Boris needs no introduction at this point in their career. Their upcoming studio release, LφVE & EVφL, will be their 25th(!) full length LP to date. This is not even counting the numerous live albums, EPs, demos and collaborations they have put out since their formation in 1992 in Tokyo.
The band is currently on a lengthy tour of North America and they rolled through Elsewhere, Brooklyn on Tuesday night in advance of the new album being released. Uniform provided support, delivering a very heavy and frenetic opening set, dense with noise and reverb.
Boris took to the stage with little fanfare, and quietly began setting up their loops and pedals. Then, equipped with a double neck guitar/bass combo, Takeshi Ohtani began laying down the heavy drones. The set had many peaks and valleys as the band transitioned from heavy, nearly uncomfortable drones to more melodic and vocal bits. All three band members contribute to the vocals, making for a very hypnotic sound.
During the encore, Uniform joined Boris on stage for a rendition of “Akuma no Uta,” the title track from their 2013 full length. This was quite the treat for the many Uniform fans in the crowd. The show concluded with the track “Statement,” a track from an alternate version of the album Smile.
Boris continue on their long tour with upcoming stops in the Northeast and on the West Coast before heading back to Japan. The band will end the tour, and their 2019 with a show in Athens, Greece on December 21.
Jason Aldean played Saratoga Performing Arts Center on Thursday, September 5th to a solid crowd of country lovers of all ages. His return to upstate NY was greeted enthusiastically by fans who loved his top pop-country song of the summer “Rearview Town.”
Openers Carly Pearce and Kane Brown set the scene for a fun and energized night of popular country music. Kane’s opening was stylistically a mix that was unique for country, complete with a visual set that replicates more pop and rap music than the traditional country look. Pearce sounded amazing and is a major up-and-comer in the country scene. Watch for her to be one of the new top female artists in the industry.
Photo by Claude Sawyer
Aldean entered the stage in jeans, a black Motley Crue T-shirt, and a cowboy hat with his guitar slung over his shoulder. The words “Ride All Night Tour” shone in bright letters as Aldean’s shadow crossed behind the stage when he arrived, welcoming fans with a giant “What’s Up, New York!”
Aldean gave the fans what they wanted: his most popular hits. While some country stars use concerts to promote new music, Aldean played familiar and loved hits from throughout his career, not just his recent releases.
Every year, Aldean plays “Dirt Road Anthem,” a different song from his others in that it includes some rap elements. The crowd sang along to the song that emphasized the importance of enjoying your friends and being a good person.
Aldean bucked the tradition of waiting for fans to cheer for an encore. Instead, announcing he would stay on the stage and give more music to fans. He then sang a longer than usual end of the concert with upbeat fan favorites that became sing-alongs. Aldean truly can ride all night. Here’s to wishing he performed at SPAC more than once a year.
The Band of Rustlers gave listeners goosebumps on September 5 at the Cock ‘n Bull Restaurant in Galway, New York with their iconic sound and perfect pitch harmonies. Singing a tribute to the Sons of the Pioneers’ songs, the trio brought alive the traditional country-western sounds of Roy Rogers, Bob Nolan, and Tim Spencer.
Band of Rustlers features three incredible musicians: JP Biondi (Cabinet) and brothers Roy and Kevin Williams. JP demonstrated tremendous range with his sweet tenor voice and had a fun whistle to add to the traditional cowboy songs. Roy, a frequent performer this summer at the Cock ‘n Bull, delighted with his fast-paced and technical guitar playing, as well as his fun bass range voice that he used both to sing and speak with through the archetypal western tunes. Brother Kevin Williams on bass was consistent, playful and a well-rounded third to complement the other two.
The trio joked with one another like brothers and shared a familiar ease that fit in well with their show. JP pointed out that the songs romanticized the cowboy lifestyle, and chuckled as he reflected on how challenging that lifestyle really was to live. The songs drew on nature metaphors to idealize love, friendship, and even the isolation of American cowboy culture.
As usual, the Cock ‘n Bull provided a perfect setting, providing acoustics that offered ideal circumstances for listening to such exact harmonies and precise playing. The men’s voices combined like honey and tea, melding to soothe and bring smiles around the room.
Rick Sleeper, the restaurant’s owner, took the stage to proudly introduce the band. Welcoming the audience or “buckaroos,” Sleeper maintained the western theme with the kitchen’s offering of a cowboy special. The plate included BBQ ribs, beef brisket, baked calico beans, and a lovely corn muffin spiced with jalapeno. The fun dessert stayed with the theme, offering a S’mores brownie complete with graham cracker crust and toasted marshmallow topping.
For folks unfamiliar with the Sons of the Pioneers, the music was still instantly recognizable as these songs have been a staple of American country-western music since the 1930s. For those who love the Sons’ music, this concert was a delightful and goosebump-raising event that almost perfectly replicated the quintessential and iconic sound.
The Band of Rustlers have created an experience for audiences that echoes memories in their exemplary performance. Next time they mosey through town, make sure you catch their show.
On September 7, the Greenwich Village event space (Le) Poisson Rouge was set for an intimate evening with SPAGA, a quasi-jazz project from the mind and fingers of Disco Biscuits keyboard player Aron Magner. Tables were draped with black cloths, lit by candles, and set with other accoutrements while on stage waited a baby grand piano, an upright bass on its side, and a full drum kit. Upon entering before the army of Bisco fans, the mood and setting were surprisingly sophisticated.
As The Disco Biscuits are generally known for their dance-inducing electronic music and laser beams, an open floor plan with room to move was the expectation. Alas, the performance did circumvent most expectations but lacked the confidence, or boldness, of traditional jazz stylings.
What is most interesting about SPAGA is the clear intersection between the old-fashioned and the new-age. It’s a classic trio set up with modern gadgetry intact. A synthesizer sat atop the grand piano with an assortment of foot pedals beneath, and a laptop computer was situated right next to the bench. The upright bass ran through a full effects pedalboard beside a rock drum kit. Throughout the course of the 90-minute set, all of the above were put to good use.
While the bulk of the night’s music was pulled from the recently released album (SPAGA, out now via AM Records) the opener was a non-album number, appropriately titled “For The Table.” This set the tone for the rest of the night’s offerings as it featured a tantalizing hook to anchor the more loosely fastened sections of improvisation. A major highlight right off the bat was drummer Matt Scaranos’ incredible ownership of the kit. As the keys and bassist Jason Fratacelli repeated the songs melodic content, Scarano displayed an impressive command over every little detail on top of, inside, and outside the beat. The songs that followed like the albums opener “Creed” and “Resurrection” both find their strength in their composition, giving the listener moments to mellow in ambiance and elate with blistering rhythms.
SPAGA did cover a wide spectrum on Saturday. “Resurrection” sits on a hip-hop beat, while a totally unique take on Led Zeppelin’s “Black Dog” seemed to be just a tease at first, eventually playing out as the full song. Improvisation was there, but it didn’t feel so much like it was in a jazzy conversationalist sense. Instead, it seems SPAGA has taken to sticking with the jam-band formula of creating a pocket, building a steady groove to fill it, and elevating the energy to a peak.
Magner took to the microphone to comment that SPAGA is a project grown from wanting to reconnect with and explore an instrument that he was properly trained on but spent a long time away from, the acoustic piano. While there isn’t much comparison between SPAGA’s piano-laden presentations and The Disco Biscuits electronically driven material, they certainly feel like they could have been made in the same kitchen. There’s different ingredients, but similar flavors.
All in all, SPAGA is a unique interpretation through a time-tested setup. There are moments of familiarity laced throughout a set that is, for the most part, completely separated from what you normally would hear from Magner and Co. SPAGA will be at Resonance Music Festival in Slippery Rock, PA ON September 19 and can be heard on all streaming platforms now.
Setlist: For The Table, Creed, Resurrection, Black Dog, Dig*, Colors, Four Angels, Good Old Days, Bird
*Temporary song name. Magner stated that it’s currently untitled and being decided on social media by fans.
On Sunday, August 25, Beau Fleuve Music & Arts Festival hosted their third annual festival at Silo City in Buffalo. The one day event, an “Ultimate Sunday Funday,” lived up to its name and featured more than 30 performances of all genres of music, as well as art installations, a silent disco, vendors village, beer and wine garden and much more.
The big takeaway from the festival was the diversity of the event. Artists and performers included Curtis Lovell, Miller & the Other Sinners, DJ Magic, The Sofa Kingz, Heather Russell and many more. From the music to the art, those that attended were of all ages, walks of life, backgrounds and nationalities and enjoyed a care free day with the historic Buffalo Backdrop of the Silos.
Check out the festival recap video below, and a photo gallery from the festival here.
The two-day music and arts event, Adirondack Music Festival, returned to Lake George this past weekend for its fifth year in a row. Held once again on the serene LG section that is Charles R. Park, this year’s ADK Fest felt like the most well-received and celebrated yet, as many attendees seemed to vocally attest. If you were in attendance this weekend, you most likely at some point overheard someone discovering the festival for its special charm. Something along the lines of: “I can’t believe how nice this festival this is” and “Well, I am definitely coming back next year.”
As with every year since its start, ADK Fest opted for a classic setup with two main stages of music, set side by side—the style adopted by big-time events like Gathering of the Vibes and the first few years of LOCKN’. This format, which has bands perform back to back without delays, kept the energy on the field, and white hot, from early morning through sunset, as well as kept collective excitement packed into one shifting, intimate crowd.
A number of recently highly popular musical acts made their debut at ADK Fest. Midnight North, for starters, features members of The Terrapin Family Band and have been a hot ticket over the last year or so. Dead-relation aisde, Midnight North is its own beautiful creation, an americana powerhouse of band that displays a strong breadth of songwriting through dynamic, soulful musicianship. Members of this band were well connected within this music scene from the west coast and sat-in with many other artists as well.
Other buzz-generating artists performing at ADK for the first time ever were artists like The People’s Blues of Richmond, Marco Benevento, and G. Love and Special Sauce. People’s Blues, PBR for short, surely must have unexpectedly knocked a number of ADK patrons out of their musical comfort zone with their fearlessly-intense style of garage-punk blues. But the trio’s ceaseless, air-tight musicianship won many fans over as well. Marco Benevento’s own power-trio took the main stage just a few hours after them and wielded their own no-holds-barred mash of indie-pop, funk, and glam rock.
It felt strange to see G. Love perform a midday set at three in the afternoon -here was an artist, after all, that surfed high through the 2000’s on a number of big hits, but he was a highly received set nonetheless. In addition to a solo acoustic intro, the guitarist and hip-hop-inspired vocalist careened the edge of the stage above a swath of outward hands and starry-eyed expressions. G. Love’s collaboration with Twiddle frontman, Mihali Savoulidis, saw the two trading vocals for guitar riffs on a version of Hall and Oates’ “I Can’t Go For That,” which was much better than the “What I Got” that happened between the two in Twiddle’s headlining show later.
ADK Fest Day 1: G. Love and Mihali cover Hall and Oates. Photo: James Sullivan
Yet the four man dance-ready jamband, Twiddle, still performed a huge couple of sets to close out Saturday evening, to an elated audience that swamped the park’s concert area all the way to the vendors in the back. Highlights of their two closing sets were a guitar-shredding collaboration with Midnight North frontman, Graham Lesh, on their original “Subconcious Prelude” and then the foursome’s searing finish on “The Box.”
Another artist who met the crowd with a freewheeling sense of stage presence was the northeast jam scene’s golden girl, Hayley Jane. Fronting her band, The Primates, for a midday Sunday set, Jane sang face-to-face with a rail-climbing mass of highly excited young women. Hayley and The Primates as a unit announced their decision earlier this year to go on hiatus. This set at ADK Fest was undoubtedly an emotional one for many, despite the fact that Hayley, in her true style, beamed with smiles and soul through her own set. The joy transcended others that she guested on stage such as with polyrhythmic dub-rock band, Bartika, and then Jane sat in with Everyone Orchestra’s set a bit, after her own.
In a very special move, Adirondack Music Festival booked an Everyone Orchestra set for its day two second-to-headlining spot. EO shows are, of course, completely improvisational from start to finish and are always performed by a mix of artists from different bands. Lake George’s set was pretty substantially stacked for its members. Solo artists Haley Jane and Ryan Montbleau handled lead vocals (with the latter also offering some nice guitar solos here and there), while Deep Banana Blackout’s, Fuzz Giovanni, handled lead guitar work.
Saxaphone legend Sam Kinninger was a secret weapon here, shining up the band’s various types of funk and rock jams with amazing melodic work. Kinniger and the rest played beside a hefty rhythm section that included moe.’s Vinnie Amico on drums, TAB’s Tony Markelis on bass and Steve Moltiz on keys. Highlights here were a belly-laugh inducing, reggae-tinged sing-along about golf pirates. Super creative vocals led by Ryan Montbleau followed with an extremely moving, soul inspired jam which Everyone Orchestra impresario, Matt Butler, built a vocal tribute to the recently passed Neal Casal.
ADK Fest Day 2: Everyone Orchestra Pays Tribute to the late Neal Casal. PC: Miles Hurley
While some roll their eyes at cover bands, Pink Talking Fish works extra hard and thinks creatively to stand out from the ever-growing pack. The quartet began their set with a great surprise in The Beastie Boys’ “Sabotage,” which Phish has covered on rare occasion. In a climax to their set, PTF reprised a bit of the magic from their Junta album extravaganza at The Capitol Theatre earlier this year, which had Pigeons Playing Ping Pong’s Greg Ormont act as Master of Ceremonies. Here at ADK Fest, PTF began with a beautiful segue-sandwich from “You Enjoy Myself” to Pink Floyd’s “Wish You Were Here” and back. Upon returning to the Phish hit, Ormont joined the band mid-song, to first engage in some trampoline-style jumping with bassist, Eric Gould, and new guitarist Cal Kehoe. They finished with a very kooky vocal jam.
It was another strong move to have Pigeons Playing Ping Pong return to close the festival Sunday evening, just as they did last year. These four jam-funk players having seen a truly meteoric rise recently (they will be headlining Explore Asheville this coming December). A few highlights for their near-explosive set included an electronically charged collaboration with Steve Moltiz on their own tune, “Live it Up,” and a very colorful jam on Deee-Lite’s “Groove Is In The Heart.”
Major music events in Lake George, NY like Adirondack Music Fest often share in a little community-favorited crown jewel—a post festivities top-off at local music hub, King Neptune’s Pub. Being a time-tested spot for upstate bands to play, King Neptune’s always sees great crowds, but then really turns out when late night performances go down.
For Saturday night’s musical extend, nearby favorites, Funktional Flow from Buffalo, and New Haven, CT’s, Eggy, offered a proper finish to a full first day of music. Eggy, coming from the fertile music scene in New Haven, made a grand introduction for themselves in this venue, and they rocked the opportunity big time. The groove rock four-piece blasted their way through intense versions of originals like “Shadow” and “One More Dance,” along with improvisationally-heavy takes on covers like Traffic’s “Low-Spark of High-Heeled Boys.” For a set-topper, Eggy invited Midnight North keyboardist, Alex Jordan, for a blissful and high-powered take on the band’s “Buying Time.”
ADK Fest Day 1: Eggy rocks late night w/ Special Guest Alex Jordan. PC: Miles Hurley
While night one’s crowd was impressive, festival buzz Sunday afternoon must have spread like wildfire to make late night two’s crowd even more massive and energetic, for Neptune’s at the tail end of the weekend was nearly flooding out the door. After Sunday night’s originally scheduled openers, psychedelic funk outfit The New Motif, had to cancel their slot and the evening switched around to second act, Annie In The Water, opening before a festival-family superjam close out.
Annie in The Water thus kicked off with a very uplifting display of original music, with some cover hits thrown in for good measure. A presentation of styles ranging all the way from folk rock to reggae to even some hip-hop was connected via strong, confident solos and endearing vocals. Members of Lucid, Magic Beans, Pigeons Playing Ping Pong coalesced into one family-type super jam set, for a final set at Adirondack Music Festival, that seemed to represent everything this dynamic music scene is about. At one point in this performance free-for-all, three keyboardists—Magic Beans’ Scott Hatchey, former Formula 5’s Matt Richards, and PTF’s Richard James—hammered away on one rig at the same time, for a spectacle that was also technically impressive.
As with any festival, there’s more musical experiences than can be reported on. From piano wizard Marco Benevento and his trio debuting material from their new record (Let it Slide), to upstate jam favorites Lucid commanding the main stage mid-Saturday as they do with fervor every year, ADK Fest’s fifth year was artistically overflowing. All of this top-notch live music was met resolutely throughout the weekend with a positive and welcoming vibe, upheld via a sense of strong community and creativity. For mid-size festivals Adirondack Music Festival is one of the best you can experience in the ever-musically-fertile land of upstate NY—yet here’s to a steady growth from mid-size to who knows how big.
Check out a gallery of images of Adirondack Music Festival 2019 below, courtesy of photographer James Sullivan.
It really takes a special talent to bring a performance to life, like the way Lindsey Stirling does. Her show at the great New York State Fair on Friday, August 23 was inspiring. Lindsey can play the violin flawlessly while dancing choreographed parts of her songs with dancers, and alone. It was a beautiful mix of dance, ballet and music. Lindsey performed many of her hits including “The Upside,” “Crystallize” and “Shatter Me.”
20,000 fans showed up to party with Ice Cube to see the legendary rap icon, movie star and Rock n’ Roll Hall of Famer packed Chevy Court at theNew York State Fair. Decked out in his trademark black bandana, tucked under a ball cap and dark sunglasses, Ice Cube got the party kicked off with the body moving track, “The New Funkadelic.”
Ice Cube and hype man Dub C “WC” delivered a slew of bass heavy, pumping dance songs spanning Ice Cube’s 30-year career from his beginnings in NWA to his most current release Everythang’s Corrupt.
Ice Cube paused and addressed the crowd shouting, “There ain’t nothing like rockin’ a house on Friday night.” He was quickly corrected by Dub C who pointed out that it was still only the middle of the week. “Whenever you see Ice Cube, it’s a goddamn Friday,” the rapper said as he gave Dub C the stare down.
Ice Cube kept the crowd bumping with notables such as “Check Yo Self,” “Straight Outta Compton” (tease) bridging into “Gansta Gansta,” followed by “No Vaseline.” The set felt short, 60-minutes, but no one in the crowd could complain about the closing number, “It was a Good Day,” one of his greatest tracks ever. So, for all of you who had their doubts, who didn’t think Cube could get on stage and still rock the mic, I say, “You better check yo’ Self before you wreck yo’ self.”
Setlist: That New Funkadelic, Now I Gotta Wet’cha, You Know How We Do It, Bop Gun (One Nation), Check Yo’ Self, Friday, Roll All Day, We Be Clubbin’, Straight Outta Compton (N.W.A.), No Vaseline, Natural Born Killaz, $100 Dollar Bill Y’all, I Ain’t Got No Haters, You Can Do It, Go to Church, It Was a Good Day.
In the rolling hills of Central NY The Yard Amphitheater at Ray Brothers BBQ has emerged as one of the best run outdoor amphitheaters in New York State. When they hosted Aaron Kamm and the One Drops with support from Nina’s Brew Saturday night it was very easy to see why. The huge crowd came for the amazing smoked meats and stayed for an incredible show. On a cool summer night the trees glowed with bulbs, a fire-pit roared and the outdoor bar was rocking, as was the stage.
Burlington, VT based four piece band, Nina’s Brew, kicked off the night with a set of originals and covers that drew the audience in. Giovanina Bucci has been playing professionally for many years now and since moving back east from Colorado, has exploded onto the music scene. This past year they were voted into Grace Potter’s Grand Point North Music Festival sharing the stage with Nathaniel Rateliffe and the Night Sweats and more. Nina’s Brew is a tight soul band, mixed with elements of folk, rock and the blues. Their harmonies are some of the tightest in rock history which really sets them apart.
After a quick breakdown, the stage was set for Aaron Kamm And the One Drops hailing from St. Louis. The sun had just sunk and trails of pink hung underneath the stars illuminatin the silhouettes of windmills on the surrounding hills that backdrop The Yard Amphitheater. Kamm wasted no time into showing of his chops. The sound was crystal clear and captured each note with a precise mix for this tight three piece unit. The band would be swaying with a reggae beat one moment, and the next, delving into a funk jam that could be compared to some of Stevie’s Wonder’s best material. Kamm would then surprise you with an all-out blues riff, laced with solo trades between himself and the back line that if one had their eyes closed would think Gary Clarke Jr, or The Black Keys were onstage.
The crowd immediately rushed the stage as the first notes dropped, as this was Aaron Kamm and the One drops return show after a very successful gig on the same stage in 2018. The combination of this band blowing up and this music venue selling thousands of tickets to their shows this summer made for a perfect night under the stars at Ray Brother’s BBQ. This band and this venue suited each other so well, and be sure to check out both Aaron Kamm and Nina’s Brew in your neighborhood. Swing by Ray Brothers BBQ for some tasty food and exploding summer concert series.
As the skies opened up on day eight of the Great New York State Fair, it didn’t deter anyone from taking a seat at Chevy Court awaiting the two-o’clock show that would feature one of the areas favorite bands, The Mavericks. People put on their ponchos, opened their umbrellas and patiently awaited the sunshine they knew was on its way from Miami. It had been three years since they last played the Syracuse Jazz Festival, and the impression it had left on the crowd was evident; they could care less that it was pouring rain. In fact, nor did I. With an umbrella in one hand, and my camera tucked neatly underneath protected from the elements, I too awaited this charismatic band to take the stage.
Celebrating 30 years together, the two original members Raul Malo and Paul Deakin, and long time members Jerry Dale McFadden and Eddie Perez were joined on stage by a full ensemble immediately kicking it into gear with favorite, “Back In Your Arms Again.” From the moment they took the stage, their eclectic mix of country, latin and rock and roll produced a signature sound that stops you in your tracks and demands your attention.
You’re locked in a trance. Your feet begin to move, your shoulders sway and your head begins to bob along with the beat Paul is laying down. Before you know it, Raul Malo’s sultry sound has you in his spell and you can’t help but dance along with Jerry as he plays his keyboards, or Eddie as he sways with his guitar. It’s inevitable. You can’t fight it.
Playing favorites such as “All Night Long” and “All You Ever Do Is Bring Me Down,” The Mavericks mixed up the set with covers of Bruce Springsteen’s “Hungry Heart” and their newest release of John Anderson’s “Swingin.” Before you knew it, the set was over and all the rain had been chased away by these southern gentlemen. Perhaps it was the mash-up of “All Night Long” and “Let the Sun Shine In” that chased away the clouds. Or perhaps it’s just the sunshine they bring to Syracuse each time they play. Whatever their magic is, Syracuse couldn’t get enough and they once again brightened our day.
Setlist: Back In Your Arms Again, All Night Long / Let the Sun Shine In, Summertime (When I’m With You), Pretend, Easy As It Seems, Dance In The Moonlight, Loving You, Hungry Heart (Bruce Springsteen), As Long As There’s Loving Tonight.
Encore: Swingin’ (John Anderson), Come Unto Me, All You Ever Do Is Bring Me Down.
