Category: Classical

  • Swinging into SPAC for an Evening of Dance

    It’s not every day you get an education and a show in one sitting, much less for free. But Saratoga Performing Arts Center (SPAC) is full of surprises — that’s because they love their proud little city. That much was obvious on Thursday, December 12, when I set foot onto the glorious ballroom floor at the Hall of Springs for Winter of 2019’s Freihofer’s “Live at the Jazz Bar: Swing Night.”

    Chris Shiley, SPAC’s Senior Director of Artistic Planning, said this is their third winter doing Live at the Jazz Bar nights. Winter’s evenings are seldom. In the summertime, however, Live at the Jazz Bar happens once a month, typically rotating themes from swing, Latin, and ballroom dances, all of which are preceded with a lesson. Winter Jazz Bar nights are geared toward getting the greater Saratoga community out to have a good time and raise awareness of SPAC’s upcoming activities.

    SPAC Evening of Dance

    The Hall of Springs boasts 38-foot ceilings, from which hung three
    crystal chandeliers that twinkled from the gold and red lights shooting up the sides of the Tuscan columns from projectors. Annie and the Hedonists, a tight band of five specializing in swing and blues of the ’20s, ‘30s, and ‘40s, had a modest setup on the floor’s center. Around it, dancers young and old gathered for pre-performance dance lessons lead by Tango Fusion Dance Studio’s Johnny Martinez and Diane Lachtrupp.

    Martinez began the session by teaching each individual the triple step. It was simple enough: 1-2-3 tiny steps to the right, 1-2-3 steps left, then a rock on your right foot, and repeat. It was time to grab a partner. I faded into the background, knowing I had come alone. But assistant Jennifer Emmons beckoned me to return to the floor and take her hand. I complied, but flushed red, convinced that I would literally be stepping on her toes.

    SPAC Evening of Dance

    I did not. Jen was a very good teacher. She had been training to instruct at the studio after having spent five years as a dedicated swing dancer. Apart from my occasional misstep, Jen taught me how to keep up with her. By the end of the lesson, we were effortlessly scuttling one direction, then another, then spinning apart and coming back together.

    “Dancing is like a language,” she told me—a motto of the studio, I later learned from Diane Lachtrupp. “Once you learn, you can dance with anyone.” The follower, usually a woman, needs to listen to the leader (usually a man, though in this case, I was following Jen’s lead) so that the conversation can keep going.

    SPAC Evening of Dance

    The lesson was over and the band began to play. The songs performed by Annie and the Hedonists were a perfect compliment to what the room just learned. Dancers in pairs bounded about the floor, swinging in and out and back and forth. The band kept the crowd guessing as they jumped from classics like “Blue Light Boogie” to “Walk Right In, Walk Right Out;” then to “I’ve Got My Love To Keep Me Warm,” each tune matched the energy in the room.

    Lead vocalist Annie Rosen was complimented by guitarist Jonny Rosen, bassist Don Young, and Peter Davis on keyboard and saxophone. No feet hid underneath tablecloths. Even those who weren’t dancing stood and bobbed their heads to the catchy tunes. A favorite of Annie and the Hedonists is to interpret the music of early female jazz vocalists such as Billie Holiday and Ella Fitzgerald, both of whom were represented beautifully by the passion in Annie Rosen’s voice during the performance.

    The next Freihofer’s Night at the Jazz Bar has yet to be scheduled. But Mr.
    Shiley has assured that SPAC will be scheduling it once they finish out 2019. For more information on events at SPAC, please join their mailing list. For more information on Tango Fusion Dance Studio events, email stepdl@aol.com. To learn more about Annie and the Hedonists visit their website.

    Review and photos by Jenn March

  • Tanglewood Reveals Summer Lineup – Trey Anastasio to Team up with Keith Lockhart and the Boston Pops

    The Tanglewood 2020 season has been announced with a range of festival favorites and brand new faces. The 12 programs start on June 19 and run through the entire summer, wrapping up on Aug. 30.

    The BSO’s $25 tickets for attendees under 40 will be available during the 2020 Tanglewood season for select performances; these tickets are available starting at the end of May on a first-come, first-served basis through www.tanglewood.org 

    Each program is made up of multiple acts that take place over multiple days. Some of the incredible acts to catch at Tanglewood summer of 2020 include Ringo Starr and his All Starr Band,  Boston Symphony Orchestra, Judy Collins, Arlo Guthrie, Brian Wilson performing Pet Sounds, Trey Anastasio with the Boston Pops and other Tanglewood favorites like Emanuel Ax, Susan Graham, and Yo-Yo Ma. 

    Tanglewood is nestled in the hills of the Berkshires of Lenox and Stockbridge, MA and has been the home of the Boston Symphony Orchestra since 1937. The festival was founded and created by Serge Koussevitzky (BSO Music Director 1924-1949) and is not only a place for music but for a variety of performances and multidisciplinary activities from dance troupes to trivia nights. It’s got a little bit of everything. 

     Year-round Berkshire County residents of Massachusetts may purchase a Berkshire Resident Season Lawn Pass priced at $100. Local residents must show a valid Massachusetts license which is required to obtain a photo ID pass.

    There is also an array of choruses and orchestras to catch of course playing everything from classical to pop culture recreations. With acts like Andris Nelsons-led program with Augustin Hadelich performing Beethoven’s Romance No. 1 and Dutilleux’s L’Arbre des songs to Two Boston Pops concerts led by Keith Lockhart: a film presentation of Star Wars: The Empire Strikes Back, with the orchestra performing the score on August 21st Tanglewood covers all the orchestra bases.

    There is also ‘Wait Wait…Don’t Tell Me!’ NPR’s weekly news quiz hosted by Peter Sagal with judge and scorekeeper, Bill Kurtis, and the annual John Williams’ Film Night is coming back hosted by Mr. William’s himself. There’s definitely a little something for every music lover out there even if it’s not just music.

    Tickets go on sale Sunday, Feb. 9, at 10 a.m and regular-season ticket prices range from $12-$132 on average. For tickets and more information visit Tanglewood’s website or call 888-266-1200.

  • Metropolis Ensemble adds New Performances to 13th Season

    Grammy-nominated Metropolis Ensemble is a dynamically evolving 21st century orchestra with a dedication to creating a future for classical music both of and for the times we live in. Founder and conductor Andrew Cyr, who has been called “a prominent influence in the world of newly emerging music,” by the Washington Post). Metropolis Ensemble exists to support ascending contemporary classical performers and composers, often engaging them with other bleeding-edge cultural innovators and artists through its unique collaborative process.

    This season’s performances reflect Metropolis Ensemble’s ongoing process of forming highly collaborative and nurturing relationships with artists to make and present large-scale projects. Past partnerships include major live presentations and studio recordings with artists such as Avi Avital, Timo Andres, Questlove, William Britelle with Wye Oak and Brooklyn Youth Chorus, and Emily Wells.

    The collective has announced additional performances for their already underway 2019-2020 season. New events will find collaborations with the collective 37d03d at Eaux Claires Hiver in Wisconsin, as well as pop up shows in New York City.

    Several of this season’s events in New York City are being held at Metropolis Ensemble’s pop-up venue called 1 Rivington, which Metropolis launched in 2017 to provide a place for new projects and collaborations to take shape in a supported framework. It has since presented more than 75 performances and commissioned dozens of new works in the loft space. Through these various forms of support and collaboration, Metropolis Ensemble works to re-imagine what a classical music ensemble and community can be in the 21st century. For more information on events, visit their website for details.

    Metropolis Ensemble 2019-2020 season upcoming performances

    11/22-23/19 — Eaux Claires Hiver – Eau Claire, WI (various locations)
    Members of the Metropolis Ensemble community will join the collective 37d03d (“People”) for an immersive weekend of performance and improvisation featuring Ani DiFranco, Aaron Dessner, Justin Vernon, Pieta Brown, Jon Hopkins, Willam Brittelle, and more.

    11/23/19 — Oak and the Ghost: Music of Nathan Schram – NY, NY at 1 Rivington 
    The album release performance for violist Nathan Schram’s Oak and the Ghost (New Amsterdam Records), featuring the Attacca Quartet. Schram’s music meshes the acoustic world of the classical string quartet with the bumps, bruises, and richness of modern electronica.

    12/02/19 — Ecstatic Music: Gaby Moreno, LADAMA and Metropolis Ensemble present ¡Spangled! – NY, NY at Kaufman Music Center
    Guatemalan-born singer-songwriter Gaby Moreno is joined by the women of Latin Alternative quartet LADAMA and the Grammy-nominated chamber orchestra Metropolis Ensemble (Andrew Cyr, conductor) to perform music from ¡Spangled!—her new collaborative album with American musician, songwriter, arranger and producer Van Dyke Parks (Nonesuch Records).

    12/09/19 — JACK Quartet Studio Readings – NY, NY at 1 Rivington
    In partnership with Metropolis Ensemble, JACK Quartet will read and record existing works by artists who may not otherwise have access to professional ensembles and performance space. 

    1/03/20 — Fiona Gillespie and Elliot Cole: Tam Lin – NY, NY at 1 Rivington
    A modern adaptation of the 16th-century Scottish ballad “Tam Lin” — a story of transformation and love to life in a musical drama weaving traditional Celtic, medieval, and modern musical threads.

    4/02/20 — Ecstatic Music: Metropolis Ensemble and Bell Orchestra
    NY, NY at Kaufman Music Center
    A sonorous trip into the energetic abysses and meditative heights of orchestral music from Bell Orchestre’s upcoming third album, House Music, in a large ensemble arrangement by multi-instrumentalist and composer Owen Pallett, featuring Metropolis Ensemble. Bell Orchestre consists of six musical mavericks including Arcade Fire members Sarah Neufeld and Richard Reed Parry. The evening will also feature the world premiere of a new piece, more details to be announced soon.

  • Empire State Youth Orchestra Celebrates 40 Years At Troy Savings Bank Music Hall

    Members of the Empire State Youth Orchestra shut down the house with a robust symphony performance of four classical pieces at the Troy Savings Bank Music Hall on Saturday night. As the musicians took to the stage, excitement rose in the room as everyone got ready to celebrate ESYO’s 40th Anniversary Celebration. The crowded room had a diverse audience of young and old, supporting family members and fans of classical music alike. Renowned for its amazing acoustics, the Troy Savings Bank Music Hall served as a perfect venue.

    With as much animation as the small box on which he stood would allow, conductor Carlos Agreda drew exactly what was needed out of the 100 Capital Region middle and high school students sitting on stage. 

    Opening the concert was Dmitri Shostakovich’s ‘Festive Overture OP.96.’ This celebrative piece, while the shortest of the night, was the perfect set up for what was to come. ESYO Alumni Kenneth Olsen took the stage to perform the solo of the four movement ‘Concerto for Violoncello and Orchestra’ by Edward Elgar. Hailing from the Albany area and a graduate of Colonie High School, Olsen feverishly tore through the piece all from memory which brought the crowd to their feet in applause.

    After a brief intermission the audience returned to their seats for the final two pieces. First up was the wildly popular Overture to ‘Die Fledermaus’ by Johann Strauss Jr., bringing another witty and playful piece to the set before the musicians settled in for their most complex piece of the night. The grandeur sounds of composer Ottorino Respighi filled the venue as the students undertook the ‘Pines of Rome’ with near perfection. Through four movements, using various melodies and rhythms including a recording of a nightingale, the audience was transported to another time and place.   

    Agreda asked at the beginning of the concert, “Why ESYO? Why should one support the arts?” The smiling faces and teary eyes from nearly every person in the room was answer enough. ESYO provides students a chance at pursuing musical excellence and reminding us all that music speaks where words fail.

    Be sure to check out ESYO’s website for the upcoming 2019-2020 season including their annual Melodies of Christmas at Proctors Theatre in Schenectady.

    ESYO Upcoming Concert Dates

    Nov. 24 – TBA

    Dec. 6 – Fransworth Middle School – Guilderland, NY

    Dec. 15 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    Dec. 19-22 – Proctors Theatre – Schenectady, NY (Melodies of Christmas)

    Feb. 1 – Crossgates Mall – Albany, NY

    Feb. 12 – Clayton B. Bouton High School – Voorheesville, NY

    Feb. 13 – TBA

    Feb. 27 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    Mar. 9 – UAlbany Performing Arts Center – Albany, NY

    Mar. 29 – UAlbany Performing Arts Center – Albany, NY

    Apr. 1 – Proctor’s Theatre – Schenectady, NY

    Apr. 26 – Troy Savings Bank Music Hall

    May 1 – TBA

    May 2 – Arthur Zankel Music Center, Skidmore College – Saratoga Springs, NY

    May 3 – Brown School – Schenectady, NY

    May 10 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    May 17 – Massry Center for the Arts, College of Saint Rose – Albany, NY

    May 31 – Saratoga Performing Arts Center – Saratoga Springs, NY

    June 20 – GE Theatre at Proctors – Schenectady, NY

  • The Who’s ‘Tommy’ will return to Broadway in 2021

    Pete Townshend and Tony Award-winner Des McAnuff will bring The Who’s Tommy back to Broadway in 2021. 2019 marks the 50th anniversary of The Who’s Tommy, which tells the story of a young boy traumatized into deafness and blindness, yet has an unexpected gift for pinball that puts him on the path towards becoming the leader of a messianic movement.

    Inspired by the groundbreaking 1969 LP and the 1975 film adaptation, the staged musical version of The Who’s Tommy first appeared in the summer of 1992 at San Diego’s La Jolla Playhouse. It later opened on Broadway in 1993, winning a Grammy and five Tony Awards, including Best Original Score and Best Direction of a Musical.

    With McAnuff and Townshend at the helm, the show won five Tonys that year. Now, with a return to the stage, McAnuff says it is more relevant that ever.

    “Our new production of Tommy will be a reinvention aimed directly at today,” he said of the new production, for which he’ll act as director. “Tommy combines myth and spectacle in a way that truly soars. The key question with any musical is ‘Does the story sing?’ and this one most certainly does. Tommy is the anti-hero ground zero. He is the boy who not only rejects adulthood like Holden Caulfield in The Catcher in the Rye, but existence itself. He becomes lost in the universe as he stares endlessly and obsessively into the mirror at his own image. This gives our story a powerful resonance today as it seems like the whole world is staring into the black mirror. The story of Tommy exists all too comfortably in the 21st Century. In fact, time may finally have caught up to Tommy Walker.”

    “In every producer’s career a show comes along that feels like a perfect fit,” says producer Hal Luftig. “To have Des and Pete look at Tommy again is extremely exciting and feels just right. I’m thrilled to bring Tommy back home to Broadway where it belongs!” Producer Patrick Catullo adds, “My parents took me to see Des’ original Broadway production for my 16th birthday. It completely blew my mind and is the singular reason I pursued a career in theater. The story is timeless and it’s one of the best scores ever written. I am beyond excited to present The Who’s Tommy not only for its existing fans, but to introduce it to a new audience as well.”

  • Supergroup Childsplay Fiddles with One Final Tour

    After 32 years Childsplay, comprised with some of the world’s best fiddle players, announced they would be going on tour for the last time. The short six-stop-tour across the Northeast starts in November and will include a performance at Symphony Space  in New York City on November 22. Once again, famous fiddler and fiddle maker, Bob Childs, will lead this group as their time together comes to a close. Other members of the group range include Irish and Scottish fiddle champions to performers from the Boston Symphony Orchestra.

    It is hard to believe from that first show in 1986 that this day would come, but we have arrived at the final tour of the band. We’ve performed throughout the United States and Europe showcasing different styles of fiddle music. Through all of this, we have experienced so much pleasure and joy performing in front of some of the greatest audiences. This last tour gives us one more chance to savor and enjoy the magic that happens between our audience and the band.

    Bob Childs, Childsplay Frontman

    Special guests Sheila Falls, National Scottish Fiddle champions Hanneke Cassel and Katie McNally, Boston Symphony Violinist Bonnie Bewick and the talented Virginia fiddler Steve Hickman will be joining the group as they play music selected from their seven albums. Along with exceptional fiddle playing, one can expect original dances by by Molly Gawler, formerly of Pilobolus, Kevin Doyle contributing step-dancing routines. Irish folk singer Karan Casey will also be on the tour, all contributing to what will a series of extra special concerts.

    Childsplay

    The group formed over 30 years ago with only one common denominator, they all played instruments made by Childs. Thus Childsplay was formed. A majority of the music that Childsplay performs is written and arranged by the group with the intention to cover as many fiddle traditions as possible, from Irish to Celtic to the classics and more modern sounds.  

    Tickets for the concerts are on sale now at www.childsplay.org.

    Childsplay Tour Dates

     Nov. 14 – Stockbridge Theatre – Derry, NH

    Nov. 16 – State Theatre – Portland, ME

    Nov. 17 – Latchis Theatre – Brattleboro, VT

    Nov. 21 – Monomoy Regional High School – Harwich, MA

    Nov. 22 – Symphony Space – New York, NY

    Nov. 24 – Sanders Theatre – Cambridge, MA (two shows)

  • Hayley Jane and Ryan Montbleau Project ‘Yes Darling’ Making Theatrical Debut

    The masterminds behind Yes Darling, songwriters Ryan Montbleau and Hayley Jane, have just announced that they will be taking their debut album to the theatrical stage on Dec. 7 at The Double E in Essex, VT. This announcement comes just one week after their first music video for “Call Your Mother.” Using exaggerated humor, this playful duo brings to stage the reality of what many couples experience in finding harmony in a relationship.  

    “I do think Hayley and I have a pretty special chemistry together,” shares Montbleau. Of the upcoming performance, Jane elaborates, “We try to pull on every string of the heart. Not just the loving, romantic ones. Our show usually starts meaningful discussions. We take you down with us then we make you laugh. It’s real and raw.”

    Attendees can expect to hear Yes Darling in its entirety with Montbleau and Jane being accompanied by a full band. Tickets are on sale now and can be purchased through Eventbrite.

    Jane is headlining the inaugural Harvestfest: Tribute to Mother Earth with special guest Rob Compa of Dopapod on Saturday, Oct. 19 at Woods Valley Ski Area in Central New York.

  • The Bardavon launches Hudson Valley Philharmonic 60th Anniversary Season

    The historic Bardavon 1869 opera house in Poughkeepsie will kick off the Hudson Valley Philharmonic 60th Anniversary Season with the opening concert, Moon Landing, on Saturday, October 26 at 8 p.m.

    Hudson Valley Philharmonic 60th Anniversary

    More than 80 years ago, the Dutchess Philharmonic Community Orchestra was founded by four local amateur musicians, and 60 years ago conductor Claude Monteux elevated the orchestra to a fully-professional ensemble, renaming it the Hudson Valley Philharmonic. The 60th season also represents the HVP’s 21st year under Bardavon management and the 27th under the music direction of conductor Randall Craig Fleischer, who will conduct Moon Landing.

    The Hudson Valley Philharmonic 60th anniversary opening concert at Bardavon celebrates the 50th anniversary of the moon landing with Mozart’s “Jupiter,” Prokofiev’s violin concerto with an HVP String Competition winner and Ravel’s suite from Daphnis et Chloé with projected images from outer space. The program includes:

    Mozart: Symphony no.41, K.551, C major (Jupiter)
    Prokofiev: Violin Concerto no 2, op. 63, G Minor w/ 2018 HVP String Competition winner Cherry Choi Tung Yeung
    Ravel:
      Daphnis et Chloé Suite no. 1 & 2 w/visuals from outer space by Dr. Jose Francisco Salgado

    Audience members are invited to a pre-concert talk with the conductor and soloists and/or members of the orchestra one hour prior to the performance.

    José Francisco Salgado is an Emmy-nominated astronomer (BS in Physics, Univ. of Puerto Rico; PhD in Astronomy, Univ. of Michigan), experimental photographer, visual artist, and public speaker who creates multimedia works that communicate science in engaging ways. As the Executive Director and co-founder of KV 265, a non-profit science and arts education organization, Dr. Salgado collaborates with orchestras, composers, and musicians to present films that provoke curiosity and a sense of wonder about the Earth and the Universe. His Science & Symphony films have been presented in more than 350 concerts and lectures reaching a combined audience of more than 400,000 people in 18 countries.

    Cherry Choi Tung Yeung was born in Hong Kong, 22 years ago. Cherry studies with Ms. Ida Kavafian at The Juilliard School and has been admitted to the highly selective accelerated program, where she will finish both Bachelor’s and Master’s Program in four years; she is currently a senior/ first year master student. Cherry was accepted to the Hong Kong Academy for Performing Arts (HKAPA) Junior Program as a scholarship student at the age of 6. Cherry skipped high school and later at the age of only 15, she was accepted as a full-time student at the HKAPA.

    Single tickets to all HVP concerts are $20 – $58 based on location. For more information visit the Bardovan website.

  • Live from Here welcomes New York’s Phinest

    As Live From Here continues its fall run from their new home at The Town Hall in New York City, fans were treated to another glorious episode (with slightly more than the usual phanfare) due to one particular name on the guest list. Being a live air show with a strictly dicatated schedule, 6:00:00 PM sharp brought on the opening notes of “Fugue State,” a Vulfpeck tune in its second year as the LFH theme song. After a mulit-faceted and highly layered “C Q,” this week’s song of the week (yes, Chris Thile writes a song every week!), which sounded somewhat like a venue appropriate mini Broadway musical, Thile announced this week’s first guest.

    Live from Here
    Photo courtesy of Live From Here

    Trey Anastasio entered to thunderous applause as there were many Phish fans in attendance who probably saw their first and only episode of LFH last night. “Theme From the Bottom” was Trey’s first offering, rearranged to play alongside the house band of Chris Thile (mandolin), Mike Elizondo (musical director/bassist), Chris “Critter” Eldridge (guitar), Kush Abadey (drums), Brett Williams (keys), Brittany Haas (fiddle) and guest Sarah Jarosz (vocals, banjo, mandolin, guitar). “If I Could” was Trey’s next choice, and if you didn’t know better you might think it was a duet written specifically for he and Sarah Jarosz. Trey really opened up a beautifully composed solo for this one, his tone so clean as he played out of a very stripped down set up and not his usual Phish rig. 

    Photo courtesy of Live From Here

    Tom Papa left the audience in stitches with his Out in America segment, followed by a jazzy house band number and then Sarah Jarosz covering Joanna Newsom’s “Book of Right-On.” Edward Norton was next up, explaining how he got hooked up with Thom Yorke and guest Wynton Marsalis for music for his new movie premiering November 1, Motherless Brooklyn, a 1999 book by Jonanthan Lethem from which he read like the world class actor that he is. 

    Live from Here

    The Jazz at Lincoln Center Orchestra with Wynton Marsalis quietly assembled on stage during Ed Norton’s segment and wowed the crowd with two numbers, the second of which saw them joined by Chris Thile. Fifteen members strong with twelve horns, an upright bass, baby grand piano and drums, Wynton immediately distinguished himself from the rest of the similarly clad ensemble, treating the room full of Phish phans to a heavy dose of culture from one of New York’s finest professional jazz outfits.
    The birthday segment was next, where Thile recognizes musician’s birthdays and plays their songs. Sarah Jarosz shined bright again and showed off her range during a cover of Natalie Maines “Cowboy Take Me Away,” followed by Fela Kuti’s resounding protest song “Zombie” and Sweeney Todd’s “A Little Priest,” a nod to Miss Lovett and Angela Lansbury’s birthday. One more birthday for this segment and another opportunity to introduce Trey Anastasio, who quipped, “Everyone who’s ever strapped on a guitar owes a little to Chuck Berry,” before covering “Back in the USA,” again sounding so clean on his minimalist rig.

    Live from Here
    Photo courtesy of Live From Here

    Before Trey’s next selection, Thile asked him just how he chooses only four songs from the mighty catalog at his disposal, “You know, I play in a band that goes on stage without a setlist so a lot of it is just feel and the vibe from…you people {pointing to the audience}. This is just a song I like a lot right now,” as he launched into a chilling “Life Beyond a Dream,” which was a perfect song choice for the setting.

    Live from Here
    Photo courtesy of Live From Here

    Dulce Sloan was next with an outstanding set of stand up comedy as she opened with, “I can’t believe I’m gonna do stand up after the chillest song I’ve ever heard,” and, “did you notice the only black people here are me and the drummer?” A trio of fiddle songs featuring Britanny Haas was next before Tom Papa had a belly-laughing, eyes-tearing reading about parenting. “I used to listen to Phish,” he quipped, “now I do it quietly…in the bathroom.”

    Live from Here
    Photo courtesy of Live From Here

    The Jazz at Lincoln Center Orchestra played another mind-boggling number (best music city in the world, anyone?), again highlighted by Mr. Marsalis though his company of professional musicians was almost equally impressive, and was soon joined by phan favorite Trey Anastasio, now set up stage left in front of the orchestra, for what would be the On-Air finale of “Blaze On.” Watching these musicians watch and marvel at each other, Thile and Trey at Wynton, Wynton at Trey, along with Thile’s endearing and wild gesticulations, just drove home the fact that the Live From Here faithful (and a roomful of LFH first timers) were treated to something special last night. A final off-air performance of Lester Flatts’ “I’m gonna sleep with one eye open,” with the audience on their feet sent everyone home reeling. 

    Photo courtesy of Live From Here

    The crowd was grateful for the intimate performance, and that New York City is the new home of LFH, along with Trey, Winton, and the Jazz at Lincoln Center Orchestra. Just another ho-hum night in New York of world class music and collaborations.

    https://www.instagram.com/tv/B3k1EvfAiol/?igshid=620a6futyhp
  • Montbleau and Jane say Yes Darling and release “Call Your Mother” video

    Yes Darling, a collaboration between songwriters Ryan Montbleau and Hayley Jane, has been seen on festival stages across the Northeast for the past few years, and this week have released a video for “Call Your Mother.” The “lovable duo with one really great singer” uses tongue-in-cheek humor, vaudeville inspired stage banter and characters who lovingly fight throughout their songs and performances. When experienced live, the two effortlessly document a modernized, yet nostalgic, outlook on a (mostly) loving relationship.

    “To me, Yes Darling is Ryan and myself being honest, brutally honest,” shares Hayley Jane. “We’ve taken these parts of ourselves and amplified them into characters. It’s us, but we’ve removed a few filters and added adorable outfits. We tackle the highs, lows, and mundane of relationships. I think there’s a lot folks want to say to their partners, but they either don’t know how or are afraid. So we put it all on blast so we can look at it and laugh. I think laughing through darkness and difficulty is how a lot of us move on from it.”

    Yes Darling is a duo that I let Hayley Jane be in even though I carry all the weight and am clearly the main talent,” chimes in Ryan Montbleau, sarcastically. “No, honestly, Yes Darling is a duo and we play a couple and we fight in our songs. I think at our deepest, we explore male/female archetypes and dig at some truths about couple-hood in a way I’ve never seen any musical project do before.”

    The song “Call Your Mother” echoes a sentiment that will ring true with many listeners: “Call your mother, she’s getting worried she has not heard from you. Tell her you love her, just don’t tell her everything you do.” It proceeds to chronicle the antics of love, lust, promiscuity, and recreational alcohol and drug use, among other modern trials and tribulations we all face, packaged in such a way that almost anyone can sit back and laugh.

    Watch a full set of Yes Darling from Green River Fest in Greenfield, MA.