Sister Sparrow & The Dirty Birds have announced a final stint of shows before lead singer Arleigh Kincheloe embarks on maternity leave, with a second baby on the way, due in October. But that has not stopped her from holding true to the nitty-gritty Dirty Bird funk that goes down each and every time the band hits the stage.
The Dirty Birds had just performed a free show at Athens Riverfront Park in Athens, NY. For the last three dates fans will flock to Chattanooga, TN; Jersey City, NJ and a final cap at Brooklyn Bowl on September 14.
Kincheloe told NYS in a phone interview how it is just time to take a break from the road, rightfully so. However the front-woman stuck out the entirety of her pregnancy touring on the road, where as she did not with her first child. Despite the reactions by some fans, mothers especially, this is a true gift, taking the bands family ties to a second generation. Kincheloe is nothing short of grateful and glowing to be moving around stage with her child. Spiritually, and quite literally, Kincheloe feels her newborn-to-be on stage with her, making for a unique and special run of final shows.
Arleigh, rocking out with her newborn-to-be in Athens, last Friday.
Touring vigorously with Kincheloe’s latest realise Gold, the band spent the latter half of 2018 and early 2019 on the road selling out venues, including the accliamed Levon Helm Studios. Gold was produced and co-written in collaboration with Carter Matschullat (Chef’Special, Secret Weapons) at Brooklyn’s DØØM Studio, and made NYS Music’s Best Album of the Year in 2018, below.
The glimmer of Gold has caught our eyes. The overanxious wait for another Dirty Bird release had us on edge. In the past three years we have been deprived of the nitty-gritty funk powerhouse and soulful horn section that is Sister Sparrow & The Dirty Birds. While Gold is everything we want, this record is a spotlight on the undeniable front-woman Arleigh Kincheloe, a.k.a Sister Sparrow. This razors edge has captivated fans – a blend between modern-pop shimmer, electronic accents and that Dirty Bird flare.
For the past seven years, LOCKN’ has been a true musical haven for improvisation, acting as a base for some of the most famous and remarkable collaborations. This year was no exception as some of this music scene’s most influential artists came together to share moments with festival patrons that won’t be forgotten any time soon.
The atmosphere at LOCKN’ this year was unique in that the festival felt smaller in scale compared to some of the past years when the grounds were overflowing with festivalgoers by virtue of acts like Phish, Disco Biscuits, The String Cheese Incident and Widespread Panic. In a way, the experience was more intimate and special as a result, with the performing artists’ music sweeping out into the crowd to bring their audience on a journey that was curated for their experience and their memories only.
It is always interesting to see the year-to-year tweaks that the festival implements to change the mood or improve the experience for patrons. This year, the thing that stood out was the late night shows in Garcia’s Forest, which included Circles Around the Sun, Soulive and Galactic.
Never miss a LOCKN’ sunset. Oteil & Friends
For those of us that have been six-to-seven year patrons of the festival, it is nostalgic to remember back to a widely favored and heralded set at LOCKN’ by the Tedeschi Trucks Band in 2014 in the Garcia Forest. What a trip, so many years later, to experience the powerhouse group headlining the festival, joined by superstar Trey Anastasio as the key acts of the weekend.
R.I.P Neal Casal, pictured at his last performance with Oteil & Friends.
Festivalgoers of this year’s LOCKN’ will forever evoke the memories of Neal Casal’s final performances, before our music community tragically lost him the Monday following the festival. This past weekend, Neal Casal performed late night on Thursday night with his outfit, Circles Around the Sun, which was orginially formed back in 2015 to record the interlude music for The Grateful Dead’s 50th Anniversary Fare Thee Well shows. Joe Russo performed a surprise sit-in with the group Thursday evening, in light of a collaborative EP that is due to release later this fall. Neal was seen again on stage with powerhouse group Oteil Burbridge & Friends, which also included Bob Weir and Duane Betts. Here is a clip of his solo on Thursday night with Circles Around the Sun:
“Interlocking” sets was the theme of the weekend, as always, at LOCKN’. Bob Weir graced a number of sets as a guest, as usual, including Oteil & Friends’ set where he sat in for “Cassidy” and a “Happy Birthday” song to Oteil; he joined Twiddle with Eric Krasno and John Popper for “Eyes of the World;” Old Crow Medicine; and Edie Brickell and the New Bohemians for “Deep Elem Blues.” Bob Weir was also “sitting in” during Joe Russo’s Almost Dead set when the camera spanned to him sitting side stage on a couch listening to JRAD’s set that included cuts like “Ruben and Cherise,” “Peggy-O,” “The Other One,” “Casey Jones” and “Uncle John’s Band,” to name a few.
Other notable moments of the weekend include one of the early sets of the weekend, when Trey played with the Thai-funk improv outfit Khruangbin, adding his legendary guitar licks to songs like, “Lady & Man” and “People Everywhere (Still Alive).” Moon Alice performed with the T Sisters and Lester Chambers and his son Dylan Chambers on Friday on classics such as “Uncle Johns Band” and “Attics Of My Life,” in addition to a few Moon Alice classics. Melvin Seals & JGB played a set together with John Kadlecik and the Pigeons Playing Ping Pong set had a sit-in from the Revivalist horns, to name a few more “Lockn’ Moments.” Honorable mentions should go to Fruition, who brought a sizable crowd to an 11 a.m. Garcia’s Forest set, finishing their performance with a crowd-requested “The Meaning.” Free Union started off the main stage performances on Saturday by inviting members of the Audacity Brass Band to play with them after their set was cancelled due to the storm on Friday.
Bob Weir and John Popper of Blues Traveler sit in with Twiddle.
But the weekend recap wouldn’t be complete without mentioning the extraordinary delicacy of seeing Trey and Derek performing together. Trey and Derek, certainly not strangers to each other’s guitar licks as the first time they played together was 20 years ago, had no trouble showing their respect for each other’s craft by adding the perfect additions to their respective sets. Starting with Friday night, Derek sat in for the entire second set with Trey Anastasio Band for songs like “Set Your Soul Free,” “Ghost,” and “Blaze On” with an additional sit-in from Susan on “A Life Beyond a Dream” and “Rise/Come Together.” On Saturday, Trey sat in with TTB for covers from the Derek and the Dominos’ classic album Layla And Other Assorted Love Songs while TTB proper followed with “Keep On Growing,” “Nobody Knows You When You’re Down and Out” and “I Am Yours.”
https://www.youtube.com/watch?v=PaJ4auxoI0E
Derek Derek Derek Trey Trey Trey
Once again, the spirit at LOCKN’ was alive and well this year, and is rooted deeply now for the tradition to continue next year all over again.
The 8th annual JazzFest White Plains features a lineup of internationally renowned musicians celebrating jazz, culture and community from September 11-15. The five-day festival is produced by ArtsWestchester, The City of White Plains and The White Plains BID.
JazzFest takes place during the White Plains Jazz & Food Festival from noon to 5:30 p.m. on Sunday, Sept. 15. Music and entry are free, with food and beverage vendors taking over Mamaroneck Avenue in front of the historic ArtsWestchester building. Five bands will perform throughout the day, ending with the New Orleans sounds of two-time Grammy-nominated trumpeter Alphonso Horne and the Gotham Kings.
In addition to dozens of free and affordable concerts taking place throughout the city, headlining performances will include artists such as Mwenso & the Shakes, Camille Thurman, and Emmet Cohen with George Coleman and Jimmy Cobb.
Janet Langsam, CEO of ArtsWestchester, explains: “The 2019 JazzFest White Plains lineup presents a diverse roster of path-breaking artists from young rising stars Joel Ross (vibes), Melissa Aldana (sax), Emmet Cohen (piano), and Camille Thurman (voice/sax) to jazz legends George Coleman (sax) and Jimmy Cobb (drums). Featured artists are known for their work as performers and composers, bringing jazz into conversation with Afro-Brazilian music, Colombian folk rhythms, Cuban charango, hip-hop, Ashanti drumming, funk and reggae. There’s truly something for everyone at this year’s JazzFest.”
The 2019 JazzFest White Plains Lineup: Wednesday, Sept. 11 Noon |Downtown Music at Grace Church, 33 Church St. Nanny Assis Trio (FREE) Bahia native Nanny Assis is a singer, drummer, percussionist and songwriter. He is a master of Brazilian Jazz, Afro-Brazilian music and other popular and folkloric sounds from his homeland. 12:30 pm |Court Street Farmer’s Market, 59 Court St. Kristina Koller (FREE) As a vocalist, arranger and composer, Kristina Koller pushes “vocal jazz” in a new direction. Her music melds different genres with uplifting traditional jazz standards. 5:30-9:30 pm | Downtown White Plains Jazz Stroll (FREE) 5:30 pm | Mediterraneo White Plains (189 Main St.) Albert Rivera Quartet -Saxophonist Albert Rivera has toured North America and played at venues such as the River Room in Harlem and Dizzy’s Club Coca-Cola at Lincoln Center. In 2009, he was the recipient of the ASCAP Young Jazz Composer Award. 6:30 pm | Morton’s The Steakhouse (5 Mamaroneck Ave.) Pablo Mayor’s Folklore Urbano -NYC Trio Pablo Mayor is one of the leading contemporary voices of Colombian music. His trio combines the native rhythms of Colombia with Jazz, Salsa, and Cuban Charanga. The Folklore Urbano NYC Trio has been heard throughout the USA, including renowned venues across the NYC area, as well as Canada and Colombia. 7:30 pm | The Ritz-Carlton, Westchester (3 Renaissance Square) The Brian Carter Quartet -Jazz drummer Brian Carter has affiliations with many musicians, including Bob Baldwin, Gil Parris, Bernie Williams, Eddie Henderson, Wali Ali, Nico Morelli and the late Didier Lockwood. 8:30 pm | Sunset Restaurant Bar (49 Mamaroneck Ave.) Gilberto Colon Jr. & Ensalada De Pulpo- Gilberto “Pulpo” Colón Jr. is a pianist, composer, arranger, producer and band leader best known for his role as Musical Director for salsa superstar Héctor Lavoe. Colón has worked & recorded with some of Latin music’s most popular artists. Thursday, Sept. 12 Noon | Jazz at Noon: White Plains Public Library Plaza, 100 Martine Ave. Eunha So Quartet (FREE) -Pianist and composer Eunha So plays across genres, from classical to jazz. She has trained under several prominent artists, including Eric Gunnison, Art Lande, and Pete Malinverni. She is a graduate of SUNY Purchase’s graduate program in Jazz Studies. 6:30 pm | Outdoor Plaza at 5 City Place Keyon Harrold (FREE) – Keyon Harrold, who was raised in Ferguson, Missouri, was schooled in the straight-ahead jazz tradition. The trumpeter has been featured on more than one hundred jazz, R&B, hip-hop, gospel and blues albums, in addition to Miles Ahead, the Grammy Award-winning movie about Miles Davis. Harrold has recorded or performed with Gregory Porter, Prince, Jay-Z, Beyoncé, Mary J. Blige and many others. 8:00 pm | ArtsWestchester, 31 Mamaroneck Ave. Pete Malinverni’s Jazz-Chester, feat. Ralph Lalama, Mike Migliore and Aaron Seeber ($25) – Pete Malinverni is Head of Jazz Studies at the Conservatory of Music at Purchase College. He has been a fixture on the New York City jazz scene since moving there in the early 1980s, and has recorded fourteen times as a leader in solo piano, trio, quartet, quintet, big band and choral contexts. During his time in NYC, Malinverni has recorded and performed with a host of masters, including Joe Lovano, Vernel Fournier, Charles Davis, Mel Lewis, Dennis Irwin, Jon Faddis, Karrin Allyson, Steve Wilson and many others. 10:00 pm | ($10) ArtsWestchester, 31 Mamaroneck Ave. Jazz Jam – Audience members can sign up for a jazz jam led by Jake Robinson of the Music Conservatory of Westchester, Ed Palermo of Hoff-Barthelson Music School, Bob Gingery from Concordia Conservatory and Pete Malinverni from SUNY Purchase College. Friday, Sept. 13 Noon | Jazz at Noon: White Plains Public Library Plaza, 100 Martine Ave. The Marcio Garcia Trio (FREE) -Dominican pianist, composer and educator Marcio Garcia has performed at the Stanford Jazz Institute, the 2016 Monterey Next Generation Jazz Festival, Five Points Jazz Festival, Carnegie Hall, Blue Note NYC, Birdland and Dizzy’s Club Coca-Cola. 5:00 pm | White Plains Plaza, 1 N. Broadway Kotoko Brass (FREE) -Kotoko Brass melds the traditional drum rhythms of Ghana, the sturdy bass and keyboards of the Caribbean, and the joyous horns of New Orleans to forge a new sound of its own. The band has shared the stage with Femi Kuti, the California Honeydrops, Vieux Farka Toure, Innov Gnawa, Take 6, the Boston Pops and more. 7:30 pm | ArtsWestchester, 31 Mamaroneck Ave. Joel Ross ‘Good Vibes’ ($20 for 7:30pm | $35 for both 7:30 & 9pm) Chicago native Joel Ross, twice selected as a Thelonious Monk Institute National All-Star and a 2013 Young Arts Jazz Finalist, has performed with established artists like Herbie Hancock, Louis Hayes and Christian McBride, as well as with cutting-edge contemporaries like Gerald Clayton, Jon Batiste and more. He’s also performed at the Brubeck, Monterey, Seattle and Chicago Jazz Festivals, and internationally-celebrated venues like Dizzy’s Club Coca-Cola in New York, SF Jazz in San Francisco, and Club Vibrato in Los Angeles. Ross recently completed a two year fellowship with the Brubeck Institute Jazz Quintet in California. 9:00 pm | ArtsWestchester, 31 Mamaroneck Ave. Joel Ross ‘Good Vibes’ feat. Melissa Aldana ($20 for 7:30 pm | $35 for both 7:30 & 9 pm) – Chilean saxophonist and composer Melissa Aldana has had a remarkably rapid evolution, from being a six-year-old sax prodigy to now being widely considered one of the most compelling tenor saxophonists on the scene. In 2013, Aldana became both the first female instrumentalist and the first South American to win the Thelonious Monk Competition. She is also a recipient of the Martin E. Segal Award from Lincoln Center and a double recipient of the Altazor Award, Chile’s prestigious national arts prize. Aldana has released four recordings as a leader. Recently, she premiered the commissioned suite, Visions for Frida Kahlo, before touring Brazil, Europe and Australia with her quartet.
Saturday, Sept. 14 11:00 am | Court Street Farmer’s Market, 59 Court St. Tim Veeder Quartet (FREE) – The Tim Veeder Quartet electrifies audiences locally, nationally and abroad with jazz/funk/fusion originals in addition to fresh, funky takes on jazz standards. Veeder has shared the stage with many notable artists, including Bucky Pizzarelli, Richie Cannata, Jay Azzolina, drummer Richie Morales and many others. 2:00 pm | Galleria White Plains, 100 Main St. Jazz at the Galleria Youth Showcase (FREE) 2:00 pm |White Plains Public Library, 100 Martine Ave Hands-On Jazz for Families (FREE) – Join teachers from The Music Conservatory of Westchester for a participatory music event at the White Plains Public Library. 8:00 pm | White Plains Performing Arts Center, 11 City Place Emmet Cohen Quartet feat. George Coleman & Jimmy Cobb ($29-44) Recognized as a prodigy who began playing at age three, multifaceted American jazz pianist and composer Emmet Cohen has emerged as one of his generation’s pivotal figures in music. Cohen is the recent winner of the American Pianists Association’s prestigious 2019 Cole Porter Fellowship. In this performance, his ensemble will be joined by two of jazz’s greatest figures, George Coleman and Jimmy Cobb. Among countless accomplishments, Coleman was recognized as a National Endowment of the Arts “Jazz Master,” played in Max Roach’s band, was a member of the Miles Davis quintet with Herbie Hancock, Ron Carter, and Tony Williams, and played on Hancock’s landmark Blue Note recording, Maiden Voyage. Jimmy Cobb made his name in support of Dinah Washington, Cannonball Adderley, Miles Davis, Wes Montgomery and Sarah Vaughan, and on hundreds of studio sessions. As the drummer on Davis’ legendary album Kind of Blue, Cobb may be the most frequently heard drummer in jazz history. Sunday, Sept. 15: Noon-5:30 pm | Mamaroneck Ave. at Main St. White Plains Jazz & Food Festival (FREE ENTRY) Noon-12:45 pm | Lagond Music All-Stars – Lagond Music School presents a lineup of some of Westchester County’s finest young musicians. The ensemble performs a range of music from Latin jazz to danceable funk. 1:05-1: 50 pm | Art Bennett and The Organic Ensemble – Saxophonist Art Bennett was born and raised in White Plains, where he first began studying jazz. Active in the “Loft Jazz” movement of the 1970s in New York City, he has performed with greats Lonnie Smith, Rashied Ali, Roy Brooks, Willian Parker, and many others. 2:10–3 pm | Mwenso & The Shakes -Taking from the stylings of Fats Waller, Muddy Waters, James Brown and other American musical legends, Mwenso & The Shakes put on an electrifying show. Immigrating from Sierra Leone, London, South Africa, Greenwich Village, Madagascar, France, Jamaica, and Hawaii, the Shakes now call Harlem their home. 3:20–4:10 pm | Camille Thurman with The Darrell Green Trio -Camille Thurman is a “rising star” (Downbeat Magazine) who excels in both saxophone – from which energy soars, and vocals – from which she embraces a soulful dynamism and spirited “Fitzgerald-esque” (All About Jazz) scat. She has performed for audiences throughout the world. 4:30–5:30 pm | Alphonso Horne and The Gotham Kings -Two-time Grammy Award-nominated trumpeter Alphonso Horne has put together a band that weaves the sound of New Orleans into a rich musical fabric that demonstrates the history of the trumpet and the story of jazz. Inspired by the music of King Oliver Creole Jazz Band, The Gotham Kings use the virtuosity of the young Louis Armstrong and innovative genius of King Oliver to take you on a journey of sound that encompasses rags, stomps, shouts and funk.
For more information or to purchase tickets, visit the festival website here.
To paraphrase the Downchild Blues Band, the 2019 Chenango Blues Festival had everything you need, almost. The lone exception was a few bouts of rain and lightning. Even then, the staff anticipated the weather, advised festival-goers, revised the schedule, kept things rolling with minimal interruptions, and were rewarded with a spectacular rainbow once the rain subsided.
Norwich’s native son, Brian Golden, kicked things off on the main stage. Golden has a long history of playing in Syracuse-area bands before eventually moving to Nashville, where he met his wife and band mate, Aletha. The Brian Golden Blues Experiment encompasses his interest in blues, but also makes room for Aletha Golden’s powerful voice on soul/R&B/gospel-styled songs, which included a powerful cover of “I Shall Be Released.” More information is available here.
Up
next on the main stage was a returning crowd favorite, Johnny
Sansone. A multi-instrumentalist, Sansone had fans up and dancing
with his energetic accordion playing on zydeco tunes, adding Delta
blues and swamp rock numbers throughout the set.
Johnny Sansone
The tent stage is traditionally where CBF presents emerging solo/duo acts, or artists that might cover different ground than traditional blues. There were a couple of highly anticipated performers there, beginning with Jontavious Willis. At just 23 years old, he has caught the attention of venerable blues men Keb’ Mo’ and Taj Mahal, who combined as Producer and Executive Producer on Willis’ Spectacular Class, released in April of this year and available for purchase here. Willis proved to exceed expectations, showing prowess, showmanship, an easy rapport with the audience, and surprising covers of a roof-raising version of Ray Charles’ “What’d I Say?” and a crowd sing-along on Prince’s “Kiss.” This is an artist not to be missed.
Jontavious Willis
“When I heard him play I said to myself: this is how the blues, as I know it, is going to stay alive. Jontavious Willis is the first blues musician I’ve seen in over 30 years that I would pay to see – and he’s only 20 years old! I’ve seen the best. Jontavious is the real deal.” [Paul Oscher, noted blues musician, and former harmonica player in the Muddy Waters Band]
Multiple Blues Music Award winner and Grammy nominee Danielle Nicole took the stage for an abbreviated set cut short by the first rainfall of the day, which made it impossible for her to continue on the main stage. Still, she displayed the powerful vocals and driving bass guitar that were staples of her debut album Wolf Den and last year’s Grammy nominated Cry No More. Hear her music and check out her tour schedule here.
With rain falling, the infield crowd shoehorned into the tent stage area to see Pokey LaFarge. A performer with a distinct vintage fashion style, LaFarge’s set had elements of ragtime, swing, country, and certainly blues. He was often hilarious and seemed joyous to receive such an enthusiastic response. A highlight was his very recently penned tune, “There’s Always Something to Drink About.” LaFarge commented that he wrote the song a few days prior to the festival, after contemplating his decision to “try” to quit drinking last month.
“…those…storms that rip up the world as you know it, and leave, like a sacrifice, a rainbow to make you forget what has come before.” ― Jodi Picoult, Picture Perfect
While festival staff scrambled to protect equipment and clean up the main stage, it was decided not to wait, but to switch the Downchild Blues Band from the main stage to the tent stage. Frankly, it was a stroke of genius as the legendary band, celebrating their 50th anniversary, was able to replicate the feel of pulsating, crowded Canadian venues they had played for upwards of 250 to 300 shows a year for many of those years. Led by top-notch harmonica player and guitarist Donnie “Mr. Downchild” Walsh, with award-winning vocalist Chuck Jackson, the group played songs from throughout their history, including their famous “Shotgun Blues” and “I’ve Got Everything I Need (Almost),” as well as the high-energy “Mississippi Woman, Mississauga Man” from their 2017 release, Something I’ve Done, which features songs written by five different band members. The band’s impressive history and music can be found here.
Joe Louis Walker had a couple of surprises for fans during his set. Piano player extraordinaire Kenny “Blues Boss” Wayne, easily the best-dressed person in attendance, joined what had initially been billed as a trio. Walker is a familiar face to Central New York blues fans, having played in Utica years ago and more recently at Funk N Waffles in Syracuse. He shared stories of the elder blues men that gave him a chance when he was just starting out and paid tribute by playing a song by Earl Zebedee Hooker. The second surprise was when Walker paid it forward by inviting Jontavious Willis to join him. Willis looked elated as he grabbed Walker’s red and black Greco guitar and smiled all throughout his time onstage.
Once
the rain ended and the
rainbow appeared, perennial
blues festival circuit favorite Tab Benoit took to the main stage. A
dynamic guitar player with a distinct vocal style that mixes his
Cajun roots with a whiskey-soaked sound more often heard in country
music, Benoit is an original in a genre that often relies on familiar
forms. A power trio with just Benoit and a rhythm section, the band
had fans crowding up front and singing and dancing along.
Tab Benoit
Closing out the day was Mississippi Heat band leader Pierre Lacocque, an impressive harmonic player and singer in his own right, directing a slightly stripped down touring version of the band, which sometimes features a horn section and multiple guitarists. The band still packed a punch and Lacocque was perfectly willing to share the stage and shine a light on the other performers, including the magnetic Carla Stinson on vocals for several songs and very special guest, Chicago legend Lurrie Bell on guitar and vocals.
Now in its 27th year, the Chenango Blues Festival is revered by fans far and wide. They have a fantastic knack of identifying and presenting emerging artists that create thousands of brand new fans. Valerie June, Ghost Town Blues Band, Davina and the Vagabonds, Southern Avenue, Nikki Hill, and Jerron “Blind Boy” Paxton come to mind in just the last few years. They also showcase known crowd pleasers and veteran acts that deserve an appreciative, responsive audience. They treat fans and artists with respect, pay attention to details, and just do things right. It’s a simple formula, but that doesn’t mean it’s simple to do. However, those are exactly the reasons why it is many fans’ favorite festival each and every year.
Hailing from Vinton, Louisiana, Marcia Ball will be bringing her unique sound to Caffè Lena on Friday, August 30. USA Today described her music as being a combination of “Texas Stomp Rock” and “Louisiana blues-swamp,” an intriguing combination. Each performance of Marcia Ball’s becomes a musical party of joyful music and triumphant vocals, and every note comes with a twist that is all her own.
Marcia Ball has won many accolades over her career, including a recent induction into the Austin City Limits Hall of Fame in 2018. In 2002, she won the Blues Music Award for “Blues Album Of The Year” for Presumed Innocent. In 2004, her album So Many Rivers was nominated for a Grammy Award and won the 2004 Blues Music Award for Contemporary Blues Album Of The Year, as well as the award for Contemporary Blues Female Artist Of The Year . She has been awarded a total of ten Blues Music Awards, ten Living Blues Awards and has been nominated for a Grammy five times.
Clearly, Marcia Ball is an incredibly talented musician who has cultivated a sound and style that can only be described as her’s. She will be performing two shows at Caffè Lena, an early show at 6:00, and a late show at 8:30. To get tickets to the early show, go here. To get tickets to the later performance, go here.
Syracuse-based keyboard player Mark Nanni has recently released a CD titled Towns & Spaces In Between. It is a wide-ranging disc that represents the breadth of the artist’s playbook, encompassing jazz standards, original tunes, popular songs from James Taylor, and selections from the Jerry Garcia/Grateful Dead songbook. He touches on classical, blues, and ragtime as well. It begins with a twist on Irving Berlin’s “Russian Lullaby” that allows Nanni to showcase his technique with precision and elegance. A different take on “Bye Bye Blackbird” catches the listener’s ear before leading into a couple of original songs such as “Sweet Danielle,” and “Royalty.” Perhaps the biggest surprise on the recording is the last tune, “Sonatina in G,” by Beethoven.
The CD was recorded live with no overdubs. While I admire the artist’s choice, there were a few places in which the vocals maybe could have used a little touch of enhancement, when overtaken by Nanni’s impressive keyboard playing. A minor point, to be sure, as his vocals serve the songs well. It’s just that Nanni’s piano and organ skills are so dazzling.
Photo Credit: Sandy Roe
For those unfamiliar with the work of Mark Nanni, Towns & Spaces In Between is a great introduction to the range of his abilities. I would hope the CD, and this review, each serve as an impetus to go see him live. The artist is at his best when able to stretch out on pieces, whether as a solo artist, or with the Grateful Dead tribute band Dark Hollow, or The Intention, Mark Nanni’s long-standing jazz ensemble.
Highlights: “Changes” “Nobody Knows You When You’re Down And Out” “Sonatina in G”
The artist’s schedule is available at through his Facebook page here.The artist’s CD can also be purchased at his shows, or through his website here.
The legendary Herbie Hancock brought his current gang of talented musicians to New York City’s Beacon Theatre last week and delivered a great mix of old and new by the jazz great. Thundercat opened the evening with his unique R&B, jazz-funk flavor and vibrant energy. Hancock then put on an incredible performance to a full house and showed NYC that he has still got it.
Thundercat and Dennis Hamm
Thundercat, aka bassist Stephen Brunner, started the evening off with his band that included Dennis Hamm (keyboards) and Justin Brown (drums). His eclectic songs and talented synergy with the band was evident from the beginning. Thundercat made several dedications, including to the departed Mac Miller and Ras G, as well as to Nintendo Switch lovers (video gamers).
Thundercat and Justin Brown
NEA Jazz Master and 14-time Grammy winner Herbie Hancock’s line up included Vinnie Colaiuta (drums), James Genus (bass), Lionel Loueke (guitar), and Terrace Martin (sax/synthesizer). Hancock showed his deep appreciation for his band by introducing each member individually. Bass player James Genus was announced as the current house bass player for SNL. Drummer Vinnie Colaiuta and jazz guitarist Lionel Loueke were up next for the all-star introductions. Multi-genre instrumentalist and producer Terrace Martin, who according to Hancock has known and worked with Thundercat for years, rounded out this impressive team.
Herbie Hancock
The band began with a feeling of old by starting with a jazz improvisation, followed by the classic “Cantaloupe Island.” The band introductions were up next, followed by the Headhunter’s “Actual Proof.” Flautist and vocalist Elena Ayodele lent her services on the next two songs. Hancock went into new territory with his skills, instruments and musical style, and gave the crowd a healthy serving of his new material. He is no stranger to new directions and this material had a fresh blend of hip-hop, R&B, jazz and funk. It will be exciting to see where Hancock goes with his new vision.
James Genus on the bass.
The band returned for an encore of the fan favorite “Chameleon,” which was teased earlier in the evening. Thundercat joined the party on stage to make this a memorable rendition. All musicians came together at the end for a final bow, which had the audience on their feet cheering. NYC certainly enjoyed the opportunity to catch up with this legendary musician.
The second annual Wood Fest Music Festival features a variety of nine regional and local artists covering genres from jam, Southern rock, indie rock, groove and Americana. The family-owned ski area transforms the slopes into a family-friendly music venue offering craft beers from members of the Heart of New York Craft Beverage Trail, bounce houses from Varano Super Jump, yoga by Just Breathe Yoga Studio, and local food trucks.
Spanning two stages over the course of the day and night, this year’s lineup features Annie in the Water, a Capital-region based band with 11 years under its belt, has recently released its second album Time to Play and has been touring incessantly. Annie in the Water’s sound incorporates a unique, groovy combination of funk, reggae, blues, and rock that gets the audience moving while the band feeds off of that vibe to create a truly interactive experience.
The Old Main is returning to Woods Fest for its second year, with their original brand of Americana. They have performed throughout the Northeast and have gained many followers along the way, including a fervent Woods Valley following. Equally comfortable performing in a small room or the big stage, this is a band on the rise. They have released two albums of original material, 2016’s Arlene and Too Far Gone, released in 2018. The live environment is where this band really shines. Audience interaction is what it’s all about so don’t be alarmed if Nash Robb suddenly shows up behind you in the crowd with his standup bass in tow.
The Black River is quickly becoming a recognized name throughout Central New York and beyond with its blend of classic and roots rock mixed with the soulful storytelling of band leader Mike Powell. The band recently concluded a month-long residency at the King of Clubs in Syracuse’s Armory Square; a stretch that saw the band hone its sound to create a sonic tour-de-force unlike any in the area. You can check out their recent performance at A Lovely Time Festival here.
Central New York’s premier Grateful Dead tribute band Dark Hollow joins the Woods Fest 2 lineup hot on the heels of their Barn Party at Critz Farms in Cazenovia. The band features a wealth of Central New York’s greatest musical talents and has been creating original takes on the Grateful Dead experience since 1996.
Nina’s Brewcomes to Woods Fest from Burlington, VT. They recently performed as part of Twiddle’s Tumble Down Festival and are quickly gaining traction throughout Central New York as a tremendous live act.
Los Blancos are Central New York’s musical godfathers. This band grooves like no other with its own take on the blues, Zydeco, Latin, roots, and funk. They’ve performed alongside such luminaries as Little Feat, moe., Los Lobos, Govt Mule, and Dickey Betts (formerly of the Allman Brothers Band), earning a fervent following of fans not only in Central New York but across the state and beyond.
Les Brers return to Woods Fest after a tremendous set last year. Les Brers are the region’s longest-running and best Allman Brothers Band tribute act. Many of last year’s attendees commented on last year’s set, saying that if you closed your eyes, you’d swear you were at an Allman Brothers Band show.
Late Earth comes to Woods Fest via the Syracuse alt-rock scene. Fresh off a performance at the A Lovely Time Festival at Snow Ridge, the band is spreading its unique sounds at venues and festivals throughout the area. This is another band on the rise and one that will surely grab your attention at Woods Fest. Their self-titled debut album packs an original rock crunch with an alternative bent that incorporates ska, blues, jazz, and punk. You can find it on all the streaming services and for purchase through Bandcamp.
Substanance returns to Woods Valley after making a splash on St. Patrick’s Day. This unique trio is the epitome of a family band. Father Joe Coniguliaro and his sons Quinn and Ben come from Saugerties packing a lunch box full of original material that combines elements of funk and harmonic indie rock that will provide food for your ears.
Advance tickets are available in person at Copper City Brewing Company, 1111 Oneida St. in Rome or online for $25 through the Woods Valley website at this link. Children ages 6-12 are $5, 5 and under are free. Passes include parking, all-day admission to the festival, and use of bounce houses for children.
Gates open at 11:00 am with the music beginning at noon. For more information or questions on Woods Fest Music Festival, visit the festival website.
A jazz legend in the making, Kamasi Washington, will perform on Thursday, August 1 at White Eagle Hall in Jersey City, NJ, bringing his West Coast jazz sound and multi-instrument skills to an eager audience. Born in Los Angeles, Washington’s 2015 debut album The Epic received critical praise and was awarded the inaugural American Music Prize. Subsequent albums Heaven and Earth and Harmony of Difference received similar acclaim, with the latter debuting at the 2017 Whitney Museum of Art Biennial.
When Kamasi Washington released his tour de force LP, The Epic, in 2015, it instantly set him on a path as our generation’s torchbearer for progressive, improvisational music that would open the door for young audiences to experience music unlike anything they had heard before. The 172-minute odyssey featuring his 10-piece band, The Next Step, was littered with elements of hip-hop, classical and R&B music, all major influences on the young saxophonist and bandleader, who exceeds any notions of what “jazz” music is. Washington followed that work with collaborations with other influential artists such as Kendrick Lamar, John Legend, Run the Jewels, Ibeyi, among others. Washington’s mass appeal continues to grow, drawing vibrant, multi-ethnic and multi-generational crowds with tour stops at the world’s most prominent festivals such as Coachella, Glastonbury, Fuji Rock, Bonnaroo and Primavera. He is currently on tour with Herbie Hancock in August.
Since the 2018 release of Heaven and Earth and its counterpart The Choice, Washington has toured the world over with sold-out shows in North America and Europe, including New York’s Apollo Theater and London’s Brixton Academy. Washington recently debuted his short film As Told To G/D Thyself which originally premiered at the 2019 Sundance Film Festival. Watch an interview with Washington discussing the movie below.
Joining Washington at White Eagle Hall is Taylor McFerrin, who recently released Love’s Last Chance, his first full-length album since his 2014 debut Early Riser. The collection, which featured Nai Palm, Thundercat, and Taylor’s legendary father Bobby McFerrin, earned praise from Pitchfork who hailed it as “an album built for slow weekend mornings spent in bed with a loved one.” Love’s Last Chance is McFerrin’s first album with his own voice on it. “Over the years, I’d learned how to convey myself well through my instrumentals,” says McFerrin. “But singing brings me closer than ever to being able to share everything that’s going on inside of me.”
World renowned jazz/funk saxophonist Karl Denson is set to bring his 7-piece Tiny Universe to the historic White Eagle Hall in Jersey City on Wednesday, July 31. Tickets are available here via Eventbrite.
Karl Denson is a founding member of the seminal funk band, The Greyboy Allstars, as well as the touring saxophonist with The Rolling Stones. The spirit and energy of KDTU is hard to contain as it’s stacked with top talent including Greyboy Allstars members Zak Najor on drums, bassist Chris Stillwell, and Crush Effects keyboardist David Veith. Rounding out the touring lineup are also guitarist DJ Williams, trumpeter Chris Littlefield, and lap steel/slide guitarist Seth Freeman.
With unparalleled chops and an eclectic mix of musical influence from Prince to the White Stripes (covers of both can be heard on tour), it’s no wonder Denson has been sought to record with acts such as Lenny Kravitz and Slightly Stoopid.
Touring in support of the recent release Gnomes and Badgers (out now via Seven Spheres Records), KDTU is making their way across the country all the way through the fall. For more ticket information and tour dates, visit Karl Denson’s Tiny Universe.
