The headliners for the 2020 Boston Calling Music Festival have been announced—and they include Grammy-winning rock bands Red Hot Chili Peppers and Foo Fighters. The annual extravaganza, set to take place on Memorial Day Weekend between May 22-24 at the Harvard Athletic Complex, will also have over 60 other artists and bands performing.
The Boston-based music festival began in 2013 and previously took place during the spring and fall, before switching to their now once-a-year format. Always a popular event, the festival has drawn as many as 40,000 people and has seen the likes of Eminem, Travis Scott and Twenty-One Pilots headline previous events.
Aside from the performances, the festival will include the best food in Boston. A 100-foot Ferris wheel, art installations, life-size games, exciting partner activations, 30 all-star food vendors, local and international brews, wines and seltzers and platinum menus curated by Boston’s most prestigious chefs, according to the Boston Calling official website.
“Boston is such a great city for rock music, and we are so proud to bring some of the most important rock artists of all time to Boston Calling next Memorial Day Weekend,” said Boston Calling CEO Brian Appel in an official release.
Limited pre-sale tickets will be made available on, Thursday, Nov. 14, at 10:00 a.m. General admission tickets will be priced at $239, VIP passes will be $549 and platinum passes will be $1049.
Saratoga Spring’s premiere music club, Putnam Place, hosts a wide variety of rock, jam and funk acts this November. Check out the shows below and get down in the Spa City with these bands. For more information, visit Putnam Place’s website.
The Wheel – Thursday, November 14
Celebrating the music of The Grateful Dead, The Wheel was founded in 2010 by Andy Morse looking to play to his roots of years chasing the Grateful Dead. The Wheel is ever rolling, covering new terrain in and out of the spaces before it as we spin 24 hours a day.
Tickets are “Pay What You Want” if you are over 21, $10 for 18-21 if under 21.
Kung Fu w/ Strange Machines – Friday, November 15
Funk and jam unite with Kung Fu and Strange Machines throwing down a full night of deep funk-filled jams. Kung Fu draws on influences such as early Headhunters and Weather Report, and merges those ideas with a contemporary EDM informed sensibility. Imagine 70’s funk-fusion meets a modern dance party. Strange Machines consistently deliver high energy and engaging live performances, and the band continues to make waves throughout the Northeast and beyond.
Rock and psychedelic rock are on tap when White Denim and Spaceface arrive in Saratoga Springs. White Denim have carefully and continuously studied the greatest records ever made, but they write songs just dumb enough to drink, dance, and fight to. Theirs is a music that aims for the whole body, while equally satisfying the mind. While it has morphed, expanded, and even burst apart, White Denim’s sincere and human drive and ability to spark true rock & roll exhilaration have been unerring constants of the band’s 10-year existence.
Spaceface is led by Jake Ingalls who also plays guitar and synthesizer in The Flaming Lips. The experience reflects that influence, as it works to bring the concert grade experience to a club level. Spaceface’s music offers a refreshing approach on psychedelic rock, with transparent ’70s references but also strikingly modern elements that make this trick something to behold. Their new record, Sun Kids is hazy, psychedelic pop music, elegantly composed and features artists Mikaela Davis as well as Julien Baker.
Tickets are $17 in advance / $20 Day of Show. $5 surcharge if under 21. 18+
Given to Fly, The Otherside, Flannel Millennium – Friday, November 22
Tickets: $10, 18+ ($5 surcharge if under 21)
Remember the 90s? Well on Friday, November 22, three bands will jog your memory and transport you back to the era of grunge, flannel and OG teen angst. Given to Fly (Pearl Jam tribute), The Otherside (Red Hot Chili Peppers tribute), and Flannel Millennium (90’s / 2000’s Grunge / Alternative tribute) offer a 1-2-3 punch of classic
Looking to get your Phish fix in before Fall Tour starts? Then look no further than The Lizards, Toronto’s premiere Phish cover band. Always inventive with their setlist and playing to huge crowds throughout the Northeast, The Lizards are a great warm up for Island Tour 2.0
Tickets: $12 Advance / $15 Day of Show. 18+ ($5 surcharge if under 21)
Skeeter Creek – Saturday, November 30
The Capitaland’s premiere modern country group, Skeeter Creek always brings a party to Putnam, or wherever they’re playing! Skeeter Creek started off as a Bluegrass Band in 2002, formed by the late Tim Seabolt of Walton, West Virginia, and Joe Kulewicz from the Adirondack Mountains of Upstate New York. Skeeter Creek has become much more than a band, it’s a way of life for these talented, professional musicians.
Tickets are only $10, 18+ ($5 surcharge if under 21).
Toro y Moi (aka Chaz Bundick) has been going strong ever since he broke onto the scene at the start of the decade, and 2019 has proven to be no exception. Back in January, Chaz released the excellent album Outer Peace and has been touring on and off since. Now, just as the fall tour was wrapping up with two sold out nights at Brooklyn Steel, Chaz dropped a surprise LP, Soul Trash.
Support for the fall tour came from exciting newcomer Channel Tres. His infectious blend of hip-hop and deep house kept the packed Brooklyn Steel dance floor moving for the entire opening set. Flanked by two backup dancers and thunderous house beats, Channel Tres performed his entire 2019 release Black Moses, including the hit “Sexy Black Timberlake.” The set was rounded off with other singles like “Topdown” and “Jet Black.” The future is incredibly bright for Channel Tres, including much anticipation for a full length LP. He has several West Coast dates coming up, with a show at Elsewhere’s Zone One next May.
Toro y Moi has a very unique blend of styles. One of the few surviving bands from the chill-wave movement, Toro has maintained success by mixing elements of classic R&B and disco with more modern electronica and indie palettes. Each release takes a new approach to these sounds and keeps the ever growing Toro y Moi discography fresh and exciting.
With so much material to draw from, including the new LP Soul Trash released just two weeks before, the set provided by Toro y Moi was truly representative of his entire discography. The title track “Soul Trash” opened the show, while tracks from Outer Peace included “Ordinary Pleasure” and “Freelance” (which closed out the show). A personal favorite, “Rose Quartz” from the incredible 2013 LP Anything in Return, echoed effortlessly around the room. The band glided through a 21-song set without a single dull moment.
Chaz Bundick of Toro y Moi at Brooklyn Steel – Photo: Joseph Buscarello
Saturday night was the last show of the current tour, with a late night DJ set at Elsewhere just to top it all off. Chaz has some DJ sets scheduled out west in December, but for now, we just look forward to what he has in store for 2020.
The audience was told to hug a neighbor at least five times. Lyrics such as “They say that miracles are never ceasing / And every single soul needs a little release” were heard. This positive vibe radiated from Michael Franti and Spearhead, a hip hop-reggae-funk fusion band from California, as they performed at the Wellmont Theater in Montclair, NJ last week. The band also brought awareness to social issues and sparked authentic human interactions in the Garden State.
Carl Young and Michael Franti
The band members include Michael Franti (guitar, vocals), Carl Young (bass), Manas Itiene (Drums), J. Bowman (guitar), Mike Blankenship (keyboards), and an unidentified female vocalist.
Gun violence statistics of every mass shooting in the USA scroll behind Michael Franti and Spearhead.
The positive message and awareness to social issues stood out in a meaningful way. Franti’s recent song “The Flower,” a tribute to victims of gun violence, featured a video with survivors and scrolling gun violence statistics. Songs like “Just Work Hard And Be Nice To People” and “Good To Be Alive Today” brought a positive message mixed with short jams.
Franti and an unidentified vocalist sing “Life Is Better With You”
Strong musical skills were displayed during a flawless switch from Lionel Ritchie’s “All Night Long” to “Life Is Better With You.” The band was joined by an unidentified guest vocalist for this sequence, which included the original video of “All Night Long” by Lionel Richie on an LED screen behind the band.
Franti was engaged with the entire audience, not just those in the front row. He sang two songs while on the floor, in the middle of the crowd. He also took a quick adventure to the balcony for a few verses. A myriad number of fans were brought on stage, including a couple who got engaged, and all the children on the floor during “Say Hey (I Love You).”
The band has a couple of tour dates left in 2019 and will be on tour with Kenny Chesney in 2020. Head over to their tour page for more details.
Vevo has announced rapper Jadakiss as the next artist in their Ctrl series, with a performance of “ME.”
Vevo’s Ctrl series highlights the work of hard-hitting, cutting-edge musicians, both emerging and established, making an impact in today’s music scene . These artists demand attention and Vevo’s Ctrl shines a deserving spotlight. Shot in Vevo’s Brooklyn studio, Jadakiss’ performance follows sessions from Rick Ross, Common, Rapsody, Jeezy, A$AP Ferg and more, according to their official website.
Veteran hardcore rapper Jadakiss—known for his distinctive gravelly voice—made his mainstream debut in 1994 as a member of the East Coast rap trio The LOX. Born Jason Phillips in Yonkers, NY, he got his start as a teenage freestyle rapper before joining with fellow emcees Sheek Louch and Styles P to form the Warlocks. After signing with Bad Boy Entertainment, they simplified their name to The LOX, as label head Sean Combs thought it would be more marketable. After the release of their debut, they jumped from Bad Boy to Ruff Ryders as a result of contractual disputes. They issued the sophomore effort We Are the Streets in 2000, before Jadakiss released his debut solo album, Kiss tha Game Goodbye in August 2001.
Since then, Jadakiss has gone on to release four solo studio albums and four more as either a member of The Lox or or alongside the rapper Fabolous. In addition, he has released seven total mix tapes, as well as two extended plays, alongside Sheek Louch and Styles P.
He is not only known for his voice but for his for his hard-hitting lyrics about life in the inner-city, exemplified in his highly successful protest song “Why,” off of his sophomore effort Kiss of Death, making him a prime candidate for this series.
Vevo is the world’s largest all-premium music video provider, which connects artists with their audience globally via music videos and original content. Artists work with Vevo to find unique ways to bring their music to life. Vevo also works with emerging artists, providing them with a platform of global scale and reach, to find and grow their audience.
Not many institutions mean as much to a community as The Apollo Theater means to Harlem. In The Apollo, academy and Emmy award-winning director—Roger Ross Williams, spends nearly two hours examining not only the musical importance of the theater but, also glimpses at the symbiotic relationship between The Apollo Theater and black community of Harlem.
The world-famous musical hall—located on West 253rd street, between Adam Clayton Powell Jr. boulevard (formerly seventh ave.), and Frederick Douglas boulevard (eighth ave.)—is synonymous with the neighborhood.
Williams, with the help of a number of A-list celebrities, historians and activists, chronicles the history of the theater. From its beginnings as a recognizable institution, under the ownership of Frank Schiffman and Leo Brecher, to the creation of its famous “amateur night at The Apollo.” Which has seen the likes of James Brown, Ella Fitzgerald, Dionne Warrick, Lauryn Hill, Stevie Wonder, and Marvin Gaye, among many other legendary entertainers begin their career there.
Aside from the well-deserved homage to iconic figures that have gotten their start on Apollo’s stage, Williams explores what The Apollo really meant to the inhabitants of Harlem, post-Harlem renaissance. During the era of segregation and Jim Crow, it was one of the few theatre institutions that would allow black people to pay their hard-earned money and enjoy a show. In fact, the residents grew such a love for the theater, that during the riots that preceded the end of Jim Crow, the building was surrounded by people who refused to let any damage happen, as recalled by Schiffman.
These are just some of the fascinating tidbits that can be learned throughout this documentary. Accompanied by great scoring of 19th century hits, The Apollo juggles traveling through time to tell the story of the hundreds of culture-shifting performers that have passed through the building, while simultaneously giving a present day viewing of its arrangements. With exclusive footage to backstage rehearsals of Ta-Nehisi Coates’ Between the World and Me, as well as present-day “amateur night” auditions. It is a recommended informative watch that does justice to the cultural landmark.
The Wu Tang Clan legacy is alive and well, and is being carried on through the children of some of the iconic group’s more charismatic members. 2nd Generation Wu is comprised of iNTeLL (son of U-God), PXWER(son of Method Man), SUN GOD(son of Ghostface Killah), and Young Dirty Bastard(son of the late Old Dirty Bastard).
While they each have their own respective solo careers and records, the second generation rappers have decided to come together to continue the legacy left by their fathers, and have taken the first step in doing so, with the release of “7.O.D.”
The Jojo Pellegrino and J. Glaze produced record sees the younger Wu’s put their own spin on the Wu-Tang Clan’s most recognizable song, C.R.E.A.M. The record, while an ode to the legends that preceded them, does not stop the young emcees from distinguishing themselves and making it their own.
Aside from delivering their own personal lyrical warfare throughout the song, the famous line that Method Man employs on the original record, “Cash rules everything around me C.R.E.A.M., get the money, dollar, dollar bill y’all,” has been changed to, “God made everything around me, forget about the money, none of it is real y’all.” Showing that the new Wu is quite aware of their different upbringing, proving the content won’t always be the same. One thing that seems to be everlasting though, is the grittiness of the beats and the rhymes.
The Flatbush Zombies drew a huge costumed crowd that packed Brooklyn Steel on Halloween night. Erick Arc Elliott opened as a DJ, playing noise-music of a sort that jumped from soothing jazz to banging trap. This kicked off the chain of shenanigans that would precede the show.
Meechy Darko emerged, in a bright yellow leather patched suit and heavy clown face paint, as the Joker to kick off the costume contest – the grand prize being $1000. They brought up ten selected members of the audience and let the rest of the crowd decide on who the winner was. The list of costumes at Flatbush Zombies included but was not limited to a Spiderman, Frozone, Courtney Love and Kurt Cobain, and Sally from The Nightmare Before Christmas. They went down the line with hovering hand over heads and listened for the cheers. Then it was down to the final three: Frozone, Sally, and a masked killer. The crowd overwhelmingly hailed Frozone as king of the costume contest, who then proceeded to deliver a heartfelt acceptance speech before being abruptly kicked off stage by a raging Meechy.
After a set change, another Joker entered the stage waving and boasting his wrestling championship belt. Zombie Juice was following, promising to relinquish him of it. A fierce fight ensued with all sorts of jump kicks and WWE slams. When the dust finally cleared, Zombie Juice stood victorious.
Legendary hip-hop artist Chuck D – born, Carlton Douglas Ridenhour – will be honored with the Woody Guthrie Prize, on November 16, at Cain’s Ballroom in Tulsa, Oklahoma. The Queens-bred emcee is known for his politically conscious lyrics, which he’s used to help spread awareness about the many injustice’s minorities face.
Ridenhour, an Adelphi University graduate, as well as the recipient of an honorary doctorate, began his rap career as a member of iconic hip-hop group, Public Enemy. Their 1988 sophomore album, It Takes a Nation of Millions to Hold Us Back, is not only considered a rap-classic, but standout records like “Rebel Without a Pause,” and “Night of the Living Basehead,” set the standard for politically conscious music.
Throughout his career, the Rock & Roll Hall of Famer has made it a point to address social-political issues facing the African American community, whether it be through his solo work, his contributions to Public Enemy and rap-rock supergroup, Prophets of Rage (alongside members of Audioslave, Rage Against the Machine and Cypress Hill emcee, B-real).
The Woody Guthrie Prize is awarded to artists who use their art to speak up for the less fortunate. It is presented in honor of American folk singer Woodrow Guthrie. Other recipients of the award include, gospel singer Mavis Staples, folk singer and activist Pete Seeger, and television producer, Norman Lear, who produced sitcoms such as, Sandford and Son, The Jeffersons, and Good Times.
“We are honored to recognize Chuck’s work as he shines a light on social and cultural issues through his words and encourages us all to take action for equality and justice. We know that Woody would be rapping right alongside him as he speaks truth to power,” said Deana McCloud, director of the Woody Guthrie Center, according to the official website of the Woody Guthrie center.
Tickets to see the presentation of the Woody Guthrie Prize and a discussion with Chuck D are available here.
The first ever Dr. Martens Music & Film Seriesis set to take place on Wednesday, Oct. 30at the Superchief Gallery, located on 1628 Jefferson Avenue in Queens. The event—set to begin at 7:00 p.m.—will consist of a group of performers and entertainers, sharing their stories of resilience and determination. They explore the trials and tribulations that come with a career in entertainment while realizing their own artistic vision in the music industry.
Curated by New York-based filmmaker Vincent Martell and Los Angeles based filmmaker Erik Rojas, the series will consist of L.A. and NYC concert events as well as accompanying short documentary films that will provide an intimate look at the daily lives of working musicians.
The confirmed artists for the Dr. Martens Music & Film Series include Brooklyn’s own JunglePussy—who is being promoted as the headline performer for the New York City portion of the event. Rapper De’wayne Jackson, female rock group L.A. Witch and labelmates Sad Girl, Los Angeles punk-rock quartet The Paranoyds, hip-hop soul duo OSHUN, Afro-Latinx group Combo Chimbita, New York-based R&B group Phony Ppl, punk band Death Valley Girls, singer-songwriter Samia and r&b songstress PJ.
