Category: Jam/Progressive

  • Allman Betts at the Strand

    The Allman Betts Band took to the Strand Center, for their fourth ever show, in Plattsburgh last Saturday.  The newly grouped is fronted by Devon Allman and Duane Betts, the sons of Gregg Allman and Dickey Betts of the Allman Brothers Band.

    Allman Betts Strand

    The night was kicked off by Michael Glabicki of Rusted Root who showed off his impressive vocal range before ending with the Rusted Root classic “Send Me On My Way”.

    The Allman Betts Band began their show with “Gonna Fly Now” (the Theme from Rocky) playing, and just as the song hit its climax, the band kicked in and transitioned into “All Night,” a song off their upcoming debut album. The talent in the room was never hidden, both Allman and Betts showcased their pure skill that can only be compared to that of their parents throughout the night. The band covered some Allman Brothers Band songs during their set and they also played an astonishing rendition of Prince’s “Purple Rain.”

    Allman Betts Strand

    The influence that Gregg Allman and Dickey Betts had on Devon and Duane was shown the whole night, while they certainly have their own sound (especially with their originals), they were both able to play their guitars as only their fathers could.

  • Lotus Brings The Electro Dance Party to the Brooklyn Bowl

    Lotus unleashed high energy into the Brooklyn Bowl on Friday night, with two sets of their eclectic, instrumental, dance multi-genre sound. The band members include Mike Rempel (guitar), Jesse Miller (bass/sampler), Mike Greenfield (drums), Luke Miller (guitar/keyboards) and Chuck Morris (percussion). Originally from Goshen College in Indiana, the band is now based out of Philadelphia and Denver.

    Jaw Gems opened for Lotus, and successfully warmed up the crowd. They are an electronic band from Maine that is creating beat music in a more organic live setting. Friday’s lineup included bass, drums and synthesizer, and delivered dark grooves that flowed into one another.

    Lotus took the stage in front of the packed crowd, and picked up where they left off on Thursday night, which included a rare Talking Heads Deconstructed set with Gabe Otto at the Brooklyn Bowl. The flawless transitions combined with powerful electro-pop beats of “Intro into a Cell” > “E” > “Trip” > “Stranger Danger” had the floor dancing and excited almost instantly. Other notable songs include the hip-hop based “Golden Ghost” > “Intro” and the electronic groove “Anti-Gravity” > “B” > “Comptroller”. Throughout the set, Rempel delivered intense guitar riffs, and had excellent synergy with both Jesse and Luke Miller.

    Lotus emerged after the break with “Nematode,” a fan favorite from their Gemination album. The dark “Bellwether,” another classic Lotus tune from their Hammerstrike album, and the newer hip hop tune “Gunk,” from their recent Frames Per Second album, both showcased Greenfield’s drumming versatility and skills. The jam of the night was undoubtedly “Arupa” > “½” > “Bubonic” > “B” > “Flower Sermon” and included elements of Lotus old and new. “Arupa”’s organic feel was great contrast to the edgy “Flower Sermon.” The band closed out the night with the cohesive, funky dance tune “Sift.”

    Lotus brought their signature jamming to the sold out Brooklyn Bowl on Friday night, and sent their fans home exhilarated after a night of intense dancing.

    Jaw Gems Setlist: Parch, Graymalkin, Ohio, Sap Flow, Young Pulp, Sweet Egg, Liquid Purchase, (INTERLUDE//MPC SWITCH), Rvil, Sleep arena, Peace Pipe, Narrows, Party Slave

    Lotus Setlist:

    Set 1: Intro into a cell > E > Trip > Stranger Danger, Golden Ghost > Intro, Turquoise, Anti-Gravity > B > Comptroller, 72 Hours

    Set 2: Nematode, Invincibility, Bellwether, Gunk, Arupa > ½ > Bubonic > B >
    Flower Sermon

    Encore: Sift

  • Angelique Kidjo to Light Up UPAC

    Remain in Light, the Talking Heads’ fourth studio album, peaked at number 19 on the U.S. Billboard 200 in 1980. Even more impressively, Rolling Stone named it the fourth best album of the decade in 1989. On April 11, Grammy winner Angelique Kidjo will perform her interpretation of the iconic album at Kingston’s Ulster Performing Arts Center (UPAC).

    angelique kidjo upacAngélique Kidjo, (Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo) is a native of the West African nation Benin. No stranger to creating astounding albums, Kidjo won three Grammys for her contemporary world music and was nominated on multiple other occasions. Kidjo premiered Remain in Light at Carnegie Hall in 2017 and she claims that West African influence on the original Talking Heads’ album made her interpretation an organic fit. While Kidjo’s musical interpretation will be a unique twist, the Talking Heads’ lyrics are sure to be familiar to all. 

    Collaborators for this Angelique Kidjo project include producer Jeff Bhasker, who has worked with The Rolling Stones and Beyonce among others, Ezra Koenig of Vampire Weekend and songwriter Dev Hynes, also known as Blood Orange. Bhasker states the lofty goal of the collaboration was “to rip out [Remain in Lights’] guts and turn it on its head.” He explains that he and Kidjo hope the project brings the worlds of rock and African music closer together. The event takes place on Thursday, April 11 at 7:30. UPAC, located on Kingston’s historic Broadway, hosts the event. Tickets can be purchased here.

  • Beau Sasser’s Escape Plan induces Spring Fever in Troy

     It was Funk Night at the Rustic Barn Pub. Beau Sasser’s Escape Plan, featuring Albany’s Justin Henricks, brought out the funk, as they welcomed spring in their return to the venue.

    The Northampton, Massachusetts-based band features: vocalist Beau Sasser double-timing on Hammond Organ, guitarist Dan Thomas, drummer Jimmy “The Italian Stallion” Robitaille, vocalist Ali McGuirk and Justin Henricks on guitar and vocals. Together, this border-crossed band got fans to dance and enjoy an evening of funk, blues and soul, on a snow-covered spring night.

    “We’re keeping Aretha Franklin in our hearts,” called out McGuirk after covering her own unique spin on Bad Company’s “Rock Steady.” McGuirk and company throughout their two sets, paid homage to the late soul singer in their beautiful renditions of “Baby I Love You,” “(You Make Me Feel Like) A Natural Woman,” and “Save Me!!” Franklin’s music, especially in the genres of funk, blues, and soul, had made an impact on Beau Sasser’s Escape Plan. Through Sasser’s tasty piano solos and McGuirk’s sassy vocals, they were able to breathe new life into these iconic songs.

    Being in their lineup for six months, the group decided to stick with playing cover songs for the show. Hearing the musical tightness of each cover being performed, you wouldn’t realize that they’ve been an ensemble for such a short period of time. Their sets were tight and entertaining and each song performed was covered with its own musical twist, that was unique and captivating to their audience.

    From their up-tempo disco version of Stevie Wonder’s “Signed Sealed Delivered,” to playing a Frank Zappa tune that was inspired by both “Sticky Feet” and Sasser’s “Feeling Alright” (Joe Cocker) piano rhythm and a shortened, jazzy Allman Brothers Band “Whipping Post,” it was interesting to watch and hear these iconic tunes being covered well. Their cover of James’ Brown’s “Cold Sweat,” allowed you to observe the band’s chemistry, topped with outstanding soloing among Sasser, Thomas, Henricks and Robitaille, who played the drums with assistance of a tambourine to make additional noise in the jam-based song.

    McGuirk returned to the stage for their final set to sing, “Can’t Hide Love,” “Taxman” (The Beatles), “Love the One You’re With” (Crosby, Sills, and Nash), “Save Me” (Aretha Franklin) which included Thomas using his lighter as a slide to perform his solo since leaving his slide upstairs, among other 60s-70s inspired songs that were enticing! McGuirk, apart from her work in Beau Sasser’s Escape Plan, will be performing in Woodstock on April 11, although little details are known about the time and venue of where her solo gig will take place. She announced her upcoming show towards the later part of the gig after performing a great rendition of “Taxman.”

    Their musicality and the talent that each member expressed through guitar riffs, piano soloing and vocals left you impressed. The audience and venue were moved by their music. They wanted to hear two encore songs that the band had never performed live. One of which was “Uncle Remus” (Frank Zappa) sung by Sesser and another featuring McGuirk on lead vocals, to close out the evening.

    Spring fever sprung at the Rustic Barn Pub as Beau Sasser’s Escape Plan came into town shaking those winter blues away, and to welcome spring with some good funk, blues and soul.

    This article was originally published by The Spot 518.

  • Flashback: Phish’s Island Tour turns 21

    Following Phish’s cow-funk laden 1997 Fall Tour, Phish embarked on a 4-night ‘Island Tour‘ with two shows each on Long Island and in Providence, Rhode Island. The result was four historic shows that continued the free flowing jams from 1997 and a new era of exploratory Phish. Unexpected jams arose from “Roses are Free,” “Cavern” and “Weekapaug Groove,” and debuts of “Shafty,” “Twist” and “Birds of a Feather” were peppered throughout the run.

    As mentioned by Trey after the debut of “Birds of a Feather,” Phish was about to record Story of the Ghost shortly after the tour, before heading to Europe to test out even more new tunes before heading back for Summer Tour. Watch videos from the two Nassau Coliseum shows and relive the glory of Island Tour as it turns 21.

    https://www.youtube.com/watch?v=gehEr7EOLn0

    Setlists courtesy of Phish.net

    April 2, 1998, Nassau Coliseum, Uniondale, NY

    Soundcheck: Funky Bitch -> Jam, Birds of a Feather

    Set 1TubeMy Mind’s Got a Mind of its OwnThe SlothNICUStash[1] > Horn > Waste > Chalk Dust Torture

    Set 2Punch You in the Eye > Simple > Birds of a Feather[2]Wolfman’s Brother -> Sneakin’ Sally Through the Alley[3] -> Frankie Says[2] > Twist > Sleeping Monkey > Rocky Top

    EncoreGuyute

    [1] Unfinished.
    [2] Debut.
    [3] No vocal jam.

    April 3, 1998, Nassau Coliseum, Uniondale, NY

    Set 1Mike’s Song -> The Old Home Place > Weekapaug GrooveTrain Song > Billy BreathesBeauty of My DreamsDogs Stole Things > RebaMy Soul

    Set 2Roses Are Free > Piper > Loving Cup > Run Like an Antelope[1]

    EncoreCarini > Halley’s Comet > Tweezer Reprise

    [1] “Carini’s gonna getcha” sung several times in intro. “Carini” spoken later in the song.

  • In Focus: Formula 5 Performs at Putnam Place

    For the last time, Formula 5 took to the stage of Putnam Place and performed two sets full of classics with plenty of jams to go around. The band announced in March that they were taking a break, and this being their last club show, fans came out to pack the venue one last time. Songs stretching across the seven years of the band’s existence were performed, with a slideshow of the band in the background in between sets. Albany’s fast-rising Glass Pony opened the night with a set that included a debut cover of “Lucky Man” by Emerson, Lake and Palmer with Formula 5’s Matt Richards joining on keys.

    After Putnam Place, Formula 5 is set to perform at Disc Jam Music Festival, Beanstalk Music Festival and their own Rock the Dock Music Festival on July 12 before taking an extended break.

    Set 1: Pedro->Albatross and Wolves, Nu-Gen->Birch Tree->Sad Bed->Nu-Gen

    Set 2: Drums->Come Along>In the Sand->Trout Waters Pt 1 & 2, Earthbound Tim->Come Along Reprise, Booher’s Pass, Hot Box

    Encore: Breaking Glass, Gettin’ Tough Again

  • The Final Four of NYS Music’s March Madness

    Two weeks ago, we started with 64 artists from New York State, representing all genres and corners of the state. Now we have reached the Final Four of NYS Music’s March Madness and these four remaining artists represent four different genres – folk, rock, rap and jam – an eclectic mix of what makes New York State a breeding ground for all types of music. 

    The winner of the Buffalo Iron Works region is legendary singer-songwriter and Forest Hills native Paul Simon. He’ll face Talking Heads, winners of the Anthology region.

    Beastie Boys bested Billy Joel to take the crown in the TIP the Band region, and they will face off against the lone Upstate victor in the Final Four, moe., fittingly, out of the Funk n Waffles region.

    Vote below for who you think is the best artist from New York State in the past century! The finals will start this Thursday, April 4. You can also vote on Twitter!

    [forminator_form id=”307418″]
  • Phish Announces ReCurveball Festival

    In a surprise announcement from Phish, ReCurveball Festival will be held in Watkins Glen, NY this August 9-11, on the same grounds as Phish’s cancelled 2018 Curveball festival.

    “After last summer’s sudden cancellation of Curveball, we immediately made plans to get back to Watkins Glen. We found a guy who said he could take care of the water issue and you know what, we trust him,” said Trey Anastasio. “We owe it to the fans.”

    curveball
    “Water will not be an issue at ReCurveball” – Andy King

    With Woodstock 50 being held at Watkins Glen International the following weekend, Phish and Woodstock Ventures teamed up to ensure that both ReCurveball and Woodstock 50 go off without hitches. Operations director C. Wallob said of the plans, “Holding ReCurveball festival the weekend before ensures that we can not only prepared the grounds for the influx of thousands of fans the following weekend, but any issues that come up can be sorted out in advance. We really want to make ReCurveball a success, and hopefully Woodstock 50 can feed off our success at Watkins Glen. We certainly don’t want another Woodstock 99 to happen. If anyone is going to burn Watkins Glen to the ground, it’ll be Phish.

    “Plus,” Wallob added, “Phish fans will certainly leave it clean for Woodstock 50 attendees.”

    curveball
    photo via Phish.net

    Phish plans to reuse the silver ball for the special late-night set, and unsold merchandise from Curveball will be rebranded with new dates added. More information can be found at ReCurveball.com.

  • Listen to Episode 12 of Empire State Music Podcast featuring Justin Reckamp from Mungion

    Mungion singer and guitarist, Justin Reckamp, joins host Andy Hogan in conversation about the bands origins, life in the Chicago music scene, fall/winter tours, albums Scary Blankets (2016) and Ferris Wheels Day Off (2018). Listen on Simplecast or iTunes.

    justin reckamp

  • In Focus: Widespread Panic Let it Rock at The Capitol Theatre

    Widespread Panic kicked off their sold out 3-night run at The Capitol Theatre with a traditional tribute to the Grateful Dead, playing “Let it Rock,” an occasional feature of setlists, off 1974’s Mars Hotel. From there the band performed a show of originals with a few choice covers thrown in late in the second set.

    Set 1 highlights included “C Brown,” a 10 minute “Shut up and Drive,” “Pleas” > “Henry Parsons Died” and “B of D” > “Conrad” to close the set out. Set 2 opened up with “You Got Yours” that segued very tightly into “Up All Night,” which has been taken out for excellent stretched out jams as of late. Fan favorite “Ribs n Whiskey” was met with huge cheers from the crowd, and Panic tour manager Steve Lopez hopped on percussion with Sunny Ortiz for War’s “Slippin into Darkness,” which paired with J.J. Cale’s “Travelin’ Light” to close the set. An encore of “Pilgrims” and Funkadelic’s “Red Hot Mama” closed out Night 1 of Widespread’s first show at The Capitol Theatre since 1991, and fans are pumped for what Saturday and Sunday night will bring. Stream last nights show courtesy of Panicstream.

    Friday, March 22

    Set 1: Let It Rock > Radio Child, C Brown, Dyin’ Man, Shut Up And Drive > Pleas > Henry Parsons Died, Sundown Betty > B Of D > Conrad The Caterpillar

    Set 2: You Got Yours > Up All Night > Blackout Blues, Party at Your Mama’s House > Ribs And Whiskey, Steven’s Cat > Fishwater > Drum Solo > Drums And Bass > Fishwater > Slippin’ Into Darkness* > Travelin’ Light

    Encore: Pilgrims > Red Hot Mama

    Saturday, March 23

    Set 1: Wondering > Mr Soul, Hope in a Hopeless world > 1×1, Christmas Katie > Good Morning Little Schoolgirl > Who do you belong to?, Though Sausage, Bowlegged Woman > Action Man > Bowlegged Woman

    Set 2: Saint Ex, Hatfield, Ride me High, Stop Breaking Down, Machine > Barstools > You Should be Glad > Contentment Blues > Goin Out West, Chilly Water

    Encore: Puppy Sleeps > Flatfoot Floozy

    Sunday March 24

    Set 1: Holden Oversoul > Makes Sense to Me, Let’s Get Down to Business, Little Lilly, Airplane, Jaded Tourist, Blue Indian, The Last Straw, Life During Wartime

    Set 2: Lawyers, Guns and Money, Little Kin, Love Tractor, I’m Not Alone, North > One Kind Favor, Bust it Big, Mercy > The Other One Jam > I’m So Glad, Postcard, Ain’t Life Grand

    Encore: This Part of Town, Low Spark of High Heeled Boys > Disco > Low Spark of High Heeled Boys, No Sugar Tonight/New Mother Nature

     

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