Incredibly entertaining performances consumed SummerStage by all bands, each unique in their own sonic essence. Funky grooves, and a little shred, is a good way to describe their sounds. The rain didn’t stop the fans from enjoying this sold out show in Central Park. The weather looked promising as the skies cleared for Kikagaku Moyo, but soon came back half way through Khruangbin’s set.
Category: Show Reviews
-
Mountain Jam 15, Deja Woodstock
Mountain Jam marked year 15 by migrating to Bethel Woods Center for the Arts, the site of the original 1969 Woodstock Festival. When the change was announced earlier this year, Mountain Jam co-founder Gary Chetkof shared with the Poughkeepsie Journal: “What could be more amazing than Bethel Woods and the home of the Woodstock festival… It was really just a matter of going to the promised land.”
Driving up on Friday (day two of the four day event) I turned off NY Route 17 onto 17B. Headed down this one-lane road affectionately named “The Woodstock Way,” I started to imagine what it was like in 1969 as people abandoned their cars on the road and started walking the final 10 miles to the festival. The closer I got, I could hear Arlo Guthries’s iconic “THE NEW YORK STATE THRUWAY’S CLOSED, MAN!” in my head.

Peace flag Festival organizers took advantage of the great expanse that Bethel Woods had to offer. The box office was located on the southern perimeter of Bethel Woods in a remote field with tall grass and mud. The flashback was suddenly becoming real. After hiking up a hill toward the festival, I found myself looking out over the site of the original Woodstock. Images of 1969 started flashing before me.
I was quickly brought back to 2019 as I strolled past campers and RV’s of various sizes and shapes with glamping professionals nestled in their folding chairs, munching on BBQ, and consuming their favorite beverages. At the entrance pockets were emptied, bags checked, and metal detector wanding was carried out by security.

Phil Lesh & Friends Mountain Jam, spelt out in 10-foot tall letters with teepee bookends, greeted me. The sound of music was immediate. The first stage I encountered was the Valley stage, a medium sized stage with a Ferris wheel parked next to it. Acts including The Nude Party, Hollis Brown and Tyler Ramsey performed there. The Valley stage also served as the location for late night jam sessions by Andy Frassco & the U.N. and Consider the Source held on Friday and Saturday nights.
Headed farther into the festival you came upon the Mountain Stage (main pavilion amphitheater) which hosted featured performers Gov’t Mule, Willie Nelson, Dispatch, The Avett Brothers, and Phil Lesh & Friends to name a few. Add to that the Terrace stage; a performance space with seats built into a hillside, VIP stage where special acoustic sets were performed by acts who had played bigger stages earlier that day, and an event gallery space. With this cornucopia of musical riches it made it difficult to chose who and where to go to listen to music. On Saturday and Sunday the Hudson Valley based band Yard Sale busked throughout the site, injecting a free form feeling reminiscent of 1969.
The vibe, the location, the history, the people
Intended to celebrate radio station WDST/Woodstock’s 25th anniversary, Mountain Jam started as a one-day event in 2005 by principle station owner Gary Chetkof and Warren Haynes. After 14 years at Hunter Mountain the decision to move to Bethel Woods was made. A move of 70 miles from its original location at Hunter Mountain, proving to be light years away from the previous home. The vibe from the original three days of Peace and Music festival was palpable. Tie dye, bare feet, singing and dancing was the norm. A “Wish Tree,” part of Yoko Ono’s ongoing Imagine Peace art installation series invited people to make a wish; write it on a piece of paper and attach it to the tree. The on-site security and support staff wore t-shirts with Peace Patrol emblazoned on their backs. Babbling brooks illuminated in multi-colors, open fields and dream catchers situated throughout the site augmented the vibe.
Those in attendance ran the gamut from old to young. Parents were there with their adult children, sitting on the hillside, sharing beers together while new parents introduced their young ones to the experience of live music. Many took advantage of the beautifully maintained grounds of Bethel Woods seaking out remote spots, allowing them to chill out and absorb the spirit that was Woodstock.

Zen moment The Music
In addition to over 40 bands performing at this years Mountain Jam, rock and roll photographer Jay Blakesberg, know as the photographer of the Grateful Dead, shared a slide show telling presentation of his work to a packed event gallery audience. An easy to use Mountain Jam app was available to help you track of all the performers, their set times, locations, and help you plan your daily daily schedule. It also updates you to special activates happening in real time.
A highlight of the festival was Gov’t Mule’s Saturday night appearance (they played Friday night also) paying tribute to the bands that had performed at the original Woodstock festival. Warren Haynes, backed by percussionist Tato Melgar of Lukas Nelson & The Promise of The Real, opened the set with Richie Havens’ “Freedom.” The band’s set included The Who’s “Eye Sight to the Blind,” CSNY’s “Find The Cost Of Freedom,” and Sly Stones “I Want To Take You Higher.” Throughout the night Gov’t Mule was joined on stage by special guests including Lukas Nelson, and Arleigh Kincheloe and Jackson Kincheloe from Sister Sparrow and the Dirty Birds. They ended the evening’s tribute with a blistering encore of Jimi Hendrix’s “Voodoo Child (Sight Return).”
Rain did find its way to the festival late Saturday night and sporadically on Sunday, but with all stages having protective covering (the amphitheater has a permanent roof over the seats) the music never stopped. Being the 50th anniversary of Woodstock, who wouldn’t have expected it to rain at some point. After a successful four days and establishing a new location, Mountain Jam has secured the future of Peace & Music in the Hudson Valley.

Gov’t Mule 
Toots & The Maytals 
Lukas Nelson and The Promise of The Real 
The Avett Brothers 
Amy Helm 
The Revivalists 
Mountain Jam couple 
Sister Sparrow & The Dirty Birds 
Alison Krauss & Union Station 
Bella’s Bartok 
Joe Russo’s Almost Dead 
The Big Takeover 
Michael Glabicki 
Bethel Woods security 
Allman Betts Band 
Dispatch 
Michael Franti & Spearhead 
Father and son 
The Commonheart -
In Focus: Inaugural Phish Studies Conference and Phish in the PNW Exhibit
Below The Moss Forgotten: Phish in the Pacific Northwest was a three-day pop-up museum exhibit presented by The Phishsonian Institute and PhanArt, recently held in the Horizon Lounge at Oregon State University’s Memorial Union. Held during the inaugural Phish Studies Conference, the exhibit represented shows from the band’s PNW debut in Ashland in 1991 to the band’s recent run at the Gorge in 2018.
Presented by Alex Grosby of the Phishsonian and Pete Mason of PhanArt, immense thanks is owed to the Oregon State School of History, Philosophy, and Religion, OSU Theatre, and the Benton County Historical Society for their strong support and all of the conference attendees for their kind words and enthusiasm for this inaugural project.
Private collectors and numerous artists contributed works to this vision to bring it to life. The exhibit made the Memorial Union a welcoming environment for scholarship and added a level of experience to the event. We hope to continue to present Phish exhibits in the near future. You can revisit the exhibit by viewing the slideshow below.
Check out more photos from the Phish Studies Conference by Derek Finholt and visit Phish.net for an in depth recap of the conference by Jnan A. Blau.




















-
In Focus: O.A.R. Feel Home at Pier 17
O.A.R. is in the beginning stages of their 2019 summer tour, a thirty-plus date run set to make stops all across the country. On Tuesday June 11, the band made its way to New York City metro area at the beautiful South Street Seaport venue, Pier 17. The rooftop stage nestled in the skyline of the city, backdropped by the Brooklyn Bridge, was a setting for an intimate performance. A twenty-four song setlist included new tracks, “Knocking at Your Door” and “OH MY!,” as well as O.A.R. staples “About Mr. Brown” and “I Feel Home.” The band is in a great place and it shows through the music, and an amazing energy from the crowd. Pier 17 made a great omen, a send-off for The Mighty O.A.R.

Setlist: Dangerous Connection, About Mr. Brown, Living in the End, Something Coming Over, Fire, Black Rock, Place to Hide, Knocking at Your Door, Shattered (Turn the Car Around), Are You For Real, Love and Memories, About and Hour Ago, I Feel Home, Oh My, Night Shift> Stir It Up, Heaven, Miss You All The Time, That Was a Crazy Game of Poker, Hey Girl, All Because of You, This Town, City on Down.


















-
Mountain Man Sold Out Levon Helm Studios for Intimate Performance
The sun shone across the beautiful woods, and glistened on nearby lakes, surrounding Levon Helm Studios as fans gathered in eager anticipation of Mountain Man. Zephyr, the barn pup, greeted each car at these hallowed grounds. It was peaceful, as the sold out crowd entered one of New York States most treasured venues, last Saturday, June 1.

Zephyr the barn dog, and official greeter. Singer songwriter from Toronto, Doug Paisley, began the evening with a cozy set of original songs from his new album, Strong Feelings, recorded in his hometown. His beautiful imagery synced brilliantly with intricate guitar work. Paisley also charmed the audience with his storytelling, setting the mood for a very intimate show.
Mountain Man took the stage, surrounding one microphone. Amelia Meath, Alexendra Sauser-Monnig and Erin Sarle all took turns on lead vocals, switching places and positions to find their perfect harmony points. Sarle and Sauser-Monnig also alternated on the guitar for several songs throughout the evening. The performance was stunning and mesmerized the audience. One could hear a pin drop at any point of the evening, excluding a thunderous applause after each song.
The performance felt like you were sitting around a campfire in the woods, or at a laid back house party with best friends. It carried a wonderful weight and elegant presence that left all applauding and wanting more. Each of the three women made everyone feel comfortable and at ease with laid back jokes and stories.
The night before they had actually returned to Bennington, VT where they all met eight years ago and began Mountain Man, during College. Judging from the response they received at Levon Helm Studios and their tour dates quickly selling out, we are certainly lucky that they met all those years ago, and have reunited again.

For Mountain Man tour dates, and to get their new album ‘Magic Ship’ check HERE.
For upcoming shows at Levon Helm Studios follow this link HERE.
-
Kaia Kater Looks Back and Moves Forward at Caffe Lena
Grenadian-Canadian banjo singer and vocalist, Kaia Kater, returned to Caffe Lena on Thursday, June 6 to promote her folk album, Grenades. The 2018 album highlights Kater’s lush, tenor voice to tell the story of her father’s immigration from Grenada after the US invasion in 1983. The talented Kater, whose velvety voice and traditional use of folk tells a story of social injustice, inspired a small group of fans to leave their home sofas. They sat on Lena’s comfy couches for the night to hear songs laced with themes exposing racism and ethnocentrism, told with raw honesty and soothing sound.
Accompanied by Dan Riccione on electric guitar and vocals, and Andrew Ryan on upright bass and vocals, Kater informally took the stage at the historic Caffe Lena with a brief “hi” before launching into her song “St. Elizabeth.” The small crowd of approximately 40 audience members quieted quickly as she plucked her banjo, creating a soul soothing sound. And just like that, Kater had the house’s full attention.
The 25-year-old Kater demonstrated wit and dry humor when speaking of herself as “much older and wiser now,” when contrasted to her tour approximately three years ago that brought her to Saratoga. Her current tour was intended to showcase the new album Grenada, an album she envisioned would help her move forward “by looking at the past.” But first, she revisited “The Heavenly Track,” an earlier piece that used vocal harmonies to raise the audience’s spirit and sense of hope
Kater played newsreels and interviews with her father sporadically in between the songs inspired by his immigration story, starting with the excitement of her father Dino’s memory of the peaceful revolution that brought Maurice Bishop to power in 1979. Her responsive songs captured the hopeful energy of a time with major chords and somewhat naïve lyrics representing a time in Grenadian history, that shifted despair to hope for many. “Meridian Ground” and “Canyon Land” both paired faster moving sections of the songs with slower, drawn out choruses, emphasizing both the uncertainty and the hope of the era.
Kater returned to a previous favorite next with “Nine Pin,” juxtaposing satisfying harmonies once again with desperate lyrics about loss of self. Shortly after, as if reading the audience’s emotional state, Kater returned to the Grenada theme, playing a news reel about how the National Women’s Organization in the early 1980s were providing education and social service support to the young. The trio, accompanied only by the bass, sang a folk-esque song in French, sounding like children’s voices. Kater smiled, admitting she liked singing that song. The audience had too, resting back a bit more, and breathing easier.
“Starry Day” and “New Colossus” finished the first set. Kater, just like those in folk before her, had a reason to tell her stories and was pleased to share them with the focused audience. She shared that “New Colossus” was inspired by the famed Emma Lazarus poem printed on the Statue of Liberty. “I always loved the Statue of Liberty. Here’s this huge woman, holding a torch, taking up space.” She suggested the statue was a reminder of how “bad-ass” women can be, and her song: a reminder to women to take up the life long work to be bigger and take up space. The inclusion of the statue, often a sign of hope for immigrants, brought the audience back to the reminder that the overarching story of the night belonged truly to immigration.
After a longer break of thirty minutes, the trio returned for a second set. “Everything is free” was her opener, a song by Gillian Welch and David Rollings. Featuring both guitar and bass solos, the group’s energy seemed to crescendo into the second song, “Little Sorrow,” written by Kater’s aunt, Julia Kater. The bass’ long and slow bow strokes, combined with Kater’s authentically sorrowful voice, translated the meaning of the song sung in French, even for non-French speakers.
And from there, the group transitioned back to Grenada with perhaps one of the most powerful pieces of the night: “Grenade.” Ronald Reagan sent a war to Grenada in 1983 with over 18,000 troops landing on the small island. Punished for their successful use of African culture and social-economic successes based in community efforts, supporters of Maurice Bishop on the island found themselves with nowhere to hide. The Reagan recording expressed Grenada’s successes were a threat somehow to Americans; he demanded its citizens to “act like the hemisphere” in which they live rather than embrace African cultures or face invasion. And with that, the US brought war to Grenada.
The song’s minor key shadowed the sadness felt in all that was lost, including Dino’s dreams of serving his community as a lawyer. The song described the dogs of war marching into the small island and the sense of powerlessness felt by the citizens there: “You can shout at the mountain / but they’ve already crowned him.”
It reflected that there was little resistance to the US’s government of choice for Grenada. “We always seem to get played” was a heart -breaking reminder of how America’s ethnocentric policies were more than rhetoric; implemented in developing countries around the world to enforce American values. These policies stole the very hopes and dreams of entire countries, and led us to our current crisis within the world as well.
Kater didn’t let the audience stay with this heartbreak, though. She told a light -hearted story about a Swedish vampire movie that inspired the next song, “The Right One.” Watching the bass player look at Kater, it wasn’t hard to imagine that he believed she is absolutely his right one. Gazing at her in a trance, the musician’s admiration for his colleague was tremendously moving and joyful. Riccione and Ryan playfully made ‘scary movie’ music as she tried to playfully explain her song, and even Kater started to laugh at their antics.
The ensemble’s friendship is a part of its charm. From there, they ran through a number of other songs, bouncing between moods, like a rapidly cycling manic-depressive. “Everly” reflected on falling apart, while “Little Pink” was a traditional song from West Virginia ,demonstrating Kater’s vocal range.
Kater humbly thanked the audience repeatedly, and expressed enjoyment in playing at the historic Lena. She finished the night with her father’s story of resiliency. He was able to escape Grenada through a student program chosen to tour Quebec to raise empathy and awareness of the plight of those in developing countries. Encouraged by his grandmother, Kater’s father let go of his dream to work in the public sector in Grenada and pursue his new life in Canada. “Poets be buried” was a moving testimony to his struggles and courage.
Kater generously returned for an encore performance of “Trouble in Mind,” a bluesy folk song with a heavy bass line and smooth guitar. She let go of her banjo and crooned about the ups and downs of life. “Sometimes I feel like living, sometimes I feel like dying,” she sang.
Kater began the night by sharing her belief that she had to look at her past in order to move forward, and her album Grenade looks at Grenada’s past with honesty that is painful at times. It is also inspiring, hopeful, and at the end of the concert, mindful, that being human includes sorrow alongside joy. Kater certainly appears ready now to move forward, fully aware of her family’s past and using the tradition of folk’s raw honesty to remind listeners that ugliness juxtaposed with great beauty offers hope.
-
Greg Haymes: Remembering a Life of Words, Art, and Music
Family members, musicians, and guests holding up signs, playing instruments, and holding up umbrellas as part of a New Orleans funeral tradition, second line. The memorial was held at the Swyer Theatre for Nippertown founder, artist, musician, and poet, Greg Haymes on Sunday, May 19, 2019.
It was a beautiful Sunday afternoon in the city of Albany. The hot sun shone brightly along the Empire State Plaza grounds and the wind gusted heavily through tree branches that swayed in full velocity.
Along the beauty that was glowing along the grounds, there was also a bout of celebration, love, and deep sadness inside The Egg Performing Arts Center. A few hundred guests were in attendance to celebrate and honor the memory of a true local legend, a cheerleader to many visual artists, photographers, writers, musicians, bands, and music fans who needed to be heard and supported in the Capital Region. Through his contributions to The Times Union, Metroland, to founding Nippertown with wife, Sara Ayers, Greg Haymes was truly a ray of sunshine and a mentor to so many creatives whose lives he had touched for many years. The Capital Region was fortunate to have a man who dedicated his time to share his knowledge, express his creativity, and provide insight into the Capital Region’s lively creative scene as great as Haymes.
Greg Haymes was a musician, poet, artist, painter, photographer, actor, and journalist. He was multi-talented, entertaining, and genuine, always giving others a helping hand during a time of need. Haymes, also known by his aliases, Sarge Blotto and Wild Bill Hayes, was involved in various musical projects like The Star-Spangled Washboard Band, Blotto, and Ramblin’ Jug Stompers. Haymes was a lover of animals, New Orleans culture, and all things revolving around the arts, music, and theatre that he would cover in newspapers, publications, and his blog, Nippertown, for nine years until his passing on April 10.
A month has passed since Haymes’ passing. The impact that he had on his family, friends, co-workers, and his fans was enormous, and his passing has left a huge hole in all our hearts. No longer are we able to read a blog post containing information about community happenings that would occur daily, read previews about art exhibitions in “ArtBeat: What to See,” and learn about the artists, bands, and other happenings that were seen and heard in the Capital Region through the reviews and previews that were written by contributors who were involved with him. Haymes was the ultimate positive cheerleader, often giving praise about upcoming events, previews, and reviews about an artist, band, musician, or event in his work. He was a mentor to all who knew him in the scene and would encourage others to contribute and create their craft that would be shared to the greater area. Haymes was present to lend a helping hand to those that were in need, even performing at a benefit event at McGeary’s for the late Caroline Mother Judge who passed away a month before Haymes. McGeary’s would be the location for Haymes’ memorial after party, a month after Mother Judge’s passing.
Along the fourth floor of the E.P.A.C., event attendees took part in an hour-long reception that commenced the memorial. The room was flooded with a who’s who of artists, musicians, journalists, contributors, music fans, friends, family, and Haymes’ band members who united to share a toast, donated money towards the Mohawk Hudson River Humane Society in exchange of music memorabilia ( Blotto vinyl records, Ramblin’ Jug Stompers CD, Blotto pins, and artist postcards), signed a guest book to leave a message, and placed a dab of sunscreen on their nose, a nod of respect to Haymes who played the titular role of ‘life guard’ in the song that first garnered attention on MTV, “I Wanna Be A Lifeguard.” Hundreds of attendees were sharing their memories, exchanging hugs with one another, snapping selfies, and capturing and recording moments with one another on their camera and cell phone. It was next to impossible to converse with all the attendees one would know in the community at the reception. There were many patrons whose lives were touched by the generosity, love, and support of Greg Haymes at the reception and inside the Lewis A. Swyer Theatre during the memorial program.
The lights flickered on and off, signaling the notion for the attendees to leave the reception and head inside to the Lewis A. Swyer Theatre to attend the memorial service. A PowerPoint slide show began, sharing photos of Haymes as a young child with his sister, Yvonne, with family members, friends, Haymes holding a pet dog, Haymes with his band mates, and other candid moments that were taken throughout the years as patrons were being seated. Once the presentation ended, Peter Lesser, Executive Director of The Egg rose to the podium to welcome the patrons to the memorial and gave his tribute to Haymes. Haymes, a friend of Lesser, would write reviews of events and concerts held inside the Egg Performing Arts Center’s two theaters. Lesser thinks of Haymes often and what he would think of a performer or an act that would soon arrive to perform in the Capital Region.

A young Greg Haymes posing solo at what looks like to be at a train stop. This photograph was shown as part of Haymes’ memorial held at the Lewis A. Swyer Theatre, Albany, NY 5/19/19. Photo by Amy Modesti “What would Greg Think?” asked Lesser to the audience. Haymes would have the first say about a performer, a band, or an event in his publications and in Nippertown. What would he think before and after our community events, we may never know, only to read back upon his previous thoughts through his printed publications.
Sara Ayers rose to the podium and gave a beautiful, heartfelt tribute to her late husband. Ayers told the story of Haymes, a visual artist, writer, poet, actor, photographer, and installation artist. Haymes was a true artist and he would continue to create art until his passing. Haymes typed witty sayings about how blue the sky is in his haiku poems, he was enamored with rust and his incorporation of the rust into his visual art creations and installations, his wooden horses that he would hang from the trees of his home, and his ink and fern mixed media pieces that were on view at the Albany Public Library. Within the final weeks of his life, Haymes created a series of paintings that were made from leftover coffee or bourbon that he would reverse the image with rubber cement to create his masterpieces and tell a story.
“He found art in everyday things in life… Carry his inspiration with him in your heart,” said an emotional Ayers as she ended her beautiful message. Her words had left guests, including myself, forming tears. Haymes is an artist and a hero in her life. He remains a hero in the eyes of many others that continue to create and express themselves.

Musician/vocalist, Bryan Thomas, watching Sara Ayers, the wife of Greg Haymes, pay homage to her late husband inside the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Paul Jossman (Bowtie Blotto), embracing Ayers in a giant hug, gave attendees a history into the music career of his friend and band member. At the age of sixteen, Haymes’ first job was playing a sheriff’s deputy in a Wild West Show at Fantasy Island Amusement Park around Buffalo, NY. Through his early involvement in his early gig, Haymes would use that job for the creation of his own style. He always made things look easy, he did things his own way, and he enjoyed attention from his fans and followers. In 1971, Jossman met Haymes at the Inside Out Coffee House in Troy, NY. Jossman joined Haymes’ college band as a banjo player in their group, The Star-Spangled Washboard Band, inspired by the stars on Haymes’ washboard. It was in this group that he developed his first alter-ego, “Wild Bill Hayes,” dressing up as a cowboy as he did in his first job at the amusement park. Haymes had owned the stage, through his elaborate stage appearance and the props that he would use to turn into his alter-ego. He was always in character, both in theater and in music. The Star-Spangled Washboard Band would travel to Disney World, be a part of the 1976 People’s Bicentennial in Washington D.C., the Maury Povich Show, and appear on the Mike Douglas Show. In 1978, Blotto was formed as was his alter-ego, “Sarge Blotto”. Haymes liked attention a whole lot as he was the star and lead singer in his hit songs, “I Wanna Be A Lifeguard” and “Metal Head.” In the mid-’80s, Blotto took a break and Haymes went into music writing. The three main things that he had focused on in his music writing and his music style were research and preparation, developing his own style and voice within his writings, and through his writings, garnering new fans that took pleasure in his writing.

Paul Jossman (Bowtie Blotto) speaking on behalf of his band member and best friend, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti “Welcome to Greg at The Egg,” said Bill Polchinski (Broadway Blotto) at the podium. Haymes and Polchinski’ s friendship began in the Spring 1970 when he was a transfer student at SUNY Albany. Haymes was a second-year theater major and invited Broadway Blotto to join his inner circle. Together, they performed in an anti-war play and as pirates in a 1971 version of Peter Pan. The Star-Spangled Washboard Band was born in the village of Lake George and Polchinski would join that group as a guitarist. Haymes, according to Broadway Blotto, had star qualities. He had the combination of Elvis, Mick Jagger, Tom Jones, and with his good looks, he was all The Beatles rolled into one. Haymes was a driven man and he was always in motion with his mind and body. Everywhere he went, he made many friends and learned plenty of musical knowledge. Haymes had a positive effect on all of us.
At a band photo shoot that Broadway Blotto and Haymes were a part of at a playground in 1994, Broadway’s three-year-old son, Will, had fallen. Haymes rushed over to Broadway’s son and picked him up from the fall and checked to see if he was okay. When Polchinski contacted his son to let him know that Haymes was ill six weeks ago, Will told his father to tell Haymes to get well and thank him for picking him up in the playground. A memory that his son had remembered twenty-five years ago, he thanked Haymes for helping him get back on his feet before he passed away. Even in the past, his memory continues to live on in their hearts.

Bill Polchinski (Broadway Blotto) speaking at the podium on behalf of his friend and band member, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Michael Eck of Ramblin’ Jug Stompers and best friend of Haymes was next. Emotional and not holding back his tears at all, Eck gave a powerful story to honor the memory of his friend. He held in his left hand, a century old, mother-of-pearl, extra fine Mabie, Todd and Company school pen that Haymes and Ayers had given to him for his writing in 1991 when he moved briefly to Austin, Texas. Eck used this tool of creativity to pen his writings, his music, and his visual art.
“If you are a musician in this room, he wrote about your band. If you are a writer, he whispered in your ear. If you are an artist, he stood in awe before your work. He participated in beauty. He offered support. He gave joy,” exclaimed Eck.
Besides a pen, Eck held up another item that he was given after his passing, a set of Oblique Strategies, small written cardboard notes by Haymes himself. Each creative suggestion that Haymes wrote was his own invention, his own words of wisdom, a path or a suggestion that he had written down. Haymes always kept everything, even the cards that Eck was given as a gift. The cards, like the pen, symbolized creativity. Eck acknowledged everybody to “Write the words. Sing the song. Paint the picture. Create.” That’s what Greg would have done, and he did just that. Haymes continued to create art, dedicated his time to watching movies about New Orleans, and focused on Nippertown until the end.

Michael Eck (Mr. Eck) of The Ramblin’ Jug Stompers speaking about his best friend and band member, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Greg Bell, promoter of Guthrie/ Bell Productions, was inspired by Haymes to start his promotion business. Haymes was one of the first friends that he had met as a student at Siena College through a mutual friend. Bell had seen Haymes perform in The Star-Spangled Washboard Band in Siena College and he enjoyed that band. Haymes introduced Bell to the Albany music scene, the Lark Street music scene, members of Blotto, and other area musicians. When Bell started his promotion business, Haymes would give Bell an extra push for his shows in The Times Union, Metroland, and Nippertown. Bell would rely on Haymes on his opinion about certain acts that he wanted to ring into town, and he would pick up a Metroland and The Times Union to read his columns about what was going on in town.
To conclude his remarks, Bell recalled a funny moment that he had with Haymes at The Star-Spangled Washboard Band show. At the time, Bell had brought his date to see the show. When the band was performing “Rocky Racoon,” Haymes, pretending to be Rocky, purposefully fell onto their table that was full of drinks and spilled a drink all over Bell’s date. Although it was a funny incident, his date wasn’t amused and that was the final time that the woman went out with him.

Greg Bell, promoter of Guthrie/Bell Productions, at the podium giving remarks about his friend, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Singer/songwriter Bryan Thomas had known Haymes since 1998, when he had sent him his first ever mix tape for him to review for a publication. From that day on, Haymes and Thomas were friends. According to Thomas, Greg knew where you were coming from. If you were featured in a preview or a review, you knew that you were going to be big enough Albany. Haymes would encourage Thomas to get his music out there to be heard in the public eye.
Thomas recalled a moment when he attended a benefit event with his daughter, who was four years old at the time. When the acts performed, Thomas’ daughter, Zoe, was coloring in a coloring book with Haymes who came over to color with her. Thomas was in awe that such a local celebrity and personality as Haymes would come and color with her. He later explained to his daughter who this man was that was coloring with her and his impact that he had on art and music. Now in his late 40’s, Thomas thanked his friend for pulling him out of the shadows.

Singer/songwriter, Bryan Thomas, speaking on behalf of his friend, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Kristen Ferguson, a music writer, and Greg Haymes reviewed shows together for various publications. Ferguson had first met Haymes through contributor, Andrzej Pilarczyk. As with Haymes’ “Top 10 Best Lists” for the popular blog, Ferguson created her own top ten best things about her friend, Greg Haymes.
10. Haymes had a “live and let live” attitude. Haymes told Ferguson that there are no rules, that you can be creative and as expressive as you want.
9. Haymes and Ayers had a love for animals, dogs and cats. Often, Haymes and Ayers would share photos of their dogs and cat at the end of the week wearing funny hats or sunning in a field.
8. Stamina: Haymes was always in the community. He would send the contributors a schedule to let them know where he was going to be and what he was going to be covering. He would attend and review 2-5 shows, anything that was of interest. Sometimes, he would attend multiple events in a single day, ranging from a Ramblin’ Jug Stompers gig to an art opening.
7. Mentorship: Haymes was a mentor to all the contributors and had welcomed the contributors to be a part of this excellent platform.
6. Haymes had a funny sense of humor. At a Bootsy Collins Alive at 5 show, Haymes posed in a fan’s motorcycle jacket and helmet to replicate the “Metal Head” look for a fan.
5. Haymes was always kind and warm. He always made you feel included and important.
4. Haymes was always supportive and always there to lend anybody a helping hand.
3. He always showed positivity and fairness in his reviews that he would publish in publications. He never posted anything negative and was able to capture the show well.
2. Haymes was a humble person. He was never competitive and allowed people to contribute to his site. There was always more room for creatives to write, photograph, and create locally.
1. Greg Haymes appreciated the arts and culture. He continued his love for arts and culture by listening to records, creating art, and watching movies. Haymes’ spirit continues to live on. Ferguson encouraged everybody to continue to see some live shows.

Music writer, Kristen Ferguson, listing her top 10 things that were special about her friend, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Stoic in his stance on the podium, WEXT DJ Chris Wienk knew Haymes since Wienk was a DJ of a local show for WBNY at Buffalo State College. Wienk first saw Haymes at The Continental in Buffalo. Around March 2007, Wienk and Dave Michaels were establishing their radio station, WEXT Radio, and sent an email to Haymes, through a lunch meeting with Bryan Thomas to see if he could provide any insight. Haymes provided the station with the names of local musicians, band names, and favorite records. Haymes was generous with all the musical knowledge that he had provided to them in order to establish their local roots station.
“He loved all art. It was his passion,” said Wienk and that was indeed true. Wienk thinks about Haymes. Without Haymes, there would be no WEXT.

Chris Wienk, WEXT DJ, speaking on behalf of his friend, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Ed Conway, a photographer/ writer and Nippertown contributor, was a huge fan of Blotto. In the past, he had seen Blotto perform with their female singer, Blanche Blotto in the late ’70s. An early date that he had with wife, Kathy, was at the Colonie Coliseum to watch Blotto and The Sharks. Later, he would bring his son, Evan, and daughter, Kimberly, to see Blotto perform live. The Conway’s first discovered Haymes’ site in 2010 through a blog posting that Kathy had noticed about adding your name to the contributors. He wrote a review of Blue Oyster Cult performing a show in Pittsfield, MA. Using just a regular point-and-shoot digital camera and a notebook, Ed was able to complete his review and sent it to Greg. To his surprise, Greg accepted his review and Conway officially became a contributor. In 2011, Conway wrote a review about Blotto at the Tulip Festival. Conway looked up to two other contributors, photographers and friends, Andrzej Pilarczyk and Rudy Lu, as mentors in developing his photography and writing reviews. Through Sara’s help, Conway was able to photograph the Viva Las Vegas music festival show this year and he was a nominee for best photographer in the Eddie’s Awards show in April. Haymes had given Conway a new passion for writing and photography. Conway also gave a shout out to three other contributors, Stanley Johnson, Timothy Reidy and Amy Modesti, and many others who were given the support, mentorship, and enjoyed the friendly open atmosphere that Greg and Sara created. The website was a great platform for Conway and other photographers and writers to express their creativity, share stories and enjoy their peers’ work, and help inform the community about the great community happenings.

Ed Conway, photographer, writer, and Nippertown contributor, speaking on behalf of his friend and mentor, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Steve Barnes, Times Union writer and friend of Haymes, was the last speaker to pay homage to his friend. Barnes knew Haymes for over thirty-one years since their first encounter at a show held at the Saratoga Performing Arts Center. “Sarge Blotto”, according to Barnes, was one of his greatest creations. Haymes was a rock journalist and was great at record keeping, stating facts, and had great organization. Whenever he would see Haymes, he had “on the fly” education about anything that was occurring in the scene. He was full of wealth and knowledge and he always got the scoop about the latest show or event first. Haymes, and now Barnes, were learning from the best people in the entertainment scene. Instead of going to Google to search for community events to attend, people were going to Nippertown to search for events as their own personal community event Google search.

Steve Barnes, Times Union writer, speaking on behalf of his friend and colleague, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti The final moments of the memorial were spoken by Ayers who returned to the stage. Ayers reflected back on Haymes’ love of New Orleans culture. Haymes loved New Orleans. He and Ayers were married in New Orleans. At the time of a person’s passing, Ayers had mentioned a tradition held in New Orleans called second line. The second line is the tradition in brass band parades, and it features the first line, or the main line, that consists of the members of the brass band. The second line consists of patrons that enjoy the music of the brass band who walk behind them during the performance. It is also a traditional dance in which patrons can be seen holding a parasol or a handkerchief in the air, also known as the second lining. It is an art form that is performed as a funeral ritual, performed with jazz without the body.
Rosanne Raneri and Stephen Clyde (Cousin Clyde) of the Ramblin’ Jug Stompers performed a beautiful tune as a duo. With Clyde on acoustic guitar and Raneri on vocals, every note you heard sung and plucked was beautiful. As soon as they finished their song, The Driveby Jazz Band became the second line. A man holding a trumpet along the far-left end of the stage singled the start of the song with the sound of a toot and marched right into the center of the theatre to meet with other performers that were congregating from all sides. Meeting at the center, the band marched back and forth along the front of the stage and joining them was Ayers, Yvonne Haymes, and other friends and family members holding up parasols, playing kazoos, and passing along Mardi Gras beads to spectators that were seated in the audience as they awaited the end of the event. The audience followed the band out of the theatre and watched the band perform “Will the Circle Be Unbroken” along the main lobby of the Swyer Theatre, concluding the memorial.

Rosanne Raneri (vocals) and Steven Clyde (acoustic guitar/vocals) performing a song together during the memorial for their friend, Greg Haymes, at the Lewis A. Swyer Theatre in Albany, NY 5/19/2019. Photo by Amy Modesti Thank you, Greg Haymes and Sara Ayers, for everything that you have both done for the area for the past nine years. Thank you for all your contributions, your mentorship, and for being the true, ultimate cheerleader that you were in the Capital Region arts and music scene. May your memory and your impact continue to be a blessing and shine within our hearts. Rest in Peace, Sarge Blotto. Rest in Peace, Greg Haymes. Thank you for everything.
This article was originally published by The Spot 518,
-
Losers Club Rock Montage at Debut Show
The neon sign outside Montage Music Hall was a beacon in the night, drawing music lovers into the heart of Rochester for the first live performance by Losers Club on Friday, May 31. The project is new, but members are seasoned musicians who have been playing out in bands for years. The downtown venue was packed with their friends, family, and fans.

Losers Club debut performance – Photo by Corrine Cummings Losers Club took to the stage. Cody Wagner took his place behind the drum kit. Andy Champion picked up his bass. Aidan Snyder and Nate Blasdell strapped on their guitars. Then, Blasdell took a spot center stage, in front of the mic. Blasdell has been in several bands (The Bunny The Bear, I Set My Friends On Fire), but this is his first time as front man. Blasdell thanked everyone for coming before delving into their set.

Bassist, Andy Champion – Photo by Corrine Cummings Rocking rhythms and pop hooks paved the way for emotional lyrics, oozing with unapologetic honesty. Between songs, Blasdell told the crowd a little about how the band was conceived, during a snow day this past winter. The band members came together after knowing each other for years through the local music scene. He also talked about the origin of the band name, and how Losers Club is about embracing the feeling of not fitting in.

Guitarist, Aidan Snyder. Photo by Corrine Cummings The set was full of original songs, but they threw in one cover. Mid-set they got the crowd singing along to a rocking rendition of Lil Uzi Vert’s “All My Friends Are Dead.” Losers Club came out of the gate strong for their first show. It’s clear this new band is one to watch.
Opening for Losers Club was indie pop band So Last Year. The five piece powerhouse gave an energetic performance. The set included sing-along faves from their albums In The Light Of Summer and It’s Later Than You Think. They’ve since been writing and recording for their next release, and on this night they played the soon-to-be-released song “Already Gone.”

So Last Year building steam, for an energetic set – Corinne Cummings All photos taken by Corrine Cummings.

























































