inventive with their setlist and playing to huge crowds throughout the Northeast, The Lizards are a great warm up for Island Tour 2.0

    Tickets: $12 Advance / $15 Day of Show. 18+ ($5 surcharge if under 21)

    Skeeter Creek – Saturday, November 30

    The Capitaland’s premiere modern country group, Skeeter Creek always brings a party to Putnam, or wherever they’re playing! Skeeter Creek started off as a Bluegrass Band in 2002, formed by the late Tim Seabolt of Walton, West Virginia, and Joe Kulewicz from the Adirondack Mountains of Upstate New York. Skeeter Creek has become much more than a band, it’s a way of life for these talented, professional musicians.

    Tickets are only $10, 18+ ($5 surcharge if under 21).

     
  • Tool announce additional tour dates

    Tool, fresh off the release of their long-awaited studio album Fear Innocum, have kicked off their tour this week in Canada, and head to Brooklyn’s Barclay Center on Tuesday, November 19. And just as tour kicked off, Tool added 11 shows in January and February of 2020.

    Tickets are on sale this Friday, 10 AM. For more information visit Tool’s official website.

    Tool 2019-20 Tour Dates

    Nov. 11 – Scotiabank Arena – Toronto, ON
    Nov. 12 – Scotiabank Arena – Toronto, ON
    Nov. 14 – TD Garden – Boston, MA
    Nov. 16 – Prudential Center – Newark, NJ
    Nov. 18 – Wells Fargo Center – Philadelphia, PA
    Nov. 19 – Barclay’s Center Brooklyn, NY
    Nov. 21 – Mohegan Sun Casino Arena – Uncasville, CT
    Nov. 22 – Boardwalk Hall – Atlantic City, NJ
    Nov. 24 – PNC Arena – Raleigh, NC
    Nov. 25 – Capitol One Arena – Washington, DC
    Jan. 10 & 12 – Viejas Arena – San Diego, CA
    Jan. 15 – Save Mart Center – Fresno, CA
    Jan. 17 – T-Mobile Arena – Las Vegas, NV
    Jan. 18 – Gila River Arena – Glendale, AZ
    Jan. 21 – Frank Erwin Center – Austin, TX
    Jan. 22 – American Airlines Center – Dallas, TX
    Jan. 28 – State Farm Arena – Atlanta, GA
    Jan. 29 – Bridgestone Arena – Nashville, TN
    Jan. 31 – FedEx Forum – Memphis, TN
    Feb. 1 – Smoothie King Center – New Orleans, LA

  • Toro y Moi Unveils ‘Soul Trash’ for Sold Out Run at Brooklyn Steel

    Toro y Moi (aka Chaz Bundick) has been going strong ever since he broke onto the scene at the start of the decade, and 2019 has proven to be no exception. Back in January, Chaz released the excellent album Outer Peace and has been touring on and off since. Now, just as the fall tour was wrapping up with two sold out nights at Brooklyn Steel, Chaz dropped a surprise LP, Soul Trash.

    Toro y Moi at Brooklyn Steel – Photo: Joseph Buscarello

    Support for the fall tour came from exciting newcomer Channel Tres. His infectious blend of hip-hop and deep house kept the packed Brooklyn Steel dance floor moving for the entire opening set. Flanked by two backup dancers and thunderous house beats, Channel Tres performed his entire 2019 release Black Moses, including the hit “Sexy Black Timberlake.” The set was rounded off with other singles like “Topdown” and “Jet Black.” The future is incredibly bright for Channel Tres, including much anticipation for a full length LP. He has several West Coast dates coming up, with a show at Elsewhere’s Zone One next May.

    Channel Tres at Brooklyn Steel – Photo: Joseph Buscarello
    Channel Tres at Brooklyn Steel – Photo: Joseph Buscarello

    Toro y Moi has a very unique blend of styles. One of the few surviving bands from the chill-wave movement, Toro has maintained success by mixing elements of classic R&B and disco with more modern electronica and indie palettes. Each release takes a new approach to these sounds and keeps the ever growing Toro y Moi discography fresh and exciting.

    With so much material to draw from, including the new LP Soul Trash released just two weeks before, the set provided by Toro y Moi was truly representative of his entire discography. The title track “Soul Trash” opened the show, while tracks from Outer Peace included “Ordinary Pleasure” and “Freelance” (which closed out the show). A personal favorite, “Rose Quartz” from the incredible 2013 LP Anything in Return, echoed effortlessly around the room. The band glided through a 21-song set without a single dull moment.

    Chaz Bundick of Toro y Moi at Brooklyn Steel – Photo: Joseph Buscarello

    Saturday night was the last show of the current tour, with a late night DJ set at Elsewhere just to top it all off. Chaz has some DJ sets scheduled out west in December, but for now, we just look forward to what he has in store for 2020.

  • WARMCharts offers alternative, transparent system for music charting

    Copenhagen-based tech startup WARM have launched WARMCharts.com, an alternative to mainstream charts like Billboard and Rolling Stone. With a goal to change how artists are discovered, WARM uses a scoring system different than that of existing charts, giving artists a better chance at breaking through.

    By introducing transparent music charts, WARM hopes for a system where everyone gets a fair chance. WARMCharts uses a 1 for 1 method – one airplay on the radio equals one count. With no obscure scoring system, an audio fingerprint technique collects all airplays from more than 27,000 radio channels worldwide into one chart.

    warmcharts

    From the above image, notice that Lizzo, who has the No. 1 spot on the Billboard Hot 100, is actually just only in the top 10 of most radio airplays worldwide based on the 25,000+ radio stations WARM monitors. Likewise, Ed Sheerans ” Don’t Care” (ft. Justin Bieber) and “Beautiful People” (ft. Khalid) are ranked 11 and 14 on the Hot 100. However, WARMCharts reveals that those tracks are actually the two out of three songs with most airplays worldwide.

    An alternative to current music charting system, WARMCharts offers a unique formula that can level the playing field and offer another method for artists to garner insight into their rise in popularity among fans. CEO of WARM, Jesper Skibsby, discussed his vision in “No one told us we had a radio hit in Poland!,” via Medium, and spoke with NYS Music to discuss how the platform will become a utilized system.

    Pete Mason: Noting that WARM Charts is a new ranking system for airplay, how does it hope to become a trusted, reliable source that is used by marketing companies and labels?

    Jesper Skibsby: We have an extremely solid music recognition and audio fingerprint technology running WARMcharts as well as the largest coverage of radio channels globally. This means that everything is updated automatically, without any manual interference. This makes the charts equally fair and reliable to anyone. The charts are completely transparent, as we are counting plays, instead of having an intransparent weighting/scoring system. We are launching close to 35 new and different charts, e.g. “Global Rock”, “North American Electronic” and “Scandinavian Jazz”, this mean many more charts will be relevant to many more artists, bands and labels, and in the end this will hopefully mean that many more will start using WARMcharts as a trusted source, and as an extended and much more accurate chart structure. 

    Pete Mason: How did WARM first come together? What caused the creation of the site, in addition to changing how artists are discovered?

    Jesper Skibsby: The idea to create WARM was brought to life based on my personal frustration, of signing a band to a major label in Denmark, and then experiencing that results outside Denmark were not relevant to my, at the time product manager. It was clear to me that there was a very big missing link in the music industry, called radio data, which clashed with the “local office major label mentality” of primarily looking at local data, in each country. There is a fight between the independent sector wanting and needing global radio data also from smaller radio, as they are often the ones supporting the indies and upcoming segment, and the major label sector, primarily working with local data principles, for then to share this between the offices. I also quickly understood, that a major label A&R in country A, can have difficulties to convince another A&R in country B and C, to prioritize a new artist or band. From an indie perspective, you should want to find your emerging markets and engaged audience regardless of where they are. Music is globally available instantly, with the help of streaming, but the majors are still primarily focusing on local data. 

    WARMCharts
  • Premiere: The Big Takeover’s lively and soulful”Where Did I Go Wrong?”

    New York reggae-pop band The Big Takeover have released ‘Where Did I go Wrong?,” off the band’s upcoming fifth album Spilling Water. The track was self-produced by The Big Takeover and mixed by Pete Hanlon, and is due out on Friday, November 15.

    Fronted by the charismatic Jamaican-born singer/songwriter Nee Nee Rushie, The Big Takeover blend Jamaican pop traditions with the spirit of Motown and uptown sophistication of the 21st-century retro soul and R&B revival scene. Rushie says of the song:

    “‘Where Did I Go Wrong?’ is a personal experience about being rejected by someone that you know wants to be with you. It explores the complication of feeling someone pushing you away, but reaching out to you at the same time.”

    Where Did I Go Wrong

    The Big Takeover’s sound channels melodic, big band arrangements of 60s and 70s soul music, with high-energy grooves of popular Jamaican music. This rich sound and rigorous touring schedule has led the band to share the stage with The Wailers, Sister Sparrow, Jefferson Starship, Pete Seeger, The Slackers, Toots & The Maytals, and many more. The group’s first single off Spilling Water, “Shy,” was released earlier this summer. An album is expected in 2020.

    In 2018, the band shared a cover of Sophia George’s 1985 dancehall hit, “Girlie Girlie,” which was recorded as part of a UK compilation album featuring 40 covers of classic Trojan Records hits from artists around the world.

    The Big Takeover Tour Dates

    Nov 22 – Battleboro, VT @ Stone Church

    Nov 29 – New York, NY @ DROM

    Jan 10 – Boston, MA @ The Beehive

    Jan 11 – Cambridge, MA @ The Beat Brewhall

    June 13 – Hampton, VA @ Supernova Ska Festival

  • Metalcore band Destroy//Create shed light on mental health and addiction through “Hang On” and “Let Go” videos

    Rochester five-piece metalcore band Destroy//Create have released “Let Go,” the companion video to the recently released “Hang On.” Taken together, the two-part single/video series focuses on mental health and addiction. Both tracks were produced by distinguished metalcore guitarist, Justin Deblieck (Ice Nine Kills).

    This visually captivating music video is directed by Josiahx (Ice Nine Kills, Sirens and Sailors, Like Moths To Flames) and shows the aftermath of part one’s story of two intimate individuals, both struggling with similar situations: coping with depression, anxiety and past trauma that has manifested itself into a psychosis. 

    One character uses art as an outlet to express and endure her pain, the other takes a more destructive path and turns to drugs and alcohol as a coping method.  This video is Destroy//Create’s way of using their art as an opportunity to shed light on the issues of addiction and mental health, which are clearly prevalent in today’s society.

    Destroy//Create was formed in 2016 by lead vocalist Adrian Blackwell, guitarist Jimmy Gardner, and drummer Jeff Cole. Shortly after their inception, the trio added Mike McCann on bass. After about a year of playing together, the 4-piece band added Dylan Borrelli for another layer of guitar and for songwriting abilities as well as on-stage performance. With the band’s energetic live performances and positive lyrics, Destroy//Create push to bridge together the old school and modern metalcore sound for everyone to enjoy.

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