Phish bassist Mike Gordon will hit the road with his band in early winter 2020, kicking off with their first ever show at The State Theatre in Ithaca, NY. The tour includes shows in Toronto, Chicago, St. Louis, Salt Lake City, Portland and wraps up in Seattle on February 1.
Tickets are now available for pre-sale, ending Thursday, September 12 at 5PM EST). Visit mike-gordon.com/tour for more info. Mike Gordon band is Scott Murawski (guitar), John Kimock (drums), Craig Myers (percussion) and Robert Walter (organ). Check out photos and review from his show in Jersey City in March.
Jan 17 State Theatre Ithaca, NY Jan 18 Danforth Music Hall Toronto, Ontario Jan 19 Mr. Smalls Theatre Millvale, PA Jan 20 Newport Music Hall Columbus, OH Jan 22 Thalia Hall Chicago, IL Jan 23 20th Century Theater Cincinnati, OH Jan 24 Delmar Hall St. Louis, MO Jan 25 Majestic Theatre Madison, WI Jan 26 Varsity Theater Minneapolis, MN Jan 28 Boulder Theater Boulder, CO Jan 29 The Commonwealth Room Salt Lake City, UT Jan 31 Crystal Ballroom Portland, OR Feb 01 The Showbox Seattle, WA
Famed rock photographer Jay Blakesberg has announced the release of his latest photographic endeavor, JERRY GARCIA: Secret Space of Dreams – a fine art, hardcover photography book of Jerry Garcia, beginning from the middle of his career with the Grateful Dead and covering the last third of his life.
In early September 1977, the Grateful Dead performed four Labor Day weekend concerts along the east coast and at the legendary September 3rd Englishtown, NJ show where Blakesberg’s connection with the Grateful Dead was born. A year later, on September 2, 1978 at Giants Stadium, Blakesberg’s father, an amateur shutterbug himself, loaned his 16-year-old son his Pentax camera, a couple of lenses and a few rolls of film to photograph the Grateful Dead for the very first time. A photograph of Jerry Garcia from this show begins the chronological display of photographs that spans the following decades of Garcia’s life in JERRY GARCIA: Secret Space of Dreams.
The book’s Foreword is written by Grammy-award winning musician and guitar master John Mayer, who has been touring with the surviving members of the Grateful Dead as Dead & Company’s lead guitarist and vocalist since 2015. Providing the unique perspective of re-interpreting the lead guitar slot once held by Jerry Garcia, Mayer explores the magic and distinction of Garcia’s playing and the profound and lasting impact of his music on the world.
“I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him,“ Mayer writes. “And going by that map, Garcia was a lovely, mighty soul. I never met him and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.”
John Mayer
The introduction, by journalist, musician, radio host and Grateful Dead historian David Gans, dives deep into the character and charisma of the mythical non-frontman, frontman – and Blakesberg’s innate ability to capture Garcia’s magic on film. In the book’s 208 pages, Blakesberg shares 139 photographs of Garcia spanning nearly 20 years––September 2nd, 1978 (at Giants Stadium) through the April 1995 making of the “Smoke Gets in Your Eyes” music video. With an essay by Garcia’s daughter Trixie and quotes from the likes of Bob Dylan, Elvis Costello, David Crosby, Jim James, Carlos Santana, Trey Anastasio, Robert Hunter, Jackie Greene, Jorma Kaukonen, Country Joe McDonald, David Grisman, the “core four” members of the Grateful Dead––Phil Lesh, Bob Weir, Bill Kreutzmann, Mickey Hart– and more, Blakesberg leads us on a visual journey of Garcia’s life, both on and off the stage.
In the afterword, Widespread Panic founding member, author, and producer Dave Schools muses on the man, myth and legend portrayed in the pages of the photographic biography. Schools thoughtfully reflects on Garcia’s ability to “display his own frailty in the service of the song,” and to connect with the audience as participants in the performance.
“These are just some of the attributes of a human being who led without leading, who conveyed his own truth better through his music than he was able to do through the spoken word…and who lived the majority of his life onstage being part of a performance troupe that went far beyond the sum of its parts,” he writes. “And luckily for those of us who want and need to remember such experiences we have a vast recorded archive of music, millions of words both scholarly and lay, and in our hands now these magnificently telling photographs by Jay Blakesberg so that we can always queue up the memories of our shared experiences with a rare human being known as Jerry Garcia and his equally rare cohorts.”
Dave Schools
The release of JERRY GARCIA: Secret Space of Dreams comes on the heels of Blakesberg’s recent photography books FARE THEE WELL: Celebrating the 50th Anniversary of the Grateful Dead (December 1, 2015) and Eyes of the World – Grateful Dead Photography 1965-1995, (October 23, 2017). FARE THEE WELL is a vibrant visual record of the Grateful Dead’s 50th anniversary “Fare Thee Well” concerts, gathering iconic images from all five performances, plus two rehearsal days, as well as band portraits, a few archival images, written tributes and setlists from the historic shows. Eyes of the World celebrates The Grateful Dead with photographs spanning their entire career from the likes of Jim Marshall, Annie Leibovitz, Herb Greene, Peter Simon (60 different photographers) and Blakesberg, who has the most photos in the book from any single photographer.
Signed copies of JERRY GARCIA: Secret Space of Dreams are available now for pre-order. Pre-orders will begin shipping September 23.
Music is Medicine Festival, a one day music festival helping raise awareness for Pancreatitis, will be held on Saturday, September 14 at Putnam Place in Saratoga Springs. Headlined by Bret Bollinger (of Pepper), the event is co-headlined by funkmasters Hartley’s Encore from Albany who will kick off the event.
The genesis of the festival comes from founder Jetta Intelisano’s wife Kate, who has been battling this disease and nearly lost her life three times in the past year. Countless trips to NYC to see a specialist to have dangerous, and life-threatening procedures performed to save her life. Out of this tragic situation, Jetta has endeavored to raise awareness of this disease through our common love of music. Join Music is Medicine in this celebration as the community embarks to find better treatment and ultimately, a cure.
Additional music performances at Music Is Medicine Festival include Resinated (St. Petersburg, FL), Audic Empire (Austin, TX), Joint Operation (Baltimore, MD), The Brothers Grim (Rome, NY), and The Lateshift (Albany, NY). For more information, visit the event page.
The two-day music and arts event, Adirondack Music Festival, returned to Lake George this past weekend for its fifth year in a row. Held once again on the serene LG section that is Charles R. Park, this year’s ADK Fest felt like the most well-received and celebrated yet, as many attendees seemed to vocally attest. If you were in attendance this weekend, you most likely at some point overheard someone discovering the festival for its special charm. Something along the lines of: “I can’t believe how nice this festival this is” and “Well, I am definitely coming back next year.”
As with every year since its start, ADK Fest opted for a classic setup with two main stages of music, set side by side—the style adopted by big-time events like Gathering of the Vibes and the first few years of LOCKN’. This format, which has bands perform back to back without delays, kept the energy on the field, and white hot, from early morning through sunset, as well as kept collective excitement packed into one shifting, intimate crowd.
A number of recently highly popular musical acts made their debut at ADK Fest. Midnight North, for starters, features members of The Terrapin Family Band and have been a hot ticket over the last year or so. Dead-relation aisde, Midnight North is its own beautiful creation, an americana powerhouse of band that displays a strong breadth of songwriting through dynamic, soulful musicianship. Members of this band were well connected within this music scene from the west coast and sat-in with many other artists as well.
Other buzz-generating artists performing at ADK for the first time ever were artists like The People’s Blues of Richmond, Marco Benevento, and G. Love and Special Sauce. People’s Blues, PBR for short, surely must have unexpectedly knocked a number of ADK patrons out of their musical comfort zone with their fearlessly-intense style of garage-punk blues. But the trio’s ceaseless, air-tight musicianship won many fans over as well. Marco Benevento’s own power-trio took the main stage just a few hours after them and wielded their own no-holds-barred mash of indie-pop, funk, and glam rock.
It felt strange to see G. Love perform a midday set at three in the afternoon -here was an artist, after all, that surfed high through the 2000’s on a number of big hits, but he was a highly received set nonetheless. In addition to a solo acoustic intro, the guitarist and hip-hop-inspired vocalist careened the edge of the stage above a swath of outward hands and starry-eyed expressions. G. Love’s collaboration with Twiddle frontman, Mihali Savoulidis, saw the two trading vocals for guitar riffs on a version of Hall and Oates’ “I Can’t Go For That,” which was much better than the “What I Got” that happened between the two in Twiddle’s headlining show later.
ADK Fest Day 1: G. Love and Mihali cover Hall and Oates. Photo: James Sullivan
Yet the four man dance-ready jamband, Twiddle, still performed a huge couple of sets to close out Saturday evening, to an elated audience that swamped the park’s concert area all the way to the vendors in the back. Highlights of their two closing sets were a guitar-shredding collaboration with Midnight North frontman, Graham Lesh, on their original “Subconcious Prelude” and then the foursome’s searing finish on “The Box.”
Another artist who met the crowd with a freewheeling sense of stage presence was the northeast jam scene’s golden girl, Hayley Jane. Fronting her band, The Primates, for a midday Sunday set, Jane sang face-to-face with a rail-climbing mass of highly excited young women. Hayley and The Primates as a unit announced their decision earlier this year to go on hiatus. This set at ADK Fest was undoubtedly an emotional one for many, despite the fact that Hayley, in her true style, beamed with smiles and soul through her own set. The joy transcended others that she guested on stage such as with polyrhythmic dub-rock band, Bartika, and then Jane sat in with Everyone Orchestra’s set a bit, after her own.
In a very special move, Adirondack Music Festival booked an Everyone Orchestra set for its day two second-to-headlining spot. EO shows are, of course, completely improvisational from start to finish and are always performed by a mix of artists from different bands. Lake George’s set was pretty substantially stacked for its members. Solo artists Haley Jane and Ryan Montbleau handled lead vocals (with the latter also offering some nice guitar solos here and there), while Deep Banana Blackout’s, Fuzz Giovanni, handled lead guitar work.
Saxaphone legend Sam Kinninger was a secret weapon here, shining up the band’s various types of funk and rock jams with amazing melodic work. Kinniger and the rest played beside a hefty rhythm section that included moe.’s Vinnie Amico on drums, TAB’s Tony Markelis on bass and Steve Moltiz on keys. Highlights here were a belly-laugh inducing, reggae-tinged sing-along about golf pirates. Super creative vocals led by Ryan Montbleau followed with an extremely moving, soul inspired jam which Everyone Orchestra impresario, Matt Butler, built a vocal tribute to the recently passed Neal Casal.
ADK Fest Day 2: Everyone Orchestra Pays Tribute to the late Neal Casal. PC: Miles Hurley
While some roll their eyes at cover bands, Pink Talking Fish works extra hard and thinks creatively to stand out from the ever-growing pack. The quartet began their set with a great surprise in The Beastie Boys’ “Sabotage,” which Phish has covered on rare occasion. In a climax to their set, PTF reprised a bit of the magic from their Junta album extravaganza at The Capitol Theatre earlier this year, which had Pigeons Playing Ping Pong’s Greg Ormont act as Master of Ceremonies. Here at ADK Fest, PTF began with a beautiful segue-sandwich from “You Enjoy Myself” to Pink Floyd’s “Wish You Were Here” and back. Upon returning to the Phish hit, Ormont joined the band mid-song, to first engage in some trampoline-style jumping with bassist, Eric Gould, and new guitarist Cal Kehoe. They finished with a very kooky vocal jam.
It was another strong move to have Pigeons Playing Ping Pong return to close the festival Sunday evening, just as they did last year. These four jam-funk players having seen a truly meteoric rise recently (they will be headlining Explore Asheville this coming December). A few highlights for their near-explosive set included an electronically charged collaboration with Steve Moltiz on their own tune, “Live it Up,” and a very colorful jam on Deee-Lite’s “Groove Is In The Heart.”
Major music events in Lake George, NY like Adirondack Music Fest often share in a little community-favorited crown jewel—a post festivities top-off at local music hub, King Neptune’s Pub. Being a time-tested spot for upstate bands to play, King Neptune’s always sees great crowds, but then really turns out when late night performances go down.
For Saturday night’s musical extend, nearby favorites, Funktional Flow from Buffalo, and New Haven, CT’s, Eggy, offered a proper finish to a full first day of music. Eggy, coming from the fertile music scene in New Haven, made a grand introduction for themselves in this venue, and they rocked the opportunity big time. The groove rock four-piece blasted their way through intense versions of originals like “Shadow” and “One More Dance,” along with improvisationally-heavy takes on covers like Traffic’s “Low-Spark of High-Heeled Boys.” For a set-topper, Eggy invited Midnight North keyboardist, Alex Jordan, for a blissful and high-powered take on the band’s “Buying Time.”
ADK Fest Day 1: Eggy rocks late night w/ Special Guest Alex Jordan. PC: Miles Hurley
While night one’s crowd was impressive, festival buzz Sunday afternoon must have spread like wildfire to make late night two’s crowd even more massive and energetic, for Neptune’s at the tail end of the weekend was nearly flooding out the door. After Sunday night’s originally scheduled openers, psychedelic funk outfit The New Motif, had to cancel their slot and the evening switched around to second act, Annie In The Water, opening before a festival-family superjam close out.
Annie in The Water thus kicked off with a very uplifting display of original music, with some cover hits thrown in for good measure. A presentation of styles ranging all the way from folk rock to reggae to even some hip-hop was connected via strong, confident solos and endearing vocals. Members of Lucid, Magic Beans, Pigeons Playing Ping Pong coalesced into one family-type super jam set, for a final set at Adirondack Music Festival, that seemed to represent everything this dynamic music scene is about. At one point in this performance free-for-all, three keyboardists—Magic Beans’ Scott Hatchey, former Formula 5’s Matt Richards, and PTF’s Richard James—hammered away on one rig at the same time, for a spectacle that was also technically impressive.
As with any festival, there’s more musical experiences than can be reported on. From piano wizard Marco Benevento and his trio debuting material from their new record (Let it Slide), to upstate jam favorites Lucid commanding the main stage mid-Saturday as they do with fervor every year, ADK Fest’s fifth year was artistically overflowing. All of this top-notch live music was met resolutely throughout the weekend with a positive and welcoming vibe, upheld via a sense of strong community and creativity. For mid-size festivals Adirondack Music Festival is one of the best you can experience in the ever-musically-fertile land of upstate NY—yet here’s to a steady growth from mid-size to who knows how big.
Check out a gallery of images of Adirondack Music Festival 2019 below, courtesy of photographer James Sullivan.
The Disco Biscuits are back. The Philly-based trance-fusion band has announced an extensive 23-date winter tour with several multi-day runs, including SI Hall at the New York State Fairgrounds in Syracuse on November 22 and 23, 2019.
The tour kicks off with two dates in McKees Rocks, PA at the Roxian Theatre on Nov. 14 and 15. The tour also includes the previously announced four-day run at the Playstation Theater for New Year’s Eve. The run marks the band’s 40th and final time performing there as the venue announced it will be closing at the end of December.
Photo: Stephen Olker, NYS Music
Tickets for the tour go on sale Friday, Sept. 6 at 10:00 a.m. local time. Ticketing information can be found on the band’s website here. See the full list of dates below.
The band issued a statement regarding the tour and timeline for their upcoming album:
“We’ve been teasing this for some time now, it feels so good to finally be able to share it with you. We are back…and back in a big way. New tours. New music. New Jams. 2019 and 2020 are going to be our best years yet and all of you are at the heart of it. Expect to see us a lot, expect the unexpected.
The first thing we’ve got for you is our winter tour starting in just a few weeks. We’re coming back to a few places we haven’t been to in a while, and others that we’ve seen a lot through the years. All will be sweat dripping off the ceiling, Bisco fire fueled nights.
The second is a new album…we’re already burning the midnight oil on this, and can’t wait for you to hear it. We plan on teasing some of these soon, and dropping them individually in early 2020, then a full album next summer. ‘Til then, we’ll be seeing you all quite a bit and spending every waking hour making sure this is the best of the Biscuits for all of us.”
Disco Biscuits Winter 2019-2020 Tour Dates: Oct. 5 – Breckenridge Brewery Hootenanny – Littleton, CO Nov. 14 – Roxian Theatre – McKees Rocks, PA Nov. 15 – Roxian Theatre – McKees Rocks, PA Nov. 16 – The National – Richmond, VA Nov. 17 – The National – Richmond, VA Nov. 20 – Higher Ground – Burlington, VT Nov. 21 – Higher Ground – Burlington, VT Nov. 22 – SI Hall – Syracuse, NY Nov. 23 – SI Hall – Syracuse, NY Dec. 11 – House of Blues – Orlando, FL Dec. 12 – Jannus Landing – St. Petersburg, FL Dec. 13 – Revolution – Ft. Lauderdale, FL Dec. 14 – Revolution – Ft. Lauderdale, FL Dec. 27 – PlayStation Theater – New York City Dec. 28 – PlayStation Theater – New York City Dec. 30 – PlayStation Theater – New York City Dec. 31 – PlayStation Theater – New York City Jan. 2 – Riviera Theatre – Chicago, IL Jan. 3 – Riviera Theatre – Chicago, IL Jan. 4 – Riviera Theatre – Chicago, IL Jan. 15 – The Ritz – Raleigh, NC Jan. 16 – The Fillmore – Charlotte, NC Jan. 17 – The Fillmore – Silver Spring, MD Jan. 18 – The Fillmore – Silver Spring, MD
Brooklyn-based quintet Of Clocks and Clouds is a psychedelic rock powerhouse whose sound has been turning heads all over NYS and beyond. Their inclusion on numerous lists of bands to keep an eye on isn’t uncanny, it’s deserved. Through hard work and perseverance, the band has created a sonic experience that sets them apart from the litany of jam bands that have been popping up all over the northeast. Composed of Joe Salgo, Nick Salgo, Tom Salg, Yuri Soussov and Zander Ryzinski, the band offers fans of live music a look at their progressive psychedelic rock with this release of their set Live at Brooklyn Bowlfrom February 3, 2019.
Fusing elements of electronic music with their deft ability to improvise, based on style adherent chord progressions, is what gives OCAC such a characteristic sound. The first track of the live release, “Cold Hearted Woman” drives this point home, with each member adding in subtle elements to a core blues tune. The keyboard breaks open chords and sets a basis for a hard-hitting blues guitar solo. The drums do an excellent job of knowing when to break out of the pocket – the fills will range anywhere from lightning-fast to minimalist, with the overall mood of the song being reflected in the fills.
The live recording captures the band’s aesthetic really well. It’s evident that they are able to feed off of the audience and drag out jams without losing their interest. This translates really well on record too, with the 11+ minute “Worst Look” being a testament to that. OCAC starts their songs off similarly, with a slow build transitioning into an intro jam. Yet each time they do that, the outcome is sonically different. The band members find their own place within the song to either stand out or step back. The bass barrels forward without hesitation, accenting the grooves underneath the lush orchestration that the keys and guitars create.
While instrumental skill surely defines the band, something must be said about their vocals. The 90’s alternative rock style vocals fit well with the sound. It takes the listener out of the busy composition and bring focus to the anthemic nature of the lyrics. There’s also a lot of versatility in the singing – their cover of Rage Against the Machine’s “Bullet in the Head” is well worth checking out.
It’s impossible to listen through this live album and not notice how well the flow of the set moves. There are dynamic shifts, exciting developments, and headbanging instrumental breaks. With so much to love, it’s no wonder Of Clocks and Clouds is gaining so much steam nationally. Check out this NYS gem’s release, and be sure to catch them live if they come to your town!
Key Tracks: Worst Look, Cold-Hearted Woman, Hole in My Head (Pts. 1 & 2)
Can’t Always Listen was performed for the first time since December 30, 2015 (142 shows) and included a Long Tall Glasses tease from Page. Free’s lyrics were changed to “flea” as a reference to an outbreak of plague transferred by fleas to prairie dogs in the Commerce City area. Trey teased NMINML in Back on the Train. Trey teased Tired of Waiting for You In Everything’s Right. As a further nod to the outbreak, Amie by Pure Prairie League was the postshow music.
The mark of an incredible jam band performance is the groups’ ability to be relentlessly creative. When four or five members work in unison to create, explore and build, we are gifted with a sonic adventure filled with memorable moments that can last a lifetime. It’s something only a gifted few can accomplish together. But for one person to achieve this – a full bodied musical excursion with moving parts and emotion – is the mark of a true virtuoso. Holly Bowling does just this as she blesses us with one of the most exotic ideas of what a cover could be, cultivating years of music and experience into one instrument, one voice, in one night, on Live at the Old Church.
She has finally released her first ever live album, which is odd considering her track record of live performances and the genre she has based herself in, but it was absolutely worth the wait. Read our past articles about Holly and her performances to get a better idea of her impressive background and experience.
Over the course of two and a half hours, we hear her interpretation of well known Grateful Dead and Phish songs, using nothing but her imagination and a stupendously recorded grand piano which was all complimented by the crisp acoustics of The Old Church Concert Hall in Portland, OR. Her ability to explore different emotions and attitudes is astounding.
Bowling flows effortlessly through “Mountains in the Mist,” emulating Phish’s airy jam with appropriate flair, courtesy to her classical background. But counter to her upbringing, she absolutely nails energetic and experimental tracks like “Slipknot! / Franklin’s Tower” and “Let It Grow.” Her relentless builds and solos are infectious and memorable.
The album is hard to sum up. Everyone will take away something different from it, as is the case from any live show. What is arguably most impressive is her ability to catch the listeners ear from minute to minute and track to track. One instrument covering one style of music is bound to become monotonous, but Bowling does the impossible and tours audiences through her interpretation of these pivotal tracks.
Till The Earth will be performing live at Chatham Brewing on Friday September 6 at 9:00PM. The five piece rock outfit has been creating and performing music around the Capital District since 2017 and is primarily comprised of former members of the now de-funk Bohemian Slacker and Conehead Buddha.
Based primarily in Columbia County, the band features: Tom Williams (bass, guitar, vocals), Seth Falon (guitar, vocals), Scott Basil (guitar, bass, vocals), Eugene Datri (percussion, vocals) and Jack Darraq (saxophone, bass clarinet, vocals). All veteran players of the music scene in Columbia and Greene County, Till The Earth bring a vast collective knowledge to the stage that only performing live can provide.
Till The Earth brings a jam band sensibility to their sets and have been featured regularly at the Chatham Brewery for past year or so, developing a contingent of loyal fans that grow every time they perform. Their performances primarily focuses on a variety of original works that the players have penned over the span of their musical careers, but also feature covers by bands such as The Grateful Dead, Allman Brothers, Neil Young and more!
Summer is slowly coming to a close, and the Capital Region of Albany has had a trove of music this summer. Starting with Tulip Fest in May, to the Music Haven series in Schenectady, an incredible summer calendar at SPAC, to local weekly series that bring communities together and, of course, Albany’s Alive at Five, the quad-cities of New York have some of the most eclectic music offerings around the state. Check out the final performer at Alive at Five, Marco Benevento Trio and get ready for his set at Adirondack Independence Music Festival this weekend in Lake George!
