The 2020 Lifetime Achievement Award recipients have been announced by the Recording Academy and it features a heralded list of singers, songwriters, rappers and performers.
The recipients include, rock bandChicago, who is known for bringing jazz band-style horns into rock music, as well as numerous number one albums, one of which –Chicago Transit Authority– has been inducted into the Grammy Hall Of Fame.
Fourteen-time nominee, and four-time Grammy-winner, Roberta Flack, will also be a recipient. The songstress is known for number one records like “The First Time Ever I Saw Your Face,” and “Killing Me Softly with His Song.”
Soul singer-songwriter Isaac Hayes, already a member of the Songwriters and Rock and Roll Hall of Fame, will collect another nod to his legendary career.
Influential rocker, Iggy Pop, also known as the “Godfather of Punk,” is best known for his illustrious solo career, while also serving as the lead singer of proto-punk band, The Stooges. He will be on the receiving end of his very first Grammy-award, as a 2020 Special Merit recipient.
Folk singer/songwriter, John Prine, known for his humorous style of country music – will be collecting his third Grammy, the influential songwriter has also had his eponymous debut-album inducted into the Grammy Hall of Fame.
Hip-hop pioneers, Public Enemy, known for their hard-hitting politically conscious lyrics and social commentary – will be awarded their very first Grammy win. The legendary group is best known for its classic LPIt Takes A Nation of Millions to Hold Us Back in addition to the renowned protest anthem “Fight the Power,” which has been inducted into the Grammy Hall of Fame.
Sister Rosetta Tharpe, being awarded posthumously, was a gospel singer, with innate skills on the electric guitar. The singer-songwriter, somewhat under-appreciated, with only one Grammy nomination before her death in 1973, but not any less legendary, was also recognized as having the first gospel record to crossover on the R&B charts.
The Special Merit Award – also known as the Lifetime Achievement Award – is decided on by vote of the Recording Academy’s National Trustees, to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording, according to the official Grammyswebsite, with past recipients including the likes of – Dianna Ross, Stevie Wonder, Ray Charles and Miles Davis.
Greenwich, NY natives Eastbound Jesus is set to release a new studio album, Full Moon Over Salem, on February 1 in celebration of their new album, for a a one-night performance at The Cohoes Music Hall at 8 p.m.
Carl Anderson (drummer/vocals) said of the release, “Full Moon Over Salem will be our first album in close to five years. We spent four years writing and performing these tracks before spending the last year recording it. After releasing four albums in five years it was important for us to take our time with this one and continue to push ourselves musically. It’s always been a goal to elevate our songwriting while remaining true to our signature Eastbound Jesus sound. Over the past year we have picked away at the songs, playing around with pedals and amps to find new tones, and trying different recording styles to elevate the compositions. We gave ourselves the time to bring in a number of guest musicians, and to really work through each track sometimes changing and re-recording our parts to get them where we wanted them. Now it’s time to put the album out there and hopefully everyone will appreciate all the work that has gone into it.”
Comprised of six friends the self-titled “Northern Rock” band has previously released four studio and one live album. Fans have seen them around the region at venues like The Palace Theatre and Alive at Five. For the past several years they have also partnered with Greg Bell of Guthrie/Bell Productions to host a two-day music and camping festival called Eastbound Throwdown on Irwin Farm in Salem, NY.
Tickets are on sale now and can be purchased here.
Many braved frigid temperatures Thursday night for the grand reopening of Madison Theater to see Skeeter Creek. Some were in attendance to support the neighborhood landmark, while others were excited to see the new Star Wars: The Rise of Skywalker. What was really the hot ticket for the night was the much anticipated performance of Capital Region’s favorite country band, Skeeter Creek.
The four space heaters around the stage barely fought back the cold.
Taking the stage at 5:30 PM, Skeeter Creek drew in a large crowd and rocked the house despite the freezing temperatures. Starting with a Brooks & Dunn classic “Brand New Man,” for the next hour and a half the popular cover band tackled songs from Toby Keith, Luke Bryan, Darius Rucker and threw in a few classic rock songs including a crowd favorite “Jack and Diane” from 80s rocker John Mellencamp.
Fans consumed hot dogs, burgers and drinks provided by Mike’s on a Roll food truck while huddled around the several large space heaters outside. Inside the theater one could grab variety of alcoholic beverages at the theater’s new bar.
A ribbon cutting ceremony led by Honorable Owusu Anane – Councilman for the 10th Ward, had several including John Clarkson the Pine Hills Neighborhood Association President and Albany Mayor Kathy Sheehan reminiscing on their experiences at the Madison Theater.
“The Madison Theater was a gathering place for the Pine Hills Neighborhood even back when it was a one screen theater. It is great to see everyone who has come together to revive the local landmark” said Sheehan.
Albany native Kevin Parisi of Trinity Realty Group, the building’s new owners. and the theater’s general manager Kris Kiesling were presented with plaques from Sheehan and Albany County Legislature Representative Raymond Joyce (D), deeming December 19 Madison Theater Day not only for the city of Albany but also for the county.
Kris Kiesling (L) and Kevin Parisi (R)
Kris Kiesling told NYS Music of the changes slated for the theater. Movie goers will be able to order food, take their seats and the food will be delivered by waiting staff while they are watching a movie. There will also be a lounge area with a bar, along with a full-service restaurant called The Box Office, Keisling said.
Future plans of the theater also include a space for comedy shows and a performance stage for bands slated to be able to accommodate up to 500 people. This is conjunction to the four screens that will also be playing the newest movies.
Never before has the theater served as a performance venue and there is nothing like it that exists in the Capital Region.
“Parisi, the entire team and I are excited to bring the Madison Theater back to not only it’s same but a better glory. We are all on the same page with the Neighborhood Association and are going to be establishing the Madison Theater as more than a venue to watch movies at. This is going to be a entertainment space. We want people to be able to come here and hang out, feel part of the neighborhood.”
Kris Kiesling, Madison Theatre GM
Kiesling also said that they will be taking over and re branding the Cosmic Theater in Hudson, NY as a Madison Theater.
The Madison Theater has been open since the 1920s making it Albany’s oldest theater still in operation. It has experienced periods of darkness before. About 15 years ago the theater was shuttered for some time according to Anne Savage, City of Albany’s School Board President, “a few hundred people braved a blizzard then to meet in attempts to reopen the theater”.
During it’s most recent two year closure the Madison Theater went through many hands including Cosmic Cinemas before they went out of business the Times Union reported last month.
This Saturday night, at the Capitol Theatre, bluegrass diehards and fans of live music, in general, will come together to celebrate a true musical luminary, the one and only Del McCoury. The Port Chester rock palace will host the Del McCoury Band for an eightieth birthday celebration that will feature special guests like David Grisman, The Infamous Stringdusters, Andy Falco, Leftover Salmon’s Vince Herman, and more.
A groundbreaking and genre-defining flatpicking guitar master with one of the most recognizable voices in the history of bluegrass, McCoury has done it all—left an impression on them all. From his many years fronting the Del McCoury Band, to his time sharing the stage with other bluegrass giants like Bill Monroe, John Hartford, and more, the Grammy-winning singer and songwriter has had quite the looming career. In our excitement for the show Saturday night, we’re revisiting some of our favorite live moments from the man’s career.
Del McCoury + Bill Monroe: Two Days At Newport
Bill and Monroe and Del McCoury are like the Socrates and Plato of American bluegrass history— teacher and pupil contemporaries and often compared masters of the craft. In the formative days of his career, McCoury came up as a member of Monroe’s band along with other giants like Bill Keith, Kenny Baker, and more. Two years before Newport Folk Festival exploded in infamy after Bob Dylan’s electric set, the group recorded this still-lauded live album.
Del McCoury + David Grisman: FreshGrass Festival 2017
It wouldn’t be a proper tribute to Del if legendary mandolinist David Grisman weren’t on the scene. For the past several years, Grisman and McCoury have toured regularly as Del and Dawg, presenting an intimate style, anecdote-rich, two-man show that is just so special. Watch the two put the charm on FreshGrass Festival back in 2017.
Del McCoury + Preservation Hall Jazz Band: The David Letterman Show
Back in 2011, The Del McCoury Band and Preservation Hall Jazz Band linked up to record an entire album together and perform a great cross country tour in support of the album. Legends of different styles of American roots music came together in a beautiful, and musically hot, way. Watch the two amazing bands light up Letterman in this awesome video here.
Del McCoury + Friends: Winterhawk AllStar Jam 1996
While Colorado has always had Telluride, New York has had Winterhawk, a historic weekend event started in 1984 that continues to run every year and that has seen performances from just about every bluegrass player ever. McCoury has graced Winterhawk, which is now known as Grey Fox, with his presence many times. Check out this clip from 1996 which has McCoury picking alongside titans like John Hartford and Vassar Clements, but also some younger talent like Jerry Douglas and members of the Del McCoury Band.
Del + Trey Anastasio Band: DelFest 2017
We don’t have to say much about this one—the smiles between Del and Phish frontman Trey Anastasio say it all. This fan-shot clip shows the pair at McCoury’s self-hosted event DelFest in 2017, and it’s actually not the first time by any stretch that these guitar gods have performed together.
Del McCoury Band: NPR Tiny Desk Performance
The appeal of NPR’s TinyDesk video series comes in showcasing historically influential and generally mega-popular artists in their intimate, academic-like setting, and it’s no wonder that the Del McCoury Band got their time to shine there last year. The band’s three-song set opens up with a great take on “That Ol’ Train.”
Del McCoury Band + Chris Thile: Live From Here
Another great honor awarded to McCoury and his band over the past year was to be featured as guest performers on Chris Thile’s “Live From Here” events. Now, if you know bluegrass, you definitely know Del. But if you know bluegrass you probably also know Chris Thile, arguably one of the most masterful mandolin players in the world currently. Listen to these guys rip up “Baltimore Johnny” at the one and only Ryman Auditorium from last April.
Del McCoury Band + Billy Strings: GreyFox Bluegrass Festival 2019
In 2019, Del McCoury sounds as fresh as ever, not only continuing to tour and write new music but making sure to pass the torch on to the next generation of greats. That’s right, it was only a matter of time before Del and the young gun Billy Strings found themselves on stage next to one another, which is a number of times by now. Del and Billy crooning together in this clip from Grey Fox this past summer is a thing of honorable beauty.
Yonder Mountain String Band announced a lineup change this week. Mandolinist Jacob Jolliff will be leaving the band at the end of this year. His final show will be Yonder Mountain’s New Year’s Eve show at the Wheeler Opera House in Aspen, CO. Nick Piccininni
In a statement, the band wrote, “As of January 1, 2020, we will be saying farewell to our brother and fellow musician, Jacob Jolliff. This comes to you as a deeply considered decision. We are grateful for the music, the memories and friendship we forged with Jake and are in full support of his future endeavors with The Jacob Jolliff Band. We hope to join forces with them down the road.“
Joining the fold is multi-instrumentalist Nick Piccininni, who will be joining the band as its new mandolinist. Piccininni, a Central New York native, has been a part of several projects, one of them is Floodwood, which includes mandolinist Jason Barady, who also performed with Piccininni in Woodenspoon, moe. drummer Vinnie Amico and guitarist Chris Eves. Al Schnier of moe. is a former member of Floodwood. Piccininni also performs as a duo with Barady and in a recent project, Follow the Muse.
Piccininni sat in with Yonder Mountain at a few shows this past year, paving the way for his joining the veteran string band. When reached for comment, he told NYS Music that the foundation of this new opportunity has its roots in the Summer Camp Festival, an annual event jointly hosted by moe. and Umphrey’s McGee in Chillicothe, IL each May.
We used to run into the fiddle player, Allie Kral, at Summer Camp in Illinois when we would go out there with Floodwood. She made the suggestion to try me for the few shows I filled in this summer. I guess it went well enough that they felt comfortable with asking me along with this change! I felt really comfortable with everyone in the band and crew. My first show is in Park City, UT on Jan. 6. I’ve never been to Utah so that’s cool.
Piccininni has every intention of making this a permanent gig while still hoping to maintain time for his other projects.
“I will say that on both sides, I think the idea is to get into this winter tour to make sure the fit is right. But they have expressed that their first choice would be to just move forward with me as their new mandolinist. Piccininni continues, “Barring any personality conflicts, which I don’t think any of us really see being an issue if this becomes my main gig it will be tough to maintain everything I already had going. But I do intend to do my best to keep up with it all. Yonder doesn’t play a super intense schedule, so that does leave room for other projects, which is awesome.”
Piccininni’s next performance is with the Amico-Barady Quintet, moe. drummer Vinnie Amico’s annual jazz show at Tiny’s Grill in Utica on Dec. 29.
Charley Orlando may be best known to the jamband world as the former frontman for psychedelic ’90s road dogs Dexter Grove, who toured incessantly for the better part of ten years. The Syracuse area knows Orlando as not just a musician but also one of the area’s biggest music ambassadors. This Sunday, Dec. 22 the Syracuse community will come together at the Westcott Theater with a full day of music to celebrate his contributions while also raising money for a recent emergency spinal fusion surgery Orlando had performed.
Photo: Ian LaRochelle
Tickets for the all-ages benefit are $20 and can be purchased online, at Sound Garden in Armory Square, Syracuse, or Funk ‘n Waffles on Clinton Street. Doors open at noon. Artists scheduled to perform include Sophistafunk, Root Shock, Pearly Baker’s Best, The Old Main, Chris Merkley, Chris Eves, Bea, and Joe Driscoll. See the schedule below.
Orlando’s recent projects include the Grateful Dead tribute band, Pearly Baker’s Best, who has a Monday residency at Funk ‘n Waffles. He also has done work as a solo artist and with his bands Ruha and the Charley Orlando Band. His work managing the Little Rock Music Group has helped bring many national, international and regional acts to Syracuse-area venues such as Funk ‘n Waffles, Ray Brothers BBQ, along with the Seedstock Festival in Cortland and the Middle Ages Brewing Company Brewfest in Syracuse. Little Rock Music Group also represents David Gans along with such up-and-comers as Root Shock, Big Sexy & the Scrambled Eggs, All Poets & Heroes, and Steven Cali.
All proceeds from the event will go towards Orlando’s medical bills. Those who cannot attend the show can contribute funds through Facebook here.
Country’s iconic quartet The Oak Ridge Boys have announced their 2020 tour dates. Among the 20 stops will be Utica’s very own Stanley Theatre on February 13 at 7:30 PM. The set list will include charted hits from the past 40 years including “Bobbie Sue,” “American Made,” “Dream On” and many more.
The 2015 Country Music Hall of Fame inductees have five Grammy Awards and more than a dozen Number Ones and 30 Top Ten Hits. With typically over a 100 performances a year, they are a nonstop touring group known for having dynamically spectacular live shows. The Oak Ridge Boys comprises lead singer Duane Allen, bass singer Richard Sterban, tenor Joe Bonsall, and baritone William Lee Golden.
The 2020 tour starts just as they finish their 30th Annual Christmas Tour which features music off of their newly released Christmas album Down Home Christmas.
Tickets are on sale now and can be purchased at Stanley Theatre box office, online or by phone at (315) 724-4000.
Portland-based quintet Fruition has come a long way since busking on the streets of Portland, and as they take the country by storm, they’re not afraid to dive into new ideas in their latest album release Wild As the Night.
Perhaps the greatest talent of this group is their ability to weave in and out of different genres with ease, and their versatility can qualify them to perform at all types of festivals, from Telluride Bluegrass to Bonnoroo (both of which they’ve played).
The album is a true testament to this group’s musicianship and experience. The opening track “Forget About You” is riveting, with piano-arpeggiated runs to fill the spaces between the thunderous drum beat that carries the song. As the commotion builds, we’re introduced to tight three part harmonies and rhythmic mandolin strums. The title track of the album has a rich balance that warms the mix, and just as you get past the tenderness of the ballad, you’re suddenly thrown into the trip-hop trance of “Sweet Hereafter.” It’s here where the beat thickens, the heads bob and the mandolin is given a bit more bite so as to mimic an electric guitar.
Wild As the Night is unique glimpse into the band’s history, which has lasted more than several years. While they can all play multiple instruments, there is no fight for attention on this album. This group has their own language, and they leave space to breathe and allow each other to contribute. They even describe themselves as pieces of a bigger part when it comes to their music, and it’s evident in the album as well as their live shows. A band this creative and daring can generate a buzz quickly, so do yourself a favor and catch one of their shows while they’re still on the rise.
Fruition will be stopping by the Hollow in Albany on February 1, and if you’re in NYC, you can catch them at the Brooklyn Bowl on February 5. For info and tickets, check out their website and Facebook page.
Top Tracks: Forget About You, Wild As the Night, Sweet Hereafter
The Tanglewood 2020 season has been announced with a range of festival favorites and brand new faces. The 12 programs start on June 19 and run through the entire summer, wrapping up on Aug. 30.
The BSO’s $25 tickets for attendees under 40 will be available during the 2020 Tanglewood season for select performances; these tickets are available starting at the end of May on a first-come, first-served basis through www.tanglewood.org
Each program is made up of multiple acts that take place over multiple days. Some of the incredible acts to catch at Tanglewood summer of 2020 include Ringo Starr and his All Starr Band, Boston Symphony Orchestra, Judy Collins, Arlo Guthrie, Brian Wilson performing Pet Sounds, Trey Anastasio with the Boston Pops and other Tanglewood favorites like Emanuel Ax, Susan Graham, and Yo-Yo Ma.
Tanglewood is nestled in the hills of the Berkshires of Lenox and Stockbridge, MA and has been the home of the Boston Symphony Orchestra since 1937. The festival was founded and created by Serge Koussevitzky (BSO Music Director 1924-1949) and is not only a place for music but for a variety of performances and multidisciplinary activities from dance troupes to trivia nights. It’s got a little bit of everything.
Year-round Berkshire County residents of Massachusetts may purchase a Berkshire Resident Season Lawn Pass priced at $100. Local residents must show a valid Massachusetts license which is required to obtain a photo ID pass.
There is also an array of choruses and orchestras to catch of course playing everything from classical to pop culture recreations. With acts like Andris Nelsons-led program with Augustin Hadelich performing Beethoven’s Romance No. 1 and Dutilleux’s L’Arbre des songs to Two Boston Pops concerts led by Keith Lockhart: a film presentation of Star Wars: The Empire Strikes Back, with the orchestra performing the score on August 21st Tanglewood covers all the orchestra bases.
There is also ‘Wait Wait…Don’t Tell Me!’ NPR’s weekly news quiz hosted by Peter Sagal with judge and scorekeeper, Bill Kurtis, and the annual John Williams’ Film Night is coming back hosted by Mr. William’s himself. There’s definitely a little something for every music lover out there even if it’s not just music.
Tickets go on sale Sunday, Feb. 9, at 10 a.m and regular-season ticket prices range from $12-$132 on average. For tickets and more information visit Tanglewood’s website or call 888-266-1200.
With musical seeds from Boston’s prestigious Berklee College of Music, where founding members Chris Pandolfi and Andy Hall attended and met, planted in the fertile soil of Nashville, TN, the The Infamous Stringdusters (Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]) have cultivated a sound yielding a self-described fusion of All-American bluegrass and rock.
Formed in 2007 and experiencing some early lineup changes, the band is now past the decade mark and getting stronger by the year. I spoke with the Andy Falco (a Long Island, NY native) before seeing them at a scheduled stop at the Wall Street Theater in Norwalk, CT, part of the band’s 2019 fall mid-Atlantic/ Southeast tour.
Andy Falco
Mickey Deneher: What has enabled the band to continue as a creative unit for over 10 years?
Andy Falco: Everybody has a lot of respect for each other, personally and musically. I trust my band mates’ instincts and that trust is reciprocated. One thing I have heard a lot about us from engineers and people we have worked with is, “Wow you guys really are a democracy.” Normally bands say, “We’re a democracy,” but it’s always one or two guys that are really making all the decisions. If I have an idea that I swear is the best idea for something and somebody else in the band is like, “I don’t know. I think this way would be better.” I trust that. It’s how we operate on any decisions, musical or otherwise. Having that trust for each other allows us go forward. There are no egos or any of that bullsh*t. It’s all about trying to make the best music. You need to trust your boys.
Chris Pandolfi
The band has been rewarded for their creative efforts by capturing three International Bluegrass Music Association awards in 2007 (Emerging Artist of the Year, Album of the Year for Fork in the Road (in a tie with J.D. Crowe & The New South’s album Lefty’s Old Guitar, and Song of the Year for the album’s title cut). They were also awarded a 2011 International Bluegrass Music Association nomination (Instrumental Group of the Year), a 2011 Grammy nomination (Best Country Instrumental Performance), and a Grammy win for Laws Of Gravity as Best Bluegrass Album in 2018.
MD: What were you guys feeling when you won your Grammy for Laws of Gravity?
AF: I will describe to you the scene. We were sitting there in the row and the category comes up. You could feel the seats in our row just shaking because everyone’s leg was bouncing up and down. We’re nervously waiting and when you get the announcement and it’s like, “Holy Sh*t.” It’s a shock. It’s an amazing thing, an amazing experience. It’s a special thing.
There are no egos or any of that bullsh*t. It’s all about trying to make the best music. You need to trust your boys.
Andy Falco
I don’t know if there are other bands in our corner of
bluegrass, the jammier side of bluegrass that have been recognized in that way.
For us, we felt like it was for all of the bands in our corner. Hopefully more
bands, our peers in our world, will also be nominated and be winning Grammys.
Jeremy Garrett, Andy Hall, Chris Pandolfi
Of course, the next day you’re already on to thinking about the music, because that’s the most important thing. You don’t do this to win awards. But to be recognized, it’s an honor. You have that trophy, as my daughter calls it “the singing trophy.” I have it on the piano and every now and again if you are feeling that self-doubting, you can look up at that and get that feeling of being recognized. We are blessed that we had that opportunity.
MD: It’s a confirmation to you that the decision was right and the trip was worth it.
AF: A great way to describe it.
Not sitting on their laurels, in 2019 the band put out its 9th studio album Rise Sun. This project looked to interject components of their live show into the creative recording process.
MD: Was there pressure going in to record Rise Sun after winning a Grammy?
AF: I can speak for myself, that in my mind I didn’t feel pressure. I felt like I just wanted to make a record that reflected our art as accurately as Laws of Gravity did. If we made what we felt was a good record and was what we wanted to say, then that would be a success to me.
In the end I felt even better about the record we made.
That’s normal. As you evolve as an artist, as a band you’re making different
records. You should feel like your latest record is your best.
Rise Sun reflects us now. What we are now. Go back to Things that Fly or another record and that reflected us then. As long as you are feeling good about the art that you are making, and the music your making, and feel like it’s reflecting and it’s honest music, then that is a success to me. No matter what awards or anything.
Andy Hall
I hope people like it. You can’t chase that. That’s not
really going to get you your best art. You have to chase from within and
hopefully be able to have the album reflect that.
MD: Share the approach to the album.
AF: The idea was to approach the record as a studio album, but the experience be closely related to the way a live show would run down. In a live show, one of the things we really developed over the last few years is the idea of having these transitions in between songs where it is just a completely unknown improvised section of music. We know where we are coming from, we know where we are going to, but don’t necessarily know what’s going to happen in the middle. By developing that in our shows, it was something we (then) wanted to bring into the studio as well.
MD: The shift was of a technical nature also.
AF: This record was done differently. In the pre-production, we decided on which 13 songs we were going to actually record and, not only that, we decided exactly what the order they would appear on the record was. So before we went to the studio, we knew the order of the songs, the sequence, even where the breaks would be for the vinyl (a double album). So we decided to record it in that order.
We record everything live in the studio and we overdub little extra bits. The foundation of the track is cut live. You could feel that energy. The first cut on the album “Rise Sun” has this energized, fresh in the morning kind of feel to it. In contrast, the last song “Truth and Love” has this weariness in a way. That was at the end of these long sessions. You could feel energy that ebb and flow as the record goes, just as you would on a live set.
With a vow to producing quality recordings, the band’s live show raises that commitment exponentially. The floor seats at the Wall Street Theater had been removed to allow a free and open space for the night, which was maximized by a joyous house. With the first set acting as a primer, the crowd exploded into dance, hands in the air, and singing from the first note of the second set until the night was over. A light show bathed those enraptured in the music as the band took everyone along on their improvisational jams and one of a kind segueing in and out of songs. It may have been a cold November Sunday night outside, but there was a barn-burning going on inside with The Infamous Stringdusters.
Fourteen-time nominee, and four-time Grammy-winner, Roberta Flack, will also be a recipient. The songstress is known for number one records like “The First Time Ever I Saw Your Face,” and “Killing Me Softly with His Song.”
