Following Dead and Company’s Halloween performances at Madison Square Garden on October 31 and November 1, Jerry Dance Party will take place at ZeroSpace, giving Deadheads a chance to keep the dancin late into the night.
“This is a rare opportunity to bring one of the most inspiring musicians of all-time into New York’s newest, visionary venue on the most creative holiday of year,” said event creator DJ JerrBrother. “Past will meet future when the music of Jerry Garcia plays at ZeroSpace!”
Inspired by psychedelic late-nights at the LOCKN’, The Jerry Dance Party will take place at New York’s Burning Man-inspired art-tech space ZeroSpace and include thousands of square feet of multi-sensory video mapping, projection and lasers.
Each Jerry Party room at ZeroSpace will be dedicated to a specific decade of The Dead, providing unique experiences that stretch into the early morning hours. For those Rhythm Devil fans, there will also be a 3D mapped, 30-foot geodesic dome synchronized to “Drums & Space” all night long.
ZeroSpace is located at 136 W. 33rd St, just steps away from Madison Square Garden. It features custom projections, interactive LED screens, projection mapped floors, synchronized illuminations, the largest augmented reality sandbox in the world and more, all tuned to the magical sounds of The Dead for this exclusive two-night event.
Tickets for the post-Dead & Company Halloween Jerry Dance Party are $25 and on sale now. This event is 18+. Visit Relix for more information.
Aqueous and Lespecial kicked off their Fall Tour on Thursday, October 24 in Syracuse at the Westcott Theater, playing to a full house with two sets stuffed with prog-rock and jammy goodness.
Check out a gallery of the night below, and don’t miss the Aqueous and Lespecial when they perform at Putnam Place in Saratoga Springs on Saturday.
Lespecial setlist: Snell’s Fleet, Fruit Wolf Dance, Jackwise, Onlookers, The Vessel, Machine Elf, Tonberry*, T Mobil *first time played
Aqueous setlist: Set One: What’s the Connection?1, How High You Fly, Be the Same, Numbers and Facts2, Dammit, Eon Don2 > Timmy’s Blades > Pseudo Suicide3 > Eon Don
Set Two: Dave’s Song4 > Skyway5, Jealous, Complex Pt. I2 > Wandering2 6 > Complex Pt. II
Encore: Origami7
NOTES: 1 Rebel Rebel (David Bowie) teases 2 New arrangement 3 I’ll Be There For You (Rembrandt’s) tease 4 Let’s Go Buffalo quote 5 Purple Haze (Jimi Hendrix) teases 6 BUSTOUT: LTP 2018/4/21 (111 shows) 7 Rastaman Chant (Bob Marley) teases
Phish will perform an exclusive concert for listeners of their SiriusXM channel, Phish Radio, on Tuesday, December 3 at The Met in Philadelphia, PA.
SiriusXM subscribers will have a number of opportunities to win a pair of tickets to this show, including on-air on Phish Radio, online at SiriusXM.com/Phish (see official rules for complete details), via e-mail invitation sent to qualified subscribers who have opted in to receiving email from SiriusXM and who have registered their music interests at SiriusXM.com/perks.
The Met show marks the smallest venue Phish has played in nearly 20 years and will be broadcast live on Phish Radio.
Keller Williams is in the midst of a huge tour that’s stopping in for two upcoming Upstate NY performances in Albany at Skyloft on October 24 and in Syracuse at Westcott Theater on October 25. Keller has been touring extensively this year in support of the release of his latest album, Add. NYS Music was lucky enough to catch Keller Williams for a brief interview during his busy tour schedule. He was very down to earth and easy to talk to. We quickly digressed from talking about his tour to talking about his favorite shows at Red Rocks and Phish at Lockn‘.
Williams’ upcoming record, SPEED, features his bluegrass outfit Keller & The Keels (Williams on vocals, along with progressive flatpicker Larry Keel and bassist Jenny Keel) as they reinterpret popular songs in their trademark psychedelic Appalachian bluegrass style. Some of the covers heard on SPEED include Fiona Apple’s “Criminal,” Kacey Musgraves’ “Slow Burn,” Weezer’s “Island In The Sun,” and many more. SPEED is the trio’s third collaboration together, following their 2006 release Grass and 2012’s all-covers album Thief.
When asked about where the name for the new record came form he said, “The inspiration was an excuse to hang out with my friends, the Keels”.
Melting with Larry Keel at Floydfest 2016
Keller’s got so many projects going on like Grateful Grass, Grateful Gospel, Keller & The Keels, it’s hard to keep up! That guy stays on the move. Yet he manages to be on the road for three and a half days and home for three and a half days. Very balanced. Jokingly, Keller says it only took him thirty years to develop an ideal schedule.
Keller will be playing a two-day NYE run in St. Louis at the Old Rock House. On the first night, Keller will play with The Keels, and the second night with Grateful Grass. Lots of surprises are in store, but Keller likes to keep ’em that way. You know, surprising! He is also very excited to play in the psychedelic labyrinth known as Meow Wolf.
On favorite places to play: “Red Rocks Amphitheater in Colorado…it’s very historic and there’s a certain amount of honor. A certain amount of history that went down there. As a music fan, I just love it. But there’s so many other places that are as epic or as historic as Red Rocks that I love playing. Any given night, any given gig, could possibly be my favorite place to play ever”.
“It’s like the best camera you have is the one you have in your hand,” I said.
“It’s like there’s two types of weed. Some and none,” Keller replied as I burst into laughter.
Yay Keller! At Lockn’ 2019
Keller is a staple of the jam community, a part of the Dead scene, and a “phan.” His music is so easily accessible to the ones around him because he is one of them. He is a Deadhead playing to Deadheads. They breathe the same air, and drink the same Kool-Aid. Keller gets it. He makes it look easy and fun, just like a good show should feel. When he plays five sets at a festival, which isn’t rare for Keller, plan to dance at all five.
All smiles. Keller at Lockn’ 2018
So we digress and start to dig into show stories from Keller’s vault…
On Red Rocks concerts that stood out and Phish: “In 1990, I started seeing Phish. In the early ’90s they started to go into arenas kind of early. And I was used to pushing my car to the Grateful Dead show ’cause the line to get in would take hours. And I would always be in these old cars that would overheat, so you had to push them in…
So I started going to Phish shows, it was probably right after Jerry died. Probably like ’96 or ’97, the run of three Phish shows at Red Rocks. I remember those being super intense.”
When a contract issue arose while Keller was in Boulder, Colorado, he checked out Odesza at Red Rocks. “I used some connections to get me and a couple of friends in. I remember standing on the top, towards the back, where you can see the stage, and hear just beautifully, and you can see the whole skyline of Denver. And I remember elevating, I think I elevated, I elevated, I rose up higher than where I was standing. It was real, it happened.”
When asked about his favorite festival, he narrowed it down to just festivals in his home state of Virginia. “Floydfest: one of the very few festivals I can go with my family. Lockn’, I go and hang out there, me and my wife go. But we don’t take our kids there.”
Keller at Floydfest 2016
His two favorite festivals are right in his home state of Virginia, both at which he makes an annual appearance. “The Blue Ridge Parkway is really popping now with color,” Keller stated as we drooled over the beauty of that mountainous state.
At Floydfest 2016, Keller was seen on stage more than anyone else. They even put him in charge of what is now an annual super jam of epic proportions. “Greg Allman had cancelled, and we put that set together. It’s become a staple at that festival every year since, with me in charge.”
With The T Sisters at Floydfest 2016, filling in for Greg Allman
If he had to be stranded on an abandoned island with one musician, Keller would like no one else to spend his time with than his already good friend and band member, Larry Keel. According to Keller, he’s also a master fisher.
Keller is just so relatable and down to earth, it’s hard to not gravitate towards him. One time at Floydfest I asked a stranger for a lighter only to realize it was Keller who I was asking, another time I ran into him at a festival in Tennessee, and we were both sweaty guys with vapes at Lockn’ in the media tent.
Keller sitting in with Twiddle at Lockn’ 2016
On the hot, hot 2016 Lock’n music festival,”
On the hot, hot 2016 Lockn’ music festival: “That was a really interesting year. There was a couple years, they’d plug in my motor home right behind stage. The year that Phish was there…you know when they come to a festival they create their own fenced in zone. It’s not just like, here’s your trailer, Phish. No, they have their own fenced in area. That extended out the fence between the public and the festival. So I could go to the fence and be in front of the speakers and in front of the screen.
And I saw so many shows sitting in a folding chair, sitting by the fence, looking up. And it was just loud as hell! And it was so hot that year we had to take naps in the day ’cause we’d been up all night, and our motor home would become a subwoofer. And would just vibrate. Yeah, that was a fun year, I remember that year very well.”
Keller Williams Grateful Gospel at Lockn’ Festival 2019
Keller is an incredibly hard working and inspiring musician who seems like he never stops, hence the new album SPEED. This man cannot be stopped. But seriously, Keller is a true staple of the jam community, the scene if you will, and it was an absolute honor to wrack his brain about his music and his relationship with the music we love.
Buffalo-based band Aqueous makes the first stop on their extensive fall tour tonight in Syracuse at the Westcott Theater. Comprised of Mike Gantzer (guitar/vocals), Dave Loss (guitar/keys/vocals), Evan McPhaden (bass) and Rob Houk (drums), Aqueous is known for their heavy improvisation and their “near psychic” level of on-stage chemistry. As a band, they are always exploring musically, and there is bound to be some exciting surprises for fans throughout the course of the tour. The band is eager to get back on the road and reconnect with fans after an extremely successful festival season this summer, which included appearances at Peach Music Festival, Summer Camp Music Festival and Cobblestone Live.
“You can’t beat the intimacy and connection with the crowd during headlining AQ shows at clubs, and we’ve got some big plans for this tour.”
Mike Gantzer
Highlights for the upcoming tour include a special “Hero’s Halloween” themed night in Pittsburgh which will also feature a collaboration with Pittsburgh’s own pop/funk horn section, Steeltown Horns. There will be VIP “King For A Day” packages for dates in Chicago and Denver. VIP Packages include early entry to the venue, photo opportunity with the band, a download of the show’s soundboard and limited edition VIP merchandise. Additionally, Aqueous will be making their debut at the famed Capitol Theatre in Port Chester, NY with their Vermont-based frends Twiddle. The tour will close out with a hometown two-night run at the Town Ballroom for New Year’s Eve with Buffalo based band Witty Tarbox.
New York and Connecticut-based trio lespecial will be joining Aqueous for a few dates on the tour. Lespecial seamlessly fuses a myriad of genres, veering from hip-hop to metal, prog to house, pensive indie-rock to apocalyptic dub.
See the full list of tour dates below, and visit the band’s website for ticket information.
10/24 – Syracuse, NY – Westcott Theater *
10/26 – Saratoga Springs, NY – Putnam Place *
10/30 – Harrisburg, PA – XL Live *
10/31 – Pittsburgh, PA – Rex Theater *
11/1 – Baltimore, MD – The 8×10 *
11/2 – Richmond, VA – Richmond Music Hall *
11/3 – Virginia Beach, VA – The Bunker *
11/6 – Raleigh, NC – Pour House *
11/7 – Atlanta, GA – Aisle 5 *
11/8 – Asheville, NC – Asheville Music Hall *
11/9 – Nashville, TN – Exit / In *
11/10 – Louisville, KY – Gravely Brewing Co. *
11/13 – Ann Arbor, MI – Blind Pig *
11/14 – Indianapolis, IN – Hi-Fi
11/15 – Grand Rapids, MI – Stache @ Intersection
11/16 – Chicago, IL – Lincoln Hall $
11/17 – Madison, WI – High Noon Saloon
11/19 – Saint Paul, MN – Turf Club
11/20 – Omaha, NE – Slowdown
11/22 – Denver, CO – Gothic Theatre $
11/23 – Steamboat Springs, CO – Old Town Pub
12/6 – Covington, KY – Madison Live
12/7 – Columbus, OH – Woodlands
12/30 & 12/31 – Buffalo, NY – Town Ballroom
* w/ Lespecial
$ notes dates w/ “King For A Day” VIP Experience Option
Four years ago Matt Strong had an idea — an idea that came to him as he admired a painting a friend of his had done. The idea was to put together a fall festival celebrating Mother Earth and female musicians. As the owner-operator of Rooted Entertainment Solutions, he was finally able to bring that to fruition at Woods Valley Ski Area in Westernville, site of the past two Woods Fest Music Festivals, this past Saturday at Harvestfest: Tribute to Mother Earth.
Woods Valley owner-operator Tim Woods and Strong put their heads together to create a regional fall festival drawing from bands with strong female musicians. The result was a full day of music, collaboration, vendors, good vibes and hats, lots of hats, that lasted into the wee hours of the morning. The event culminated with a female-heavy superjam that saw the ladies collaborating on stellar versions of Labelle’s “Lady Marmalade” and Stevie Wonder’s “Superstition.”
Headliner Hayley Jane sat in with a number of the acts throughout the day and performed two sets with Rob Compa of Dopapod as well.
The running theme throughout the day was community. Attendees of all ages, including families, attended the event, greeting familiar faces and befriending unfamiliar faces. Attendees and musicians alike were seen mingling, talking music and art and just enjoying the beautiful weather.
Despite the fact that each band came from different backgrounds and different areas, there was a true sense of community felt among the musicians at Woods Valley. Many of them were meeting each other for the first time and became fast friends, with some even making plans to perform together in the future. This may have been an unintended goal in putting together such a festival but one that will surely benefit the Northeast music community for some time to come. The intended goal was surely achieved. This was a day to celebrate the power of women in music. There were several powerful performances throughout the day and one powerful organization that is quickly making its name in the live music scene.
The non-profit organization Groovesafe was on site during the festival. Groovesafe is a 501(c)(3) organization that brings awareness of the need for consent, to stand against sexual assault and unwanted touching at shows and festivals and to create safe and respectful dance spaces. It is a movement founded by Ashley Driscoll, following an incident at a Phish show in Las Vegas in the fall of 2016. To learn more about the Groovesafe movement and how you can donate or contribute to the cause, visit their website here.
Plans are already underway for Harvestfest 2.
Kari Feingold of Tailfeather, Hayley Jane and Ashley Driscoll of GroovesafeEvan Bujold and Andrea Canale skanking during Viva Mayhem’s setDwayne Keith from the New Mosaic sits in with Late EarthEmily Hoyt, Hayley Jane, Andrea Canale and Erica T. Bryan SuperjammingEmily Hoyt, Andrea Canale, Hayley Jane, Erica T. Bryan and Jessica Brown (L to R)Hayley Jane, Erica T. Bryan and Rob CompaHayley JaneBrian Lauri, Jessica Brown/Root ShockMatt StrongRob Compa and Hayley JaneRoot ShockRoot ShockRoot ShockViva MayhemViva MayhemErica T. Bryan and the New MosaicAndrea Canale/Late EarthBrock Kuca/Annie in the WaterEvan Bujold/Late EarthRob CompaErica T. BryanThe New MosaicLate Earth
One Night Only Again brought awareness to an unfortunate disease called EB, thanks to a few incredible musicians who came together for a special night of jamming at the Capitol Theatre in Port Chester, NY last weekend. The night started with a few EB patients on stage rallying for debra of America, the only U.S. non-profit that provides all-inclusive support to the EB community, and ended with two sets of soul satisfying blues standards, jazz, funk and southern rock.
The EB patients take the stage
The show began with several patients on stage discussing the difficulties associated with EB, also known as Epidermolysis Bullosa, which causes extremely fragile skin. These brave individuals rallied for Debra, as their bandages can cost up to $85K per month and Debra helps defray this cost and much more. Please visit http://www.debra.org/ for more information.
Warren Haynes
After the heartfelt moment with the patients, an all-star cast of musicians emerged on stage to rock out in honor of them, including Warren Haynes (Gov’t Mule) on guitar, Joe Russo (Joe Russo’s Almost Dead) on drums, John Medeski (Medeski, Martin and Wood) on keys, George Porter Jr (Meters) on bass, and Karl Denson (Karl Denson’s Tiny Universe) on saxophone, flute and percussion.
These musicians are feeling it!
Jazzy undertones were present throughout the night as this group had great stage karma, wove through musical genres, and delivered a delicious setlist. Notable jazz-infused rock covers included The Rolling Stone’s “Honky Tonk Woman” and The Allman Brother’s “Whipping Post.” Unfortunately, these songs could only be heard for one night only.
George Porter Jr.
Set One: Warren Hayne’s 3 “String George,” Warren Hayne’s “Sick Of My Shadow,” The Meter’s “Just Kissed My Baby,” Allen Toussaint’s “From A Whisper To A Stream,” The Rolling Stones’ “Honky Tonk Women,” “Good Morning, School Girl” (blues standard), and “32-20 Blues” (blues standard)
Set Two: The Staple Singers’ “Hammer & Nails” > Smokestack Lightning (blues classic), James Brown’s “The Payback,” Jesse Stone’s “Don’t Let Go,” Warren Hayne’s “River’s Gonna Rise,” The Rolling Stone’s “Let’s Spend The Night Together,” Gov’t Mule’s “Sco-Mule,” The Meters’ “It Ain’t No Use,” The Allman Brothers’ “Whipping Post”
Joe Russo’s Almost Dead (JRAD) this week confirm they will return to The Capitol Theatre in 2020 with a three night run from February 21-23.
Presale tickets are available via Facebook on Wednesday, October 23 from 12PM to 10PM. The presale password will be available that day via JRAD’s Facebook page.
Presale continues via The Capitol Theatre on Thursday, October 24 from 12PM until 10PM, and general on sale begins Friday, October 25 at Noon.
The masterminds behind Yes Darling, songwriters Ryan Montbleau and Hayley Jane, have just announced that they will be taking their debut album to the theatrical stage on Dec. 7 at The Double E in Essex, VT. This announcement comes just one week after their first music video for “Call Your Mother.” Using exaggerated humor, this playful duo brings to stage the reality of what many couples experience in finding harmony in a relationship. Â
“I do think Hayley and I have a pretty special chemistry together,” shares Montbleau. Of the upcoming performance, Jane elaborates, “We try to pull on every string of the heart. Not just the loving, romantic ones. Our show usually starts meaningful discussions. We take you down with us then we make you laugh. It’s real and raw.”
Attendees can expect to hear Yes Darling in its entirety with Montbleau and Jane being accompanied by a full band. Tickets are on sale now and can be purchased through Eventbrite.
Jane is headlining the inaugural Harvestfest: Tribute to Mother Earth with special guest Rob Compa of Dopapod on Saturday, Oct. 19 at Woods Valley Ski Area in Central New York.
Indie-jam band Glass Pony has been performing throughout the Capital District over the last year, with a wave of fans in tow for each performance. On November 2, they’ll release their self-titled debut album with a release show at Parish Public House that night.
“Stardust” features dense sonic elements from dreamy background vocals meshed with guitar effects and funky bass grooves. The lyrical depth offers just enough ambiguity for listeners to develop their own meaning against a backdrop of the other musical elements. When performed live, “Stardust” serves as a vehicle for standout jams with the solo section navigating to new territory before being led back into the composition by guitarist Greg Pittz.
Lyrically, “Stardust” is meant to be open for personal interpretation with the underlying theme being the search for our place in the big picture of life – the questions, insecurities and realizations that are present in every stage of growth and development, with the goal of finding and settling into our place. Guitarist Eddie Hotaling says of “Stardust,” “Everyone is ultimately the king or queen of their cosmic experience, but the discovery of that concept manifests differently for everybody. That message can be found in the lyrics, “It takes a moment / let the stardust settle down / and all your thoughts could be delivered / everybody wears a crown.”
Glass Pony’s debut album Stardust was recorded and mixed by Eddie Hotaling at The Stables in Albany, NY and was mastered by Scott Apicelli at Blue Sky Recording in Delmar, NY. Glass Pony is Chanda Dewey (drums, vocals), Eddie Hotaling (vocals, rhythm guitar) Jeff Picarazzi (bass, vocals) and Greg Pittz (lead guitar). Featured on “Stardust” and multiple tracks on the album is Matt Richards (keys, Formula 5, Annie in the Water).
